Hcmaps' Marvel Team Base List
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Marvel Universe by Hasbro
Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities. -
The Motivational Mind of Magneto: Towards Jungian Discourse Analysis
Page 1 of 30 The motivational mind of Magneto: towards Jungian discourse analysis Jacquelyn Seerattan-Waldrom Supervised by: Dr Geoff Bunn April 2016 Page 2 of 30 The motivational mind of Magneto: towards Jungian discourse analysis ABSTRACT Discourse analysis has been a prominent area of psychology for 25 years. It traditionally focuses on society’s influence on the world through the rhetoric (implicit persuasion) and symbolism, dealing with important psychological areas such as ‘identity’ and many social justice issues. Graphic novel analyses is also increasingly more common. Social justice issues are especially prominent in analysis: particularly in X- Men, through metaphors of ‘oppression’, ‘sexuality and identity’ (Zullo, 2015). Psycho-discursive analysis focuses on the 'subject' neglected in traditional discourse analysis, which has been provided recent attention. A Freudian and Jungian psycho-discursive analysis of DC comic character, 'Batman' has been studied regarding motivation and psyche (Langley, 2012). However, ‘reflexivity’ in Freudian psycho-discursive analysis is a known problem that previous psycho-discursive analyses have been unable to tackle effectively. Therefore, this study proposed a step towards Jungian psycho-discursive analysis adapted from personality and motivation theory, ‘Psychological Types’ (1971) and theoretical expansions by Myers and Myers (1995). It was applied to fictional representations of psyche within the X-Men comic character, ‘Magneto’, due to fictional inspirations which commonly form Jungian theory. Magneto was interpreted as the type, ‘INTJ’, and future implications of further applications to psyche are discussed. KEY PSYCHO- JUNGIAN PERSONALITY X-MEN GRAPHIC DISCURSIVE PSYCHOLOGY NOVEL WORDS: ANALYSIS ANALYSIS Page 3 of 30 Background Discourse analysis For 25 years discourse analysis has been a prominent area of psychology (Stokoe, Hepburn & Antaki, 2012). -
Searching for Superwomen: Female Fans and Their Behavior
SEARCHING FOR SUPERWOMEN: FEMALE FANS AND THEIR BEHAVIOR _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by SOPHIA LAURIELLO Dr. Cynthia Frisby, Thesis Supervisor DECEMBER 2017 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled SEARCHING FOR SUPERWOMEN: FEMALE FANS AND THEIR BEHAVIOR presented by Sophia Lauriello, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Cynthia Frisby Professor Amanda Hinnant Professor Lynda Kraxberger Professor Brad Desnoyer FEMALE FANS AND THEIR BEHAVIOR ACKNOWLEDGEMENTS I would like to acknowledge Dr. Cynthia Frisby for all of her work and support in helping this thesis go from an idea to a finished paper. Thank you to everyone on my committee who was as enthused about reading about comic books as I am. A huge acknowledgement to the staff of Star Clipper who not only were extremely kind and allowed me to use their game room for my research, but who also introduced me to comic book fandom in the first place. A thank you to Lauren Puckett for moderating the focus groups. Finally, I cannot thank my parents enough for not only supporting dropping out of the workforce to return to school, but for letting me (and my cat!) move back home for the last year and a half. Congratulations, you finally have your empty nest. ii FEMALE FANS AND THEIR BEHAVIOR TABLE OF CONTENTS ACKNOWLEDGEMENTS ............................................................................................... -
Earth-717: Avengers Vol 1 Chapter 10: Suicide Mission “My, My, My! to Have So Many of Our Friends Together in the Same Place!
Earth-717: Avengers Vol 1 Chapter 10: Suicide Mission “My, my, my! To have so many of our friends together in the same place! I know that it is under quite distressing circumstances, but still, it's wonderful to have such a congregation!” Steve, Tasha, Thor, Bruce, Carol, Reed, Susan, Johnny, Ben and Herbie were all in one of the hangars on board the Valiant. The Rogue One had been moved from the Senatorium to the Valiant earlier that day, and Tasha had finished installing her new upgrade to the ship. Hundreds of other Nova pilots and officers were moving around the hangar, preparing for the battle ahead. Herbie bounced up and down as he looked around at the group. “To see the Fantastic Four ready to go into battle alongside such brave and noble heroes like yourselves! It is truly remarkable, is it not, Doctor Richards?” “It sure is,” said Reed. “You've got quite a team.” “Put it together at the last minute,” said Tasha. “Since somebody decided that they wanted an interstellar vacation at the worst possible time.” “Hey!” said Johnny. “Wasn't my fault! Blame these guys! I just went along for the ride!” Ben gave Johnny a light smack on the back of the head. “Nobody asked you, junior.” Johnny grumbled as he tried to fix his hair. Reed laughed before looking back Steve. “Don't suppose you'd like to tell me how I'm standing across from Captain America?” “I guess that a man of science like yourself would be interested in that sort of thing,” said Steve. -
Marvel Universe 3.75" Action Figure Checklist
Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School) -
Aliens of Marvel Universe
Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com . -
Rogue Datafile
