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C H R I S T Y &
C h r i s t y & C ooC Since 1773 History and Legacy by Irra K With special thanks to The Stockport library and hat museum FamilyFamily Six reigns of Royals, and Eight generations of the Christy family have forged the brand of Christys London since it’s foundation by Miller Christy in 1773, 237 years ago Following his apprenticeship to a Hatter in Edinburgh, Miller Christy created a company that would survive for generations, outliving thousands of hat makers across the former British Empire: by 1864 for example there were 53 hatting firms in Stockport alone. Throughout hundreds of years, the factory was still managed by direct descendants of the founder of the Firm ValuesValues 1919 Christys readily registered their own The Christy Collection in Stockport is appreciation testament to the influence the company of workers’ had. At its height, it employed 3000 excellent local people leaving a valuable legacy service < - During World War II, hats were not rationed in order to boost morale, and Christys supported the effort within their family-run company, effectively running it like an extended family Celebrating Victory as well as mourning the fallen at the -> end of World War I Trade MarksTrade Marks The Stockport Collection With business of Christy Papers includes a expanding to 500 page booklet detailing foreign lands, trade marks registered safeguarding around the world at the the insignia in height of the British Empire. all it’s forms These involve registering the full name, letters 'C', it’s became vital – insignia, shape, and colours as we shall see In the early days, < - several variations - > of company marks and insignia were circulated, later consolidating into the Christy crown and heraldry which is now recognised the world over Trade Marks iiiiTrade In many territories, Trade Marks were either disputed or had to be re-registered. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
The Hat Magazine Archive Issues 1 - 10
The Hat Magazine Archive Issues 1 - 10 Issue No Date Main Articles Workroom Process ------------------------------------------------------------------------------------------------------------------------ Issue 1 Apr-Jun 1999 Luton - Ascot Shoot - Sean Barratt Feathers - Dawn Bassam -Trade Shows - Fashion Museums & Dillon Wallwork ------------------------------------------------------------------------------------------------------------------------ Issue 2 Jul-Sep 1999 Paris – Marie O’Regan – Royal Ascot Working with crinn with - Student Shows – Geoff Roberts Frederick Fox ------------------------------------------------------------------------------------------------------------------------ Issue 3 Oct-Nov 1999 Hat Designer of the Year ’99 - Block Making with Men in Hats, shoot – Trade Fairs Serafina Grafton-Beaves ------------------------------------------------------------------------------------------------------------------------ Issue 4 Jan-Mar 2000 Mitzi Lorenz – Philip Treacy couture Working with sinamay (1) show Paris – Florence – Bridal shoot with Marie O’Regan Street page – Trades Shows ------------------------------------------------------------------------------------------------------------------------ Issue 5 Apr-Jun 2000 Coco Chanel – Trade Fairs Working with sinamay (2) Dagmara Childs – Knits Shoot with Marie O’Regan Street page - Trade Shows ------------------------------------------------------------------------------------------------------------------------ Issue 6 Jul-Sep 2000 Luton shoot – Royal Ascot Working with -
Hat Makers with Attitude - Nytimes.Com
Hat Makers With Attitude - NYTimes.com HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Log In Register Now Help Search All NYTimes.com WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS FASHION & STYLE DINING & WINE HOME & GARDEN WEDDINGS/CELEBRATIONS T MAGAZINE Millinery Madness: Hat Makers With Attitude Log in to see what your friends are sharing Log In With Facebook on nytimes.com. Privacy Policy | What’s This? What’s Popular Now Backlash by the With Extra Bay: Tech Riches Anchovies, Alter a City Deluxe Whale Watching Morgan White, Derek John, Justin Smith Hat-makers with attitude: Piers Atkinson, House of Flora and J Smith Esq. By ROBB YOUNG Published: October 3, 2011 They are not the sort of hat makers whose idea of topping off an outfit RECOMMEND involves a charming little cloche or a cozy beret. Some are hell-raising TWITTER provocateurs while others are more like cheeky jesters full of LINKEDIN merrymaking and mischief. A few are die-hard design intellectuals, SIGN IN TO E-MAIL and at least one literally blurs the boundaries between hats and the PRINT hair that they cover. But one thing that unites this motley crew of SINGLE PAGE modern milliners is that “restraint” and “simplicity” are not part of their vocabularies. REPRINTS SHARE “To borrow a phrase from the stylist The Collection: A Fashion Simon Foxton, ‘There’s nothing worse App for the iPad A one-stop than a jaunty trilby,”’ says Fred Butler, destination for an exuberant British accessories Times fashion coverage and the designer who got her big break when latest from the Lady Gaga’s stylist, Nicola Formichetti, commissioned the runways. -
