Sir Perceval of Galles
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												Carroll College the Perceval Bildungsroman
Carroll College The Perceval Bildungsroman: The Evolution of the Spiritual Knight Submitted in Partial Fulfillment for the Requirements for Graduation with Honors to the Department of English Shannon Ambrose March 28, 1994 L,BRARY CARROLL 3 5962 00070 852 SIGNATURE PAGE This thesis for honors recognition has been approved for the Department of English. Director Reader Reader a ar Date t Contents Introduction 1 Chapter 1: Literary Precursors of Perceval 3 Chapter 2: Chretien's Conte del Graal 1 0 Chapter 3: Translations and Interpretations 1 6 Conclusion 29 Works Cited 31 t Introduction I cannot remember the first time that I read the story of Perceval because it seems that I have always known him. However, I have only recently discovered that I have known him only in a very limited way. I had only been acquainted with him in select writings, and, therefore, I only knew certain facets of his character. Of course it follows that unless you read all there is to read about a character, you are not able to develop a full understanding of who he or she really is. In the area of Arthurian literature, it is no small task for readers to create composites of who the characters are. In each, separate story they reveal a side of themselves that is not present in any other work. Needless to say, the task of reading every bit of information about those characters is likewise difficult. Worse yet, even at the end you are not guaranteed a full understanding of the characters. Perceval is one such character. - 
												
												Nobility in Middle English Romance
Nobility in Middle English Romance Marianne A. Fisher A dissertation submitted for the degree of PhD Cardiff University 2013 Summary of Thesis: Postgraduate Research Degrees Student ID Number: 0542351 Title: Miss Surname: Fisher First Names: Marianne Alice School: ENCAP Title of Degree: PhD (English Literature) Full Title of Thesis Nobility in Middle English Romance Student ID Number: 0542351 Summary of Thesis Medieval nobility was a compound and fluid concept, the complexity of which is clearly reflected in the Middle English romances. This dissertation examines fourteen short verse romances, grouped by story-type into three categories. They are: type 1: romances of lost heirs (Degaré, Chevelere Assigne, Sir Perceval of Galles, Lybeaus Desconus, and Octavian); type 2: romances about winning a bride (Floris and Blancheflour, The Erle of Tolous, Sir Eglamour of Artois, Sir Degrevant, and the Amis– Belisaunt plot from Amis and Amiloun); type 3: romances of impoverished knights (Amiloun’s story from Amis and Amiloun, Sir Isumbras, Sir Amadace, Sir Cleges, and Sir Launfal). The analysis is based on contextualized close reading, drawing on the theories of Pierre Bourdieu. The results show that Middle English romance has no standard criteria for defining nobility, but draws on the full range on contemporary opinion; understandings of nobility conflict both between and within texts. Ideological consistency is seldom a priority, and the genre apparently serves neither a single socio-political agenda, nor a single socio-political group. The dominant conception of nobility in each romance is determined by the story-type. Romance type 1 presents nobility as inherent in the blood, type 2 emphasizes prowess and force of will, and type 3 concentrates on virtue. - 
												
												Into the Wild: the Role of the Forest in Sir Orfeo, Sir Perceval of Galles And
Into the Wild: The Role of the Forest in Sir Orfeo , Sir Perceval of Galles and Ywain and Gawain Annick Pin • 0013064 • Docteraal Thesis • Utrecht University • August 2008 First Supervisor: dr. Erik Kooper • Second Supervisor: dr. Thea Summerfi eld Into the Wild: The Role of the Forest in Sir Orfeo , Sir Perceval of Galles and Ywain and Gawain Annick Pin • 0013064 • Docteraal Thesis • English Language & Culture • August 2008 First Supervisor: dr. Erik Kooper • Second Supervisor: dr. Thea Summerfield For my parents TABLE OF CONTENTS PREFACE.................................................................................................. VII INTRODUCTION ........................................................................................ 1 CHAPTER 1: THE ROMANCE FOREST................................................ 3 § 1.1. INTRODUCTION ....................................................................................................... 3 § 1.2. THE ROMANCE FOREST ........................................................................................... 3 § 1.3. THE ADVENTUROUS FOREST ................................................................................... 6 § 1.4. THE TESTING OF CHIVALRY .................................................................................... 9 § 1.5. TRANSFORMING THE WILD ................................................................................... 12 § 1.6. CONCLUSION ........................................................................................................ 17 CHAPTER - 
												
