Abe's Womenomics Policy, 2013-2020
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The Transition of Black One-Dimensional Characters from Film to Video Games
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 2016 The ewN Black Face: The rT ansition of Black One- Dimensional Characters from Film to Video Games Kyle A. Harris Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Harris, Kyle A. "The eN w Black Face: The rT ansition of Black One-Dimensional Characters from Film to Video Games." (Spring 2016). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE NEW BLACK FACE: THE TRANSITION OF BLACK ONE-DIMENSIONAL CHARACTERS FROM FILM TO VIDEO GAMES By Kyle A. Harris B.A., Southern Illinois University, 2013 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Science Department of Mass Communications and Media Arts in the Graduate School Southern Illinois University Carbondale May 2016 RESEARCH PAPER APPROVAL THE NEW BLACK FACE: THE TRANSITION OF BLACK ONE-DIMENSIONAL CHARACTERS FROM FILM TO VIDEO GAMES By Kyle A. Harris A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in the field of Professional Media, Media Management Approved by: Dr. William Novotny Lawrence Department of Mass Communications and Media Arts In the Graduate School Southern Illinois University Carbondale -
Raising Awareness of Gender Equality Among Young People’
EVALUATION REPORT FINAL EVALUATION OF THE UN WOMEN PROJECT ‘RAISING AWARENESS OF GENDER EQUALITY AMONG YOUNG PEOPLE’ EVALUATION REPORT FINAL EVALUATION OF THE UN WOMEN PROJECT ‘RAISING AWARENESS OF GENDER EQUALITY AMONG YOUNG PEOPLE’ JAPAN LIAISON OFFICE UN WOMEN Tokyo , April 10 © 20 20 UN Women. All rights reserved. The views expressed in this publication are those of the author(s) and do not necessarily represent the views of UN Women, the United Nations or any of its affiliated organizations. Produced by UN Women Japan Liaison Office Prepared by Foundation for Advanced Studies on In- ternational Development (FASID) TABLE OF CONTENTS LIST OF ACRONYMS ⅰⅰⅰ LIST OF TABLES ⅱⅱⅱ LIST OF FIGURES ⅲⅲⅲ LIST OF ANNEXES ⅴⅴⅴ EXECUTIVE SUMMARY ⅵⅵⅵ 1. CONTEXT OF THE PROJECT 1 1.1 PROJECT BACKGROUND 1 1.2 OBJECTIVES 1 1.3 APPROACHES 2 1.4 THEORY OF CHANGE 2 1.5 MAIN ACTIVITIES 3 1.6 STAKEHOLDERS 5 2. EVALUATION OVERVIEW 7 2.1 EVALUATION PURPOSE, OBJECTIVES 7 2.2 SCOPE OF THE EVALUATION 8 2.3 EVALUATION DESIGN AND GUIDELINES 8 2.4 METHODOLOGY 9 2.4.1 EVALUATION CRITERIA AND EVALUATION MATRIX 9 2.4.2 INDICATORS FOR MEASURING RESULTS 9 2.4.3 METHOD OF DATA COLLECTION AND ANALYSIS 11 2.4.4 STAKEHOLDER CONSULTATION 12 2.4.5 SAMPLE AND SAMPLING DESIGN 12 2.4.6 ETHICAL CODE OF CONDUCT 13 2.5 LIMITATION TO THE EVALUATION 13 2.6 RESPONSIBILITIES 14 2.6.1 EVALUATION MANAGEMENT STRUCTURE 14 2.6.2 EVALUATION IMPLEMENTING STRUCTURE 15 3. EVALUATION FINDINGS 16 3.1 RELEVANCE 16 3.2 EFFECTIVENESS 18 3.2.1 OUTCOME ONE: AWARENESS OF GENDER EQUALITY INCREASED AMONG YOUTH, SHISEIDO AND GENERAL AUDIENCE 19 3.2.2 OUTCOME TWO: SKILLS AND CAPACITIES IN PROMOTING GENDER EQUALITY AND EMPOWERMENT OF WOMEN INCREASED AMONG YOUTH 25 3.2.3 OUTCOME THREE: ENABLING ENVIRONMENT FOR ADVOCACY ACTIVITIES ON GENDER EQUALITY AND EMPOWERMENT OF WOMEN 32 3.3 EFFICIENCY 38 3.4 SUSTAINABILITY 40 3.5 GENDER EQUALITY AND HUMAN RIGHTS 45 4. -
Women in Japan
WOMEN IN JAPAN BASIC DEMOGRAPHICS POPULATION1 127,298,000 People % % 65 million 51 WOMEN MEN 49 62 million Population is expected to decrease by 32.3% by 20602 AGE RATIO3 13% 62% 25% 0–14 15–64 65+ YEARS YEARS YEARS WORKING AGE FERTILITY RATE4 PROPORTION5 People Age 65+ 1.4 1.7 25% 39% LIVE BIRTHS ORGANISATION FOR ECONOMIC PER WOMAN CO-OPERATION AND 2013 2050 DEVELOPMENT (OECD) AVERAGE TERTIARY ENROLLMENT6 43% 57% 13% 87% 66% 34% WOMEN MEN WOMEN MEN WOMEN MEN TOTAL UNDERGRADUATE ENGINEERING STUDENTS HUMANITIES STUDENTS GRADUATE SCHOOL ENROLLMENT7 30% 70% 33% 67% 28% 72% WOMEN MEN WOMEN MEN WOMEN MEN MASTER’S PROGRAM PHD PROGRAM LAW SCHOOL LABOR FORCE EMPLOYMENT RATE8 61% WOMEN 57% OECD average—women 80% MEN 73% OECD average—men LABOR FORCE9 Non-Regular Employees Regular Employees (Part-time, Contract, Temporary, and Agency Dispatched) 44% 56% WOMEN 79% 21% MEN PERCENTAGE OF WOMEN PARTICIPATING IN THE LABOR FORCE BY AGE GROUP10 79 76.1 74.9 73.1 70.3 70.1 69.6 66.5 47.4 15.6 13.8 15-19 20-24 25-29 30-34 35-39 40-44 45-49 50-54 55-59 60-64 65+ Male comparison Approximate time of marriage and children EMPLOYMENT STATUS11 UNDERUTILIZED LABOR FORCE12 After Pregnancy continued working 17% million women are not working, with maternity/parental