Saviours of Islamic Spirit
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Tunisia (Tunisian Republic)
CultureGramsTM World Edition 2018 Tunisia (Tunisian Republic) History BACKGROUND Early Civilizations Throughout its history, Tunisia was a crossroads of many Land and Climate civilizations. Tunisia's indigenous inhabitants are known Tunisia covers an area twice as big as Austria or slightly collectively as Berbers, but a more accurate indigenous term larger than the U.S. state of Georgia. Hundreds of miles of for them is Imazighen (Amazigh, singular). Phoenicians sandy beaches line Tunisia's Mediterranean coastline. The founded Carthage in 814 BC. The Romans fought Carthage in Atlas Mountains, which span Morocco and Algeria, extend three Punic Wars, eventually destroying it in 146 BC. into northern Tunisia from the west. The Jebel ech Chambi is Islamic and French Influence Tunisia's highest mountain, at 5,066 feet (1,544 meters). The two major influences shaping modern Tunisian society Tunisia's central region rises to a plateau and then gives way are Islam and the remnants of French colonialism. Islam came to the semidesert terrain of the Sahel. Further south, dry salt with invading Arabs in the seventh century AD. Indigenous lakes and scattered oases border the Sahara Desert. groups gradually adopted the Arabic language and customs, About 18 percent of Tunisia's land is arable, and 15 and Tunisia became a center of Islamic culture. The Turkish percent is used for permanent crops (such as citrus). Olives, Ottoman Empire ruled the area between 1574 and 1881. olive oil, and citrus fruits are major agricultural products. Economic difficulties and French colonial interests led to the Orange orchards are found in the Cap Bon (the northeastern Treaty of Bardo (1881), which made Tunisia a French peninsula). -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
The Hat Magazine Archive Issues 1 - 10
The Hat Magazine Archive Issues 1 - 10 Issue No Date Main Articles Workroom Process ------------------------------------------------------------------------------------------------------------------------ Issue 1 Apr-Jun 1999 Luton - Ascot Shoot - Sean Barratt Feathers - Dawn Bassam -Trade Shows - Fashion Museums & Dillon Wallwork ------------------------------------------------------------------------------------------------------------------------ Issue 2 Jul-Sep 1999 Paris – Marie O’Regan – Royal Ascot Working with crinn with - Student Shows – Geoff Roberts Frederick Fox ------------------------------------------------------------------------------------------------------------------------ Issue 3 Oct-Nov 1999 Hat Designer of the Year ’99 - Block Making with Men in Hats, shoot – Trade Fairs Serafina Grafton-Beaves ------------------------------------------------------------------------------------------------------------------------ Issue 4 Jan-Mar 2000 Mitzi Lorenz – Philip Treacy couture Working with sinamay (1) show Paris – Florence – Bridal shoot with Marie O’Regan Street page – Trades Shows ------------------------------------------------------------------------------------------------------------------------ Issue 5 Apr-Jun 2000 Coco Chanel – Trade Fairs Working with sinamay (2) Dagmara Childs – Knits Shoot with Marie O’Regan Street page - Trade Shows ------------------------------------------------------------------------------------------------------------------------ Issue 6 Jul-Sep 2000 Luton shoot – Royal Ascot Working with -
Spring Summer 2020 Vienna
SPRING SUMMER 2020 VIENNA What exactly is „Viennese Style“? The typical Was ist denn jetzt eigentlich dieser Wiener Stil? Viennese je-ne-sais-quoi, which has gained a Dieses typisch Wienerische, das längst eine world-wide reputation? In our Spring/Summer 2020 Weltkarriere hingelegt hat? Um nichts Geringeres collection we did our utmost to try and unearth this. als das herauszufinden, ging es in der Kollektion Did we find a succinct answer? Unfortunately not! Frühling/Sommer 2020. Haben wir eine schlüssige Vienna is many things, maybe even too many. Antwort darauf gefunden? Leider nein! But above all it is a “melange” – a blend of Wien ist Vieles, vielleicht sogar zu Vieles. Vor allem different influences and style directions, which, aber ist es eine „Melange“ unterschiedlichster when mixed together just so, result in something Einflüsse und Stilrichtungen, die in einem ganz typically Viennese. This is a fine balance between bestimmten Mischverhältnis eben Wienerisch simplicity and opulence, patina and gloss, art ergeben. Das spielt sich zwischen Schlichtheit und nouveau and social housing, superficiality and Opulenz ab, Patina und Hochglanz, Jugendstil skilful understatement. And generally between east und Gemeinde bau, Oberfläche und Understatement. and west, north and south – and we are right at Und überhaupt zwischen Westen und Osten, Norden the epicentre. Exuberant, completely over the top und Süden – und wir mittendrin. Überbordend and then again there is total clarity. Decorations, und dann wieder ganz klar. Ornamente, Rüschen, frills, fraying or their entire absence – this is the Fransen und deren Abwesenheit – das ist die Mühlbauer Spring/Summer 2020 collection. Mühlbauer- Kollektion Frühling/Sommer 2020. -
