DOCSLIB.ORG

SGEM 2018 Conference Programme: PUBLISHERS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SGEM 2018 Conference Programme: PUBLISHERS SGEM 2018 Conference Programme: PUBLISHERS 1.Political Sciences HORIZONTAL EUROPEANIZATION OF LOCAL SELF-GOVERNMENT: IMPORTANCE OF THE INFORMAL NETWORKS OF LOCAL AUTHORITIES IN THE IMPLEMENTATION OF THE EUROPEAN PRINCIPLES FOR PUBLIC 1 ADMINISTRATION Author/s: Assoc. Prof. Dana Dobric Jambrovic, PhD, University of Rijeka Faculty-Faculty of Law, Croatia RIGHT-WING EXTREMISM AS A SOURCE OF SECURITY THREATS 2 Author/s: Assoc. Prof. Peter Ondria, PhD. - PhDr. Rastislav Malovec, College Danubius, Slovakia REVOLUTION AS A FACTOR FOR SOCIAL JUSTICE AND SOCIAL EQUALITY IN THE SCIENTIFIC HERITAGE OF 3 PITIRIM SOROKIN. Author/s: Marina Lomonosova, Elena Bogomiagkova, Saint Petersburg State University, Russia CHINA`S FOREIGN POLICY IN EAST ASIA 4 Author/s: Assoc. Prof. PhD. Barov S.A., Assoc. Prof. PhD. Solntseva E.G., Senior Lecturer Bogdanova N.A., Peoples Friendship University of Russia (RUDN University), Russia ENERGY SECURITY IN EAST ASIA 5 Author/s: Assoc. Prof. PhD. Barov S.A., Assoc. Prof. PhD. Ovezova U.A., Assoc. Prof. PhD. Wagner M.-N.L., Peoples Friendship University of Russia (RUDN University), Russia THE STRATEGY OF CHINA`S FOREIGN TRADE POLICY IN THE MODERN ERA 6 Author/s: Prof. PhD. Nikolayev A.M., Assoc. Prof. PhD. Barov S.A., Assoc. Prof. PhD. Egorova M.A., Peoples Friendship University of Russia (RUDN University), Russia FOREIGN TRADE ROLE IN CHINA`S GLOBAL ECONOMIC POLICY 7 Author/s: Prof. PhD. Kapitsyn V.M., Assoc. Prof. PhD. Barov S.A., Assoc. Prof. PhD. Kitinov B.U., Assistant PhD. Lyulina A.G., Peoples Friendship University of Russia (RUDN University), Russia TERRORIST THREATS AND RESILIENCE OF CRITICAL INFRASTRUCTURE 8 Author/s: Maria Luskova, Zdenka Urbancova, University of Zilina Faculty of Security Engineering, Slovakia THE EXTREMIST CONDUCT PROBLEM ISSUE IN THE AMERICAN POLITICAL CULTURE 9 Author/s: Elena Korniltseva, Olga Kuzmina, Anastasia Sarapultseva, Ural State University of Economics, Russia COMMUNAL POLICY AND THE ROLE OF SMALL TOWNS IN LOCAL POLITICAL SYSTEM IN CZECH REPUBLIC 10 Author/s: Ing. Sylvie Kobzev Kotaskova, JUDr. Daniela Svetlikova, Czech University of Life Sciences Prague, Czech Republic ARE THERE LIMITS OF GOOD GOVERNANCE? CYBERNETIC APPROACH TO THE PROBLEMS OF POLITICAL STABILITY AND CIVIL SOCIETY DEVELOPMENT 11 Author/s: Vladimir G. Ivanov, Ivan N. Kurinin, Aleksei V. Teplov, Andrej S. Belchenko, Maria G. Ivanova, Peoples Friendship University of Russia (RUDN University), Russia THE LATENT DANGERS OF ISLAMIST EXTREMISM IN WESTERN BALKAN 12 Author/s: Assoc. Prof. Dr. Kole KRASNIQI, Univerity of Haxhi Zeka in Peje, Kosovo THE OLD PROBLEMS OF RUSSIAN FEDERALISM AGAIN 13 Author/s: Dr. Alexander Kuznetsov, Dr. Sergey Kunshchikov, Dr. Ilya Levchenko, Ural Federal University named after the first President of Russia B.N.Yeltsin, Russia COLLABORATION BETWEEN INFORMATION SOCIETY AND PUBLIC ADMINISTRATION 14 Author/s: PhD Elena Sekirina, Peoples Friendship University of Russia (RUDN University), Russia ON THE ISSUE OF INTERNATIONAL COOPERATION IN THE FIELD OF PROTECTION OF INLAND WATER 15 OBJECTS USING THE EXAMPLE OF THE BALTIC SEA Author/s: E. Babintseva, D. Mansur, E. Trifonova, V. Knyazeva, RUDN University, Russia CONCEPT OF RUSSIAN OPEN GOVERNMENT AND PUBLIC TRUST ESTIMATION 16 Author/s: PhD student Nataliia Aniskevich, Prof. Tatiana Batova, Prof. Boris Varlamov, Prof. Elena Pavlova, master student Polina Petrova, ITMO University, Russia 17 PERCEPTION OF CORRUPTION, INFORMALITY AND SOCIAL ORDER IN THE PUBLIC OPINION OF RUSSIA Author/s: A.V. Odintsov, Russian Presidential Academy of National Economy and Public Administration, Russia THE IMPROVEMENT OF THE MECHANISM OF STRATEGIC PLANNING AND MONITORING OF SUSTAINABLE 18 DEVELOPMENT OF TERRITORIES Author/s: Sergey Semenov, Olga Filatova, RUDN University, Russia POST-GLOBALIZATION AND THE SEARCH FOR THE NEW MODEL OF THE FUTURE. 