												The Arthurian Legend in British Women's Writing, 1775–1845
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Online Research @ Cardiff Avalon Recovered: The Arthurian Legend in British Women’s Writing, 1775–1845 Katie Louise Garner B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University September 2012 Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………………… (candidate) Date………………………… Acknowledgements First thanks are due to my supervisors, Jane Moore and Becky Munford, for their unceasing assistance, intellectual generosity, and support throughout my doctoral studies. - 
												
												Establishment of the Round Table King Arthur
Establishment Of The Round Table King Arthur Aron usually titrating overpoweringly or stars trickishly when laigh Janus reapplies oftentimes and aurorally. Fundamentalism Wye intravasationsometimes caning throbbing his filibusters coordinately sanguinely or notch and andante, cohering is Augustin so fraudulently! self-trained? Triboluminescent and quietism Rene evangelise her Chretien de troyes form below, loyalty by noble king arthur my last king arthur was midnight a degree of He may have existed. Yvain defeated the seneschal and his brother through trial by combat. Since Chretien had died before ever completing this work, some contemporary and later authors tried to complete his tale or rewrite their own versions of Perceval. Sir Galahad drew near, all armed save his helmet, and stood by the tomb. Analysis, related quotes, timeline. Sir Meliagraunce has borne himself both shamefully and cowardly towards me. The story begins with the miraculous time travel of a regular American back to the time of King Arthur. There was one seat though, at which none could sit. SEC would continue to discourage such awards on the rationale that it would not want to encourage employees whose job it was to prevent corporate legal and ethical violations to profit from simply doing their jobs. Morte and shows Malory at the height of his powers. Had Gawain stayed in Rome, the story implied that Gawain would have succeeded his foster father, and become emperor. Elaine will die for your sake. Arthur took Merlin as his adviser, aide, and soothsayer, and the wizard foretold much that would happen to Arthur. Among the knights who answer his call is Lancelot of the Lake, a French knight who is unrivaled in combat. - 
												
												The Symbolism of the Holy Grail
University of Richmond UR Scholarship Repository Honors Theses Student Research 1962 The symbolism of the Holy Grail : a comparative analysis of the Grail in Perceval ou Le Conte del Graal by Chretien de Troyes and Parzival by Wolfram von Eschenbach Karin Elizabeth Nordenhaug Follow this and additional works at: https://scholarship.richmond.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Nordenhaug, Karin Elizabeth, "The symbolism of the Holy Grail : a comparative analysis of the Grail in Perceval ou Le Conte del Graal by Chretien de Troyes and Parzival by Wolfram von Eschenbach" (1962). Honors Theses. 1077. https://scholarship.richmond.edu/honors-theses/1077 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND LIBRARIES ~lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll3 3082 01028 5079 r THE SYMBOLISM OF THE HOLY GRAIL A COMPARATIVE ANALYSIS OF THE GRAIL In PERCEVAL ou LE CONTE del GRAAL by CHRETIEN de TROYES and PARZIVAL by WOLFRAM von ESCHENBACH by Karin Elizabeth Nordenhaug A Thesis prepared for Professor Wright In partial fulfillment of the requirements of the Honors Program And in candidacy for the degree of Bachelor of Arts Westhampton College University of Richmond, Va. May 1962 P R E F A C E If I may venture to make a bold comparison, I have often felt like Sir Perceval while writing this thesis. Like. him, I set out on a quest for the Holy Grail. - 
												
												Modernizing the Quest for the Holy Grail in Film
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Spring 5-2013 The Search Continues: Modernizing the Quest for the Holy Grail in Film Jody C. Balius University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Arts and Humanities Commons Recommended Citation Balius, Jody C., "The Search Continues: Modernizing the Quest for the Holy Grail in Film" (2013). Honors Theses. 145. https://aquila.usm.edu/honors_theses/145 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi The Search Continues: Modernizing the Quest for the Holy Grail in Film by Jody Balius A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in the Department of English May 2013 Balius 2 Balius 3 Approved by _________________________________ Michael Salda Associate Professor of English ________________________________ Eric Tribunella, Chair Department of English ________________________________ David R. Davies, Dean Honors College Balius 4 Table of Contents Chapter 1: Introduction ................................................................................. 5 Chapter 2: Literature - 
												