Tales of a Medieval Cairene Harem: Domestic Life in Al-Biqa≠‘|'S Autobiographical Chronicle
LI GUO UNIVERSITY OF NOTRE DAME Tales of a Medieval Cairene Harem: Domestic Life in al-Biqa≠‘|'s Autobiographical Chronicle Among the findings of recent scholarship on medieval Arabic autobiography1 is a reaffirmation, or redefinition, of the long-held notion that the realm of "private" life was "never the central focus of pre-modern Arabic autobiographical texts."2 To address this paradoxical contradiction between the business of "self- representation" and the obvious lack of "private" material in such texts, four sets of recurring features have been identified to help in uncovering the "modes" the medieval Arabic authors used to construct their individual identities: portrayals of childhood failures, portrayals of emotion through the description of action, dream narratives as reflections of moments of authorial anxiety, and poetry as a discourse of emotion.3 Other related areas, such as domestic life, gender, and sexuality, are largely left out. The "autobiographical anxiety," after all, has perhaps more to do with the authors' motivations to pen elaborate portrayals, in various literary conventions, of themselves as guardians of religious learning and respected community members (and in some cases, to settle scores with their enemies and rivals) than self-indulgence and exhibitionist "individuating." In this regard, a good example is perhaps the universally acclaimed autobiographical travelogue, the Rih˝lah of Ibn Bat¸t¸u≠t¸ah (d. 770/1368), who married and divorced over a period of thirty years of globetrotting more than twenty women and fathered, and eventually abandoned, some seventy children. However, little, if any, information is provided © Middle East Documentation Center. The University of Chicago. -
The Pseudo-Kufic Ornament and the Problem of Cross-Cultural Relationships Between Byzantium and Islam
The pseudo-kufic ornament and the problem of cross-cultural relationships between Byzantium and Islam Silvia Pedone – Valentina Cantone The aim of the paper is to analyze pseudo-kufic ornament Dealing with a much debated topic, not only in recent in Byzantine art and the reception of the topic in Byzantine times, as that concerning the role and diffusion of orna- Studies. The pseudo-kufic ornamental motifs seem to ment within Byzantine art, one has often the impression occupy a middle position between the purely formal that virtually nothing new is possible to add so that you abstractness and freedom of arabesque and the purely have to repeat positions, if only involuntarily, by now well symbolic form of a semantic and referential mean, borrowed established. This notwithstanding, such a topic incessantly from an alien language, moreover. This double nature (that gives rise to questions and problems fueling the discussion is also a double negation) makes of pseudo-kufic decoration of historical and theoretical issues: a debate that has been a very interesting liminal object, an object of “transition”, going on for longer than two centuries. This situation is as it were, at the crossroad of different domains. Starting certainly due to a combination of reasons, but ones hav- from an assessment of the theoretical questions raised by ing a close connection with the history of the art-historical the aesthetic peculiarities of this kind of ornament, we discipline itself. In the present paper our aim is to focus on consider, from this specific point of view, the problem of a very specific kind of ornament, the so-called pseudo-kufic the cross-cultural impact of Islamic and islamicizing formal inscriptions that rise interesting pivotal questions – hither- repertory on Byzantine ornament, focusing in particular on to not so much explored – about the “interference” between a hitherto unpublished illuminated manuscript dated to the a formalistic approach and a functionalistic stance, with its 10th century and held by the Marciana Library in Venice. -
A Study of Stambeli in Digital Media
