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The Transition of Black One-Dimensional Characters from Film to Video Games
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 2016 The ewN Black Face: The rT ansition of Black One- Dimensional Characters from Film to Video Games Kyle A. Harris Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Harris, Kyle A. "The eN w Black Face: The rT ansition of Black One-Dimensional Characters from Film to Video Games." (Spring 2016). This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE NEW BLACK FACE: THE TRANSITION OF BLACK ONE-DIMENSIONAL CHARACTERS FROM FILM TO VIDEO GAMES By Kyle A. Harris B.A., Southern Illinois University, 2013 A Research Paper Submitted in Partial Fulfillment of the Requirements for the Master of Science Department of Mass Communications and Media Arts in the Graduate School Southern Illinois University Carbondale May 2016 RESEARCH PAPER APPROVAL THE NEW BLACK FACE: THE TRANSITION OF BLACK ONE-DIMENSIONAL CHARACTERS FROM FILM TO VIDEO GAMES By Kyle A. Harris A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in the field of Professional Media, Media Management Approved by: Dr. William Novotny Lawrence Department of Mass Communications and Media Arts In the Graduate School Southern Illinois University Carbondale -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
A Lesbian Masquerade
Accessory to Murder: A Lesbian Masquerade Rob K. Baum ABSTRACT Mabel Maney parodies Fifties-era "girl detective" Nancy Drew with lesbian Nancy Clue, mocking the original series' insistence upon heteronormativity while maintaining Keene's luxuriously white, upper class sanctity. This article explores Maney's comic structure from Freudian "dress-up" and professional disguise to lesbian masquerade, demonstrating their ideological difference from gay camp - one queer commentary has repeatedly confused. Maney's conflation of the disparate motives of lesbian masquerade and gay camp lead to her abandonment of lesbian feminist readers. RESUME Mabel Maney fait la parodie de la "fille d£tecfive"des annees 50 Nancy Drew avec la lesbienne Nancy Clue en se moquant de I'insistence que la serie originale portait sur I'heteronormativite tout en gardant la sanctite de la classe superieure luxurieusement blanche. Cet article explore la structure comique de Maney du "deguisement" freudien et du ddguisement professionnel a la masquarade lesbienne, en expliquant leur difference ideologique avec celle du camp gay - ce qu'un commentaire homosexuel a embrouill6 a maintes reprises. L'assemblage que Maney a fait de la disparite des motifs de la masquarade lesbienne et du camp gay l'a porte a delaisser les lectrices feministes lesbiennes. From what we have seen...in this double reading of alienated girlhood are resurrected and reinforced by lesbian/queer revolutionary activity in America, ... Maney's "world o' girls" (the series' fictional the real fear we face, as scholars and activists, is publishing house), positioning women as either not that queers in America will have sex, but that lesbians or lawbreakers - thus subverting the ...queers in America will have politics. -
How Female Musicians Are Treated Differently in Music
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 10x The Talent = 1/3 Of The Credit: How Female Musicians Are Treated Differently In Music Meggan Jordan University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Jordan, Meggan, "10x The Talent = 1/3 Of The Credit: How Female Musicians Are Treated Differently In Music" (2006). Electronic Theses and Dissertations, 2004-2019. 946. https://stars.library.ucf.edu/etd/946 10X THE TALENT = 1/3 OF THE CREDIT HOW FEMALE MUSICIANS ARE TREATED DIFFERENTLY IN MUSIC by MEGGAN M. JORDAN B.A. University of Central Florida, 2004 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Meggan M. Jordan ii ABSTRACT This is an exploratory, qualitative study of female musicians and their experiences with discrimination in the music industry. Using semi-structured interviews, I analyze the experiences of nine women, ages 21 to 56, who are working as professional musicians, or who have worked professionally in the past. I ask them how they are treated differently based on their gender. -
Convenient Fictions
