Edition and Translation of Clm 4610

Total Page:16

File Type:pdf, Size:1020Kb

Edition and Translation of Clm 4610 B The Bavarian Commentary and Ovid ÖCKERMAN The Bavarian Commentary and Ovid ROBIN WAHLSTEN BÖCKERMAN ROBIN WAHLSTEN BÖCKERMAN The Bavarian Commentary and Ovid is the fi rst complete cri� cal edi� on and transla� on of the earliest preserved commentary on Ovid’s Metamorphoses. T Today, Ovid’s famous work is one of the touchstones of ancient literature, but we have only a handful of scraps and quota� ons to show how the earliest medieval readers received and discussed the poems—un� l the Munich Bayerische Staatsbibliothek clm 4610. This commentary, which dates from around the year 1100 is the fi rst systema� c study of the Metamorphoses, founding a tradi� on of scholarly study that extends to the present day. Despite its signifi cance, this medieval commentary has never before been HE published or analysed as a whole. Böckerman’s groundbreaking work includes a cri� cal edi� on of the en� re manuscript, together with a lucid English transla� on B and a rigorous and s� mula� ng introduc� on, which sets the work in its historical, AVARIAN geographical and linguis� c contexts with precision and clarity while off ering a rigorous analysis of its form and func� on. C The Bavarian Commentary and Ovid is essen� al reading for academics concerned with the recep� on of Ovid or that of other ancient authors. It will also be of great OMMENTARY interest for Classical scholars, those inves� ga� ng medieval commentaries and media history, and for anyone intrigued to know more about how the work of Ovid has echoed through history. As with all Open Book publica� ons, this en� re book is available to read for AND free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, can also be found here: O www.openbookpublishers.com VID Cover image: Bayerische Staatsbibliothek München, Munich, clm4610 61v. All rights reserved. Cover design: Anna Ga� book ebooke and OA edi� ons also available OPEN ACCESS OBP https://www.openbookpublishers.com © 2020 Robin Wahlsten Böckerman This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Robin Wahlsten Böckerman, The Bavarian Commentary and Ovid: Clm 4610, The Earliest Documented Commentary on the Metamorphoses. Cambridge, UK: Open Book Publishers, 2020, https://doi.org/10.11647/OBP.0154 Copyright and permission for reuse of many images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit https://doi.org/10.11647/OBP.0154#copyright Further details about CC BY licenses are available at https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0154#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 978-1-78374-575-3 ISBN Hardback: 978-1-78374-576-0 ISBN Digital (PDF): 978-1-78374-577-7 DOI: 10.11647/OBP.0154 Cover image: Bayerische Staatsbibliothek München, Munich, clm4610 61v. All rights reserved. Cover design: Anna Gatti. Edition and Translation of clm 4610 © Robin Wahlsten Böckerman, CC BY 4.0 - https:doi.org/10.11647/OBP.0154.08 192 Ed ition a nd Tra ns la tio n of clm 4 61 0 Clm 4610 61va Cum multa possint inquiri in capite uniuscuiusque libri, moderni quadam gaudentes breuitate tria principaliter inquirenda statuere, id est materiam, intentionem et cui parti philosophie supponatur. Cum diximus ‘parti’, constat philosophiam aliquod totum esse, unde partes possint procedere. Nunc primo agamus de ethimologia ipsius 5 uocabuli. Olim ‘sophi’ id est sapientes dicebantur, sed Pithagoras hoc uidens nimis arrogans apposuit quoddam remedium, id est ‘philos’, quod est amor. Inde ‘philosophus’ amator sapientie. Hucusque egimus de ethimologia ipsius uocabuli. Nunc autem dicamus quod sit ipsa res. Philosophia est ars uel naturalis uel artificialis. Naturalis est, que 10 omnibus inest, ut ambulare, loqui. Artificialis, que a magistro docetur et a discipulo discitur. Et hec eadem artificialis diuiditur in duas partes, scilicet in inliteralem et literalem. Inliteralis est, ut suere, arare. Literalis, que potest dici uera philosophia, diuiditur in tria, scilicet in phisicam, logicam, ethicam. 