19 Author/s: Yuri Asochakov, Saint-Petersburg State University, Russia DYNAMIC ASPECT OF SOCIOPOLITICAL RELATIONS DEVELOPMENT: CONTEMPORARY RUSSIAN CONTEXT 20 Author/s: Boris Ivanovich Zelenko, Institute of Sociology of the Russian Academy of Science, Russia REGIONAL POLITICAL LEADERSHIP AND PUBLIC EXPERTISE IN THE INTERNAL AGENDA OF CONTEMPORARY 21 RUSSIA Author/s: Ph.D. Mikhail S. Lystsev, Ph.D. Maria S. Severova, Nizhny Novgorod State University, Russia CIVIC AND SOCIAL INITIATIVES AS AN INSTRUMENT OF DIALOGUE BETWEEN GOVERNMENT AND CIVIL 22 SOCIETY IN RUSSIA Author/s: Nikolay Yagodka, Peoples Friendship University of Russia (RUDN University), Russia FROM HISTORY OF WARS TO UNDERSTANDING THE PROCESS OF WAR IN THE CONTEXT OF SOCIAL KNOWLEDGE 23 Author/s: Assoc. Prof. Marina Lomonosova, Student Aleksandr Bykov, Saint-Petersburg State University, Russia POLITICO-INSTITUTIONAL FACTORS OF STRUCTURING OF URBAN CONFLICTS IN MODERN RUSSIA 24 Author/s: Gluhova Alexandra Viktorovna, Kolba Alexey Ivanovich, Sokolov Alexander Vladimirovich, Kuban State University, Russia THE CONTRIBUTION OF THE SLOVAK NATIONAL COUNCIL TO THE INDEPENDENT SLOVAKIA WITHIN HISTORICAL FRAMEWORK 25 Author/s: Doc. PhDr. Branislav Kovacik, PhD., PaedDr.Maria Badinska, PhD., Matej Bel University Faculty of political science and international relations, Slovakia REFLEXIVE SPACE OF POLICY: THE EXPERIENCE OF APPLYING RELATIONAL METHODOLOGY IN THE ANALYSIS OF THE ONLINE SPACE USERS DISCURSIVE PRACTICES 26 Author/s: Assoc. Prof. Dsc. Inna Miroshnichenko, Assoc. Prof. Natalia Ryabchenko, Assoc. Prof. Anna Gnedash., Kuban State University, Russia IMPLEMENTATION OF EU STRUCTURAL FUNDS IN THE FIELD OF EDUCATION IN THE SLOVAK REPUBLIC 27 Author/s: Vladimir Kovacik, University of Ss. Cyril and Methodius in Trnava, Slovakia SOCIAL STATE AS AN ASPECT OF SOCIAL POLICY 28 Author/s: Jakub Birka, University of Ss Cyril and Methodius in Trnava, Slovakia 2.Law CERTAIN ASPECTS REGARDING SPECIAL REGULATIONS RELATED TO THE EMPLOYMENT, PROMOTION AND 1 TRANSFER OF CONTRACTUAL STAFF IN THE PUBLIC SECTOR FROM ROMANIA Author/s: Emilia Lucia Catana, Dimitrie Cantemir University from Tirgu Mures, Romania LEGAL REGULATION OF OFFICIAL RESULTS OF INTELLECTUAL ACTIVITY IN THE RUSSIAN FEDERATION 2 Author/s: Maksim Vasilyev, Kazan (Volga Region) Federal University, Russia PROBLEMS CONNECTED WITH THE ISSUE OF THE LEGAL STATUS OF METROPOLITAN UNIONS IN POLAND 3 ARISING OUT OF THE STRUCTURE OF TERRITORIAL DIVISION OF THE STATE Author/s: Wioleta Baranowska-Zajac, University of Szczecin, Poland THE ROLE OF A PROFESSIONAL JUDGE IN A COURT INVOLVING A PEOPLE’S ELEMENT IN WORLD PRACTICE 4 Author/s: Assoc. Prof. Andrey Kozyavin, Teacher Darya Chistilina, Southwest State University, Russia CONCILIATION IS MODERN NECESSITY FOR DEVELOPING EGYPTIAN LEGAL SYSTEM 5 Author/s: Mohamed Abdelnaby Elsayed Ghanem, Tanta University - Faculty of Law, Egypt LEGAL ASSESSMENT OF DECISIONS MADE IN THE CRIMINAL PROCEDURE OF LATVIA 6 Author/s: Marina Sumbarova, Baltic International academy, Latvia 7 PLAGIARISM AS A COMPONENT OF SCIENTIFIC FRAUD Author/s: associate Professor Alla Gutorova associate Professor Svetlana Sheveleva, South-West State University, Russia THE SEQUENTIAL ORGANISATION OF THE ROMANIAN WITNESS EXAMINATION: THE CASE OF POST- 8 EXPANSIONS Author/s: Marcela Alina Farcasiu, Politehnica University of Timisoara, Romania HEALTH PROTECTION IN SOCIAL CARE STRUCTURE: SOCIAL AND LEGAL ANALYSIS 9 Author/s: Elena V.Vorontsova, Andrey L. Vorontsov, South-West