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The Polish-Lithuanian Commonwealth As a Political Space: Its Unity and Complexity*
Chapter 8 The Polish-Lithuanian Commonwealth as a Political Space: Its Unity and Complexity* Satoshi Koyama Introduction The Polish-Lithuanian Commonwealth (Rzeczpospolita) was one of the largest states in early modern Europe. In the second half of the sixteenth century, after the union of Lublin (1569), the Polish-Lithuanian state covered an area of 815,000 square kilometres. It attained its greatest extent (990,000 square kilometres) in the first half of the seventeenth century. On the European continent there were only two larger countries than Poland-Lithuania: the Grand Duchy of Moscow (c.5,400,000 square kilometres) and the European territories of the Ottoman Empire (840,000 square kilometres). Therefore the Polish-Lithuanian Commonwealth was the largest country in Latin-Christian Europe in the early modern period (Wyczański 1973: 17–8). In this paper I discuss the internal diversity of the Commonwealth in the sixteenth and seventeenth centuries and consider how such a huge territorial complex was politically organised and integrated. * This paper is a part of the results of the research which is grant-aided by the ‘Grants-in-Aid for Scientific Research’ program of the Japan Society for the Promotion of Science in 2005–2007. - 137 - SATOSHI KOYAMA 1. The Internal Diversity of the Polish-Lithuanian Commonwealth Poland-Lithuania before the union of Lublin was a typical example of a composite monarchy in early modern Europe. ‘Composite state’ is the term used by H. G. Koenigsberger, who argued that most states in early modern Europe had been ‘composite states, including more than one country under the sovereignty of one ruler’ (Koenigsberger, 1978: 202). -
Language Contact in Pomerania: the Case of German, Polish, and Kashubian
P a g e | 1 Language Contact in Pomerania: The Case of German, Polish, and Kashubian Nick Znajkowski, New York University Purpose The effects of language contact and language shift are well documented. Lexical items and phonological features are very easily transferred from one language to another and once transferred, rather easily documented. Syntactic features can be less so in both respects, but shifts obviously do occur. The various qualities of these shifts, such as whether they are calques, extensions of a structure present in the modifying language, or the collapsing of some structure in favor the apparent simplicity found in analogous foreign structures, all are indicative of the intensity and the duration of the contact. Additionally, and perhaps this is the most interesting aspect of language shift, they show what is possible in the evolution of language over time, but also what individual speakers in a single generation are capable of concocting. This paper seeks to explore an extremely fascinating and long-standing language contact situation that persists to this day in Northern Poland—that of the Kashubian language with its dominating neighbors: Polish and German. The Kashubians are a Slavic minority group who have historically occupied the area in Northern Poland known today as Pomerania, bordering the Baltic Sea. Their language, Kashubian, is a member of the Slavic branch of Indo-European languages and further belongs to the Pomeranian branch of Lechitic languages, which includes Polish, Silesian, and the extinct Polabian and Slovincian. The situation to be found among the Kashubian people, a people at one point variably bi-, or as is sometimes the case among older folk, even trilingual in Kashubian, P a g e | 2 Polish, and German is a particularly exciting one because of the current vitality of the Kashubian minority culture. -
A Short History of Poland and Lithuania
A Short History of Poland and Lithuania Chapter 1. The Origin of the Polish Nation.................................3 Chapter 2. The Piast Dynasty...................................................4 Chapter 3. Lithuania until the Union with Poland.........................7 Chapter 4. The Personal Union of Poland and Lithuania under the Jagiellon Dynasty. ..................................................8 Chapter 5. The Full Union of Poland and Lithuania. ................... 11 Chapter 6. The Decline of Poland-Lithuania.............................. 13 Chapter 7. The Partitions of Poland-Lithuania : The Napoleonic Interlude............................................................. 16 Chapter 8. Divided Poland-Lithuania in the 19th Century. .......... 18 Chapter 9. The Early 20th Century : The First World War and The Revival of Poland and Lithuania. ............................. 21 Chapter 10. Independent Poland and Lithuania between the bTwo World Wars.......................................................... 25 Chapter 11. The Second World War. ......................................... 28 Appendix. Some Population Statistics..................................... 33 Map 1: Early Times ......................................................... 35 Map 2: Poland Lithuania in the 15th Century........................ 36 Map 3: The Partitions of Poland-Lithuania ........................... 38 Map 4: Modern North-east Europe ..................................... 40 1 Foreword. Poland and Lithuania have been linked together in this history because -