15 ‘Phisin’ Grece, Latine natura. Inde phisica naturalis, que diuiditur in IIII partes, scilicet geometriam, arithmeticam, musicam, astronomiam. ‘Ge’ enim Grece, Latine terra. ‘Ometria’ dicitur mensura. Inde 61vb geometria mensura terre. ‘Ares’ Grece, / Latine uirtus. ‘Methica’ numerus. Inde arithmetica uirtus numeri. ‘Mosin’ Grece, Hebraice 20 aqua. Inde musica aquatica dicitur, quia omnis uox ab humore et aeris repercussione conficitur. Astronomia, id est astrorum scientia. Logica diuiditur in III, scilicet gramaticam, rhetoricam, dialeticam. ‘Grama’ enim Grece, Latine litera. Inde gramaticus literatus. ‘Rethor’ Grece, Latine orator. ‘Dia’ Grece, Latine duo, ‘logos’ sermo. Inde 25 dialetica sermo duorum. Ethica diuiditur in duo, scilicet in bonos mores et malos. ‘Ethis’ enim Grece, Latine mores. Inde ethica moralis. 4 Cum … 9 res] cf. Com. in Boetii Consol. p. 6: Philosophia est amor sapientiae. Sophia est sapientia. Sophi enim dicebantur sapientes, sed, quia pernimium mundani sapientes huic nomini insultabant, temperauit eis Pyt<h>agoras hoc nomen quod est sophi et uocauit eos philosophos, id est amantes sapientiam. 18 Ge … 19 terre] cf. Isid. Etymol. 3:10: Nam geometria de terra et de mensura nuncupata est. Terra enim Graece γή uocatur, μέτρα mensura. 20 Inde … numeri] cf. Isid. Etymol. 3:1: Arithmetica est disciplina numerorum. Graeci enim numerum αριθμόν dicunt. | Hebraice … 21 aqua] cf. Eriugena, Commentarius in euangelium Iohannis, p. 240: In Ainon, hoc est in aquis; ''enos'' enim hebraice aqua dicitur; cf. Isid., Etymol., 7,6.: Denique Moyses interpretatur sumptus ex aqua. 7 philos correxi, sophos cod. 13 suere] fuere scr. Young 23 dialeticam i.e. dialecticam © R o b i n Wa h l s t e n B ö c k e rm a n , C C B Y 4 . 0 - h t t p s : d o i . o r g / 1 0 . 1 1 6 4 7 / O B P. 0 1 5 4 . 0 8 T he B ava r ian C o mm enta r y a nd O vid 193 Clm 4610 Since many things can be investigated regarding the origin of any book, the moderns - who take delight in a certain brevity - have stated that chiefly three things should be investigated, that is: the subject matter, the author’s intention and to which part of philosophy the work belongs. When we say ‘to which part’, it is clear that philosophy is something whole, from which parts can be derived. Let us now first treat the etymology of the word itself. Once they were named sophi, that is ‘the wise ones’, but Pythagoras who considered this too arrogant put forth a kind of remedy, that is philos, which is love. From this a philosopher is a lover of wisdom. Thus far we have treated the etymology of the word. Let us now say what the thing itself is. Philosophy is an art that is either natural or artificial. Natural philosophy is that which is present in everybody, such as to walk or to talk. Artificial philsophy is that which is taught by a master and learned by a pupil. And the artifical is divided into two parts: the non-literary and literary. The non-literary is for instance to sew, to plough. The literary, which could be said to be the true philosophy, is divided into three: physics, logic and ethics. Physin in Greek is nature in Latin. From this natural physics, which is divided into four parts: geometry, arithmethic, music and astronomy. For Ge in Greek is earth in Latin. A measuring is called ometria. From this geometry is a measuring of the earth. Ares in Greek is virtue in Latin. Methica is number. From this arithmetic is the virtue of the number. Mosin in Greek is water in Hebrew. From this music is called aquatic, since every voice is made from moisture and a repercussion of the air. Astronomy, that is the science of the stars. Logic is divided into three: grammar, rhetoric and dialectics. Gramma in Greek is letter in Latin. Whence grammaticus [means] literate. Rhetor in Greek is orator in Latin. Dia in Greek is two in Latin, logos is speech. From this dialectics is speech between two. Ethics is divided into two: good and bad customs. For ethis in Greek is customs in Latin. Whence ethics is moral. 194 Ed ition a nd Tra ns la tio n of clm 4 61 0 Omnis auctor uel dragmatice uel exegematice uel cinomitice. ‘Dragmaticon’ id est fabulosum, et est ubi introducte persone locuntur, 30 ut Terentii. ‘Exagematicon’ id est enarratiuum, ubi auctor loquitur, <ut> Priscianus. Tercium genus poematis est ‘cinomenticon’, id est commune, ut Ouidius iste scribit. Quidam philosophi fuerunt, qui mundum de nichilo Deum fecisse crediderunt. Quidam uero alii ex athomis et inanitate, que duo semper 35 fuerunt, dicunt Deum mundum fecisse. Alii autem philosophi, sicut Ouidius et consimiles, tria esse semper dixerunt, scilicet Deum et IIII elementa insimul conmixta et formas omnium rerum in mente Dei 62ra existentes, id est ideas, hoc est diffe-/rentias sicut rationalitatem et caliditatem et frigiditatem et cetera, per que Deus ipse res futuras 40 constituturus erat.