CONVENIENT FICTIONS: THE SCRIPT OF LESBIAN DESIRE IN THE POST-ELLEN ERA. A NEW ZEALAND PERSPECTIVE By Alison Julie Hopkins A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2009 Acknowledgements I would like to acknowledge those people who have supported me in my endeavour to complete this thesis. In particular, I would like to thank Dr Alison Laurie and Dr Lesley Hall, for their guidance and expertise, and Dr Tony Schirato for his insights, all of which were instrumental in the completion of my study. I would also like to express my gratitude to all of those people who participated in the research, in particular Mark Pope, facilitator of the ‘School’s Out’ programme, the staff at LAGANZ, and the staff at the photographic archive of The Alexander Turnbull Library. I would also like to acknowledge the support of The Chief Censor, Bill Hastings, and The Office of Film and Literature Classification, throughout this study. Finally, I would like to thank my most ardent supporters, Virginia, Darcy, and Mo. ii Abstract Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand’s prime-time, free-to-air television environment. It argues that television’s script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively. -
The Effects of Hegemonic Femininity on Diversity & Inclusion Within
Is This 1920 or 2020: The Effects of Hegemonic Femininity on Diversity & Inclusion within the Panhellenic Community Carly Walter | University of South Carolina | @iCarlyyyyyyyy Hegemonic masculinity (or more commonly known as toxic masculinity) has been examined as it relates to hazing, violence, and the masculine predilection for dominance. However, what about hegemonic femininity? This phenomenon, the feminine counterpart to toxic masculinity, presents important schema which may explain some cultural, hive-think aspects of the Panhellenic experience (Budgeon, 2014). A close examination of hegemonic femininity within Panhellenic sororities creates insight into how to best establish diversity and inclusion initiatives within these organizations and the Panhellenic community as a whole. So, What is Hegemonic Femininity? Hegemonic femininity is the concept that an ideal, dominant picture of womanhood exists (Schippers, 2007). It is the buy in of “traditional” feminine gender norms such as a sweet disposition and modesty, as well as an investment in physical appearance and sexual attractiveness that privileges thinness. The conceptualization of this ideal womanhood is highly pervasive and exclusionary. It works to maintain the status quo and functions as highly structured, normalized group behavior (Schippers, 2007). As fraternity/sorority life professionals, we should draw attention to how gender operates throughout the social structures of our organizations, from the level of individual gendered selves to the cultural norms and expectations -
The Invention of Martial Arts About the Journal
ISSUE EDITORS Spring 2016 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES THEME THE INVENTION OF MARTIAL ARTS ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. C b n d The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/n.2016.10060 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 2 ARTS STUDIES SPRING 2016 1 Editorial Paul Bowman and Benjamin N. Judkins 6 The Seven Forms of Lightsaber Combat ARTICLES Hyper-reality and the Invention of the Martial Arts Benjamin N. Judkins 23 The Fifty-Two Hand Blocks Re-Framed Rehabilitation of a Vernacular Martial Art Thomas A. Green 34 The @UFC and Third Wave Feminism? Who Woulda Thought? Gender, Fighters, and Framing on Twitter Allyson Quinney 59 Ancient Wisdom, Modern Warriors The (Re)Invention of a Mesoamerican Warrior Tradition in Xilam George Jennings 71 Fight-Dancing and the Festival Tabuik in Pariaman, Indonesia and lemanjá in Salvador da Bahia, Brazil Paul H. -
Vigilantes, Incorporated: an Ideological Economy of the Superhero Blockbuster
VIGILANTES, INCORPORATED: AN IDEOLOGICAL ECONOMY OF THE SUPERHERO BLOCKBUSTER BY EZRA CLAVERIE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English with a minor in Cinema Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor José B. Capino, Chair Associate Professor Jim Hansen Associate Professor Lilya Kaganovsky Associate Professor Robert A. Rushing Professor Frank Grady,Department of English, University of Missouri, Saint Louis ii ABSTRACT Since 2000, the comic-book superhero blockbuster has become Hollywood’s most salient genre. “Heroes, Incorporated: A Political Economy of the Superhero Blockbuster” examines these seemingly reactionary fantasies of American power, analyzing their role in transmedia storytelling for a conglomerated and world-spanning entertainment industry. This dissertation argues that for all their apparent investment in the status quo and the hegemony of white men, superhero blockbusters actually reveal the disruptive and inhuman logic