DOCSLIB.ORG

Dmitry Sitkovetsky, Music Director Œŗ | Œŗ Season New Davidoff Escurio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dmitry Sitkovetsky, Music Director Œŗ | Œŗ Season New Davidoff Escurio DMITRY SITKOVETSKY, MUSIC DIRECTOR ŒŖ | Œŗ SEASON NEW DAVIDOFF ESCURIO A NIGHT IN RIO INSPIRES AN ADVENTURE IN TASTE · OUR MASTER BLENDER REFINED THE FIRE OF THE CUBAN CRIOLLO LEAVES, THEN INTRODUCED IT TO THE BRAZILIAN MATA FINA LEAF WHICH PULSES AT THE HEART OF THIS ORIGINAL BLEND · DOMINICAN TOBACCOS AND A HABANO SEED ECUADORIAN WRAPPER ADD BEAUTIFUL BALANCE · SWEET MEETS SPICE · LIKE RIO AFTER DARK, IT’S A JOURNEY OF TWISTS AND TURNS · RHYTHM · INTRIGUE · ORIGINALITY DISCOVER WHERE ESCURIO MIGHT TAKE YOU HAVANA PHIL’S CIGAR COMPANY 3121 BATTLEGROUND AVE. ■ GREENSBORO, NC 27408 TEL ■ 336-288-4484 NEW LOCATION 1628 Battleground Avenue Opening Fall 2015! Don’t settle for an advisor who is just interested in your money when you can have a relationship with someone who is interested in THE BUSINESS OF YOUR LIFE. Just as often as not, what we do at High Point Bank is help businesses and individuals fi gure out their next move in a thoughtful fashion. We provide sophisticated asset management, designing personalized portfolios to accomplish clients’ needs and goals. Ongoing consultation is provided to review progress and adjust your plans based on changes life might throw in the mix. Don’t settle for an advisor who is just interested in your money when you can have a relationship with someone who is interested in the business of your life. To speak to a HIGH POINT BANK TRUST & INVESTMENT ADVISOR, call us at 336.881.3600. © 2015 High Point Bank and Trust Company. Member FDIC. HIGHPOINTBANK.COM Pennybyrn is a fabulous encore. A beautiful setting, wonderful neighbors, exquisite dining, dynamic wellness programs, apartment homes and cottages—Pennybyrn retirement living is worthy of a standing ovation! Visit us today, or call (336) 821-4050 or toll-free (866) 627-9343. www.PennybyrnAtMaryfield.org 109 Penny Road, High Point, NC 27260 Located less than a mile from downtown Jamestown and only 10 minutes from Greensboro. All faiths welcome. FOR LADIES FOR MEN Fine Cloth, Cashmere, Loden, Extra Fine Wool, Fine Cloth, Cashmere, Loden, Extra Geiger Boiled Wool, Capes, Shawls, Leather, Fine Wool, Geiger Boiled Wool, Leather, Shearlings, Goose Down, Performance Fabrics, Shearlings, Goose Down, Performance Ski Wear, Gortex, Rain Coats & Scarves, Fabrics, Gortex & Rain Coats Accessories, and, of course, FURS SINCE 1928 — ALSO FINE GARMENT CARE, RESTYLING AND STORAGE — 502 E. CORNWALLIS DRIVE ¡ 336.272.1322 ¡ KRIEGSMAN.COM onathan Smith Co. JINVESTMENT COUNSEL& I NVESTMENT AND W EALTH M ANAGEMENT S ERVICES COMPREHENSIVE FINANCIAL PLANNING We look at each client’s financial picture from every angle and perspective. Seeking to understand our client’s wants, needs, hopes, and concerns, we work together to develop a sound comprehensive financial plan. We invite you to visit us and look forward to hearing from you. Jonathan Smith & Co. is a fee-only registered investment advisor.We are a multi-generational firm of experienced financial professionals. Working as fiduciaries, we serve individuals, families, businesses, and foundations. Since 1988 Jonathan & Anne Smith P 128 E. FISHER AVENUE roudly Supporting GREENSBORO,NORTH CAROLINA 27401 Greensboro Symphony Orchestra 336•272•9488 since 2003 JONATHANSMITH.COM Jonathan Smith & Co., Investment Counsel, LLC. dba Jonathan Smith & Co. œőŒŖ/œőŒŗ SEASON MASTERWORKS CHAMBER POPS TANGER OUTLETS SERIES SPONSOR RICE TOYOTA SERIES SPONSOR TANGER OUTLETS SERIES SPONSOR MUSICAL QUEST September 25, 2015 September 24 & 26, 2015 Ì Peter Coyote, narrator Emily Rose Siar, soprano 27 BACH/SITKOVETSKY Goldberg