Baseball Caps
HILLS HATS WINTER LOOKBOOK 2019 TWEED HATS Eske Donegal English Luton Check English Tweed Cheesecutter Tweed Cheesecutter 2540 2541 Navy, Black, Olive Brown, Grey S, M, L, XL, XXL S, M, L, XL, XXL Herefordshire Check English Wiltshire Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2542 2544 Blue, Green Brown, Grey, Beige, Blue, Fawn S, M, L, XL, XXL S, M, L, XL, XXL Devon Houndstooth Swindon Houndstooth Lambswool Tweed Cheesecutter Lambswool English Tweed Cheesecutter 2552 2573 Blue, Rust Blue, Green, Wine, Fawn S, M, L, XL, XXL S, M, L, XL, XXL 1 Chester Overcheck Hunston Overcheck Lambswool English Tweed Cheesecutter English Tweed Cheesecutter 2574 2554 Blue, Olive, Brown Black, Blue, Brown, Green S, M, L, XL, XXL S, M, L, XL, XXL Saxilby Overcheck English Glencoe Overcheck Lambswool Tweed Cheesecutter Tweed Cheesecutter 2567 2537 Brown, Green Green, Mustard S, M, L, XL, XXL S, M, L, XL, XXL Bingley Check Lambswool Bramford Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2551 2556 Olive, Blue Blue, Green S, M, L, XL, XXL S, M, L, XL, XXL 2 TWEED HATS Warrington Herringbone English Tweed Cheesecutter 2576 Charcoal, Brown, Khaki S, M, L, XL, XXL English Wool Tweed Patchwork Cheesecutter 300 Blue, Green, Brown S, M, L, XL, XXL Eske Donegal English Tweed 4 Piece Cheesecutter 2570 Black, Navy, Olive S, M, L, XL, XXL 3 Dartford Herringbone English Tweed 4 Piece Cheesecutter 2570 Black, Brown, Blue, Green S, M, L, XL, XXL Bingley Check English Tweed 7 Piece Cheesecutter 2571 Blue, Olive S, M, L, XL, XXL Warrington Herringbone -
Women's Collection by Dorfman Pacific | Winter 2020
WOMEN’S COLLECTION BY DORFMAN PACIFIC | WINTER 2020 CALLANAN™ | AEGEAN | SCALA™ | SCALA™ KIDS | DPC® | FALL/WINTER 2020 For so long, people thought Dorfman was about selling hats. But really, we’re about our hat community. You see a hat is just an accessory, but our millinery community is fostered by the artisans that hand make our hats, local shops that display our creations, and our customers’ stories who wear them with distinction. This is coupled with our relentless commitment to service instilled by our founder, Jack Dorfman. Fashion trends are in a constant state of motion, but happy retail partners and valued customers are a constant for us. RIVERSIDE • LW749-ASST • PG 65 THE TREK • MC146 • MEN’S FW20 PG 78 An American Headwear Company Since 1921. Page 2 HANDMADE SINCE 1921 CONTENTS CALLANAN™ WOOL FELT ........................................................................... 6 WOOL BLEND ........................................................................ 8 HEADBANDS ......................................................................... 22 WEATHERED COTTON ........................................................ 24 BOILED WOOL ...................................................................... 24 SCALA™ WOOL FELT CLOCHE ........................................................... 31 WOOL FELT WESTERN ......................................................... 38 WOOL FELT SAFARI .............................................................. 38 WOOL FELT BOATER ........................................................... -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Honeywell Turboshield Together, We're Changing the Face of Safety!
Nordic Partners Var man kan köpa Produktfamilj Honeywell Turboshield Together, We're Changing the Face of Safety! You challenged us to improve upon the Faceshields that you currently use today. With one patented and two patent-pending features, Honeywell Turboshield provides unparalled comfort for longer wear, the easiest visor exchange system available and optimal safety and balance. Honeywell Turboshield is perfect for those who are exposed to falling or flying objects, impact, splash, UV and airborne debris. Honeywell Turboshield can also be comfortably worn with most goggles, respiratory protection and hearing protection. Supervizor visors will also work with Honeywell Turboshield! Product Numbers & Ordering Information 1031740 Honeywell Turboshield Turboshield Headgear 1031749 Honeywell Turboshield Turboshield Hard Hat Adapter 1031743 Honeywell Turboshield Turboshield Clear Polycarbonate Visor Uncoated 1031744 Honeywell Turboshield Turboshield Clear Polycarbonate Visor HC/FB Coated 1031745 Honeywell Turboshield Turboshield Gray Polycarbonate Visor - Uncoated 1031746 Honeywell Turboshield Turboshield Gray Polycarbonate Visor - HC/FB Coated Sida 1 av 4 © Honeywell International Inc. Honeywell Turboshield 1031747 Honeywell Turboshield Turboshield Welding Polycarbonate Visor - Shade 3.0 Uncoated 1031748 Honeywell Turboshield Turboshield Welding Polycarbonate Visor - Shade 5.0 Uncoated Förpackningsinformation Turboshield Headgear - packaged 1/polybag with user instructions on the headercard/warning instructions inserted inside the packaging -