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Spring 2019 A Study of Stambeli in Digital Media Nneka Mogbo Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the African Languages and Societies Commons, African Studies Commons, Ethnomusicology Commons, Music Performance Commons, Religion Commons, Sociology of Culture Commons, and the Sociology of Religion Commons A Study of Stambeli in Digital Media Nneka Mogbo Mounir Khélifa, Academic Director Dr. Raja Labadi, Advisor Wofford College Intercultural Studies Major Sidi Bou Saïd, Tunisia Submitted in partial fulfillment of the requirements for Tunisia and Italy: Politics and Religious Integration in the Mediterranean, SIT Study Abroad Spring 2019 Abstract This research paper explores stambeli, a traditional spiritual music in Tunisia, by understanding its musical and spiritual components then identifying ways it is presented in digital media. Stambeli is shaped by pre-Islamic West African animist beliefs, spiritual healing and trances. The genre arrived in Tunisia when sub-Saharan Africans arrived in the north through slavery, migration or trade from present-day countries like Mauritania, Mali and Chad. Today, it is a geographic and cultural intersection of sub-Saharan, North and West African influences. Mogbo 2 Acknowledgements This paper would not be possible without the support of my advisor, Dr. Raja Labadi and the Spring 2019 SIT Tunisia academic staff: Mounir Khélifa, Alia Lamããne Ben Cheikh and Amina Brik. I am grateful to my host family for their hospitality and support throughout my academic semester and research period in Tunisia. I am especially grateful for my host sister, Rym Bouderbala, who helped me navigate translations. -
Bentuk Dan Makna Sorban Di Indonesia
1 Bentuk dan Makna Sorban di Indonesia Hafshoh Arrobbaniyah Program Studi Arab, Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia, Depok, Jawa Barat, 16424, Indonesia Email : [email protected] Abstrak Artikel jurnal ini membahas mengenai “Bentuk dan Makna Sorban di Indonesia”. Latar belakang dari penulisan ini adalah banyaknya ragam bentuk sorban yang tersebar di seluruh dunia memiliki makna yang berbeda-beda bagi setiap agama, wilayah, kelompok masyarakat serta individu pemakainya. Tujuan dari penulisan ini adalah mengetahui bentuk sorban di Indonesia serta ragam makna di balik pemakaian sorban tersebut. Metode penulisan yang digunakan adalah studi kepustakaan (library search) dengan mencari sumber-sumber referensi yang berkaitan dengan sorban beserta perkembangannya di dunia dan Indonesia, serta metode wawancara dengan narasumber untuk menunjang sumber referensi. Jurnal ini menggunakan metode penelitian deskriptif analitis. Jurnal ini menggunakan teori akulturasi yang dikemukakan oleh Young Yun Kim untuk menganalisis bentuk sorban di Indonesia, serta konsep mengenai komodifikasi agama yang dikemukakan oleh Pattana Kitiarsa dalam menganalisis makna sorban di Indonesia. Hasil dari analisis penulisan ini yaitu bentuk sorban di Indonesia merupakan hasil akulturasi dengan bentuk sorban di Yaman dan India. Selain sebagai simbol agama, sorban juga dapat bermakna sebagai komoditas. Abstract Form and Meaning of Turban This journal article discusses about the "Form and Meaning Turbans in Indonesia". The background of this journal is the spreading forms of turban to all over the world which it has different meanings for each religion, region, community groups and individual wearers. The purpose of this paper is to determine the form of a turban in Indonesia and the meaning behind wearing the turban. The method which is used in this journal is the study of literature (library search) to find the sources of reference which relating to the turban and its development in the world and in Indonesia, and interviews with informants to support the references. -
The Virginia Teacher, Vol. 9, Iss. 8, October 1928
^'Virginia Teacher October, 1928 THE SCIENTIST AND EDUCATION Donald W. Davis GENERAL SCIENCE TEACHING IN VIRGINIA Fred C. Mabee DEFICIENCIES IN HIGH SCHOOL LATIN E. Marion Smith NEGRO EDUCATION IN THE UNITED STATES THE READING TABLE EDUCATIONAL COMMENT Published at the CENTS STATE TEACHERS COLLEGE of Harrisonburg, Va, THE VIRGINIA TEACHER OSOSOSOISO^OSO^O^ESO^OSOSOSOSOSOSq O^OSiCMO^O-SOHiOSOlSSiOSsOSOMOSOgsO^OSSO Si S iln= 105 9 JUST PUBLISHED ATTENTION OF TEACHERS 3 m Fundamentals of Business i o g Practice s AND PRINCIPALS o o Q JS g by o 8 g C. E. Birch, B. S .in Ed., L. L. B., M. Accis. g; Supervisor of Penmanship and Com- Q mercial Work, Lawrence, Kansas sfa . , -r . We carry a complete line of School h O Laboratory materials for use in Junior Furniture, Auditorium Seating, Black- 9 q Business Training Courses. One hundred boards and Accessories. School Sup- g SS practical assignments with all instructions o O and practice material self-contained in the ffi plies, Maps, Globes and Charts, latest g O pad. Intended for use with the text, Fun- o E« publications. Kindergarten Supplies, g Iffii damentals of Business, by the same author, o o 6 as supplementary to other texts, or inde- g g Teachers Supplies, Playground Equip- q pendently of any text. "" ment, Gymnasium and Athletic Goods. NEW, DIFFERENT, EXPLORATORY, o o PRE-V O CAT ION AL g Any special catalog or prices mailed on request. Write us today. LIST PRICES Fundamentals of Business (Text) . .80c o Virginia School Supply Co. Fundamentals of Business Practice Box 1177 (Pad Form) 80c o Write for Samples and Other Information 2000 W. -