leave 3 but would like to work 10% continued working without maternity/ % in age group % 53 44 parental leave 25-44 left job after % becoming 24 not employed pregnant 5% N/A GENDER WAGE GAP13 In 2013, women in regular employment earned: 16% OECD average gap % 73 WOMEN 27% GAP less than their male counterparts MEN PRESIDENTS14 BOARD DIRECTORS Of All Private and Public Of All Public Companies15 TOPIX Core 30 Index16 Companies 7.5% 1.6% 3.1% 2014 2012 2014 WOMEN WOMEN WOMEN MANAGEMENT Section Manager or Higher in Companies Section Manager or Higher The target year 2020 will coincide 17 18 With More Than 100 Employees in Companies with the return of the Olympics to Tokyo. -
Japanese Workplace Harassment Against Women and The
Japanese Workplace Harassment Against Women and the Subsequent Rise of Activist Movements: Combatting Four Forms of Hara to Create a More Gender Equal Workplace by Rachel Grant A THESIS Presented to the Department of Japanese and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Rachel Grant for the degree of Bachelor of Arts in the Department of Japanese to be taken June 2016 Title: Japanese Workplace Harassment Against Women and the Subsequent Rise of Activist Movements Approved: {1 ~ Alisa Freedman The Japanese workplace has traditionally been shaped by a large divide between the gender roles of women and men. This encompasses areas such as occupational expectations, job duties, work hours, work pay, work status, and years of work. Part of this struggle stems from the pressure exerted by different sides of society, pushing women to fulfill the motherly home-life role, the dedicated career woman role, or a merge of the two. Along with these demands lie other stressors in the workplace, such as harassment Power harassment, age discrimination, sexual harassment, and maternity harassment, cause strain and anxiety to many Japanese businesswomen. There have been governmental refonns put in place, such as proposals made by the Prime Minister of Japan, in an attempt to combat this behavior. More recently, there have been various activist grassroots groups that have emerged to try to tackle the issues surrounding harassment against women. In this thesis, I make the argument that these groups are an essential component in the changing Japanese workplace, where women are gaining a more equal balance to men. -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
A Lesbian Masquerade
Accessory to Murder: A Lesbian Masquerade Rob K. Baum ABSTRACT Mabel Maney parodies Fifties-era "girl detective" Nancy Drew with lesbian Nancy Clue, mocking the original series' insistence upon heteronormativity while maintaining Keene's luxuriously white, upper class sanctity. This article explores Maney's comic structure from Freudian "dress-up" and professional disguise to lesbian masquerade, demonstrating their ideological difference from gay camp - one queer commentary has repeatedly confused. Maney's conflation of the disparate motives of lesbian masquerade and gay camp lead to her abandonment of lesbian feminist readers. RESUME Mabel Maney fait la parodie de la "fille d£tecfive"des annees 50 Nancy Drew avec la lesbienne Nancy Clue en se moquant de I'insistence que la serie originale portait sur I'heteronormativite tout en gardant la sanctite de la classe superieure luxurieusement blanche. Cet article explore la structure comique de Maney du "deguisement" freudien et du ddguisement professionnel a la masquarade lesbienne, en expliquant leur difference ideologique avec celle du camp gay - ce qu'un commentaire homosexuel a embrouill6 a maintes reprises. L'assemblage que Maney a fait de la disparite des motifs de la masquarade lesbienne et du camp gay l'a porte a delaisser les lectrices feministes lesbiennes. From what we have seen...in this double reading of alienated girlhood are resurrected and reinforced by lesbian/queer revolutionary activity in America, ... Maney's "world o' girls" (the series' fictional the real fear we face, as scholars and activists, is publishing house), positioning women as either not that queers in America will have sex, but that lesbians or lawbreakers - thus subverting the ...queers in America will have politics. -
Men's New Roles in a Gender Equal Society
