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Finance Committee Continues Discussion of Road Stabilization
TONIGHT Light rain. Snow late. Low of 25. Search for The Westfield News The WestfieldNews “COURAGE IS DOING WHAT Search for The Westfield News Westfield350.com The WestfieldNews YOU’RE AFRAID TO DO. Serving Westfield, Southwick, and surrounding Hilltowns THERE CAN BE“T NOIME C ISOURAGE THE ONLY WEATHER UNLESS YOU’RECRITIC SCARED WITHOUT.” TONIGHT AMBITION.” Search for The Westfield - EDDI ENews RICKENBACKER Westfield350.comPartly Cloudy. The Westfield JOHN STEINBECK Low of 55. News Serving Westfield,www.thewestfieldnews.com Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHER CRITIC WITHOUT VOL.TONIGHT VOL.87 NO. 86 27 NO. 151 THURSDAY,TUESDAY, FEBRUARY JUNE 1, 27,2018 2017 AMBITION.” 75 Cents 75 cents Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL.Finance 86 NO. 151 Committee continuesTUESDAY, discussion JUNE 27, 2017 of Road Stabilization 75 centsFund By AMY PORTER Surprise, a member of the Finance Committee, said he would Correspondent volunteer to participate in the conversation. “The memo I WESTFIELD – The Finance Committee took up the motion believe is incorrect,” Surprise said, pointing to the City of of Councilors Andrew K. Surprise and Dave Flaherty to estab- Amesbury, which underwent the same process. He said other lish a Special Purpose Stabilization Fund dedicated to road and cities and towns have also done it. sidewalk repair and maintenance, to be funded by the Local “One thing about this memo, it’s not clear what she’s refer- Option Meals Tax and Room Occupancy Tax. ring to,” Allie said. Finance sub-committee chair Dan Allie read a memo from “I don’t think either of us said the Mayor wouldn’t be City Solicitor Susan C. -
![Musica, Teatro, Danza Musik[È] Musica, Teatro, Danza Musikè Musica Teatro Danza Giovani](https://docslib.b-cdn.net/cover/0659/musica-teatro-danza-musik-%C3%A8-musica-teatro-danza-musik%C3%A8-musica-teatro-danza-giovani-90659.webp)
Musica, Teatro, Danza Musik[È] Musica, Teatro, Danza Musikè Musica Teatro Danza Giovani
3^ edizione 2014 musik[è] musica, teatro, danza musik[è] musica, teatro, danza Musikè Musica Teatro Danza Giovani Ideazione e coordinamento Alessandro Zattarin Gruppo di lavoro Mario Giovanni Ingrassia Claudio Ronda Gabriele Vianelli Comunicazione Roberto Fioretto Supervisione Alessandra Veronese Progetto grafico Metropolis ADV Ufficio stampa Studio Pierrepi [è] Musikè Musica Teatro Danza Giovani 1 2 3 4 5 Musica Teatro Musica 12 maggio 2014 ore 21 19 maggio 2014 ore 21 Rovigo, Tempio della Beata Vergine del Soccorso (La Rotonda) Bagnoli di Sopra (PD), Teatro Goldoni ESCLUSIVA NAZIONALE LINA JOB WERTMÜLLER Un’allegra fin de siècle CORO DA CAMERA DELLA FILARMONICA ESTONE in recital Daniel Reuss direttore Testo di Lina Job Wertmüller Musiche di Sergej Rachmaninov Musiche e canzoni di Italo “Lilli” Greco e Lucio Gregoretti Premiato con il Diapason d’or, il Preis der Deutschen Schallplattenkritik, il Danish Music Award e il Lina Job Wertmüller voce recitante Grammy Award per la miglior esibizione corale (nel 2007 e nel 2014), l’Estonian Philharmonic Nicoletta Della Corte voce cantante Chamber Choir propone ogni anno tra i 60 e i 70 concerti, divisi tra l’Estonia e l’estero, grazie a uno Francesco Bancalari pianoforte straordinario repertorio che spazia dal canto gregoriano e barocco fino alla musica del ventunesimo secolo, con speciale attenzione alle opere di compositori estoni (Arvo Pärt, Veljo Tormis, Erkki-Sven Produzione Promo Music Tüür, Galina Grigoryeva, Toivo Tulev, Tõnu Kõrvits, Helena Tulve). Fondato nel 1981 da Tõnu Kaljuste, ha collaborato con orchestre e direttori di assoluto prestigio (Claudio Abbado, Neeme e Paavo Järvi, Un viaggio attraverso il Novecento, secolo segnato da due guerre mondiali e da brutali dittature, Olari Elts, Andrew Lawrence-King, Roland Böer, Stephen Layton, Marc Minkowski, Christoph Poppen, raccontato con il timbro dissacrante e incontenibile della grande regista Lina Job Wertmüller, qui Sir Colin Davis). -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