												Introduction: to Be a Shapeshifter 1
NOTES Introduction: To Be a Shapeshifter 1 . Sir Thomas Malory, Malory: Works , ed. Eugene Vinaver (Oxford: Oxford University Press, 1978 ), 716. 2 . Carolyne Larrington, for example, points out that “Enchantresses . sometimes . support the aims of Arthurian chivalry, at other times they can be hostile and petty-minded.” See King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition (New York: I. B. Taurus, 2007), 2. While Larrington’s book provides a review of many of Morgan’s literary appearances, my study focuses on close reading, attention to translation issues, and discussion of social concerns. In her review of Larrington’s King Arthur’s Enchantresses: Morgan and Her Sisters in Arthurian Tradition , Elizabeth Archibald laments that “it would have been interesting to hear more about the ways in which Arthurian enchantresses do or do not resemble their Classical precursors, or indeed Celtic ones, in their use of magic and in their challenges to male heroic norms.” See Elizabeth Archibald, “Magic School,” Times Literary Supplement (February 2, 2007), 9. My study answers this cri- tique by reexamining pivotal scenes in critical texts and by dismantling the archetypal approach that Larrington follows. 3 . Norris J. Lacy, ed., The Fortunes of King Arthur (New York: D. S. Brewer, 2005 ), 94–95. 4 . Helaine Newstead, Bran the Blessed in Arthurian Romance (New York: AMS Press, 1966 ), 149. 5 . Elisa Marie Narin, “‘Þat on . Þat oÞer’: Rhetorical Descriptio and Morgan La Fay in Sir Gawain and the Green Knight ,” Pacific Coast Philology 23 (1988): 60–66. Morgan only partly fits the description of a supernatural ‘enemy’ provided by Hilda Ellis Davidson and Anna Chaudri; see n. - 
												
												Sir Perceval of Galles, ? First Half of the 14Th Century, MS Early 15Th Century Based on Yvain, Ou Le Chevalier Au Lion by Chrétien De Troyes, C
Sir Perceval of Galles, ? First half of the 14th century, MS early 15th century based on Yvain, ou le chevalier au lion by Chrétien de Troyes, c. 1180 Lef, lythes to me everyone; listen; My friends, Two wordes or thre, listen to a few words Of one that was faire and fre about a man who was handsome, And felle in his fighte. fierce; fighting courageous and a great fighter. 5 His righte name was Percyvell, His name was Perceval; He was fosterde in the felle, brought up; moors he was brought up in the wilderness He dranke water of the welle, and drank water from springs, And yitt was he wyghte. yet; strong and yet he was strong! His fadir was a noble man; His father was an illustrious man who, 10 Fro the tyme that he began, from the very beginning Miche wirchippe he wan much honor since he’d been made a knight, When he was made knyghte won much renown In Kyng Arthures haulle. palace in King Arthur's hall; Beste byluffede of alle, beloved he was loved above all the others. 15 Percyvell thay gan hym calle, did call him His name was Perceval, Whoso redis ryghte. reads correctly as we read. Who that righte can rede, Who reads aright [knows that] He was doughty of dede, bold he was valiant in performance, A styffe body on a stede powerful; war horse strong on a horse 20 Wapynes to welde; wapons; wield and skilled in arms; Tharefore Kyng Arthoure that’s why King Arthur Dide hym mekill honoure: much showed him much honour He gaffe hym his syster Acheflour, gave and gave him his sister Blanchefleur To have and to holde to have and to hold in wedlock 25 Fro thethyn till his lyves ende, thence until his life's end, With brode londes to spende, have the use of and gave him lands to live off, For he the knyght wele kende. - 
												