State University, Russia ASSIGNMENT OF CLAIM AND ITS IMPACT ON THE CHANGE OF PARTY TO THE DISPUTE IN THE CIVIL 10 PROCEEDINGS Author/s: prof. JUDr. Svetlana Ficova, CSc., Mgr. Marek Ivanco, Comenius University Bratislava, Slovakia PROBLEMS AND PROSPECTS OF INTERNATIONAL COOPERATION IN THE SPHERE OF CRIMINAL PROCEEDINGS OF THE RUSSIAN FEDERATION AND FOREIGN STATES 11 Author/s: Senior Lecturer Andrey Lyaskovets, Assoc. Prof. Dmitriy Alymov, Southwest State University, Russia FISCAL RULES IN THE CZECH REPUBLIC 12 Author/s: Ilona Bazantova, Dagmar Charvatova, Charles University, Czech Republic DIFFICULTIES OF GENERAL DATA PROTECTION REGULATION APPLICATION TO INSURANCE PRODUCTS DISTRIBUTION 13 Author/s: Ing. Martina Krugerova, Ph.D. and Dr Mgr. Michal Koziel, Ph.D., VSB - Technical University of Ostrava, Czech Republic EMPLOYEE HOLIDAY IN THE CZECH REPUBLIC 14 Author/s: Dr. Jana Martinikova, Ph.D., VSB-Technical University of Ostrava, Czech Republic LEGAL FORMS OF ATYPICAL EMPLOYMENT IN THE CONDITIONS OF THE CZECH REPUBLIC 15 Author/s: JUDr. Jana Borska, PhD, Mgr.Bc. Sylva Reznikova, MA, PhD, Czech University of Life Sciences Prague, Czech Republic LEGAL REGULATION OF DEPENDENT WORK IN THE CZECH REPUBLIC 16 Author/s: JUDr. Daniela Svetlikova, JUDr. Jana Borska, Ph.D., Mgr. Bc. Sylva Reznikova, MA, PhD, Czech University of Life Sciences Prague, Czech Republic REVOKING THE DONATION DUE TO GROSS INGRATITUDE OF THE DONEE IN THE POLISH CIVIL LAW 17 Author/s: Adriana Tomczyk, University of Szczecin, Poland THE CONCEPT AND LEGAL NATURE OF EQUITY INTERESTS IN THE CAPITAL COMPANIES IN THE POLISH 18 LEGAL SYSTEM Author/s: Maria Wysocka, University of Szczecin, Poland HARMONIZATION OF VALUE ADDED TAX APPLICABLE IN THE SLOVAK REPUBLIC IN EUROPEAN UNION LEGISLATION 19 Author/s: Ing. Cecilia Olexova, PhD. - JUDr. Milan Hustak, University of Economics in Bratislava (Kosice), Slovakia BLANK PROMISSORY NOTE IN POLISH B2C TRANSACTIONS - STRENGTHENING OR WEAKENING THE 20 PROTECTION OF CONSUMER RIGHTS? Author/s: PhD Szymon Slotwinski, University of Szczecin - Faculty of Law and Administration, Poland LEGAL NATURE OF CONTRACTS FOR SERVICES WHICH HAVE NOT BEEN REGULATED BY OTHER
Load more

Recommended publications
  • Fabulously Tidal — Issue 117, 1 January 2018
    Fabulously Tidal — Issue 117, 1 January 2018 SPONSORED FEATURE — PHILIP SAWYERS' THIRD SYMPHONY Alice McVeigh: 'This is a fabulously tidal symphony, with wild expanses of differing moods, but it begins with a ripple of unease. We in the cello section were told to play the opening with as much stillness as possible, allowing the first theme to grow as it weaves into violins and violas, into threads of flute and oboe, and — from there — into a tempestuous section of interweaving themes. The argument descends into a woodwind quarrel, resolved by flute and oboe, decorated by horns — while the strings continue to niggle and churn away at any sense of calm. 'Then solo bassoon ignites a new, still tenser, section. The violins take over, lightly but resolutely, answered by middle strings conveying a sense of tenderness — but with a bitter aftertaste. (This is incidentally one of Sawyers' most characteristic strengths: a tenderness, never saccharine, often undermined by subtle discontent.) From the brass comes the first glimpse of escape: the powerful broken octave theme over which the other themes furiously contend. 'The cellos at the recapitulation, now deepened and enriched, are twisted by Sawyers into something passionate and grounded in lower brass, reinforced by timpani. The movement ends with the heavy brass seemingly triumphant over the strings' stubborn reiteration of the theme. Still, the lower strings' pessimism prevails. 'Tutti violins kick-start the second movement with a dramatic leap from their richest register, only yielding to keening solo oboe. 'The sobered strings leave the solo winds to mourn, yet, with characteristic Sawyers intensity, something is brewing at subterranean depths: eventually, the violas' chuntering is answered by full insistent brass, in a stormily ecstatic tantrum.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles
    UNIVERSITY OF CALIFORNIA Los Angeles Transcending Imagination; Or, An Approach to Music and Symbolism during the Russian Silver Age A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Musicology by Ryan Isao Rowen 2015 © Copyright by Ryan Isao Rowen 2015 ABSTRACT OF THE DISSERTATION Transcending Imagination; Or, An Approach to Music and Symbolism during the Russian Silver Age by Ryan Isao Rowen Doctor of Philosophy in Musicology University of California, Los Angeles, 2015 Professor Mitchell Bryan Morris, Chair The Silver Age has long been considered one of the most vibrant artistic movements in Russian history. Due to sweeping changes that were occurring across Russia, culminating in the 1917 Revolution, the apocalyptic sentiments of the general populace caused many intellectuals and artists to turn towards esotericism and occult thought. With this, there was an increased interest in transcendentalism, and art was becoming much more abstract. The tenets of the Russian Symbolist movement epitomized this trend. Poets and philosophers, such as Vladimir Solovyov, Andrei Bely, and Vyacheslav Ivanov, theorized about the spiritual aspects of words and music. It was music, however, that was singled out as possessing transcendental properties. In recent decades, there has been a surge in scholarly work devoted to the transcendent strain in Russian Symbolism. The end of the Cold War has brought renewed interest in trying to understand such an enigmatic period in Russian culture. While much scholarship has been ii devoted to Symbolist poetry, there has been surprisingly very little work devoted to understanding how the soundscape of music works within the sphere of Symbolism.
    [Show full text]
  • Piotr Illitch Tchaikovsky
    Esoteric Profile of Piotr Ilitch Tchaikovsky May 7, 1840 – November 6, 1893 By Marilene dos Santos 1 - Mini Biography Introduction Piotr Ilitch Tchaikovsky was a Russian composer of the Romantic era, born on May 7, 1840, 6:35 AM in Votkinsk, Vyatka region, Russia. His works include symphonies, concertos, operas, ballets, chamber music, and a choral setting of the Russian Orthodox Divine Liturgy. Some of these are among the most popular theatrical music in the classical repertoire including the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. He was the first Russian composer whose music made a lasting impression internationally, which he bolstered with appearances as a guest conductor later in his career in Europe and the United States. Tchaikovsky was honored in 1884 by Emperor Alexander III, and awarded a lifetime pension in the late 1880s. Family Tchaikovsky was born to a fairly wealthy middle class family. His father, named Ilya Tchaikovsky was a mining business executive in Votkinsk. His father's ancestors were from Ukraine and Poland. His mother, named Aleksandra Assier, was of Russian and French ancestry. His father, Ilya Petrovich (a two time divorced) married Alexandra and the two had two sons, Pyotr and Modest. Childhood and Mother death Tchaikovsky started piano studies at five and soon showed remarkable gifts. He also learned to read French and German by the age of six. A year later, he was writing French verses. The family hired a governess, Fanny Dürbach, to keep watch over the children, and she often referred to Tchaikovsky as the "porcelain child." Tchaikovsky was ultra sensitive to music.