First National News Dated May 1
- COLLEEN-A'-- GEORGE MOORE ^- FITZMAURICE- \€ fill M t* •' j 7 Vol. III. No. 8. April 15/1928 " and then in 1928 came a great turning point in the history of the picture industry* "That year First National broke with FIVE famous record- breakers right off the bat! "Colleen Moore in 'Her Wild Oat', Richard Barthelmess in 'The Patent Leather Kid', 'The Private Life of Helen of Troy', 'Shepherd of the Hills' by Harold Bell Wright, and Richard Barthelmess in 'The Noose'— one right after another! And each one better than the last. "Of course everybody remembers these great hits today, just as they remember 'Abraham Lincoln/ 'The Sea Hawk,' and 'Birth of a Nation'. But the thing few people realize is that these five pictures that have come down in history were released in A SINGLE MONTH by A SINGLE COMPANY. "And on top of that First National followed right up with "I made more a dozen others just as big, including Colleen Moore in 'Lilac with 'The Time', Richard Barthelmess in 'The Little Shepherd of King- money dom Come', Charlie Murray in 'Vamping Venus', Johnny Patent Leather Hines in 'Chinatown Charlie', Harry Langdon in 'The Kid' than with Chaser', 'Ladies' Night in a Turkish Bath' with Jack Mulhall and Dorothy Mackaill, and Charlie Murray and George Sidney in 'Flying Romeos'. or ff "What a season that was! *Fill in here the titles of any "Of course all my house records were knocked sky-high. two of the greatest Specials "I remember as though it were yesterday how completely of the past or present and these great hits took the trade by storm. -
A Comparative Study of Arthur John Arberry's And
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/102256/ Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications i A Comparative Study of Arthur John Arberry’s and Desmond O’Grady’s Translations of the Seven Mu‘allaqāt by Heba Fawzy El-Masry A thesis submitted in fulfillment of the requirement for the degree of Doctor of Philosophy in Translation Studies University of Warwick, Department of English and Comparative Literary Studies September 2017 I Table of Contents List of Figures IV Note on Translation and Transliteration V Acknowledgments VII Declaration VIII Abstract IX Abbreviations X 1. Introduction 1 1.1.Rationale for Undertaking the Research 1 1.2. Statement of the Problem 4 1.3. Survey of Arthur John Arberry’s and Desmond O’Grady’s Contributions to the Field of Translation 6 1.4. Definitions of Key Terms 10 1.5. Thesis Structure 11 2. Review of the Literature 13 2.1. Introduction: A Bourdieusian Approach to Studying the History of the Field of English Translations of the Mu‘allaqāt 13 2.2. Genesis of the Field of English Translations of the Mu‘allaqāt. 18 2.2.1. -
The Spoken Arabic of Egypt ;
CORNELL UNIVERSITY LIBRARY WiLLARD FiSKE Endowment ""'""•"y PJ 6779.W7I" Library ..SROken Arabic of Egypt 3 19P4 026 887 152 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026887152 THE SPOKEN ARABIC OF EGYPT THE SPOKEN ARABIC OE EGYPT JiY- J. SELDEN WILLMOEE, M.A. ONE Of THE JUDGES OP THE NATIVE COURT OF APPEAL AT CAIRO LONDON DAVID NUTT, 57-59 LONG ACRE ?3 W13 ^ Printed by Ballantynb, Hanson &> Co. At the Ballantyne Press CX/vW^ INTRODUCTION Professor Sheldon Amos once remarked to me that Egyptian Arabic had been a hopeless puzzle to him, which he despaired of ever being able to master, until he fell across Spitta Bey's grammar of the language. Then all became clear at once. Spitta's work was indeed a model of the way in which a spoken living language should be scientifically studied. But it was necessarily the work of a pioneer. It opened the way which others should follow and complete. The work that was begun by Spitta seems to me to have been finished by Mr. Willmore. The present volume contains an exhaustive account of the Cairene dialect of Egyptian Arabic as it is spoken to-day. On the practical side it will be welcomed by those who live in Egypt and wish to understand and be understood by the natives. But it will be qiiite as much welcomed by the student of scientific philology.