DOCSLIB.ORG

X-Men/Avengers: Onslaught Vol

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

X-MEN/AVENGERS: ONSLAUGHT VOL. 2 PDF, EPUB, EBOOK Jeph Loeb | 448 pages | 29 Oct 2020 | Marvel Comics | 9781302923990 | English | New York, United States X-men/avengers: Onslaught Vol. 2 PDF Book In July during a revamp of the X-Men franchise, its title changed to New X-Men , featuring an ambigram logo issue X-Men: Legacy initially followed the Professor's presumed road to recovery as well as the encounters he faced, such as a battle with the mutant Exodus on the psychic plane [12] and discoveries about his past that include Mr. Comic book series. Log in Sign up. This was particularly unique during the late s when most X-Men titles frequently had story arcs that were several issues long. Iron Boy, Quicksilver, Black Panther and Hank Pym are making their way through the sewers looking for safety at the Wakanda embassy as the Sentinels continue to attack New York city above. This listing has ended. Cancel Update. Similar sponsored items Feedback on our suggestions - Similar sponsored items. And the goblin faces his greatest enemy - his self-esteem! To this end he got the assistance of Hellfire Club's leader Sebastian Shaw and Nate's old nemesis Holocaust , [12] however Holocaust was soon defeated. See details. It's the final battle that will change the landscape of the Marvel Universe! Onslaught's threat to the world became apparent when the heroes noticed that the creature used Franklin's powers to create a second sun that was drawing closer to the Earth, threatening to wipe out all life upon its approach. X-Men and Uncanny X-Men have shared two periods of time where they were more or less treated as a single, fortnightly series. The 25th issue of the volume was renumbered to commemorate the longevity of the series. The wrath of Onslaught rages on as the team reels from last issues revelations! Reset it. This is also the final issue of X-Men: Legacy. However Onslaught turned this call for help against Franklin by using the boy's powers to create constructs of many of the Fantastic Four's enemies. Wolverine Amazing Spider-Man X-Men Unlimited vol. The Amazing Spider-Man Vol. Doom was forced into it when he tried to capitalize from the power. With his plans about to begin, Onslaught sent a warning to the British chapter of the Hellfire Club. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. May not ship to Germany - Read item description or contact seller for shipping options. Community Reviews. Shortly after the X-Men presumed him deceased, his body disappeared and his whereabouts were unknown. X-Force Vol. While the second squad of X-Men in Uncanny continued on as now undercover super heroes, Grant Morrison redirected these X-Men's mission to that of teachers. The Onslaught saga reaches its world-shattering climax! From Wikipedia, the free encyclopedia. Learning that Charles Xavier went on to confront Onslaught alone, the X-Men went after their mentor without the other heroes and stood their ground against Onslaught. X-Man X-men/avengers: Onslaught Vol. 2 Writer However, that series was renamed Nightcrawler after its featured character. By this time, Onslaught had launched his opening salvo, by unleashing an army of reprogrammed Sentinels on New York City, cutting off all exits from the teeming metropolis. New York City is under attack by the Sentinels! Iron Boy, Quicksilver, Black Panther and Hank Pym are making their way through the sewers looking for safety at the Wakanda embassy as the Sentinels continue to attack New York city above. Ultimate X-Men story arcs. Already have an account with the League of Comic Geeks? Enter the URL for the tweet you want to embed. X-Man Reset it. The FF destroyed all the constructs with the assistance of their allies, Nathaniel Richards , Agatha Harkness , Fantastic Force , Kristoff Vernard , and the most unlikely ally of all: their old nemesis Dr. This amount is subject to change until you make payment. They also left Nate under the protection of X-Force and Wolverine went to investigate Gateway and his connection to Onslaught. Tom Palmer. We ship same day or next business day. In New York a number of the cities defenders answered the cries for help from the people under siege from Onslaught's army of Sentinels such as the heroic Green Goblin , [43] the amazing Spider-Man [44] who was later assisted by his retired predecessor Peter Parker. But when Annihilus, lord of the Negative Zone, unleashes his monstrous Annihilation Wave on our universe, the The X-Men managed to fight Onslaught to the point of defeat, but the X-Mansion