Recommended publications
  • Michigan Winter Tournament Packet 15
    Michigan Winter Tournament "The Holy Roman Empire of Tournaments" Edited by: Harris Bunker, Emmett Laurie, Evan Lynch, Matt Mitchell, Eric Mukherjee, Jacob O'Rourke, Rudra Ranganathan, Conor Thompson, Jeremy Tsai, and Chandler West Written by: The editors, Mollie Bakal, Austin Foos, Beverly Fu, Colton Graham, James Hadley, Sean Higgins, Tyler McMaken, Ameya Phadnis, Aleija Rodriguez, James Stevenson, and Allan VanZandt Packet 15 Tossups: 1. Rulers with this title employed a series of lash-bearers to patrol the streets while ruling a city where they stripped voting ​ rights from everyone except a group called "the Included." After overthrowing the Bacchiadae, Cypselos took this title, as did his son Periander. Harmodius and Aristogeiton planned an attack targeted a ruler with this title at the 514 BC Panathenaic Festival, where they killed Hipparchus but failed to kill the final holder in a line of rulers who took this title, Hippias. (*) Thrasybulus led a 403 BC uprising to overthrow a regime whose rulers took this title. That regime whose leaders took ​ this title was imposed on a city after its defeat in the Peloponnesian War. For 10 points, give this title, held by "Thirty" rulers in a pro-Spartan oligarchy that ruled Athens. ANSWER: tyrant <Ranganathan, Other History> ​ ​ 2. They're not relative clauses, but parts of these expressions can undergo pied-piping, a process that can result in ​ preposition stranding. Adjunct clauses and left branch clauses are among the so-called "islands" which can prevent the syntactic movement of words marking these expressions. Speakers wishing to hedge or be polite might append statements or commands with the (*) "tag" variety of these expressions.
    [Show full text]
  • The Tyrannies in the Greek Cities of Sicily: 505-466 Bc
    THE TYRANNIES IN THE GREEK CITIES OF SICILY: 505-466 BC MICHAEL JOHN GRIFFIN Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Classics September 2005 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2 ACKNOWLEDGEMENTS Firstly, I would like to thank the Thomas and Elizabeth Williams Scholarship Fund (Loughor Schools District) for their financial assistance over the course of my studies. Their support has been crucial to my being able to complete this degree course. As for academic support, grateful thanks must go above all to my supervisor at the School of Classics, Dr. Roger Brock, whose vast knowledge has made a massive contribution not only to this thesis, but also towards my own development as an academic. I would also like to thank all other staff, both academic and clerical, during my time in the School of Classics for their help and support. Other individuals I would like to thank are Dr. Liam Dalton, Mr. Adrian Furse and Dr. Eleanor OKell, for all their input and assistance with my thesis throughout my four years in Leeds. Thanks also go to all the other various friends and acquaintances, both in Leeds and elsewhere, in particular the many postgraduate students who have given their support on a personal level as well as academically.
    [Show full text]
  • Dissertation Master
    APOSTROPHE TO THE GODS IN OVID’S METAMORPHOSES, LUCAN’S PHARSALIA, AND STATIUS’ THEBAID By BRIAN SEBASTIAN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Brian Sebastian 2 To my students, for believing in me 3 ACKNOWLEDGMENTS A great many people over a great many years made this possible, more than I could possibly list here. I must first thank my wonderful, ideal dissertation committee chair, Dr. Victoria Pagán, for her sage advice, careful reading, and steadfast encouragement throughout this project. When I grow up, I hope I can become half the scholar she is. For their guidance and input, I also thank the members of my dissertation committee, Drs. Jennifer Rea, Robert Wagman, and Mary Watt. I am very lucky indeed to teach at the Seven Hills School, where the administration has given me generous financial support and where my colleagues and students have cheered me on at every point in this degree program. For putting up with all the hours, days, and weeks that I needed to be away from home in order to indulge this folly, I am endebted to my wife, Kari Olson. I am grateful for the best new friend that I made on this journey, Generosa Sangco-Jackson, who encouraged my enthusiasm for being a Gator and made feel like I was one of the cool kids whenever I was in Gainesville. I thank my parents, Ray and Cindy Sebastian, for without the work ethic they modeled for me, none of the success I have had in my academic life would have been possible.