Repatriation of Poles from Lithuania, 1944–1947
chapter 7 Between Poland and Lithuania: Repatriation of Poles from Lithuania, 1944–1947 Vitalija Stravinskienė Introduction “Nostalgia is an illness that is common to everyone who came from Vilnius. … Only we can understand this longing for ‘Lithuania’ our fatherland.” This is how an author described his emotions in a letter to a friend sent from Poland to Lithuania in the late 1950s.1 This chapter tries to explain who those people who longed for Vilnius were, and how and why they ended up in Poland. It deals with the massive displacement of about 160,000 Poles from Soviet Lithuania to Poland between 1944 and 1947. The migration of Poles from Soviet Lithuania to the new “Peoples Republic of Poland,” shifted several hundred kilometres to the West and firmly under the control of the ussr, had been initiated by Joseph Stalin before the end of the war. It was a highly dynamic process that involved many people. Yet it must also be seen in the broader context of other processes that took place in Lithuania at the same time: brutal Sovietisation, massive repressions, radical economic and social changes, etc. This kind of comprehensive approach is necessary to reconstruct a more objective picture of the course and conse- quences of the Stalin-led population transfer of Poles from re-occupied Lithuania to Poland. The epicentre of this transfer was Vilnius and that part of Vilnius region that was incorporated into the Republic of Lithuania in 1939. More specifically, it was the city of Vilnius and the adjacent districts of Švenčionys, Vilnius and Trakai. -
POLISH CULTURE: LESSONS in POLISH LITERATURE (In English)
POLISH CULTURE: LESSONS IN POLISH LITERATURE (in English) July 6-24, 12:30-14:00 Polish time; 30 academic hours, 2 credits/ECTS points Lecturer: Karina Jarzyńska Ph.D., karina.jarzyń[email protected] The course will be held on Microsoft Teams. All participants who marked this course on their application form will receive an invitation from the professor. Requirements for credits/ECTS points: Credits/ECTS points will be given to students who 1) attend the classes (missing no more than 1 lecture; each additional absence -5%) – 40%; 2) pass the final online exam on the last day of the course – 60%: a multiple-choice test with a few open-ended questions, 60 min. All the required material will be covered during the lectures. 3) Grading scale: 94–100% A excellent/bardzo dobry 87–93,9 B+ very good/+dobry 78–86,9 B good/dobry 69–77,9 C+ satisfactory/+dostateczny 60–68,9 C sufficient/dostateczny 0–59,9 F fail/niedostateczny Please keep in mind that if you don’t take the exam the course will not be listed on your Transcript of Studies (as if you had never taken it). SCHEDULE July 6, Monday HOW TO RECOGNIZE A PIECE OF POLISH LITERATURE, WHEN YOU SEE ONE? ON THE TIME, SPACE AND LANGUAGE(S) July 7, Tuesday “THE POLES ARE NOT GEESE, HAVE A TONGUE OF THEIR OWN”. THE FOUNDATION OF A LITERARY TRADITION July 8, Wednesday SARMATISM AND ITS AFTERLIFE July 9, Tursday ROMANTIC NATIONALISM À LA POLONAISE. ON THREE MESSIANIC PLAYS AND ONE NATIONAL EPIC July 10, Friday BETWEEN ROMANTICISM AND REALISM July 13, Monday HOW TO BECOME A SOCIETY OR “THE WEDDING” BY WYSPIAŃSKI -
Contemporary Polish Cinema (Spring Term)
University of Pittsburgh Department of Slavic Languages and Literatures Polish 1450 - Contemporary Polish Cinema (Spring Term) Instructor: Jolanta Lapot (visiting from Lodz Film School of Poland, 1999-2000) Course Meets: W CL249 5:45-10:00 Office Hours: Th, Fr 11:00-2:00 Office:1417 Cathedral of Learning e-mail:[email protected]. Phone: 624-5707 General Course Description The course presents contemporary Polish cinema from 1945 to the present. Concepts will be studied in their historical, political, philosophical, and aesthetic perspective. We will examine the important national themes in modern Polish cinema, relating them to the history of Poland and Eastern Europe. The main trends (schools, movements) in Polish cinema will be examined such as the so-called PolishSchool and the Cinema of Moral Concern. The works of most important modern Polish film-makers will be examined, including the works of Andrzej Wajda, Andrzej Munk, Agnieszka Holland, Roman Polanski, Krzysztof Kieslowski, Wladyslaw Pasikowski, Leszek Wosiewicz, and Ryszard Bugajski. Films to be examined may be divided into three general groups 1. Films representing post-war history and, more specifically, films covering important social and political transformations, but made after the fact. These are sometimes called revisionist films in search of historical truth, previously distorted by political ideology. 2. Films dealing with World War II. We will look at different ways in which the war is treated by film-makers over the course of the post-war period. 3. The final group of films is chosen purely on the basis of artistic merit. The role of film as an art form will be examined during the different periods of the post-World-War-Two era. -
Redalyc.Railroads in Peru: How Important Were They?
