Excavation at Corinth, 1973
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A Bucchero Pesante Column Krater in Iowa
A BUCCHERO PESANTE COLUMN KRATER IN IOWA (Con le tavv. II-VII f. t.) In 1970 the University of Iowa Museum of Art acquired a large column krater said to have come from Vulci (1). It was presented as part of an exhi- bition of ancient Italian pottery from Midwestern collections in 1971 (2). This article describes the krater and then relates it to other vases of similar type attempting to establish a secure date and provenance. The investigation of parallel examples enables us to determine more specifically the nature of « bucchero pesante » production in the Vulci area and its relationship to Etru- scan pottery manufacture at other sites. Plate II illustrates the vase in its present state (3). Minor breaks along (1) I wish to thank Mr. Ulfert Wilke, Director of the Museum of Art, for per- mission to publish the vase. Special thanks are due Prof. Kyle Μ. Phillips, Jr. of Bryn Mawr College, for reading the manuscript and offering helpful suggestions. Photographs of the Iowa krater are by B. Yarborough; drawings in the text are by the author. Sections of this article appeared in a paper entitled, A Sixth Century Bucchero Pesante Column Krater in Iowa presented by the author at the 73rd Conference of the Archaeolo- gical Institute of America at Cincinnati, 1971. An abstract appears in AJA LXXVI, 1972, p. 208. The manuscript was completed in November, 1972. Funds for photographs were supplied by a stipend from the Graduate College of the University of Iowa. In addition to the St. Etr. standard abbreviations, the following appear in the footnotes: Bartoloni - G. -
Material Culture and the Greek and Latin Classroom
University of Mary Washington Eagle Scholar Classics, Philosophy, and Religion College of Arts and Sciences 2018 Material Culture and the Greek and Latin Classroom Liane Houghtalin Follow this and additional works at: https://scholar.umw.edu/cpr Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Classical Archaeology and Art History Commons, and the Education Commons Teaching Classical Languages Volume 9, Issue 1 Houghtalin 39 Material Culture and the Greek and Latin Classroom Liane Houghtalin University of Mary Washington ABSTRACT Responding to the new Standards for Classical Language Learning, this article emphasizes the importance of material culture to the study of Greek and Latin language and literature at every level, both K-12 and college. Using inscriptions on Greek vases and Roman coins as well as maps and house plans as examples, it demonstrates ways to insert material culture into the Greek and Latin classroom that will enhance a student’s knowledge of the language. It also shows how the use of material culture will help a class meet not only the Cultures goal of the new Standards, but also the Connections, Comparisons, and Communication goals. KEYWORDS Roman coins, material culture, inscriptions, maps, house plans, Standards, Greek vases A student starting French or Spanish can hold a short conversation in the target language after just one week of class. What can we offer students beginning their journey in ancient Greek or Latin? This article will demonstrate ways to insert material culture into high school and college Greek and Latin classrooms through inscriptions on Greek vases and Roman coins and through the exploration of maps and plans. -
Greek Gold from Hellenistic Egypt the GREAT SPHINX, PYRAMIDS of GEZEEH January 17, 1839 (Detail)
Greek Gold from Hellenistic Egypt THE GREAT SPHINX, PYRAMIDS OF GEZEEH January 17, 1839 (detail). David Roberts (Scottish, 1796-1864) Lithograph by Louis Haghe (Belgian, 1806-1885) Greek Gold from Hellenistic Egypt Michael Pfrommer with Elana Towne Markus GETTY MUSEUM STUDIES ON ART Los Angeles © 2001 The J. Paul Getty Trust All works are reproduced (and photographs provided) by courtesy of the owners, unless Getty Publications otherwise indicated. 1200 Getty Center Drive Suite 500 Typography by G & S Typesetters, Inc., Los Angeles, California 90049-1682 Austin, Texas www.getty.edu Printed in Hong Kong by Imago Christopher Hudson, Publisher Mark Greenberg, Editor in Chief Project Staff Louise D. Barber, Manuscript Editor Mary Louise Hart, Curatorial Coordinator Bénédicte Gilman, Editorial Coordinator Elizabeth Burke Kahn, Production Coordinator Jeffrey Cohen, Designer Ellen Rosenbery, Photographer (Getty Museum objects) David Fuller, Cartographer Library of Congress Cataloging-in-Publication Data Pfrommer, Michael. Greek gold from Hellenistic Egypt / Michael Pfrommer with Elana Towne Markus. p. cm. — (Getty Museum studies on art) Includes bibliographical references. ISBN 0-89236-633-8 i. Gold jewelry, Hellenistic—Egypt. 2. Gold jewelry—Egypt. 3. Jewelry— California—Los Angeles. 4. J. Paul Getty Museum. I. J. Paul Getty Museum. II. Towne-Markus, Elana. III. Title. IV. Series. NK7307.3 .P48 2001 739.2790932907479494—dc21 2001029132 CONTENTS VII Foreword, Marion True X Map XII Chronology XIV Introduction 1 The Jewelry 9 Alexander the Great: -
The University of Sydney
THE UNIVERSITY OF SYDNEY Copyright and use of this thesis This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author -subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright A Comparative Study of West Slope Pottery Productions in the Hellenistic World Elizabeth A. Bollen Volume 1.2 Thesis submitted for the degree of Doctor of Philosophy University of Sydney 2004 Contents Volume 1.1 Acknowledgements ........ ix Abstract ......... xi Ch. 1 An Introduction to West Slope Pottery .... 1 1.1 Historical Setting ....... 1 1.2 Definition of West Slope Pottery. .... 4 1.2.1 The name ..... -