    [Show full text]
  • Massachusetts​ ​Senior​ ​Classical​ ​League
    MASSACHUSETTS SENIOR CLASSICAL LEAGUE ​ ​ ​ ​ ​ ​ BOSTON ELITE CERTAMEN 2017 ​ ​ ​ ​ ​ ​ ROUND 1 ​ ​ 1. Congratulations to all teams for making it to Round 1 of the 2017 Boston Elite Certamen ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Invitational. Let’s get right into it with everybody’s favorite: Dramatic Interpretation. With a ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ teammate, act out the following passage, which I will read twice, that is based on a film the ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Romans might have called Istud: Dum pluit, puer lintrī chartāceā lūdēns in viā sōlus ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ currēbat et rīdēbat. Capite in signō ob neglegentiam ictō, puer lapsus est in sēmitā lūbricā ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ et lintrem āmīsit. Linter chartācea in cloācam cecidit, sed ā scurrā terribilī capta est. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Scurra nōmen Pennywise eī esse dīxit et fierī amīcus puerī simulāvit. Cōnāns lintrem ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ recipere, puer ā scurrā prehensus est. Bracchiō morsō, puer in cloācam tractus est ut ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ omnīnō vorārētur. ​ ​ BOY IS RUNNING ON THE ROAD PLAYING WITH A PAPER BOAT AND LAUGHING. ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ BOY HITS HIS HEAD ON A SIGN, FALLS DOWN, AND LOSES THE BOAT. THE BOAT ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ FALLS INTO THE SEWER BUT A CLOWN IN
    [Show full text]
  • Fossil Flora and Fauna of Bosnia and Herzegovina D Ela
    FOSSIL FLORA AND FAUNA OF BOSNIA AND HERZEGOVINA D ELA Odjeljenje tehničkih nauka Knjiga 10/1 FOSILNA FLORA I FAUNA BOSNE I HERCEGOVINE Ivan Soklić DOI: 10.5644/D2019.89 MONOGRAPHS VOLUME LXXXIX Department of Technical Sciences Volume 10/1 FOSSIL FLORA AND FAUNA OF BOSNIA AND HERZEGOVINA Ivan Soklić Ivan Soklić – Fossil Flora and Fauna of Bosnia and Herzegovina Original title: Fosilna flora i fauna Bosne i Hercegovine, Sarajevo, Akademija nauka i umjetnosti Bosne i Hercegovine, 2001. Publisher Academy of Sciences and Arts of Bosnia and Herzegovina For the Publisher Academician Miloš Trifković Reviewers Dragoljub B. Đorđević Ivan Markešić Editor Enver Mandžić Translation Amra Gadžo Proofreading Amra Gadžo Correction Sabina Vejzagić DTP Zoran Buletić Print Dobra knjiga Sarajevo Circulation 200 Sarajevo 2019 CIP - Katalogizacija u publikaciji Nacionalna i univerzitetska biblioteka Bosne i Hercegovine, Sarajevo 57.07(497.6) SOKLIĆ, Ivan Fossil flora and fauna of Bosnia and Herzegovina / Ivan Soklić ; [translation Amra Gadžo]. - Sarajevo : Academy of Sciences and Arts of Bosnia and Herzegovina = Akademija nauka i umjetnosti Bosne i Hercegovine, 2019. - 861 str. : ilustr. ; 25 cm. - (Monographs / Academy of Sciences and Arts of Bosnia and Herzegovina ; vol. 89. Department of Technical Sciences ; vol. 10/1) Prijevod djela: Fosilna flora i fauna Bosne i Hercegovine. - Na spor. nasl. str.: Fosilna flora i fauna Bosne i Hercegovine. - Bibliografija: str. 711-740. - Registri. ISBN 9958-501-11-2 COBISS/BIH-ID 8839174 CONTENTS FOREWORD ...........................................................................................................