was heavily destroyed. In July during a revamp of the X-Men franchise, its title changed to New X-Men , featuring an ambigram logo issue As part of the Marvel NOW! Browse Stores Retailer Tools. Why is X-Factor defending the Sentinels Grant Morrison bibliography. Captain America. X-Men Vol. The new series focused on Legion , the son of the recently murdered Charles Xavier, who is struggling to keep his multitude of personalities under control while trying to honor his father's legacy by preemptively fighting off threats to mutants using his many powers. The Fantastic Four make their heroic return to the Marvel Universe - courtesy of comic Similar sponsored items Feedback on our suggestions - Similar sponsored items. All mutants are rendered human by the High Evolutionary and Mister Sinister , leading the X-Men to briefly disband; this issue shows many X-Men characters adjusting to their human lives. The Juggernaut was found by the X-Men, he uttered one word, "Onslaught", and lapsed into a coma. And in no time at all; the wondrous wall-crawler aka Ben Reilly , the previous web-slinger aka Peter Parker , and Mary Jane are on the run trying to Ratings and Reviews Write a review. A faint image of Onslaught appeared before the Hulk on Counter-Earth shortly after its creation. Art by David Finch. X-Men: Skinning of Souls. Product Details. Here are the combined shipping rates. Despite saying this, both the Scarlet Witch and Sub-Mariner -- both mutants -- sacrificed their lives to Onslaught to no ill effect. Love the story and they did a good job sending the book to me. And to do it, Cancel Update. The title also featured flashbacks relevant to the ongoing present story as well as answered dangling plot lines throughout X-Men continuity. Onslaught then made his presence and identity known to the X-Men and offered them the chance to join his cause. Sinister who sought to capture Nate for himself, decimating X-Force and taking Nate prisoner. However Onslaught turned this call for help against Franklin by using the boy's powers to create constructs of many of the Fantastic Four's enemies. Onslaught Vol. Page Count. Janet Van Dyne. Onslaught Marvel Universe 1. The Fantastic Four, Avengers and their allies were also not truly dead. Cover art for X-Men vol. X-men/avengers: Onslaught Vol. 2 Reviews Now, the evolving and all-powerful villain assaults New York City with robotic Sentinels — and prepares his During the course of the battle Magneto pulled the Adamantium from Wolverine's body. Shipping: May not ship to Germany - Read item description or contact seller for shipping options. Issue 1 is still the mostly sold comic-book to date. The epic story that ushered in the Age of Apocalypse! Uncanny X-Men In part 2 of the Iron Man tie in to the Onslaught story. X-Factor For a better shopping experience, please upgrade now. Download as PDF Printable version. Onslaught: Impact 2. Gambit's group of students appeared prominently in issues —, featuring the debuts of future recurring characters Onyxx and Bling! Page Count. Wolverine Vol 2 Browse Stores Retailer Tools. Condition: -- not specified. Iron Boy, Quicksilver, Black Panther and Hank Pym are making their way through the sewers looking for safety at the Wakanda embassy as the Sentinels continue to attack New York city above. Reset it. Larry Hama. Stefano Raffaele. Some more of the long-lasting changes that occurred during Morrison's run were the secondary mutation of Beast to resemble a lion-like rather than his former ape-like appearance, and Emma Frost introduced as a member of the team, recreating the ties between Jean Grey and the Phoenix retconning the retcon , and the death of Phoenix. Sign in to Purchase Instantly. X-Men: Messiah Complex. The second series ran from early to early For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees. Before the heroes could act Onslaught let off a massive electro-magnetic pulse further decimating the city as well as destroying the Xavier Protocols just moments as Cyclops and his team arrived from Muir Island. Mark Waid. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Janet Van Dyne. Iron Man Sinister will stand in his way. X-men/avengers: Onslaught Vol. 2 Read Online Learn how to enable JavaScript on your browser. Don't miss the jaw-dropping ending to the one of the pivotal moments in Marvel History! X- Men Vol 2 However, that series was renamed Nightcrawler after its featured character. She has so far, also, been shown to face off against notable deadly adversaries including: Emplate and Proteus.
Recommended publications
  • Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths

    Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths

    WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
  • Searching for Superwomen: Female Fans and Their Behavior

    Searching for Superwomen: Female Fans and Their Behavior

    SEARCHING FOR SUPERWOMEN: FEMALE FANS AND THEIR BEHAVIOR _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by SOPHIA LAURIELLO Dr. Cynthia Frisby, Thesis Supervisor DECEMBER 2017 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled SEARCHING FOR SUPERWOMEN: FEMALE FANS AND THEIR BEHAVIOR presented by Sophia Lauriello, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Cynthia Frisby Professor Amanda Hinnant Professor Lynda Kraxberger Professor Brad Desnoyer FEMALE FANS AND THEIR BEHAVIOR ACKNOWLEDGEMENTS I would like to acknowledge Dr. Cynthia Frisby for all of her work and support in helping this thesis go from an idea to a finished paper. Thank you to everyone on my committee who was as enthused about reading about comic books as I am. A huge acknowledgement to the staff of Star Clipper who not only were extremely kind and allowed me to use their game room for my research, but who also introduced me to comic book fandom in the first place. A thank you to Lauren Puckett for moderating the focus groups. Finally, I cannot thank my parents enough for not only supporting dropping out of the workforce to return to school, but for letting me (and my cat!) move back home for the last year and a half. Congratulations, you finally have your empty nest. ii FEMALE FANS AND THEIR BEHAVIOR TABLE OF CONTENTS ACKNOWLEDGEMENTS ...............................................................................................
  • Marvel Universe 3.75" Action Figure Checklist

    Marvel Universe 3.75" Action Figure Checklist

    Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School)
  • Shields, Grounds and Microphone Cables

    Shields, Grounds and Microphone Cables

    Shields, grounds and microphone cables Shields, grounds and microphone cables By Bill Whitlock There is an old joke that the definition of a cable is “a source of potential trouble connecting two other sources of potential trouble” – that is worth chewing on. All signals accumulate noise as they flow through equipment and the connecting wires, and once noise has contaminated a signal it is essentially impossible to remove it without altering or degrading the original signal. For this reason no system can be quieter than its noisiest link. Noise and interference must be prevented from entering any part of the signal path, and the most vulnerable areas are usually the signal interfaces. The level of noise that is tolerable in an analogue pathway depends on many things but for a professional microphone – a primary signal Fig 1—The impedance of 3m (10ft) of 2.5 2mm (12#) copper wire source – most users would like it to be low enough to allow a dynamic range of >120dB. significant 0.015 Ω. In AC terms inductance will give This means that noise and interference the same wire an impedance of 30Ω at 1MHz. At components must be 120dB below the 25MHz it will become a radio antenna and look almost maximum undistorted signal capability of the like an open circuit. (Figure1) system. Microphones in professional use are almost in- Increasing the dimensions of the wire, even to variably connected using balanced cabling and ridiculous extents such as a 12mm solid copper rod so the many grave difficulties associated with will make remarkably little difference.
  • Fantastic Four Compendium

    Fantastic Four Compendium

    MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc.
  • Graphic No Vels & Comics

    Graphic No Vels & Comics

    GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse.
  • Disentangling Dense Multi-Cable Knots

    Disentangling Dense Multi-Cable Knots

    Disentangling Dense Multi-Cable Knots Vainavi Viswanath∗1, Jennifer Grannen∗1, Priya Sundaresan∗1, Brijen Thananjeyan1, Ashwin Balakrishna1, Ellen Novoseller1, Jeffrey Ichnowski1, Michael Laskey2, Joseph E. Gonzalez1, Ken Goldberg1 Abstract— Disentangling two or more cables requires many steps to remove crossings between and within cables. We formal- ize the problem of disentangling multiple cables and present an algorithm, Iterative Reduction Of Non-planar Multiple cAble kNots (IRON-MAN), that outputs robot actions to remove crossings from multi-cable knotted structures. We instantiate this algorithm with a learned perception system, inspired by prior work in single-cable untying that given an image input, can disentangle two-cable twists, three-cable braids, and knots of two or three cables, such as overhand, square, carrick bend, sheet bend, crown, and fisherman’s knots. IRON-MAN keeps track of task-relevant keypoints corresponding to target cable endpoints and crossings and iteratively disentangles the cables by identifying and undoing crossings that are critical to knot structure. Using a da Vinci surgical robot, we experimentally evaluate the effectiveness of IRON-MAN on untangling multi- cable knots of types that appear in the training data, as well as generalizing to novel classes of multi-cable knots. Results suggest that IRON-MAN is effective in disentangling knots involving up to three cables with 80.5% success and generalizing to knot types that are not present during training, with cables of both distinct or identical colors. Fig. 1: Overview of IRON-MAN: IRON-MAN (Iterative Reduction Of Non-planar Multiple cAble kNots) is an algorithm for disentanglement of I.
  • How Superman Developed Into a Jesus Figure

    How Superman Developed Into a Jesus Figure

    HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations.
  • Movie Review: ‘Ant-Man and the Wasp’

    Movie Review: ‘Ant-Man and the Wasp’