Desarrollo y Sociedad ISSN: 0120-3584 [email protected] Universidad de Los Andes Colombia Zegarra, Luis Felipe Railroads in Peru: How Important Were They? Desarrollo y Sociedad, núm. 68, diciembre, 2011, pp. 213-259 Universidad de Los Andes Bogotá, Colombia Available in: http://www.redalyc.org/articulo.oa?id=169122461007 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Revista 68 213 Desarrollo y Sociedad II semestre 2011 Railroads in Peru: How Important Were They? Ferrocarriles en el Perú: ¿Qué tan importantes fueron? Luis Felipe Zegarra* Abstract This paper analyzes the evolution and main features of the railway system of Peru in the 19th and early 20th centuries. From mid-19th century railroads were considered a promise for achieving progress. Several railroads were then built in Peru, especially in 1850-75 and in 1910-30. With the construction of railroads, Peruvians saved time in travelling and carrying freight. The faster service of railroads did not necessarily come at the cost of higher passenger fares and freight rates. Fares and rates were lower for railroads than for mules, especially for long distances. However, for some routes (especially for short distances with many curves), the traditional system of llamas remained as the lowest pecuniary cost (but also slowest) mode of transportation. Key words: Transportation, railroads, Peru, Latin America. JEL classification: N70, N76, R40. * Luis Felipe Zegarra is PhD in Economics of University of California at Los Angeles (UCLA). -
Une Fraîcheur Et Une Originalité Toujours Intactes / Deep End De Jerzy Skolimowski]
Document generated on 09/27/2021 11:40 p.m. 24 images Une fraîcheur et une originalité toujours intactes Deep End de Jerzy Skolimowski Marcel Jean Festival du nouveau cinéma 2011 Number 154, October–November 2011 URI: https://id.erudit.org/iderudit/65111ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Jean, M. (2011). Review of [Une fraîcheur et une originalité toujours intactes / Deep End de Jerzy Skolimowski]. 24 images, (154), 46–46. Tous droits réservés © 24/30 I/S, 2011 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DVD Deep End de Jerzy Skolimowski Une fraîcheUr et Une originalité toUjoUrs intactes par Marcel Jean « Mais je pourrais mourir ce soir… »1 QUI AURAIT DIT QU’UN FILM TOURNÉ PRINCIPALEMENT EN ALLEMAGNE ET RÉALISÉ PAR UN Polonais parlant l’anglais comme une vache espagnole allait devenir l’un des classiques du cinéma britannique ? C’est pourtant ce qui est arrivé avec Deep End de Jerzy Skolimowski, d’après un scénario original de Skolimowski, Boleslaw Sulik et Jerzy Gruza (tous trois Polonais), produit par un Allemand et tourné avec une équipe technique allemande. -
Poland Through Film EUS 3930 Section 0998 PLT 3930 Section 15EH EUH3931 Section 2H89 Dr
Poland Through Film EUS 3930 Section 0998 PLT 3930 Section 15EH EUH3931 Section 2H89 Dr. Jack J. B. Hutchens Turlington Hall 2341 Tuesdays: 3-4:55 Thursdays: 4:05-4:55 Poland Through Movies is an introductory survey of more than one thousand years of Polish history, illustrated on film. Poland’s contribution to world cinema has been immense. This class offers an examination of the chief currents of modern Polish film, including, but not limited to, the cinema of “the Polish School” of the 1950s and 60s, the works of experimental and avant- garde auteurs, satires and parodies of the late-socialist period, historical “great canvas” films, as well as more recent work that addresses the dramas, desires, and discontents of political transition and the realities of post-communist society. We will discuss the ways Polish filmmakers have represented Polish history, and how they have “read” history through their work. We will consider Polish cinema within the context of both Western European film and film production in the Soviet Bloc. A main focus will be on the oeuvre of Poland’s most recognized and prodigious filmmakers, including Wajda, Kieslowski, Ford, Polanski, Holland, Zanussi, and Hoffman, as well as on the work of “Wajda’s children” – the newest generation of filmmakers. Class time will consist of lecture & discussion, viewings, and class presentations. Required Texts: -Haltof, Marek. Polish National Cinema (paperback). ISBN-10: 1571812768; ISBN-13: 978-1571812766 -Zamoyski, Adam. Poland: A History. ISBN-13: 978-0007282753. -Zmoyski, Adam. Holy Madness: Romantics, Patriots and Revolutionaries, 1776-1871. ISBN-10: 0141002239 Recommended Texts: -Coates, Paul. -