Variations for Strings & Cembalo NIGHT OF MYSTERY 62 ©Disney October 29 & 30, 2015 October 31, 2015 Cathal Breslin, piano 31 Poulenc Sonata for Flute & Piano October 24, 2015 ,)%)ŏ0 Selections from 65 Disney in Concert “Romeo & Juliet” for Clarinet & Piano 73 PINCHAS ZUKERMAN GALA Connesson Techno Parade for Flute, Clarinet & Piano January 28 & 30, 2016 December 31, 2015 ,)%)ŏ0 Selections from “Cinderella” for Violin & Piano A Night at the Oscars Pinchas Zukerman, violin 0& Sonata for Violin & Piano Dmitry Sitkovetsky, violin 75 Amanda Forsyth, cello 35 January 29, 2016 February 13, 2016 Mozart Divertimento K.287 for Broadway, Our Way! WINTER DREAMS 2 Horns & String Quintet 67 77 "#%)0-%3 “Souvenir De Florence” String Sextet February 25 & 27, 2016 April 30, 2016 Video Collage: April 8, 2016 The Music of the Eagles Aleksander & Lyuba Titovets paintings 39 ")-.%)0#" Cello Sonata 79 Smetana Piano Trio 69 HOPE SPRINGS ETERNAL April 7 & 9, 2016 May 13, 2016 & Í.")0( Quintet for Piano & Winds Sergey Antonov, cello 43 Schubert)../,()#(Ő. ), Piano Trio, D.897 71 HOLIDAY & FAMILY FRENCH MASTERPIECES 0&“Gaspard De La Nuit” for Solo Piano May 12 & 14, 2016 December 11, 2015 Inna Faliks, piano )2y&)'#(#)( 47 )&#3Ê)(,. 81 Greensboro Coliseum December 18, 2015 )2y&)'#(#)( EDUCATION & GSYO )&#3Ê)(,. 81 Williams High School, Burlington * #- (/( /.#)(,)!,'- 58 April 23, 2016 ,(-),)3'*")(3 #,.-,#(--- )/.","-., 61 Mt. Zion Baptist Church, Greensboro 83 January 28 & 30, 2016 #("-/%,'(& 111|,(-),)3'*")(3|),! 5 BEHIND THE SCENES GSO RESOURCES, PROGRAMS, AND CONTRIBUTORS Board of Directors 11 Contributors 50 Chairman of the Board 11 Endowment Fund 53 President & CEO 13 GSO Guild 56 e honor and Music Director 15 Preludes 58 Resident Conductor 19 Music at Midday Series 58 Concertmaster 21 Youth Orchestra 61 Orchestra Personnel 23 Restaurant Specials 84 commemorate Corporate Contributors 49 Advertiser Index 87 ARTISTIC STAFF Dmitry Sitkovetsky ...........................................................Music Director Nathaniel Beversluis ........................................................Resident Conductor/ the Magna Carta Music Director of GSYO FULL TIME STAFF Lisa Crawford .......................................................................President & CEO Sheila Cauthen ....................................................................Director of Marketing & Sales on its Daniel Crupi ..........................................................................Director of Development and PR Kathleen Jackson ..............................................................Í)2 ŏ (!, Peter Zlotnick ......................................................................Education Manager 800th Anniversary ADMINISTRATIVE AND PRODUCTION STAFF Vito Ciccone ..........................................................................Production Manager Kathy Homiller ..................................................................Controller Andreas Nasser ...................................................................Event Coordinator Wendy Rawls ........................................................................Orchestra Personnel Manager Cynthia Small .......................................................................Administrative Assistant John Spuller .........................................................................Orchestra Librarian Nancy J. R. Wells ...............................................................Development & Marketing Assistant AFFILIATES Carol Rauch ...........................................................................Playbill Editing Media Production Associates ....................................Recording Company Dr. David Nelson ..............................................................Program Notes Progress Printing ..............................................................Playbill Printing UNCG ........................................................................................Chamber Series WFDD .......................................................................................Radio Broadcasts ABOUT THE COVER Ì/."),~ '-#&&#'- #.