    Movie Review: ‘Ant-Man and the Wasp’ NEW YORK — There’s plenty of humor and action in the fast-paced sci-fi adventure “Ant-Man and the Wasp” (Disney). What’s noticeably lacking is any exposition or guidance for those not already familiar with the characters and their relationships from 2015’s “Ant-Man” and 2016’s “Captain America: Civil War.” While the film can still be enjoyed on its own, newcomers will feel somewhat left out as a result. One example of the potential confusion awaiting novices is the fact that, when we first encounter him, Scott Lang aka Ant-Man (Paul Rudd, who also co-wrote the script) is approaching the end of a two-year sentence of house arrest. That’s the consequence, we learn, at least by implication, of his activities in the latter of the two previous movies. But specifics on what exactly he did are not shared. Whatever his wrongdoing, Scott — whose alter ego, thanks to a high-tech suit, can shrink or grow at will — is now anxious to focus on serving his time and raising his young daughter, Cassie (Abby Ryder Fortson). Scott’s good resolutions are undermined, however, when his predecessor as Ant- Man, Hank Pym (Michael Douglas), and Pym’s daughter, Hope (Evangeline Lilly), aka the Wasp, draw him into their quest to rescue Hope’s mother, Janet (Michelle Pfeiffer), the original Wasp. Janet been stuck for decades in the Quantum Realm, a kind of subatomic limbo. To retrieve her, the trio will have to do battle with two principal enemies: Sonny Burch (Walton Goggins), a petty gangster out to profit from Pym’s technological breakthroughs, and Ghost (Hannah John-Kamen), a victim of Pym’s past misdeeds.
  • ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise

    ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise

    DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI.
  • (“Spider-Man”) Cr

    (“Spider-Man”) Cr

    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
  • Marvel Pop! List Popvinyls.Com

    Marvel Pop! List Popvinyls.Com

    Marvel Pop! List PopVinyls.com Updated January 2, 2018 01 Thor 23 IM3 Iron Man 02 Loki 24 IM3 War Machine 03 Spider-man 25 IM3 Iron Patriot 03 B&W Spider-man (Fugitive) 25 Metallic IM3 Iron Patriot (HT) 03 Metallic Spider-man (SDCC ’11) 26 IM3 Deep Space Suit 03 Red/Black Spider-man (HT) 27 Phoenix (ECCC 13) 04 Iron Man 28 Logan 04 Blue Stealth Iron Man (R.I.CC 14) 29 Unmasked Deadpool (PX) 05 Wolverine 29 Unmasked XForce Deadpool (PX) 05 B&W Wolverine (Fugitive) 30 White Phoenix (Conquest Comics) 05 Classic Brown Wolverine (Zapp) 30 GITD White Phoenix (Conquest Comics) 05 XForce Wolverine (HT) 31 Red Hulk 06 Captain America 31 Metallic Red Hulk (SDCC 13) 06 B&W Captain America (Gemini) 32 Tony Stark (SDCC 13) 06 Metallic Captain America (SDCC ’11) 33 James Rhodes (SDCC 13) 06 Unmasked Captain America (Comikaze) 34 Peter Parker (Comikaze) 06 Metallic Unmasked Capt. America (PC) 35 Dark World Thor 07 Red Skull 35 B&W Dark World Thor (Gemini) 08 The Hulk 36 Dark World Loki 09 The Thing (Blue Eyes) 36 B&W Dark World Loki (Fugitive) 09 The Thing (Black Eyes) 36 Helmeted Loki 09 B&W Thing (Gemini) 36 B&W Helmeted Loki (HT) 09 Metallic The Thing (SDCC 11) 36 Frost Giant Loki (Fugitive/SDCC 14) 10 Captain America <Avengers> 36 GITD Frost Giant Loki (FT/SDCC 14) 11 Iron Man <Avengers> 37 Dark Elf 12 Thor <Avengers> 38 Helmeted Thor (HT) 13 The Hulk <Avengers> 39 Compound Hulk (Toy Anxiety) 14 Nick Fury <Avengers> 39 Metallic Compound Hulk (Toy Anxiety) 15 Amazing Spider-man 40 Unmasked Wolverine (Toytasktik) 15 GITD Spider-man (Gemini) 40 GITD Unmasked Wolverine (Toytastik) 15 GITD Spider-man (Japan Exc) 41 CA2 Captain America 15 Metallic Spider-man (SDCC 12) 41 CA2 B&W Captain America (BN) 16 Gold Helmet Loki (SDCC 12) 41 CA2 GITD Captain America (HT) 17 Dr.