The Tomb of Fastia Velsi from Chiusi
Etruscan Studies Journal of the Etruscan Foundation Volume 11 Article 9 2008 The ombT of Fastia Velsi from Chiusi Richard De Puma University of Iowa Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation De Puma, Richard (2008) "The ombT of Fastia Velsi from Chiusi," Etruscan Studies: Vol. 11 , Article 9. Available at: https://scholarworks.umass.edu/etruscan_studies/vol11/iss1/9 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. The Tomb of Fastia Velsi from Chiusi by Richard De Puma he modern Tuscan town of Chiusi is the site of one of the major inland cities of the ancient Etruscans. For centuries the settlement, its cemeteries and the exten - Tsive satellite communities have been exPlored, Plundered and excavated. To see and study the thousands of objects recovered from this imPortant area one must travel to Italy, but there are a few tomb -grouPs from Chiusi in North America. Most of these date from the rich Orientalizing Period. For examPle, a 19 th century PhotograPh (fig. 1) records one of two tomb -grouPs suPPosedly excavated at Chiusi about 189 5 and acquired by A. L. Frothingham Jr., the first editor of the AJA, for the Field Museum of Natural History in Chicago in 1896. 1 Such record PhotograPhs of tomb-grouPs, with the objects so symmetrically and artfully arranged , immediately PromPt the ques - tions: Is this everything that was found in this tomb or just the most interesting or attractive objects? Could the objects have come from more than one burial? This PaPer focuses attention on another suPPosed tomb-grouP from Chiusi , one with more material and from the later Hellenistic Period (fig. -
This Pdf Is a Digital Offprint of Your Contribution in E. Alram-Stern, F
This pdf is a digital offprint of your contribution in E. Alram-Stern, F. Blakolmer, S. Deger-Jalkotzy, R. Laffineur & J. Weilhartner (eds), Metaphysis. Ritual, Myth and Symbolism in the Aegean Bronze Age (Aegaeum 39), ISBN 978-90-429-3366-8. The copyright on this publication belongs to Peeters Publishers. As author you are licensed to make printed copies of the pdf or to send the unaltered pdf file to up to 50 relations. You may not publish this pdf on the World Wide Web – including websites such as academia.edu and open-access repositories – until three years after publication. Please ensure that anyone receiving an offprint from you observes these rules as well. If you wish to publish your article immediately on open- access sites, please contact the publisher with regard to the payment of the article processing fee. For queries about offprints, copyright and republication of your article, please contact the publisher via [email protected] AEGAEUM 39 Annales liégeoises et PASPiennes d’archéologie égéenne METAPHYSIS RITUAL, MYTH AND SYMBOLISM IN THE AEGEAN BRONZE AGE Proceedings of the 15th International Aegean Conference, Vienna, Institute for Oriental and European Archaeology, Aegean and Anatolia Department, Austrian Academy of Sciences and Institute of Classical Archaeology, University of Vienna, 22-25 April 2014 Edited by Eva ALRAM-STERN, Fritz BLAKOLMER, Sigrid DEGER-JALKOTZY, Robert LAFFINEUR and Jörg WEILHARTNER PEETERS LEUVEN - LIEGE 2016 98738_Aegaeum 39 vwk.indd 1 25/03/16 08:06 CONTENTS Obituaries ix Preface xiii Abbreviations xv KEYNOTE LECTURE Nanno MARINATOS Myth, Ritual, Symbolism and the Solar Goddess in Thera 3 A. -
Corpus Vasorum Antiquorum Poland Fascicule 11 Cracow Fascicule 1
CORPUS VASORUM ANTIQUORUM POLAND FASCICULE 11 CRACOW FASCICULE 1 JAGIELLONIAN UNIVERSITY INSTITUTE OF ARCHAEOLOGY 1 JAGIELLONIAN UNIVERSITY MUSEUM UNION ACADÉMIQUE INTERNATIONALE CORPUS VASORUM ANTIQUORUM POLAND CRACOW FASCICULE 1 JAGIELLONIAN UNIVERSITY INSTITUTE OF ARCHAEOLOGY 1 JAGIELLONIAN UNIVERSITY MUSEUM Ewdoksia PaPUCi-wŁadYka PUBLISHED BY THE POLISH ACADEMY OF ARTS AND SCIENCES CRACOW 2012 POLAND, FASCICULE 11 CRACOW, FASCICULE 1 Editor of series: Ewdoksia Papuci-władyka Photographs: Paweł Gąsior, katarzyna Mirczak and Jakub Śliwa – institute of archaeology and Grzegorz Zygier JU Museum drawings and computer elaboration of photographs: Urszula socha Translation: agnieszka Fulińska Layout: Tomasz kulawik ISBN 978-83-7676-142-8 © Copyright: Polish academy of arts and sciences & Ewdoksia Papuci-władyka Printed in Poland Cracow 2012 To the Memory of Professor MARIA LUDWIKA BERNHARD PREFACE Corpus Vasorum Antiquorum has a long established tradition in Poland. The first three vol- umes were published before world war ii, in the years 1931-1936, and elaborated primarily by kazimierz Bulas and, to a lesser extent, by Edmund Bulanda, who took part in the project mostly in the capacity of the series editor. These volumes were published by the Polish acad- emy of arts and sciences (Polska akademia Umiejętności – PaU) in Cracow, under auspices of the Union académique internationale (Uai). They included not only the most prominent and most valuable collections, such as the famous Gołuchów collection of the Czartoryski family (volume 1), or the Cracow collection in the Princes Czartoryski Museum, but also smaller collections of the Jagiellonian University (JU) and the National Museum in Cracow (volume 2), and finally other small collections inw ilanów, Poznań, warsaw, Vilnius, Łańcut and many other places (volume 3). -