    [Show full text]
  • Biodiversity and Ecosystem Management in the Iraqi Marshlands
    Biodiversity and Ecosystem Management in the Iraqi Marshlands Screening Study on Potential World Heritage Nomination Tobias Garstecki and Zuhair Amr IUCN REGIONAL OFFICE FOR WEST ASIA 1 The designation of geographical entities in this book, and the presentation of the material, do not imply the expression of any opinion whatsoever on the part of IUCN concerning the legal status of any country, territory, or area, or of its authorities, or concerning the delimitation of its frontiers or boundaries. The views expressed in this publication do not necessarily reflect those of IUCN. Published by: IUCN ROWA, Jordan Copyright: © 2011 International Union for Conservation of Nature and Natural Resources Reproduction of this publication for educational or other non-commercial purposes is authorized without prior written permission from the copyright holder provided the source is fully acknowledged. Reproduction of this publication for resale or other commercial purposes is prohibited without prior written permission of the copyright holder. Citation: Garstecki, T. and Amr Z. (2011). Biodiversity and Ecosystem Management in the Iraqi Marshlands – Screening Study on Potential World Heritage Nomination. Amman, Jordan: IUCN. ISBN: 978-2-8317-1353-3 Design by: Tobias Garstecki Available from: IUCN, International Union for Conservation of Nature Regional Office for West Asia (ROWA) Um Uthaina, Tohama Str. No. 6 P.O. Box 942230 Amman 11194 Jordan Tel +962 6 5546912/3/4 Fax +962 6 5546915 [email protected] www.iucn.org/westasia 2 Table of Contents 1 Executive
    [Show full text]
  • Oracular Prophecy and Psychology in Ancient Greek Warfare
    ORACULAR PROPHECY AND PSYCHOLOGY IN ANCIENT GREEK WARFARE Peter McCallum BA (Hons) MA A thesis submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of Classics University of Wales Trinity Saint David June 2017 Director of Studies: Dr Errietta Bissa Second Supervisor: Dr Kyle Erickson Abstract This thesis examines the role of oracular divination in warfare in Archaic, Classical, and Hellenistic Greece, and assesses the extent to which it affected the psychology and military decision-making of ancient Greek poleis. By using a wide range of ancient literary, epigraphical, archaeological, and iconographical evidence and relevant modern scholarship, this thesis will fully explore the role of the Oracle in warfare, especially the influence of the major Oracles at Delphi, Dodona, Olympia, Didyma, and Ammon on the foreign policies and military strategies of poleis and their psychological preparation for war; as well as the effect of oracular prophecies on a commander’s decision- making and tactics on the battlefield, and on the psychology and reactions of soldiers before and during battle. This thesis contends that oracular prophecy played a fundamental and integral part in ancient Greek warfare, and that the act of consulting the Oracles, and the subsequent prognostications issued by the Oracles, had powerful psychological effects on both the polis citizenry and soldiery, which in turn had a major influence and impact upon military strategy and tactics, and ultimately on the outcome of conflicts in the ancient Greek world. Declarations/Statements DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree.
    [Show full text]
  • Reading and Writing Gellius: the Act of Composition in the Attic Nights by Austin Chapman M.A
    Reading and Writing Gellius: The Act of Composition in the Attic Nights by Austin Chapman M.A. (Classics, University of Cincinnati) B.A. (History, Furman University) A Dissertation Presented to the FACULTY OF THE GRADUATE SCHOOL UNIVERSITY OF CINCINNATI In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY (CLASSICS) Committee Chair: Holt Parker, Ph.D. September 2015 Abstract Here I argue that Gellius uses the loose design of his Attic Nights to interact both playfully and instructively with his reader, and that he does so in such a way that the purpose of the Nights is found to be reproductive, replicating the activities of its author (Gellius) in the minds and, ideally, the activities of its readers. To demonstrate how Gellius creates this unique author-reader relationship as the ordo of the text unfolds, I read the Nights sequentially. In close readings of three books of the Attic Nights (Books 1, 2, and 14), I explore how Gellius develops themes over the course of each book and uses those themes to articulate his relationship with the reader. In order to pick out sequences that supply meaning to a sequential reading of such an apparently disordered text, I take advantage, at least initially, of the approach of Gibson and Morello (2012) to the Letters of Pliny the Younger, where a multitude of units (epistles, in Pliny’s case) are placed so as to appear well-mixed but also create sequences in which certain patterns emerge, suggesting a loose design. Following Gibson and Morello’s model, I begin by noticing a more-or-less obvious pattern in Book 2 and “re-read” the book with that pattern in mind; through that re-reading, I discover that Gellius highlights a father-son relationship as an analogue for the relationship between himself and his reader.