    [Show full text]
  • Historical Horn Conference Moving Horns: Worldwide Migrations in Horn Playing
    Historical Horn Conference Moving Horns: Worldwide Migrations in Horn Playing July 3rd Historical Horn Conference opening concert (with program notes): le neuf-heure-trente, de Paris à Gand & presentation of the « Historic Horn Handbook » 9.30h - Library Anneke Scott, natural horn & Toby Sermeus, pianoforte Anton Reicha: Solo en Mi majeur, pour cor et piano Louis-François Dauprat: 2e Solo de Cor (excerpts) Frédéric Duvernoy: Nocturnes No.1, 'Mes Adieux’ Martin Joseph Mengal: Allegro from Sixième Solo Jean Baptiste Mengal: Thême de Rossini For the opening concert of the IHS51 Historic Horn Conference here in Ghent it seems more than appropriate that the work of two eminent Belgian horn players, Martin-Joseph and Jean-Baptiste Mengal, should be celebrated in style. In Le neuf- heure-trente, de Paris à Gand Anneke Scott explores the music of prominent students and teachers from the circle of the early 19th century Conservatoire de Paris. Anton Reicha, the influential composition teacher, is paired with his student and champion Louis-François Dauprat. The work of Martin Joseph Mengal, another student of Reicha’s and the founding director of the Royal Conservatory of Ghent, is paired with a Nocturne by Martin-Joseph’s horn teacher Frédéric Duvernoy. This is followed by a short work by Heinrich Domnich, the horn teacher of the younger Mengal, Jean-Baptiste, horn player in Paris with both the Théâtre Italien and the Opéra whose Thême de Rossini closes this short recital. This recital will be followed by the launch of Anneke Scott’s new book on learning the natural horn. Her “Historic Horn Handbook” sets out to introduce prospective natural horn students to the immense wealth of sources provided by horn players and teachers over the centuries.
    [Show full text]
  • Tchaikovsky Tchaikovsky
    TCHAIKOVSKY Orchestral works including Symphonies 1 – 6 BIS-CD-1797/98 GOTHENBURG SYMPHONY ORCHESTRA / NEEME JÄRVI BIS-CD-1897-98_f-b.indd 1 10-11-15 12.06.43 TCHAIKOVSKY, Pyotr Ilyich (1840–93) The Six Symphonies Orchestral Works Gothenburg Symphony Orchestra The National Orchestra of Sweden Neeme Järvi conductor Total Playing Time: 7h 32m 43s 2 Disc 1 [77'10] Symphony No. 1 in G minor, ‘Winter Daydreams’, Op. 13 39'49 (1866/74) 1 I. Allegro tranquillo (‘Dreams of a Winter Journey’) 11'23 2 II. Adagio cantabile, ma non tanto (‘Land of Desolation, Land of Mists’) 9'59 3 III. Scherzo. Allegro scherzando, giocoso 7'27 4 IV. Finale. Andante lugubre – Allegro maestoso 10'41 The Snow Maiden, Op. 12 (1873) 16'33 Orchestral excerpts from the incidental music to Ostrovsky’s play 5 Introduction. Moderato assai 5'30 6 Entr’acte. Moderato assai 1'16 7 Melodrama. Andantino, quasi Allegretto 4'56 8 Dance of the Buffoons. Allegro vivace 4'39 9 Romeo and Juliet (1869/70/80) 19'29 Fantasy Overture after Shakespeare Andante non tanto quasi Moderato – Allegro giusto 3 Disc 2 [72'27] Symphony No. 2 in C minor, ‘Little Russian’, Op. 17 32'42 (1879 version) 1 I. Andante sostenuto – Allegro vivo 10'42 2 II. Andantino marziale, quasi moderato 6'19 3 III. Scherzo. Allegro molto vivace 5'00 4 IV. Finale. Moderato assai – Allegro vivo 10'24 5 Overture in F major (1866 version) (M.P. Belaieff) 11'47 6 Festive Overture on the Danish National Anthem 12'09 in D major, Op.