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times -
Tales of a Medieval Cairene Harem: Domestic Life in Al-Biqa≠‘|'S Autobiographical Chronicle
LI GUO UNIVERSITY OF NOTRE DAME Tales of a Medieval Cairene Harem: Domestic Life in al-Biqa≠‘|'s Autobiographical Chronicle Among the findings of recent scholarship on medieval Arabic autobiography1 is a reaffirmation, or redefinition, of the long-held notion that the realm of "private" life was "never the central focus of pre-modern Arabic autobiographical texts."2 To address this paradoxical contradiction between the business of "self- representation" and the obvious lack of "private" material in such texts, four sets of recurring features have been identified to help in uncovering the "modes" the medieval Arabic authors used to construct their individual identities: portrayals of childhood failures, portrayals of emotion through the description of action, dream narratives as reflections of moments of authorial anxiety, and poetry as a discourse of emotion.3 Other related areas, such as domestic life, gender, and sexuality, are largely left out. The "autobiographical anxiety," after all, has perhaps more to do with the authors' motivations to pen elaborate portrayals, in various literary conventions, of themselves as guardians of religious learning and respected community members (and in some cases, to settle scores with their enemies and rivals) than self-indulgence and exhibitionist "individuating." In this regard, a good example is perhaps the universally acclaimed autobiographical travelogue, the Rih˝lah of Ibn Bat¸t¸u≠t¸ah (d. 770/1368), who married and divorced over a period of thirty years of globetrotting more than twenty women and fathered, and eventually abandoned, some seventy children. However, little, if any, information is provided © Middle East Documentation Center. The University of Chicago. -
Ghost Dancer Aka: Dance of Death
Ghost Dancer aka: Dance of Death John Case Ballantine Books ASIN: B000JMKNA6 For Paco Ignacio Taibo, Justo Vasco, and the Semana Negra crew PROLOGUE LIBERIA | SEPTEMBER 2003 There was this…ping. A single, solitary noise that announced itself in the key of C—ping!—and that was that. The noise came from somewhere in the back, at the rear of the fuselage, and for a moment it reminded Mike Burke of his brother’s wedding. It was the sound his father made at the rehearsal dinner, announcing a toast by tapping his glass with a spoon. Ping! It was funny, if you thought about it. But that wasn’t it. Though the helicopter was French (in fact, a single-rotor Ecureuil B2), it was not equipped with champagne flutes. The sound signaled something else, like the noise a tail rotor makes when one of its blades is struck with a 9mm round—and snaps in half and flies away. Or so Burke imagined. Ping! Frowning, he turned to the pilot, a Kiwi named Rubini. “Did you—?” The handsome New Zealander grinned. “No worries, bugalugs!” Suddenly, the chopper yawed violently to starboard, roaring into a slide and twisting down. Rubini’s face went white and he lunged at the controls. Burke gasped, grabbing the armrests on his seat. In an instant, his life—his whole life—passed before his eyes against a veering background of forest and sky. One by one, a thousand scenes played out as the helicopter tobogganed down an invisible staircase toward a wall of trees. In the few seconds it took to fall five hundred feet, Burke remembered every pet he’d ever had, every girl he’d kissed, every house apartment teacher friend and landscape he’d ever seen. -
Hered White Frame for 5X7 Photo, 4X6 Slide 30
Welcome to the 2021 Franklin Woman's Club 27th Annual Tricky Tray Tier Ticket Color Value Price (Cash Only) 50/50 Tickets 1 Blue Up to $49 $5/Sheet $2 Each 2 White $50 - $100 $10/Sheet 4 for $5 3 Yellow $100+ $15/Sheet BEST DEAL 4 Pink/Red Grand Prizes $5 or 3/$10 10 for $10 Ticket Bonus Pack "A" - $30 Ticket Bonus Pack "B" - $50 (a $40 value) Contains: (a $75 value) Contains: 1 Sheet of Tier 1 2 Sheets of Tier 1 2 Sheets of Tier 2 2 Sheets of Tier 2 1 Sheet of Tier 3 2 Sheets of Tier 3 2 Grand Prize Tickets Tune your FM radio to 88.3 to hear the ticket drawing Don't bend your tickets - bent tickets will not be drawn Keep your larger ticket as your receipt Color of ticket and color of tablecloth MUST match Franklin Woman's Club P O Box 5793 Somerset, NJ 08875 [email protected] www.franklinwomansclub.com 11. Desk Set #1 Tier 1 Prizes 12. Desk Set #2 (Blue Tickets; Value up to $49) Black mesh letter sorter, pencil cup, clip holder and wastebasket 1. Cherry Blossom Spa Basket 13. Cake Pop Crush Japanese Cherry Blossom shower gel, bubble Cake Pops baking pan & accessories, cake pop bath, flower bath pouf, bath bombs, body and sticks, youth books “Cake Pop Crush” and hand lotion, more “Taking the Cake" 2. Friend Frame 14. Lunch Break "Friends" 6-opening photo collage picture frame FILA insulated lunch bag, pair of small snack for 2.25 X 3.25 inch photos containers 3.