    [Show full text]
  • Imitatio and Intertextuality in Sixteenth- Century English Receptions of Classical Latin Love Elegy
    ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output Turning others leaves: imitatio and intertextuality in sixteenth- century English receptions of classical Latin love elegy http://bbktheses.da.ulcc.ac.uk/74/ Version: Full Version Citation: Grant, Linda (2014) Turning others leaves: imitatio and intertextuality in sixteenth-century English receptions of classical Latin love elegy. PhD thesis, Birkbeck, University of London. c 2014 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email 1 ‘Turning others’ leaves’: imitatio and intertextuality in sixteenth-century English receptions of classical Latin love elegy Linda Grant PhD Thesis Birkbeck, University of London 2014 2 Statement of originality I declare that this thesis is the product of my own work, and that any work used from other authors has been properly acknowledged. ------------------------------------------------------ Linda Grant, April 2014 3 Abstract This thesis situates itself within the field of classical reception, and explores the appropriation and imitation of Latin erotic elegy (Catullus, Propertius, Ovid, Sulpicia) in the love poetry of sixteenth-century England. It shows imitatio to be a dynamic, rich and sophisticated practice, one which may be productively read as both a form of intertextuality and reception, terms which capture its contingent and active nature. The readings here re-calibrate Petrarch’s canzoniere suggesting that this influential sequence of love sonnets is itself a moralised re- writing of Roman erotic elegy. By re-framing the ‘Petrarchan’ love poetry of Thomas Wyatt, Philip Sidney, John Donne and Mary Sidney as elegiac receptions, the readings here re-open these familiar texts and offer fresh interpretations of how they can be made to mean.
    [Show full text]
  • A Dictionary of Mythology —
    Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science.
    [Show full text]
  • {PDF EPUB} the City of Corinth and the Secret Diary by LA Francis
    Read Ebook {PDF EPUB} The City of Corinth and the Secret Diary by L.A. Francis Corinth Legends and History. Corinth is the name of an ancient Greek polis (city-state) and nearby isthmus that lent its name to a set of Panhellenic games, a war, and a style of architecture. In works attributed to Homer, you may find Corinth referred to as Ephyre. Corinth in the Middle of Greece. That it is called 'isthmus' means it is a neck of land, but the Isthmus of Corinth serves as more of a Hellenic waist separating the upper, mainland part of Greece and the lower Peloponnesian parts. The city of Corinth was a rich, important, cosmopolitan, commercial area, having one harbor that allowed trade with Asia, and another that led to Italy. From the 6th century B.C., the Diolkos, a paved route up to six meters wide designed for a fast passage, led from the Gulf of Corinth on the west to the Saronic Gulf on the east. Passage From the Mainland to the Peloponnese. The land route from Attica into the Peloponnese passed through Corinth. A nine-kilometer section of rocks (the Sceironian rocks) along the land route from Athens made it treacherous—especially when brigands took advantage of the landscape—but there was also a sea route from the Piraeus past Salamis. Corinth in Greek Mythology. According to Greek mythology, Sisyphus, a grandfather of Bellerophon—the Greek hero who rode Pegasus the winged horse—founded Corinth. (This may be a story invented by Eumelos, a poet of the Bacchiadae family.) This makes the city not one of the Dorian cities—like those in the Peloponnese—founded by the Heracleidae, but Aeolian).
    [Show full text]
  • Euripidis Erechthei Quae Exstant Introduzione
    FACOLTÀ DI LETTERE E FILOSOFIA DIPARTIMENTO DI STUDI SUL MONDO ANTICO DOTTORATO DI RICERCA IN CIVILTÀ E TRADIZIONE GRECA E ROMANA XXII CICLO MAURIZIO SONNINO Euripidis Erechthei quae exstant Introduzione. Testo Critico. Commento. Traduzione TUTORE: DOTTORANDO: PROF. ADELE TERESA COZZOLI DOTT. MAURIZIO SONNINO ANNO ACCADEMICO 2009 2 לילה יורד לאט ורוח שושן נושבה 3 Sommario Premessa ............................................................................................................. 8 Introduzione ...................................................................................................... 10 1. Prospettive metodologiche ....................................................................... 10 2. Datazione dell'Eretteo ............................................................................... 16 3. Contenuto dell'Eretteo .............................................................................. 22 4. Una tragedia veramente...Attica. L'Eretteo e la tradizione del Logos Epitaphios ...................................................................................................... 24 5. Mito e innovazione nell'Eretteo ................................................................. 28 6. Ione innanzi tutto ...................................................................................... 30 7. L'arrivo di Eretteo ...................................................................................... 42 8. Eumolpo ....................................................................................................
    [Show full text]