&~"#) ." )/(.#( "(#+/~ #2 # #4~u .u . ,~sqrv ÌÍÌ ~James Williams is never without a camera to document the landscapes and NORMAN B. SMITH buildings that are the backdrop his daily routine. With the resulting photographs in hand, he creates multimedia works of art that evolve during the art making process much like the environment changes Attorney and Counselor at Law over time. Although James never set out to be an environmental artist, James would like to think his work is a record of the emerging patterns that can be found in nature, people, and industry. "The Side of the the Mountain" was inspired from photographs taken while hiking the Mountain-To-Sea Provider of legal services Trail with his wife and two-year old daughter. James currently lives in Greensboro, North Carolina and is an Associate Professor at Guilford Technical Community College. He received his Master of Fine Arts from to North Carolina for 50 years. the University of North Carolina at Greensboro and his Bachelor of Arts from Ferrum College in Virginia. $IIRUGDEOHHIÀFLHQW competent representation. TICKETS IN ADVANCE Call 336.335.5456, Ext. 224, 10:00 – 4:30, Monday – Friday Visit ,(-),)Ê)&#-/'Í)2 ŏ}rzsr-. .,.Online ticketmaster.com Smith, James, Rowlett & Cohen, LLP Tickets are also available 45 minutes prior to the performance at the concert 101 S. Elm Street, Suite 310, Greensboro, NC 27401 (336) 274-2992 ō [email protected] Follow us on Facebook and Twitter for updates throughout the GSO season! of Greensboro OYSTER PERPETUAL DATEJUST LADY 31 GREENSBORO Friendly Shopping Center • 336-294-4885 WINSTON-SALEM Stratford Village • 137 South Stratford Road • 336-725-1911 rolex oyster perpetual and datejust are trademarks. Picture perfect. Before and after “I do”. And still perfect for a future daughter’s “I do”. High Point I Greensboro I Winston Salem shorescleaners.com
Load more

Recommended publications
  • Fabulously Tidal — Issue 117, 1 January 2018
    Fabulously Tidal — Issue 117, 1 January 2018 SPONSORED FEATURE — PHILIP SAWYERS' THIRD SYMPHONY Alice McVeigh: 'This is a fabulously tidal symphony, with wild expanses of differing moods, but it begins with a ripple of unease. We in the cello section were told to play the opening with as much stillness as possible, allowing the first theme to grow as it weaves into violins and violas, into threads of flute and oboe, and — from there — into a tempestuous section of interweaving themes. The argument descends into a woodwind quarrel, resolved by flute and oboe, decorated by horns — while the strings continue to niggle and churn away at any sense of calm. 'Then solo bassoon ignites a new, still tenser, section. The violins take over, lightly but resolutely, answered by middle strings conveying a sense of tenderness — but with a bitter aftertaste. (This is incidentally one of Sawyers' most characteristic strengths: a tenderness, never saccharine, often undermined by subtle discontent.) From the brass comes the first glimpse of escape: the powerful broken octave theme over which the other themes furiously contend. 'The cellos at the recapitulation, now deepened and enriched, are twisted by Sawyers into something passionate and grounded in lower brass, reinforced by timpani. The movement ends with the heavy brass seemingly triumphant over the strings' stubborn reiteration of the theme. Still, the lower strings' pessimism prevails. 'Tutti violins kick-start the second movement with a dramatic leap from their richest register, only yielding to keening solo oboe. 'The sobered strings leave the solo winds to mourn, yet, with characteristic Sawyers intensity, something is brewing at subterranean depths: eventually, the violas' chuntering is answered by full insistent brass, in a stormily ecstatic tantrum.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles
    UNIVERSITY OF CALIFORNIA Los Angeles Transcending Imagination; Or, An Approach to Music and Symbolism during the Russian Silver Age A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Musicology by Ryan Isao Rowen 2015 © Copyright by Ryan Isao Rowen 2015 ABSTRACT OF THE DISSERTATION Transcending Imagination; Or, An Approach to Music and Symbolism during the Russian Silver Age by Ryan Isao Rowen Doctor of Philosophy in Musicology University of California, Los Angeles, 2015 Professor Mitchell Bryan Morris, Chair The Silver Age has long been considered one of the most vibrant artistic movements in Russian history. Due to sweeping changes that were occurring across Russia, culminating in the 1917 Revolution, the apocalyptic sentiments of the general populace caused many intellectuals and artists to turn towards esotericism and occult thought. With this, there was an increased interest in transcendentalism, and art was becoming much more abstract. The tenets of the Russian Symbolist movement epitomized this trend. Poets and philosophers, such as Vladimir Solovyov, Andrei Bely, and Vyacheslav Ivanov, theorized about the spiritual aspects of words and music. It was music, however, that was singled out as possessing transcendental properties. In recent decades, there has been a surge in scholarly work devoted to the transcendent strain in Russian Symbolism. The end of the Cold War has brought renewed interest in trying to understand such an enigmatic period in Russian culture. While much scholarship has been ii devoted to Symbolist poetry, there has been surprisingly very little work devoted to understanding how the soundscape of music works within the sphere of Symbolism.
    [Show full text]
  • Piotr Illitch Tchaikovsky
    Esoteric Profile of Piotr Ilitch Tchaikovsky May 7, 1840 – November 6, 1893 By Marilene dos Santos 1 - Mini Biography Introduction Piotr Ilitch Tchaikovsky was a Russian composer of the Romantic era, born on May 7, 1840, 6:35 AM in Votkinsk, Vyatka region, Russia. His works include symphonies, concertos, operas, ballets, chamber music, and a choral setting of the Russian Orthodox Divine Liturgy. Some of these are among the most popular theatrical music in the classical repertoire including the ballets Swan Lake, The Sleeping Beauty and The Nutcracker. He was the first Russian composer whose music made a lasting impression internationally, which he bolstered with appearances as a guest conductor later in his career in Europe and the United States. Tchaikovsky was honored in 1884 by Emperor Alexander III, and awarded a lifetime pension in the late 1880s. Family Tchaikovsky was born to a fairly wealthy middle class family. His father, named Ilya Tchaikovsky was a mining business executive in Votkinsk. His father's ancestors were from Ukraine and Poland. His mother, named Aleksandra Assier, was of Russian and French ancestry. His father, Ilya Petrovich (a two time divorced) married Alexandra and the two had two sons, Pyotr and Modest. Childhood and Mother death Tchaikovsky started piano studies at five and soon showed remarkable gifts. He also learned to read French and German by the age of six. A year later, he was writing French verses. The family hired a governess, Fanny Dürbach, to keep watch over the children, and she often referred to Tchaikovsky as the "porcelain child." Tchaikovsky was ultra sensitive to music.