    [Show full text]
  • Tchaikovsky / Петр Ильич Чайковский (1840–1893) Дэниэль Джаффе Открывающая Симфонию Тема
    T T H C H V A M A E IK A L O R ER V II Y N GE IEV RA SK SK RG T R N Y Y ORCHES 4 SY NO E U MPHONY K TCRAC 2 THE NUTCRACKER / SYMPHONY NO 4 MARIINSKY ПЕТР ИЛЬИЧ ЧАЙКОВСКИЙ (1840–1893) оркестр. В финале после живого и бодрого начала вступает DISC 1 более приглушенная аранжировка русской народной песни «Во СИМФОНИЯ № 4 ФА МИНОР, поле березонька стояла…», которая повторяется несколько OP. 36 (1877–78) раз в разных вариантах до тех пор, пока опять не возникает PYOTR ILYICH TCHAIKOVSKY / ПЕТР ИЛЬИЧ ЧАЙКОВСКИЙ (1840–1893) Дэниэль Джаффе открывающая симфонию тема. Снова звучит русская народная The Nutcracker, Op. 71 / Щелкунчик, Op. 71 (1891–92) песня, но ее прерывают роковые фанфары первой части. И Чайковского всегда восхищала французская музыка, особенно, все же из явного уныния возрождается – как птица-феникс – музыка Жоржа Бизе. 20 января 1876 года, находясь в Париже, задорная тема финала, которая сперва возникает у валторн, ACT ONE он побывал на представлении оперы Бизе «Кармен», премьера а потом неумолимо движется к эффектному концу. которой состоялась меньше чем за год до того. Чайковский 1 Overture [Увертюра] 3’28’’ был потрясен и растроган и сюжетом, и тем, как живо и просто Бизе его преподнес. Особенно поразил русского Tableau I композитора финал оперы, который он описывал так: «смерть 2 No 1 Scene (The Christmas Tree) [Сцена (Сцена украшения и зажигания ёлки)] 3’44’’ двух главных действующих лиц, которых злой рок, fatum, ЩЕЛКУНЧИК, OP. 71 (1891–92) 3 No 2 March [Марш] 2’26’’ столкнул и через ряд страданий привел к неизбежному концу».
    [Show full text]
  • Chicago Symphony Orchestra Riccardo Muti Zell Music Director
    PROGRAM ONE HUNDRED TWENTY-FOURTH SEASON Chicago Symphony Orchestra Riccardo Muti Zell Music Director Pierre Boulez Helen Regenstein Conductor Emeritus Yo-Yo Ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, January 15, 2015, at 8:00 Friday, January 16, 2015, at 1:30 Saturday, January 17, 2015, at 8:00 Riccardo Muti Conductor Yefim Bronfman Piano Brahms Piano Concerto No. 2 in B-flat Major, Op. 83 Allegro non troppo Allegro appassionato Andante John Sharp, cello Allegretto grazioso YEFIM BRONFMAN INTERMISSION Tchaikovsky Symphony No. 1 in G Minor, Op. 13 (Winter Daydreams) Daydreams of a Winter Journey: Allegro tranquillo Land of Desolation, Land of Mists: Adagio cantabile ma non tanto Scherzo: Allegro scherzando giocoso Finale: Andante lugubre—Allegro maestoso These concerts are generously sponsored by the Zell Family Foundation. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. COMMENTS by Phillip Huscher Johannes Brahms Born May 7, 1833, Hamburg, Germany. Died April 3, 1897, Vienna, Austria. Piano Concerto No. 2 in B-flat Major, Op. 83 Like Dürer, Goethe, and of the ideas for the piano concerto, and, at the a number of German same time, gave birth to new ones that he would composers before him, use when he returned to it. Back in Italy several Brahms found inspiration months later, Brahms was filled with feelings he in Italy. His first trip was could hardly name; he returned to Vienna noting in the spring of 1878, that it seemed “wrong” to call it home after days and, as he wrote home to of such unexpected contentment elsewhere.
    [Show full text]
  • Program Notes by Dr
    Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season October 26 and 28, 2018 PABLO HERAS-CASADO, CONDUCTOR MAXIMILIAN HORNUNG, CELLO NIKOLAI RIMSKY-KORSAKOV Capriccio Espagnol, Opus 34 I. Alborada: Vivo e strepitoso — II. Variations: Andante con moto — III. Alborada: Vivo e strepitoso — IV. Scena e canto gitano: Allegretto — V. Fandango asturiano DMITRI SHOSTAKOVICH Concerto No. 1 in E-flat major for Cello and Orchestra, Opus 107 I. Allegretto II. Moderato — III. Cadenza — IV. Allegro con moto Mr. Hornung Intermission PIOTR ILYICH TCHAIKOVSKY Symphony No. 1 in G minor, Opus 13, “Winter Dreams” I. Allegro tranquillo II. Adagio cantabile ma non tanto III. Scherzo: Allegro scherzando giocoso IV. Finale: Andante lugubre — Allegro moderato — Allegro maestoso Oct. 26-28, 2018, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA NIKOLAI RIMSKY-KORSAKOV Capriccio Espagnol, Opus 34 (1887) Nikolai Rimsky-Korsakov was born in Tikhvin, near Novgorod on March 18, 1844, and died in St. Petersburg on June 21, 1908. He composed Capriccio Espagnol in the summer of 1887, originally intended as a piece for solo violin and orchestra but later finalized as a showpiece for full orchestra. The work was premiered in St. Petersburg by the Orchestra of the Russian Musical Society with Rimsky-Korsakov conducting in October 1887. The Pittsburgh Symphony first performed Capriccio at Carnegie Music Hall with conductor Victor Herbert on December 7, 1900, and most recently performed it on subscription with Mariss Jansons in September 2001. The score calls for woodwinds in pairs plus piccolo and English horn, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp and strings.