Rezension Für: Deutsches Symphonie-Orchester Berlin
Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin. -
Composer Keith Burstein Pays Homage to Beethoven with a New Work to Mark the 250Th Anniversary of His Birth
COMPOSER KEITH BURSTEIN PAYS HOMAGE TO BEETHOVEN WITH A NEW WORK TO MARK THE 250TH ANNIVERSARY OF HIS BIRTH Keith Burstein rehearsing his Symphony No 1 Elixir with the Kaunas City Symphony Orchestra in Kaunas Lithuania in 2012. Performance Date: 25 March 2020 Venue: Cadogan Hall, London A new work written by composer Keith Burstein to mark the 250th anniversary of the birth of Ludwig van Beethoven will be performed by the London Chamber Orchestra (LCO) at the Cadogan Hall in Chelsea, London, on 25 March 2020. Memories of Bonn, Symphonic Poem No 1 will be conducted by LCO’s Music Director and Principal Conductor, Christopher Warren-Green, and was inspired by the composer’s visit to Bonn, Beethoven’s birthplace. Vladimir Ashkenazy, the great pianist and conductor – and mentor to Burstein – suggested he wrote the Symphonic Poem. Albany Arts | A22 Laystall Street | London | EC1R 4PA | t: + 44 (0) 20 78 79 88 95 | www.albanyartscommunications.com The piece seeks to reflect the complex confluence of history and culture that Burstein experienced in Bonn when he attended a premiere of his music there in 2016. Inevitably the music evokes Beethoven, who is considered by the composer to be ‘the exemplar of a radical composer who wrote memorable melodies.’ Burstein is renowned for his fervent championing of tonal music, as opposed to the atonal style which has dominated classical music teaching and composition for over a century, and Memories of Bonn looks set to ignite the ongoing controversy surrounding the pre-eminence of atonal music over tonal. ‘I am delighted Christopher Warren-Green and the London Chamber Orchestra are premiering this new work, which was strongly advocated by Mark Redman, Chairman of the LCO Trust. -
Rezensionen Für
Rezensionen für Edition Ferenc Fricsay (IV) – P. I. Tchaikovsky: Piano Concerto No. 2 & F. Liszt: Piano Concerto No. 1 aud 95.499 4022143954992 Audiophile Audition December 2008 (Gary Lemco - 2008.12.21) A truly happy discovery for the connoisseur, these inscriptions, one live (the... Full review text restrained for copyright reasons. CD Compact Marzo 2009 (Emili Blasco - 2009.03.01) Audite Edición Ferenc Fricsay Audite Edición Ferenc Fricsay Full review text restrained for copyright reasons. Die Tonkunst Juli 2013 (Tobias Pfleger - 2013.07.01) Edition Ferenc Fricsay – Werke von Haydn, Mozart, Beethoven, Rossini, Bizet, Brahms, Strauß, Verdi, Bartók u. a. Edition Ferenc Fricsay – Werke von Haydn, Mozart, Beethoven, Rossini, Bizet, Brahms, Strauß, Verdi, Bartók u. a. Full review text restrained for copyright reasons. page 1 / 7 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de Fanfare Issue 32:5 (May/June 2009) (Lynn René Bayley - 2009.05.01) Pairing Romantic pianist Cherkassky and post-modern conductor Fricsay doesn’t even seem, on paper, like a good idea, let alone a recipe for success. As a pupil of Josef Hoffman and a representative of an older school that believed in impromptu changes to one’s performance approach, Cherkassky rode for 70 years on a wing and a prayer, while Fricsay came from the school of rehearse-exactly-as-you-play. Moreover, Cherkassky’s rhythmic and emotional freedom also seemed at odds with Fricsay’s insistence on written tempos and rhythms. The reason Deutsche Grammophon didn’t release the 1951 recording of the Tchaikovsky appears to be that someone at the label was disappointed by the sound of the orchestra. -
MGMT: Little Dark Age