    [Show full text]
  • Music in Norwich
    MiN Autumn 17 cover _August 2012 23/08/2017 22:56 Page 1 MusicMusic inin NorwichNorwich ‘What’s on?’ a round-up of classical, jazz & world music events in Norwich and area September 2017 to April 2018 At a Glance : September 2017 to April 2018 : At a Glance Month by month listing for easy reference. You can also For extra events and updates, follow the Music in see upcoming concerts at www.musicinnorwich.org.uk Norwich blog on the website www.musicinnorwich.org.uk and download a pdf version. or Twitter @musicinnorwich SEPTEMBER 2017 page OCTOBER 2017 page 2 Norwich Baroque : Norwich Cathedral : 24 2 UEA Choir & Chamber Choir Auditions : UEA Music Bach's Brandenburg Concertos : 7.30pm Centre, UEA Campus : 1pm–7.30pm 42 6 Organ Recital Ashley Grote : Norwich Cathedral : 7pm 30 2 UEA Symphony Orchestra Auditions : UEA Music Centre, 9 Voice Project : Women’s Voices : The Chapel : 10.30am 48 UEA Campus : 3pm-8pm 43 12 Voice Project : Sing Up : Friends Meeting House : 7.30 48 3 Voice Project : Sing Up : Friends Meeting House : 7.30 48 12 Voice Project : Reading Music : Fds Meeting Hse : 7.30 49 3 Voice Project : Reading Music : Fds Meeting Hse : 7.30 49 16 Voice Project : Harmony : Friends Meeting House: 10.30am 49 5 Making Musicians : Norwich Cathedral : 1.10pm 30 16 Academy St Thomas : Finlay McEwen : Hingham : 7.30 8 5 The Bach Players : Octagon Chapel : 7.30pm 13 19 Voice Project : Sing Up : Friends Meeting House, 6 Voice Project : Tuning In : Inner Space : 10am 49 Lower Goat Lane, Norwich : 7.30pm 48 7 St Peter Mancroft : Song Recital : 1pm 32 19 Voice Project : Reading Music : Friends Meeting House, 7 Mozart Orchestra : St Andrew’s Hall : 7.30pm 19 Lower Goat Lane, Norwich : 7.30pm 49 8 NNCM : Pavel Haas Quartet : John Innes Centre : 3pm 20 21 Organ Recital A.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • Historical Horn Conference Moving Horns: Worldwide Migrations in Horn Playing
    Historical Horn Conference Moving Horns: Worldwide Migrations in Horn Playing July 3rd Historical Horn Conference opening concert (with program notes): le neuf-heure-trente, de Paris à Gand & presentation of the « Historic Horn Handbook » 9.30h - Library Anneke Scott, natural horn & Toby Sermeus, pianoforte Anton Reicha: Solo en Mi majeur, pour cor et piano Louis-François Dauprat: 2e Solo de Cor (excerpts) Frédéric Duvernoy: Nocturnes No.1, 'Mes Adieux’ Martin Joseph Mengal: Allegro from Sixième Solo Jean Baptiste Mengal: Thême de Rossini For the opening concert of the IHS51 Historic Horn Conference here in Ghent it seems more than appropriate that the work of two eminent Belgian horn players, Martin-Joseph and Jean-Baptiste Mengal, should be celebrated in style. In Le neuf- heure-trente, de Paris à Gand Anneke Scott explores the music of prominent students and teachers from the circle of the early 19th century Conservatoire de Paris. Anton Reicha, the influential composition teacher, is paired with his student and champion Louis-François Dauprat. The work of Martin Joseph Mengal, another student of Reicha’s and the founding director of the Royal Conservatory of Ghent, is paired with a Nocturne by Martin-Joseph’s horn teacher Frédéric Duvernoy. This is followed by a short work by Heinrich Domnich, the horn teacher of the younger Mengal, Jean-Baptiste, horn player in Paris with both the Théâtre Italien and the Opéra whose Thême de Rossini closes this short recital. This recital will be followed by the launch of Anneke Scott’s new book on learning the natural horn. Her “Historic Horn Handbook” sets out to introduce prospective natural horn students to the immense wealth of sources provided by horn players and teachers over the centuries.