Men’s New Roles in a Gender Equal Society -Survey Results from Japan and East Asia- As of 26 July, 2019 (Provisional Unedited ver.) Introduction The Sasakawa Peace Foundation began working on this program in the summer of 2016. The Global Gender Gap report, released by the World Economic Forum (WEF) around that time, puts Japan at 111th out of 144 countries covered. South Korea was the only East Asian country ranked lower (116th). Even if Southeast Asia is included, the only other country with lower ranking was East Timor (125 th). In the latest 2018 report, Japan climbed just one position to the 110th rank out of 149 countries, and remains far from establishing gender equality in society. What can we do to change this situation? We have focused on men’s persistent obsession with “masculinity.” While there are signs of change, Japanese men continue to perceive “masculinity” as getting ahead in the corporate ladder and winning in the power struggle. Such a male nature (= masculinity) might be causing Japanese men to put themselves under undue stress and pressure, while also hindering women’s empowerment and inhibiting the establishment of gender equality in society. We have come to believe that we might be able to contribute to building gender equality that is desirable for both men and women alike by establishing in-depth understanding about the current status and background of Japanese masculinity and developing effective gender policies and programs that could change it. Coincidentally, momentum is building to re-examine the role of men in family life and society in general. -
Grußwort Zum Amtsantritt
Mitteilungen des Japanisch-Deutschen Zentrums Berlin (JDZB) Nr. 134, März 2021 echo Grußwort zum Amtsantritt Yanagi Hidenao, Botschafter von Japan in der Bundesrepublik Deutschland Am 7. Dezember letzten Jahres habe ich besucht und dort an Seminaren usw. mein Beglaubigungsschreiben dem Bun- teilgenommen. Schließlich reiste ich im despräsidenten Frank-Walter Steinmeier April 2014 aus Tōkyō an, um dort an einer überreicht und offiziell meinen Dienst Konferenz zum Thema Sicherheitspolitik als Botschafter angetreten. Nach einem teilzunehmen. Studium in Japan trat ich 1982 in das Außenministerium ein und erhielt die Auch in Deutschland halten die gravieren- Gelegenheit, zwei Jahre an der Universität den Auswirkungen der Corona-Pandemie Konstanz zu studieren. Danach folgten weiterhin an. Die Bundesregierung hat mehrere Auslandsverwendungen, u. a. daher am 19. Januar Maßnahmen zur an der Botschaft in Bonn und später in Stärkung des Schutzes vor Infektionen Berlin. Zusammen mit meiner Zeit als Ge- beschlossen, etwa eine Pflicht zum Tra- neralkonsul in München habe ich bisher gen medizinischer Masken sowie eine insgesamt über elf Jahre in Deutschland Ausweitung der Kontaktbeschränkungen. gelebt. Nachdem ich zuletzt knapp drei Auch der Lockdown, beispielsweise mit Jahre lang Botschafter in Jordanien war, ist geschlossenen Gaststätten und Geschäf- es für mich eine große Ehre und Freude, ten, dauert weiter an. Und auch wenn © Botschaft von Japan dass ich nun als Botschafter erneut in mit Beginn der Impfungen Ende letzten sellschaften, zu denen noch über 1.600 Deutschland tätig sein darf. Jahres nun erste Zeichen der Hoffnung Kooperationsabkommen zwischen den Was meine Beziehungen zum Japanisch- sichtbar werden, bleibt die Situation um Hochschulen unserer Länder kommen. Deutschen Zentrum Berlin (JDZB) anbe- Corona unbeständig und erlaubt keine Nun feiern wir in diesem Jahr „160 Jahre langt, so nahm ich im November 1987 voreilige Prognose. -
How Female Musicians Are Treated Differently in Music
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 10x The Talent = 1/3 Of The Credit: How Female Musicians Are Treated Differently In Music Meggan Jordan University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Jordan, Meggan, "10x The Talent = 1/3 Of The Credit: How Female Musicians Are Treated Differently In Music" (2006). Electronic Theses and Dissertations, 2004-2019. 946. https://stars.library.ucf.edu/etd/946 10X THE TALENT = 1/3 OF THE CREDIT HOW FEMALE MUSICIANS ARE TREATED DIFFERENTLY IN MUSIC by MEGGAN M. JORDAN B.A. University of Central Florida, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Meggan M. Jordan ii ABSTRACT This is an exploratory, qualitative study of female musicians and their experiences with discrimination in the music industry. Using semi-structured interviews, I analyze the experiences of nine women, ages 21 to 56, who are working as professional musicians, or who have worked professionally in the past. I ask them how they are treated differently based on their gender. -
University of Hawaiii Library a Path Toward Gender