MGMT: Little Dark Age spectrumculture.com/2018/02/11/mgmt-little-dark-age-review/ Daniel Bromfield One imagines a pang of dread shooting through the members of MGMT as their debut album, Oracular Spectacular, turned 10 last month. For better or for worse, Oracular Spectacular is now a classic, and its three titanic hit singles—“Kids,” “Time to Pretend” and “Electric Feel”—show no signs of going away. Most bands would be pleased to have a legacy set in stone, but MGMT have spent the better part of the last decade trying to distance themselves from pop stardom and prove to the world—or to themselves— that they’re a serious experimental band. They’ve succeeded, sort of. Though most of the world will always know MGMT for their hits, we no longer have any safe expectations for the “next MGMT album,” and it makes perfect sense that they’re ditching the psych-poppet affectations to reposition themselves as compadres of Ariel Pink and John Maus. Little Dark Age, the duo’s long-gestating fourth album, casts them as graveyard goths whose madcap sense of humor barely keeps the bad vibes at bay. That it works is a testament to just how unpredictable this band has become in its experimental period. This feels like the logical endpoint of the band’s hermeticism. While Andrew VanWyngarden and Ben Goldwasser once presented themselves as cult leaders, with “the handshake under our tongue,” here they’re more like mad prophets broadcasting their ravings to the world from a dingy basement. The music is mid-fi, shrouded in filters that feel like the musical embodiment of the band’s misanthropy, and the dominant instrument isn’t synth or guitar but Matt Asti’s bass, which burbles nauseously out of the gloom. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
Recession Proof Jobs
September 2009 WWW.BERGEN.EDU/THETORCH VOLUME - 15 ISSUE - 1 Environment Club... pg 2 The Torch Meadowlands Campus... pg 3 THE STUDENT NEWSPAPER OF BERGEN COMMUNITY COLLEGE Textbook Resolution: What is it? SADAF KHURSID On April 1ST, Bergen resolution that would save even more difficult to burden for students. Some CO-EDITOR Community College held the students some money in attain.” of the recommendations that a public hearing to inform the long run. The Text Book Did you know the were stipulated included the The present economic the students that the tuition Resolution was proposed to average text book now costs following: recession has forced us to will increase by almost the senate to help students a minimum of $100.00? “[To] keep the same face the harsh realities of eight percent for the next cut back on some of the That is approximately three- editions of books for two drastic increases in every semester. This means expenses that they will be fourths the cost of tuition! years, give preference to arena from transportation to that you, the students, will facing. According to SGA, The Text Book low or no cost educational the cost of food. The most be paying more than you “The rising cost of the Resolution was passed April resources over expensive important change that has already are. college textbooks creates an 21st by the faculty senate. commercial text books, occurred and which affects Keeping that in mind, added burden to the tuition The Resolution consists of make professors place every student is the increase Student Government rate which is spiraling out suggestions or alternatives a copy of required and in tuition. -
Monday Playlist
December 23, 2019: (Full-page version) Close Window “I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.” — WA Mozart Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online The Christmas Tree, and A Pine Forest in Sleepers, Awake! 00:01 Buy Now! Tchaikovsky Dresden State Orchestra/Poschner Sony Classic 88875031652 888750316523 Winter ~ The Nutcracker, Op. 71 Lute Suite in A minor (originally C minor), 00:10 Buy Now! Bach Julian Bream RCA 5841 07863558412 BWV 997 00:31 Buy Now! Mozart Violin Concerto No. 5 in A, K. 219 "Turkish" Frang/Arcangelo/Cohen Warner Classics 0825646276776 825646276776 01:01 Buy Now! Mendelssohn Piano Trio No. 2 in C minor, Op. 66 Perlman/Ma/Ax Sony Classical 52192 886975219223 St. Olaf Choir/Nidaros Cathedral Girls' 01:32 Buy Now! Traditional O come, all ye faithful St. Olaf Records 3501 610295350126 