    [Show full text]
  • Historische Wetenschappen. Aanwinsten Van Anet — Periode 2009/12
    Historische wetenschappen. Aanwinsten unn : # ∗1a2 ∗4 en$spr - # ∗1b1 A n : # ∗1b2 5X4 oor$den$hoo van Anet — Periode 2009/12 -# ∗2b1 A2 n$C : # ∗2b2 S3 h$ - # ∗1c1 a tf : # ∗1c2 g2 n$ - # ∗2c1 + ru : # ∗2c2 +4 2.$a /docman/[email protected] Kerkgeschiedenis SA: 105#635 II 2000 jaar theologie: leven en werk van de grote christelijke EHC: K 80442 [C2–524 a] denkers / [edit.] Friederich Wilhelm Graf. — Amsterdam : Boom, 2008-2009. — 2 v. — ISBN-13 978–90–8506–475–6 ; Chartæ of the carthusian general chapter, 1631–1638: ISBN-13 978–90–8506–766–5 provincia alemaniae inferioris (ex manuscripto in domo Vallis BSA: LZ–L 101/123 Sanctae asservato), 1889, Vhartreuse du Reposoir, janvier / 1–2 Palemon´ Bastin ; [edit.] Pierre-Aelred Henel ; [edit.] James EHC: 723002 Hogg. — Salzburg : Universitat¨ Salzburg, Institut fur¨ Anglistik 1 und Amerikanistik, 2009. — 104 p. — (Analecta Cartusiana ; 100: 45). — ISBN-13 978–3–902649–43–0 Die Lehre von der Kindertaufe bei Calvin gesehen im Rahmen UA–CST: RG–S 116:100: 45 seiner Sakraments- und Tauftheologie; mit einem Anhang uber¨ die kindertaufe auf dem Tridentinischen Konzil / L.G.M. Alting von geusau. — Bilthoven : Nelissen, 1963. — 335 p. Reliquiæ Chartarum Capituli Generalis, 1621–1730: Ms. BSA: MAG 262/XVI/245 Grande Chartreuse 1 Cart. 16 / Palemon´ Bastin ; [edit.] James Hogg. — Salzburg : Universitat¨ Salzburg, Institut fur¨ Anglistik und Amerikanistik, 2009. — 2 v. — (Analecta Cartusiana ; 100: Antwerp & the world: Richard Verstegan and the international 48) culture of catholic reformation / Paul Arblaster. — Leuven : Leuven University Press, 2004. — 303 p.
    [Show full text]
  • Tchaikovsky Tchaikovsky
    TCHAIKOVSKY Orchestral works including Symphonies 1 – 6 BIS-CD-1797/98 GOTHENBURG SYMPHONY ORCHESTRA / NEEME JÄRVI BIS-CD-1897-98_f-b.indd 1 10-11-15 12.06.43 TCHAIKOVSKY, Pyotr Ilyich (1840–93) The Six Symphonies Orchestral Works Gothenburg Symphony Orchestra The National Orchestra of Sweden Neeme Järvi conductor Total Playing Time: 7h 32m 43s 2 Disc 1 [77'10] Symphony No. 1 in G minor, ‘Winter Daydreams’, Op. 13 39'49 (1866/74) 1 I. Allegro tranquillo (‘Dreams of a Winter Journey’) 11'23 2 II. Adagio cantabile, ma non tanto (‘Land of Desolation, Land of Mists’) 9'59 3 III. Scherzo. Allegro scherzando, giocoso 7'27 4 IV. Finale. Andante lugubre – Allegro maestoso 10'41 The Snow Maiden, Op. 12 (1873) 16'33 Orchestral excerpts from the incidental music to Ostrovsky’s play 5 Introduction. Moderato assai 5'30 6 Entr’acte. Moderato assai 1'16 7 Melodrama. Andantino, quasi Allegretto 4'56 8 Dance of the Buffoons. Allegro vivace 4'39 9 Romeo and Juliet (1869/70/80) 19'29 Fantasy Overture after Shakespeare Andante non tanto quasi Moderato – Allegro giusto 3 Disc 2 [72'27] Symphony No. 2 in C minor, ‘Little Russian’, Op. 17 32'42 (1879 version) 1 I. Andante sostenuto – Allegro vivo 10'42 2 II. Andantino marziale, quasi moderato 6'19 3 III. Scherzo. Allegro molto vivace 5'00 4 IV. Finale. Moderato assai – Allegro vivo 10'24 5 Overture in F major (1866 version) (M.P. Belaieff) 11'47 6 Festive Overture on the Danish National Anthem 12'09 in D major, Op.
