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Mind Your Colour the 'Coloured'

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Mind Your Colour the 'Coloured' Mind Your Colour The 'Coloured' Stereotype in South African Literature Vernon February bron Vernon February, Mind Your Colour. The 'Coloured' Stereotype in South African Literature. Kegan Paul International, Londen / Boston 1981 Zie voor verantwoording: http://www.dbnl.org/tekst/febr002mind01_01/colofon.php © 2014 dbnl / erven Vernon February vi Preface This book is essentially about stereotypes as found in the literature and culture of South Africa. It deals specifically with those people referred to in the South African racial legislation as ‘coloureds’. The book is also an illustration of the way in which stereotypes function as a means of social control and repression. One of the direct consequences of colonialism and racism is that the colonized or the discriminated invariably become the dupe of a series of rationalizations whereby the power-holders (i.e., the whites) justify their dominant position in society. Balandier, the French scholar, has given ample demonstration of this phenomenon as it operated in the former French colonies in West Africa and the Antilles. Here, the major channels of imposing French values were the French administrative officials and expatriates in the colonies, the school system and the policy of assimilation. Such a policy led to a reverence for the metropolis, Paris, an over-evaluation of French customs and norms, and a rejection of their own culture. This illusion was soon dispelled the moment the colonized set foot in France. Most blacks discovered that they were still looked upon as le nègre, even by the lowest of Frenchmen. The Dutch economic historian, D. van Arkel, has, on the basis of his work on the Austrian Jews, come to the conclusion that stereotypes arise when the following conditions are fulfilled: (1) there must be stigmatization, (2) social distance and (3) terrorization. The black man, then, becomes lazy, over-sexual, a ne'er-do-well, an ignoramus, fit only to provide the comic note in novels and short stories. Not surprisingly, these stereotypes prompted Ezekiel Mphahlele to rail against Joyce Cary's Mister Johnson: ‘I flung away Mister Johnson with exasperation ...I had seen too many journalistic caricatures of black people and bongo-bongo cartoons showing Africans with filed teeth and bones stuck in their hair.’ Vernon February, Mind Your Colour vii The stereotype facilitates the task of the power-holder and makes it possible to stipulate a code of conduct for the blacks on the basis of characteristics imputed to them by whites. This process is nowhere more apparent than in South Africa, where blacks are allowed upward social mobility only within the institutionalized and ascribed pattern. The major emphasis in this book is on those people labelled ‘coloured’ within the South African racial hierarchy, and the way in which they are stereotyped in the literature and culture of that country. The term ‘coloured’ is, in itself, in need of explanation. Since, however, this is extensively dealt with in the introductory chapter, it is sufficient to state here, that the term is largely inspired by racist thinking. It is, for this reason, that it is placed in inverted commas, to express my rejection of it as it is used in South Africa. Sometimes, the term ‘so-called coloured’ is used, and, of late, the general tendency is to refer to ‘coloureds’ as blacks. This is very much a post-Soweto phenomenon. There is, however, no consistency in the usage of the term black. The picture which emerges of the ‘so-called coloured’ people within the South African historical and literary context, is an unpretty one. In fact, one has incontrovertible proof that Afrikaner political attitudes must have inevitably been shaped by some of these stereotypes. It is, therefore, not so surprising to find an Afrikaner cabinet minister, Dr E. Dönges, quoting from the works of Sarah Gertrude Millin and Regina Neser (in casu, Kinders van Ishmaël), in support of his proposed law to forbid sexual relations between white and black in 1948. Special attention is given to ‘Coloured’-Afrikaner relations in literature. One is confronted with a picture ranging from ambiguity and almost nearkinship to total rejection and hatred. The stereotype of the ‘coloured’ as found in literature, is contrasted with that of the Indo in the former Dutch East Indies (now Indonesia). References are made to the creolized situation in Surinam (former Dutch Guyana). This comparative treatment of the subject served to provide further illuminating insights into the whole process of stigmatization. The literary and cultural scene reveals that stigmatization has helped in the process of dehumanization, the effects of which are clearly visible at times in the anomalous behaviour of the so-called coloured people. At the same time, it reveals that the process of black consciousness has forced many a ‘coloured’ into an orphic descent. There seems, at last, in the words