												Adaptation and Translation Between French and English Arthurian Romance" (Under the Direction of Edward Donald Kennedy)
Varieties in Translation: Adaptation and Translation between French and English Arthurian Romance Euan Drew Griffiths A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2013 Approved by: Edward Donald Kennedy Madeline Levine E. Jane Burns Joseph Wittig Patrick O'Neill © 2013 Euan Drew Griffiths ALL RIGHTS RESERVED ii Abstract EUAN DREW GRIFFITHS: "Varieties in Translation: Adaptation and Translation between French and English Arthurian Romance" (Under the direction of Edward Donald Kennedy) The dissertation is a study of the fascinating and variable approaches to translation and adaptation during the Middle Ages. I analyze four anonymous Middle English texts and two tales from Sir Thomas Malory’s Le Morte Darthur that are translations and adaptations of Old French Arthurian romances. Through the comparison of the French and English romances, I demonstrate how English translators employed a variety of techniques including what we might define as close translation and loose adaptation. Malory, in particular, epitomizes the medieval translator. The two tales that receive attention in this project illustrate his use of translation and adaptation. Furthermore, the study is breaking new ground in the field of medieval studies since the work draws on translation theory in conjunction with textual analysis. Translation theory has forged a re-evaluation of translation as a literary medium. Using this growing field of research and scholarship, we can enhance our understanding of translation as it existed during the Middle Ages. - 
												
												Celtic Motifs in the Provençal Arthurian Romance, Jaufre: the Grail Legend Before Perceval
72-4627 ROOT, Martha James, 1939- CELTIC MOTIFS IN THE PROVENCAL ARTHURIAN ROMANCE, JAUFRE: THE GRAIL LEGEND BEFORE PERCEVAL. The Ohio State University, Ph.D., 1971 Language and Literature, modern University Microfilms, A XERQ\ Company, Ann Arbor, Michigan CELTIC MOTIFS IN THE PROVENCAL ARTHURIAN ROMANCE, JAUFRE; THE GRAIL LEGEND BEFORE PERCEVAL DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Martha James Root, A.B., M.A. The Ohio State University 1971 Approved hy Department of Romance Languages' PLEASE NOTE: Some Pages have in d is tin c t print. Filmed as received. UNIVERSITY MICROFILMS ACI®OWLEDGEMENTS I wish to express my appreciation to my adviser, Mrs. Eleanor Bulatkin, to my parents, grandmother, and husband and to Anne Tilton and Janet Zimmerman. ii VITA November 22, 1 9 3 9 ........... Born - East Chicago, Indiana 1 9 6 1 ....................... A.B., Miami University, Oxford, Ohio I96 I-I965 ................... Teaching Assistant, Department of Romance Languages, The Ohio State University, Columbus, Ohio 196^ . M.A., The Ohio State University, Columbus, Ohio 1965-1966 ................... Lecturer, Bucknell University, Lewisburg, Pennsylvania FIELDS OF STUDY Major Field: French Literature Minor Fields: Spanish Literature Provencal Literature iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ii VITA iii INTRODUCTION X Manuscript Editions Metric Form, Dialect, Localization Date of Composition Purpose of Dissertation Celtic Motifs The Qp.es ting Hero J aufre Chapter I. ARTHUR'S ADVENTURES 28 The Red Beast The Giant Bird II. THE KNIGHT JAUFRE 63 III. THE WOUND, THE WASTING AND THE LAMENT 68 IV. - 
												
												Chelsea Henson
Henson Sabbatical Report Sabbatical Report – Fall 2020 Chelsea Henson In Winter 2018 I had an article published in the medieval journal Arthuriana arguing that the Arthurian court as it is depicted in much medieval literature is unsustainable. I used the World Commission on Environment and Development’s definition from its 1987 report: sustainable development is that which “meets the needs of the present without compromising the ability of future generations to meet their own needs.” Engaging ecocriticism and one of its subfields discard studies, I showed that the excessive behaviors of the aristocracy in the anonymous fifteenth-century poem The Awntyrs off Arthure precipitate both material (and thus environmental) and metaphorical waste which has the potential to disrupt both present and future generations’ ability to meet their needs. For my sabbatical independent project, I undertook to expand this investigation, as I believe the Arthurian court is unsustainable in other ways. Further, and paradoxically, I see this very unsustainability as part of what attracts readers to the genre – both medieval and contemporary audiences are drawn to the excess and glamor of the court itself, but also to its inevitable tragic end. My sabbatical project thus expands my theory of Arthurian paradox: the very unsustainability of the court as depicted in literature is what sustains the genre. Much research and work in sustainability studies focuses on the environment. Because I wanted to expand my understanding and the application of the idea of “sustainability,” in this project I deliberatively moved away from environmental issues and instead focused my research in part on Arthurian courtly society.