ROGUE Affiliations SOLO BUDDY TEAM PP Distinctions Sense Of ResponsiBility Southern Belle OR UntouchaBle STRESS/TRAUMA Power Sets POWER ABSORPTION Leech Mimic SFX: Drain Vitality. When using Leech to create a Power Loss complication on a target, add a d8 and keep extra effect die for physical stress. SFX: Memory Flash. Spend 1 PP to use an SFX of Specialty Belonging to a target on whom you have inflicted a Power Loss complication for your next roll. SFX: What’s Yours Is Mine. On a successful reaction against an action that involves physical contact, convert your opponent’s effect die into a Power Loss complication. If your opponent’s action succeeds, spend 1 PP to use this SFX. Limit: Mutant. When affected By mutant‐specific complications or tech, earn 1 PP. Limit: Uncontrollable. Change any POWER ABSORPTION power into a complication to gain 1 PP. Activate an opportunity or remove the complication to recover that P power. Limit: Zero Sum. Leech requires skin‐to‐skin contact with the target. Mimic only duplicates powers of those on whom you’ve inflicted a Power Loss complication. Mimic‐Based assets created Based on the target’s power are limited in size to the Power Loss complication affecting the target. MS. MARVEL’S POWERS Superhuman DuraBility SuBsonic Flight Superhuman Stamina Superhuman Strength M SFX: Second Wind. Before you make an action including a MS. MARVEL’S POWERS Specialties power, you may move your physical stress die to the doom pool and step up the MS. MARVEL’S POWERS power By +1 for this action. -
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism. -
W W W .Letsc Lix.C Om
DC TEAM ABILITIES www.letsclix.com BATMAN ALLY—Stealth. BATMAN ENEMY—When this character makes an attack, you may replace its attack value with the printed attack value of an adjacent friendly character that can use this team ability. GREEN LANTERN CORPS— :8. HYPERTIME—When an opposing character that can’t use this team ability attempts to move from a non-adjacent square into a square that is adjacent to this character, it must roll a d6. [ - ]: The opposing character can’t move into any square adjacent to this character this turn. Uncopyable. INJUSTICE LEAGUE—When this character hits an opposing character with an attack roll of [10-12], after resolutions remove an action token from this character. JUSTICE LEAGUE—When this character is given a MOVE action, modify speed +1. JUSTICE SOCIETY—When this character is attacked, you may replace its defense value with the printed defense value of an adjacent friendly character that can use this team ability. KINGDOM COME—When this character would be hit by a range attack, if the attacker doesn’t have [Kingdom Come Team Ability Symbol], you may roll a d6. [ - ]: Evade. Uncopyable. LEGION OF SUPER HEROES—Wild Card. Uncopyable. OUTSIDERS—FREE: Choose a character (including itself) within 6 squares and line of fire. Until your next turn, the chosen character’s combat values can’t be modified. Uncopyable. QUINTESSENCE—Willpower. This character has PROTECTED: Outwit. Uncopyable. SUICIDE SQUAD—When an adjacent friendly character is KO’d, after resolutions, you may roll a d6. If you do, heal this character equal to the result -2, minimum 1. -
Her Own Heroine: Feminism and Diversity in the Comic Book Industry
Panel Title: Her Own Heroine: Feminism and Diversity in the Comic Book Industry Moderator: Patricia B. Worrall, Ph.D. English Department University of North Georgia [email protected] First Speaker: Veronica Harris English Department University of North Georgia [email protected] Title: “Breaking the Mold: Ororo Munroe and the Entertainment Industry” Proposal: Throughout the history and development of comic books, there has been adaptations of the characters to different media venues. Storm, or Ororo Munroe, is no exception. She comes from the African country of Kenya born to a native woman and American man. Her mother comes from a line of priestesses said to hold mystical powers to protect their tribes. At a young age, she experiences a tragic plane crashing into her home, which traps her under her mother’s body and rubble. She develops claustrophobic tendencies, which awaken her powers. Later in life, she comes to teach at the Xavier School for Gifted Youngsters, i.e. mutants, and becomes one of the most powerful X-Men. Representations of Storm occur in many different forms of visual media, such as movies and comics. However, the medium of film limits the development of her backstory and heritage because of the film industry’s shift to an emphasis and focus on white males taken from comics. This shift has resulted in restricting and restraining women of color. On the other hand, cartoons, such as Wolverine and the X-Men and X-Men Evolution , do provide some space for her. Although even in comic space restricts and restrains women of color and becomes analogous to Storm’s claustrophobia. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
X-Men/Avengers: Onslaught Vol
X-MEN/AVENGERS: ONSLAUGHT VOL. 2 PDF, EPUB, EBOOK Jeph Loeb | 448 pages | 29 Oct 2020 | Marvel Comics | 9781302923990 | English | New York, United States X-men/avengers: Onslaught Vol. 2 PDF Book In July during a revamp of the X-Men franchise, its title changed to New X-Men , featuring an ambigram logo issue X-Men: Legacy initially followed the Professor's presumed road to recovery as well as the encounters he faced, such as a battle with the mutant Exodus on the psychic plane [12] and discoveries about his past that include Mr. Comic book series. Log in Sign up. This was particularly unique during the late s when most X-Men titles frequently had story arcs that were several issues long. Iron Boy, Quicksilver, Black Panther and Hank Pym are making their way through the sewers looking for safety at the Wakanda embassy as the Sentinels continue to attack New York city above. This listing has ended. Cancel Update. Similar sponsored items Feedback on our suggestions - Similar sponsored items. And the goblin faces his greatest enemy - his self-esteem! To this end he got the assistance of Hellfire Club's leader Sebastian Shaw and Nate's old nemesis Holocaust , [12] however Holocaust was soon defeated. See details. It's the final battle that will change the landscape of the Marvel Universe! Onslaught's threat to the world became apparent when the heroes noticed that the creature used Franklin's powers to create a second sun that was drawing closer to the Earth, threatening to wipe out all life upon its approach.