    [Show full text]
  • Tchaikovsky / Петр Ильич Чайковский (1840–1893) Дэниэль Джаффе Открывающая Симфонию Тема
    T T H C H V A M A E IK A L O R ER V II Y N GE IEV RA SK SK RG T R N Y Y ORCHES 4 SY NO E U MPHONY K TCRAC 2 THE NUTCRACKER / SYMPHONY NO 4 MARIINSKY ПЕТР ИЛЬИЧ ЧАЙКОВСКИЙ (1840–1893) оркестр. В финале после живого и бодрого начала вступает DISC 1 более приглушенная аранжировка русской народной песни «Во СИМФОНИЯ № 4 ФА МИНОР, поле березонька стояла…», которая повторяется несколько OP. 36 (1877–78) раз в разных вариантах до тех пор, пока опять не возникает PYOTR ILYICH TCHAIKOVSKY / ПЕТР ИЛЬИЧ ЧАЙКОВСКИЙ (1840–1893) Дэниэль Джаффе открывающая симфонию тема. Снова звучит русская народная The Nutcracker, Op. 71 / Щелкунчик, Op. 71 (1891–92) песня, но ее прерывают роковые фанфары первой части. И Чайковского всегда восхищала французская музыка, особенно, все же из явного уныния возрождается – как птица-феникс – музыка Жоржа Бизе. 20 января 1876 года, находясь в Париже, задорная тема финала, которая сперва возникает у валторн, ACT ONE он побывал на представлении оперы Бизе «Кармен», премьера а потом неумолимо движется к эффектному концу. которой состоялась меньше чем за год до того. Чайковский 1 Overture [Увертюра] 3’28’’ был потрясен и растроган и сюжетом, и тем, как живо и просто Бизе его преподнес. Особенно поразил русского Tableau I композитора финал оперы, который он описывал так: «смерть 2 No 1 Scene (The Christmas Tree) [Сцена (Сцена украшения и зажигания ёлки)] 3’44’’ двух главных действующих лиц, которых злой рок, fatum, ЩЕЛКУНЧИК, OP. 71 (1891–92) 3 No 2 March [Марш] 2’26’’ столкнул и через ряд страданий привел к неизбежному концу».
    [Show full text]
  • The-St-Petersburg-Times-2014-12.Pdf
    NO. 12 (1804) САНКТ-ПЕТЕРБУРГ-ТАЙМС WEDNESDAY, APRIL 2, 2014 WWW.SPTIMES.RU ALEXANDER BELENKY / SPT Due to unseasonably warm weather, despite Monday’s brief snowstorm, the Neva River opened for navigation on Apr. 1, a month earlier than usual. Early- OPENING NIGHT morning openings of the drawbridges along the river are to be rolled out over the next few days. For the latest schedule of opening times, visit www.sptimes.ru. BUSINESS FEATURE Irina Prokhorova Russian Dogs TRAVEL Led to Greener Myshkin: Pastures Where The Mouse Is King International humane societies make it their The fairy-tale origin of a sleepy On publishing, education mission to find homes town along the Volga. Page 18. and social change. Page 9. for Russian dogs. Page 6. LocalNews www.sptimes.ru | Wednesday, April 2, 2014 ❖ 2 Ombudsman Releases Report on Human Rights By Sergey Chernov which led to the effective cancellation of THE ST. PETERSBURG TIMES screenings, while anti-gay groups gath- Xenophobia in the city rose to alarming ered outside festival venues and at- heights in 2013, sometimes resulting in tempted to force their way in. violent crime, St. Petersburg ombuds- The most serious offence took place man Alexander Shishlov pointed out in on Nov. 3, 2013, when two masked men the presentation for his annual report at entered the LGBT community center the Legislative Assembly on Mar. 26. LaSky and began shooting a pneumatic The year was marked by the right- firearm at those present. The attack left wing initiative called “Russian clean- LGBT activist Dmitry Chizhevsky blind ups,” directed against migrant vendors in one eye.