Choir/Armstrong/Brevik 01:38 Buy Now! Mercadante Flute Concerto in E minor Galway/I Solisti Veneti/Scimone RCA 7703 07863577032 02:01 Buy Now! Lauridsen O magnum mysterium Los Angeles Master Chorale/Salamunovich RCM 19605 707651960522 02:07 Buy Now! Leontovych Carol of the Bells Los Angeles Master Chorale/Salamunovich RCM 19605 707651960522 02:09 Buy Now! Schubert Symphony No. 1 in D, D. 82 Hanover Band/Goodman Nimbus 5198 083603519827 02:38 Buy Now! Brahms Cello Sonata No. 1 in E minor, Op. 38 Nelsova/Johannesen CBC 2018 059582201824 Christmas at the Opera House, with Bob 03:00 Buy Now! Chapman Symphony No. 1 in G minor, Op. -
This Month's Highlights Release Date - Friday 30Th November 2018
DECEMBER 2018 DEALER INFORMATION SERVICE: NO. 323 THIS MONTH'S HIGHLIGHTS RELEASE DATE - FRIDAY 30TH NOVEMBER 2018 Download this month's information here: www.selectmusic.co.uk - USERNAME: dealer • PASSWORD: select All orders must be received a week prior to release date. Orders are shipped on the Wednesday preceding release date Please click on a label below to be directed to its relevant page. Thank you. CDs Accentus Music Hortus APR Kairos Arco Diva Melodiya BIS Orfeo Claudio Records Paladino Music Continuo Classics Profil CPO Prophone Dacapo Raumklang DB Productions Resonus Classics Delos Rondeau Production Divox Somm Recordings Doremi Sono Luminus Drama Musica Steinway & Sons Dynamic Toccata Classics Edition S Tudor Fondamenta Varese Sarabande Gramola Wergo DVDs Accentus Music Dynamic C Major Entertainment Vai Select Music and Video Distribution Limited Unit 8, Salbrook Industrial Estate, Salbrook Road, Salfords Redhill RH1 5GJ Tel: 01737 645600 • Fax: 01737 644065 • E: [email protected] • E: [email protected] • Twitter: @selectmusicuk Highlight of the Month Pascal Dusapin À quia; Aufgang; Wenn du dem Wind … Nicolas Hodges, Carolin Widmann, Natascha Petrinsky, Orchestre National des Pays de la Loire, Pascal Rophé BIS2262 £9.00 SACD 30/11/18 BIS About this Release Pascal Dusapin has composed a number of works for the stage, one of the more recent being the opera Penthesilea, after the play by Heinrich von Kleist. From the opera he has also fashioned Wenn Du dem Wind…, the concert suite which opens this disc. Although beginning and ending with a single line from a solo harp, throughout its course takes the listener through the extremes of love, war and the demands of inflexible laws. -
Festival of Perth Programmes (From 2000 Known As Perth International Arts Festival)
FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) Date Venue Title & Author Director Producer Principals 1980 1980 Festival of Perth Festival Programme 14 Feb-18 Mar 1980 Various Festival at Bunbury WA Arts Council & City of Bunbury Feb – Mar 1980 Various PBS Festival of Perth Festival of Perth 1980 Spike Milligan, Tim Theatre Brooke-Taylor, Cathy Downes 17 Feb-16 Mar 1980 Churchill Gallery Lee Musgrave Paintings on Perspex 22 Feb-15 Mar 1980 Perth Concert Hall The Festival Club Bank of NSW Various 22 Feb 1980 Supreme Court Opening Concert Captain Colin Harper David Hawkes Compere Various Bands, Denis Gardens Walter Singer 23 Feb 1980 St George’s Cathedral A Celebration Festival of Perth 1980 The Very Reverend Cathedral Choir, David Robarts Address Cathedral Bellringers, Arensky Quartet, Anthony Howes 23 Feb 1980 Perth Concert Hall 20th Century Music Festival of Perth 1980, David Measham WA Symphony ABC Conductor Orchestra, Ashley Arbuckle Violin 23 Feb – 4 Mar 1980 Dolphin Theatre Richard Stilgoe Richard Stilgoe Take Me to Your Lieder 23 Feb-15 Mar 1980 Dolphin Theatre Northern Drift Alfred Bradley Henry Livings, Alan Glasgow 24 Feb 1980 Supreme Court Tops of the Pops for Festival of Perth 1980, Harry Bluck Various groups and Gardens ‘80 R & I Bank, SGIO artists 24 Feb, 2 Mar 1980 Art Gallery of WA The Arensky Piano Trio Festival of Perth 1980, Jack Harrison Clarinet playing Brahms Alcoa of Aust Ltd 25 Feb 1980 Perth Entertainment Ballroom Dance Festival of Perth 1980 Sam Gilkison Various dancing PR10960/1980-1989