of the Guyanese novelist, Wilson Harris, a ‘charting of the hollowness to set up a new echoing dimension of spatial resources for the liberation of community’. Vernon February, Mind Your Colour viii Sadly, however, my insight would have been severely restricted had it not, ironically, been for those years of exile in Holland. I was afforded an opportunity to abstract myself from the holocaust and develop at the least, a comic ironic sense. Periods of teaching African, Afro-Caribbean and Afro-American literature at universities in Sierra Leone (Fourah Bay College), Surinam, Leiden, Amsterdam, Antwerp and Wisconsin-Madison further helped me to understand certain social processes. In Amsterdam, I had occasion to come to grips with ‘Cape society’ from time to time. I am grateful to Angus Leendertz and his father for anecdotal evenings spent in Amsterdam. I am thankful to my institute at Leiden, the Afrika Studiecentrum, and in particular, to Dr G.W. Grootenhuis, the general secretary, for his appreciation of my activities. The historian, Dr R. Ross, was always willing to lend an ear and share his research findings on South African historical issues with me. I would be failing in my duty if I did not mention Professor Jan Voorhoeve, who supervised my research, and who allowed me to share his insights into Surinamese culture and literature and which finally culminated in Creole Drum. Above all, I owe my insights to my late mother, who taught us to remain sane in a race-orientated society and whose ‘wisdom passed all understanding’. Hopefully, this work will contribute to the process of undoing the ‘self-deception in self-definition’ among the ‘so-called coloured’ people of South Africa. Vernie February Leiden Vernon February, Mind Your Colour 1 Introduction Not a race of slaves1 The point of departure in this study is the stereotyped image of the ‘Cape coloured’ (person of mixed origin),2 as found in South African literature. Several studies have been carried out in an attempt to deal with the ‘coloureds’. Most well known of these studies are those by Marais (1957), D.P. Botha (1960), MacMillan (1927), Patterson (1953) and Cilliers (1963). Some South African scholars have also attempted to abstract the picture of the ‘coloured’ as found in Afrikaans literature. Most notable of these was the study by F.E.J. Malherbe (1958). This stereotyping has further complicated the special role ascribed to ‘coloureds’ within the South African context. If one observes carefully, then the picture of the Khoi as it unfolds in travel literature in the seventeenth century already contains some of the stereotypes of the ‘coloureds’. It is no mere accident that certain attributes are ascribed to what is known, in the mouths of white users, as ‘Hottentot’,3 and that these are then, later on, neatly transplanted onto ‘Cape coloured’. Early stereotypes The picture which emerges of the original inhabitants of South Africa (i.e., the Khoi and the San)4 is an unpretty, and a comically distorted one. The inhabitants are enshrined in the following pattern. They are lazy, they love to drink, they swear and fight at the slightest provocation and are generally immoral. These characteristics are clearly visible in the literature of the early Afrikaans language movement. It is precisely in these early portrayals that one already senses something of the ambivalent Afrikaner attitudes towards the latter-day ‘Cape Coloured’. In English literature of the early 1920s, the dominant theme, as Vernon February, Mind Your Colour 2 represented in the works of Sarah Gertrude Millin, was that of ‘colour being a disease’,5 or in the words of Cedrick Dover (1937), ‘smelling strangeness’.6 Small wonder that the first literary products of ‘coloureds’ themselves aped the whites in this respect. Thus, Petersen and Small failed at times to escape the Afrikaans and Afrikaner tradition, whereby the ‘coloured’ was looked upon with ambiguity and paternal affection and regarded as a sort of ‘brown Afrikaner’. Playing white, ambiguity and colour consciousness If one looks at the history of the ‘coloured’ in South Africa, then it is hardly surprising that the above-mentioned factors all play a role among this group. Because of the various racial policies of successive South African governments, the colour of one's skin determined one's status in society. Thus, where possible, some ‘coloureds’ initially tried to seek their salvation with the whites rather than with their fellow oppressed. Many tried to be ‘play whites’.7 Secondly, in view of especially the rural ‘coloureds’ involvement with Afrikaansdom, if not Afrikanerdom, there developed between the Afrikaner and a large section of the ‘coloureds’ a relationship of ambiguity, and a feeling of almost near-kinship. Since colour was the sole criterion at times, ‘coloureds’ too started evaluating themselves in terms of pigmentation. Thus, gradations of lightness (whiteness) and brownness were noticeable to ‘coloureds’, which would normally not be so apparent to the non-coloured.
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