    [Show full text]
  • MFG 2008-09 20Pp Programme Split
    MUSIC FOR GALWAY 28TH INTERNATIONAL CONCERT SEASON PROGRAMME 2008–2009 MUSICFO RGALWAY 2008-09 SEASONB ROCHURE AT A GLANCE… DATE VENUE PERFORMER Thursday 18 Sept Aula Maxima NUI Galway Alberto Nosè (piano) Quartetto di Venezia Tuesday 30 Sept Aula Maxima NUI Galway Valeria Mignaco (soprano) Alfonso Marín (lute) Adrian Mantu (cello) Wednesday 8 Oct Aula Maxima, NUI Galway Noriko Ogawa (piano) Monday 20 Oct Aula Maxima NUI Galway Bobo Stenson Trio Thursday 6 Nov Aula Maxima NUI Galway Maxim Rysanov (viola) Katya Apekisheva (piano) Kristine Blaumane (cello) Tuesday 18 Nov Leisureland RTÉ. National Symphony Orchestra Vladimir Altschuler (conductor) Elizabeth Cooney (violin) Wednesday 3 Dec Aula Maxima NUI Galway Matthew Schellhorn (piano) Bogdan Sofei (violin) Barnaby Robson (clarinet) Adrian Mantu (cello) Friday 23 Jan Town Hall Theatre Russian Romantics Saturday 24 Jan Chamber Music Festival Sunday 25 Jan Wednesday 4 Feb Aula Maxima NUI Galway Calefax Reed Ensemble Friday 20 Feb Aula Maxima NUI Galway Emily Anderson Annual Memorial Concert Thursday 12 Mar Aula Maxima Lenneke Ruiten (soprano) Finghin Collins (piano) Tuesday 24 Mar Leisureland RTÉ National Symphony Orchestra Gerhard Markson (conductor) Bernd Glemser (piano) Wednesday 1 Apr Aula Maxima NUI Galway Annual Invitation Concert for Music for Galway Members Monday 20 Apr Meyrick Hotel ConTempo Quartet RTÉ Vanbrugh Quartet Thursday 30 Apr To be confirmed Alberto Nosè (piano) Quartetto di Venezia TICKETS ■ Tickets on sale at Opus 2, William Street West, Galway or direct from Music for Galway – tel: 091-705962 or email: [email protected]. ■ Concessions apply to senior citizens (over 65) and the unwaged. Evidence will be requested at point of purchase.
    [Show full text]
  • Kronberg Academy Jahrbuch 2015
    Jahrbuch der Kronberg Academy Kronberg Academy‘s Yearbook Das Jahrbuch der Kronberg Academy wurde überwiegend durch Anzeigen und ehrenamltiches Engagement inanziert und ermöglicht. The Kronberg Academy Yearbook was entirely inanced and produced through advertisements and volunteer efforts. „Warum sind all diese großen Musiker hier? Weil sie überzeugt sind, dass die Arbeit, die hier geleistet wird, ein bedeutsames Unterfangen ist. Anderenfalls würden sie nicht kommen. Es gibt so viele Orte, wohin sie gehen könnten. Wer hierherkommt, erkennt die Bedeutung dessen, was hier getan wird. Es sind große Musiker. Es sind großartige Persönlichkeiten. Sie wissen, dass sie ein Erbe weiterzugeben haben. Und sie haben sich entschieden, es hier zu tun.“ “Why do you have all these great musicians here? Because they believe that the work that is being done here is a serious undertaking. Otherwise they wouldn’t come. There are plenty of other places they could go. The people who come here understand the importance of what is being done. They are great musicians. They are great human beings. They know that they have a legacy to leave and they have chosen to do that here.” MARTA CASALS ISTOMIN Mitglied des Künstlerischen Beirats der Kronberg Academy Stiftung Member of the Artistic Council of the Kronberg Academy Foundation JAHRBUCH DER KRONBERG ACADEMY 2015 INHALT 6 Editorial KRONBERG 8 Beirat, Kuratorium, International Advisory Board, Stifter, Stiftungsförderer ACADEMY 10 Kronberg Academy Forum FESTIVAL Impressionen 104 Ein festliches Bekenntnis 121 EINE ALLIANZ Künstler, Werke und mehr 134 FÜR DIE MUSIK Eine Allianz für die Musik 14 VERABREDUNG MIT SLAVA 140 Steven Smith Mit guten Instrumenten wachsen 16 MIT MUSIK – MITEINANDER 146 Dr.
    [Show full text]