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Institute of National Remembrance https://ipn.gov.pl/en/news/8381,The-IPNs-statement-world-media-from-Venezuela-to-Singapore-on-ho w-Poles-changed-.html 2021-09-25, 09:33 25.06.2021 The IPN’s statement: world media from Venezuela to Singapore on how Poles changed the world of technology. A story by the President of the Institute of National Remembrance appears in the latest instalment of the "We Are Telling the World about Poland" series. This weekend, fifty media outlets around the world are publishing “Polish Innovators Have Changed the World”, another text by Jarosław Szarek in the “We Are Telling the World about Poland” project. This initiative of the New Media Institute is supported by the IPN, Foreign Ministry, National Bank and Polish Press Agency. France, Germany, Italy, Spain and Russia will be told about Poland, but the story is also headed for more exotic places, such as Venezuela, Kuwait or Singapore. This weekend, France will be reading it in the “Special Pologne” insert in the “L’Opinion” daily. President Szarek gives examples of Polish explorers, innovators and inventors, “Poles spurred the development of electronics, chemistry and aviation. They constructed portable mine detectors and broke the German Enigma, accelerating the end of the WW2,” writes the IPN’s President, and adds, In the early 1980s, when the world watched the struggle of Polish “Solidarity” and newspapers carried the name of John Paul II on their front pages, only few people knew that 90% of stainless steel almost everyone used daily, including in their kitchens, was produced through a process developed by the US-based Polish engineer Tadeusz Sendzimir, the “Edison of metallurgy . -
Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema | Pol-Int
Pol-Int MONOGRAPH Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema Published: 04.07.2019 Reviewed by M.A. Jon Baldwin Edited by Dr. Andrzej Klimczuk Anna Labentz Ewa Mazierska's book brings together film, identity, economy and class in the entirety of Polish cinema. The role of Polish film in constructing an externally recognised patriotic national identity, often against internal reflection and social reform, is clearly emphasised: "The most critically acclaimed Polish films show Poles fighting against external enemies, rather than dealing with everyday problems and enjoying the small pleasures in life" (p. 3). The book, then, shows how Polish cinema has carried macro-ideologies through its history and marginalised the micro-everyday: indeed, following Ben Highmore, downplaying the everyday risks by neglecting the dominated for the sake of listening to the dominating elites. Mazierska, who has published extensively on European cinema, as well as monographs on Roman Polański and Jerzy Skolimowski, writes of her work that "this project has much to do with listening to voices from below, or finding out why they are silenced or represented in one way rather than another" (p. 4). Mazierska utilises a concise (occasionally restrictive) Marxist approach: "I want to find out where, to use Marxist categories, there is a fit between the base and superstructure" (p. 25). She reverses the 'retreat from class' analysis of national cinema, a retreat caused in part by the disappointment with the defeat of the western working class in the struggle with capital. She also reverses the paucity of Polish film studies: "we barely see any studies analysing how the state of the country's economy and, especially, its transformation, affected representations, except for some general remarks" (p. -
Polish Literature from 1918 to 2000: an Anthology Andrea Lanoux Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Slavic Studies Faculty Publications Slavic Studies Department Spring 2010 (Review) Polish Literature from 1918 to 2000: An Anthology Andrea Lanoux Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/slavicfacpub Part of the Slavic Languages and Societies Commons Recommended Citation Lanoux, Andrea. "Polish Literature From 1918 To 2000: An Anthology. Bloomington." Slavic & East European Journal 54.1 (2010): 194-5. Web. This Book Review is brought to you for free and open access by the Slavic Studies Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Slavic Studies Faculty Publications by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. 194 Slavic and East European Journal Michael J. Mikoý, ed. and trans. Polish Literatureftom 1918 to 2000: An Anthology. Blooming- toil, IN: Slavica Publishers, 2008. Select bibliography. Illustrations. xiv + 490 pp. $44.95 (cloth). This is the crowning achievement in a series of six anthologies of Polish literature selected and translated by Michael Mikoý, and spanning the medieval period to the recent past. The present volume covers Polish literature from 1918 to the year 2000, and serves as a comprehensive compendium of the broad spectrum of literature produced throughout the century. The book is divided into the interwar (1918-1939) and postwar (1945-2000) periods, with each part con- taining its own historical introduction and select bibliography. The introductions to both parts sketch the political and cultural contexts, listing the major historical events, figures, and works of that period, while the bibliographies following the two parts point the reader to topics for fu- ture study.