    [Show full text]
  • Cello Biënnale 2010 M.M.V
    welkom 2 welcome 3 programma-overzicht 4 programme overview 4 programma’s 9 programmes 9 musici 103 musicians 103 informatie 139 information 139 amsterdamse cellobiënnale amsterdamse cellobiënnale Beste Biënnale-bezoeker, Dear Biennale visitor, Zelfs de grootste liefhebbers van de Amsterdamse Cello Biënnale hebben hun hart Even the Amsterdam Cello Biennale’s most fanatical devotees endured doubts as vast gehouden of het in deze financieel moeilijke tijden nog wel mogelijk zou zijn to whether a festival of such dimensions could still be realised in these troubled een festival van die omvang te realiseren. Maar de Biënnale 2010 is er. En hoe! financial times. However, the 2010 Biennale has indeed arrived – and how! With Met de muziek voor cello-ensembles als rode draad door de programmering is de music for cello ensembles as the main theme of the programming, the 2010 Biennale Biënnale 2010 nog omvangrijker en internationaler dan de vorige edities. De spelers is even more extensive and internationally oriented than the previous editions. The komen uit Berlijn, New York en Parijs, maar ook uit Peking en Riga. Daarom willen players come from afar: Berlin, New York and Paris, even Beijing and Riga. So first we allereerst onze grote dank en waardering uitspreken voor de sponsors, culturele of all we would like to express our deepest gratitude and appreciation towards the fondsen, begunstigers en vrienden die het opnieuw mogelijk hebben gemaakt onze sponsors, cultural funds, patrons and friends who have once again enabled us to (en wellicht ook uw) droombiënnale te realiseren. realise our (and maybe also your) dream Biennale. Dit Festivalboek biedt u een overzicht van alle concerten en evenementen met This Festival booklet provides an overview of all concerts and events with descriptive samenvattende beschrijvingen.
    [Show full text]
  • P. I. Tchaikovsky Concerto for Violin and Orchestra, Op. 35
    P. I. Tchaikovsky Concerto for violin and orchestra, op. 35 By Marina Popovic Supervisor Per Kjetil Farstad This Master’s Thesis is carried out as a part of the education at the University of Agder and is therefore approved as a part of this education. However, this does not imply that the University answers for the methods that are used or the conclusions that are drawn. University of Agder, 2012 Faculty of Fine Arts Department of Music 2 Acknowledgments I have to admit that studying in Norway was tough occasionally, but I fill the need to express special thanks to persons that made it much possible. I use this opportunity to thank my parents for the longest support in my carrier. Even though I owe gratitude to all my teachers and professors; special thanks go to my professors at University of Agder: Per Kjetil Farstad, Tønsberg, Knut, Adam Grüchot, Terje Howard Mathisen, Tellef Juva, Bård Monsen and Trygve Trædal. Also, I want to express thankfulness to my fellow students Rade Zivanovic, Jelena Adamovic, Stevan Sretenovic, Nikola Markovic, Svetlana Jelic and Andrej Miletic for both critics and support during our mutual work. Last, but of the significant importance my acknowledgment goes to libraries of University of Agder and Faculty of Music, Belgrade. 3 Contents Acknowledgements ............................................................................................................ 3 Contents .............................................................................................................................. 4 Introduction
    [Show full text]
  • C:\Faili\DARBI\Daugavpils UNIVERSITATE\Konferences Un