UNIVERSITY OF HAWAIII LIBRARY A PATH TOWARD GENDER EQUALITY: STATE FEMINISM IN JAPAN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE DECEMBER 2002 By Yoshie Kobayashi Dissertation Committee: Yasumasa Kuroda, Chairperson Kathy E. Ferguson James A. Dator KateZhou Takie S. Lebra ACKNOWLEDGEMENTS I am indebted to many individuals and institutions for help with the writing of this dissertation. Singled out first for thanks are five professors at the University of Hawai'i, Manoa, who assisted me to shape the content of this dissertation. I am especially grateful to Yasumasa Kuroda, who was the supervisor of my dissertation and provided me essential intellectual and moral support and advice throughout the dissertation project. In a variety of ways, Kathy Ferguson's insightful criticism, comments, and copious and tireless editing during the dissertation process monitored the direction and clarified my arguments. James Dator and Kate Zhou were sources of substantive insight and personal encouragement throughout this dissertation project. I was also privileged to benefit from Takie S. Lebra's expertise in connecting a theoretical scheme with empirical findings. I also thank them for their support during my graduate school years. I appreciate the institutional support at the University of Hawaii, Manoa the Department of pOI~1 science and the Center for Japanese Studies. I gratefully acknowledge academic support from teachers of my undergraduate and master programs, although they were not directly involved in this work. For his comments and advice, I would like to express appreciations to Tanaka Yasumasa, who was my teacher of political science in GakushUin University, Tokyo and encouraged me to study in graduate programs in the United States. -
Convenient Fictions
CONVENIENT FICTIONS: THE SCRIPT OF LESBIAN DESIRE IN THE POST-ELLEN ERA. A NEW ZEALAND PERSPECTIVE By Alison Julie Hopkins A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2009 Acknowledgements I would like to acknowledge those people who have supported me in my endeavour to complete this thesis. In particular, I would like to thank Dr Alison Laurie and Dr Lesley Hall, for their guidance and expertise, and Dr Tony Schirato for his insights, all of which were instrumental in the completion of my study. I would also like to express my gratitude to all of those people who participated in the research, in particular Mark Pope, facilitator of the ‘School’s Out’ programme, the staff at LAGANZ, and the staff at the photographic archive of The Alexander Turnbull Library. I would also like to acknowledge the support of The Chief Censor, Bill Hastings, and The Office of Film and Literature Classification, throughout this study. Finally, I would like to thank my most ardent supporters, Virginia, Darcy, and Mo. ii Abstract Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand’s prime-time, free-to-air television environment. It argues that television’s script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively. -
The Effects of Hegemonic Femininity on Diversity & Inclusion Within
Is This 1920 or 2020: The Effects of Hegemonic Femininity on Diversity & Inclusion within the Panhellenic Community Carly Walter | University of South Carolina | @iCarlyyyyyyyy Hegemonic masculinity (or more commonly known as toxic masculinity) has been examined as it relates to hazing, violence, and the masculine predilection for dominance. However, what about hegemonic femininity? This phenomenon, the feminine counterpart to toxic masculinity, presents important schema which may explain some cultural, hive-think aspects of the Panhellenic experience (Budgeon, 2014). A close examination of hegemonic femininity within Panhellenic sororities creates insight into how to best establish diversity and inclusion initiatives within these organizations and the Panhellenic community as a whole. So, What is Hegemonic Femininity? Hegemonic femininity is the concept that an ideal, dominant picture of womanhood exists (Schippers, 2007). It is the buy in of “traditional” feminine gender norms such as a sweet disposition and modesty, as well as an investment in physical appearance and sexual attractiveness that privileges thinness. The conceptualization of this ideal womanhood is highly pervasive and exclusionary. It works to maintain the status quo and functions as highly structured, normalized group behavior (Schippers, 2007). As fraternity/sorority life professionals, we should draw attention to how gender operates throughout the social structures of our organizations, from the level of individual gendered selves to the cultural norms and expectations