    Daugavpils University Vytautas Magnus University Lithuanian Academy of Music and Theatre MUSIC SCIENCE TODAY: THE PERMANENT AND THE CHANGEABLE Scientific Papers M˚zikas zin‚tne odien: past‚vÓgais un mainÓgais Zin‚tnisko rakstu kr‚jums 2 (10) DAUGAVPILS UNIVERSITY ACADEMIC PRESS SAULE 2018 Daugulis «., Ed. Music Science Today: the Permanent and the Changeable No 2 (10). Scientific Papers. Daugavpils: Daugavpils University Academic Press Saule, 2018. 182 p. Editor-in-chief Dr. art., prof. «valds Daugulis, Daugavpils University, Latvia Associate Editor Dr. art., prof. Baiba Jaunslaviete, J‚zeps VÓtols Latvian Academy of Music, Latvia Editorial Board Dr. hab. art., prof. Leonidas Melnikas, Lithuanian Academy of Music and Theatre, Lithuania Dr. art., prof. Baiba Jaunslaviete, J‚zeps VÓtols Latvian Academy of Music, Latvia Dr. hab. art., prof. Georgs PelÁcis, J‚zeps VÓtols Latvian Academy of Music, Latvia Dr. hab. art., prof. Tatjana Mdivani, Institute of Study of Arts, Ethnography and Folklore, National Academy of Science, Belarus Dr. phil., prof. M‚rtiÚ Boiko, J‚zeps VÓtols Latvian Academy of Music, Latvia Dr. hab. art., prof. Romualdas ApanaviËius, Vytautas Magnus University, Lithuania Dr. art., prof. «valds Daugulis, Daugavpils University, Latvia Dr. art., prof. JeÔena œebedeva, J‚zeps VÓtols Latvian Academy of Music, Latvia Dr. art., prof. Juozas AntanaviËius, Lithuanian Academy of Music and Theatre, Lithuania Dr. art., prof. Lolita F˚rmane, J‚zeps VÓtols Latvian Academy of Music, Latvia Dr. phil., prof. Christoph Flamm, Saarland University, Germany Dr. phil., prof. Vladimir Konecni, University of California, San Diego, USA Dr. phil., doc. Denis Collins, University of Queensland, Australia Dr. art., prof. J‚nis KudiÚ, J‚zeps VÓtols Latvian Academy of Music, Latvia Dr.
    [Show full text]
  • Mercury Orchestra Channing Yu, Music Director
    A COMMUNITY SUPPORTED ORCHESTRA PRESENTS Mercury Orchestra Channing Yu, Music Director August 29, 2018 7 pm at the DCR’s Hatch Shell MERCURY ORCHESTRA ELEVENTH SEASON • 2018 Channing Yu, Music Director Spencer Aston, Assistant Conductor FIRST VIOLIN OBOE AND HARP Hyunsu Ko, concertmaster ENGLISH HORN Molly McCaffrey Julia Wong, associate concertmaster Sharon Juhasz Steven Chen, assistant concertmaster Mary Tripsas PERSONNEL Aaron Kuan, assistant concertmaster Deanna Dawson MANAGER Catherine Brewster Tom Engeln Demi Fang CLARINET AND Julian Leonard BASS CLARINET LIBRARIAN Stan Mah Yhasmin Valenzuela Mikiko Fujiwara Bernice Wong Raymond Lam Brian Van Sickle Joe Kanapka Eric Cortell SECOND VIOLIN Mary Hecht Jennifer Hsiao, principal BASSOON AND Jennifer Hsiao Ashton Bush, associate principal CONTRABASSOON Karen Martin Shadron Davis Mike Meehan Yhasmin Valenzuela Leonardo Espinosa Amy Seibel Julia Wong Sumi Fasolo Sarah Abraham Subaiou Zhang Psyche Loui Jeffrey Freeman Avery Normandin Kylie Prutisto-Chang FRENCH HORN Peter Kronheimer VIOLA Alec Zimmer Elaine Leisinger, principal Keith Durand James Raftopoulos, associate principal Adam Weber Susan Bill William Prince David Budil Peter Chew TRUMPET Stephen Jue Karen Martin Eric Lee Brian Nowakowski Arjun Mudan Cheryl Przytula VIOLONCELLO TROMBONE Joseph Rovine, principal Michael Tybursky Ali Fessler, associate principal Roger Hecht Duke Roth Stephanie Wingfeld BASS TROMBONE Avery Yen Dave Day Maggie Zager Aron Zelkowicz TUBA Liam Sheehy CONTRABASS Fan Liu, principal TIMPANI Michael Chen Eric Cortell Alejandro Cimadoro PERCUSSION FLUTE AND PICCOLO Victoria Chang Brian Van Sickle Grace Herzog Ellen Rakatansky Frank Kumiega Laura Wilkins Jeremy Lang Dave Penn Boston Landmarks Orchestra Christopher Wilkins, Music Director PRESENTS Mercury Orchestra Channing Yu, Music Director with New World Chorale Holly MacEwen Krafka, Artistic Director Festive Overture, Op.
    [Show full text]