of capital, which drives both technological and cultural change. Although focused on the superhero film from 2000 to 2015, this project also considers the print and electronic media across which conglomerates extend their franchises. It thereby contributes to the materialist study of popular culture and transmedia adaptation, showing how 21st century Hollywood adapts old media for new platforms, technologies, and audiences. The first chapter traces the ideology of these films to their commercial roots, arguing that screen superheroes function as allegories of intellectual property. The hero’s “brand” identity signifies stability, even as the character’s corporate owners continually revise him (rarely her). -
Anti-Racist-White Hero Framework, Tokenism, and Postracism
PURE Insights Volume 8 Article 6 2019 When the Truth Isn't Enough: Anti-Racist-White Hero Framework, Tokenism, and Postracism Sarah Daves Western Oregon University, [email protected] Follow this and additional works at: https://digitalcommons.wou.edu/pure Part of the Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Mass Communication Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Daves, Sarah. "When the Truth Isn't Enough: Anti-Racist-White Hero Framework, Tokenism, and Postracism," PURE Insights: Vol. 8, December 16, 2019. https://digitalcommons.wou.edu/pure/vol8/iss1/ 6 This Article is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in PURE Insights by an authorized editor of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. When the Truth Isn't Enough: Anti-Racist-White Hero Framework, Tokenism, and Postracism Abstract By applying Madison’s “anti-racist-white-hero” (ARWH) framework developed in 1999, I seek to discuss how ambiguous, and yet, obvious views of race, racism, and success are threaded throughout the 2000 film Men of Honor, and so, create a false sense of post-racism, which includes a rhetoric of tokenism. Through the application of this framework, I am then able to conclude that the film does, in fact, sustain“ systemic racism even though it appears to expose and condemn it” (McFarlane p. 82). By taking an in- depth look at the film, I am able to expose the myth of white superiority and assert that post-racism and white heroism are at the crux of media as it applies to the film industry. -
Representations of Africana Queer Women in Visual Media
FROM THE MARGINS: REPRESENTATIONS OF AFRICANA QUEER WOMEN IN VISUAL MEDIA A thesis submitted to the faculty of San Francisco State University A s In partial fulfillment of 36 the requirements for Xois the Degree E THST - Us Masters of Arts In Ethnic Studies by Ametta Smith San Francisco, California May 2015 Copyright by Ametta Smith 2015 CERTIFICATION OF APPROVAL I certify that I have read From the Margins: Representations o f Africana Queer Women in Visual Media by Ametta Smith, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Ethnic Studies at San Francisco State University. Serie McDougal III, Ph.D. Associate Professor of Africana Studies Dawn-Elissa Fischer, Ph.D. Associate Professor of Africana Studies FROM THE MARGINS: REPRESENTATIONS OF AFRICANA QUEER WOMEN IN VISUAL MEDIA Ametta Smith San Francisco, California 2015 Using content analysis and a combination of manifest and latent coding to decipher meaning from messages found in media, From the Margins: Representations o f Africana Queer Women in Visual Media is a qualitative thesis that examines the representation of masculine of center Africana queer women in visual media and answers the research questions: how do films and television series represent masculine of center Africana queer women and how do previous depictions of Africana women and men in film and television influence contemporary representations of MOC Africana queer women? This project focuses on two types of visual mediums from the past twenty years (1994-2014): films and television series. -
The Race Issue Race & Representation
THE RACE ISSUE Researching diversity and representation of race in contemporary fashion editorials RACE & REPRESENTATION En undersøgelse af diversitet og repræsentation af race i nutidige modeserier Lise Charlotte Lehwald Bachelor in Visual Communication, 15 HP VT 2018, K3, Malmö University Supervisor: Tina-Marie Whitman ABSTRACT The purpose of this research is to examine the diversity and representation of models of color in ELLE US’ 2017 fashion editorials. As the purpose is twofold, so is the methodological approach, which looks at the material through both a quantitative content analysis and a qualitative visual analysis. Theoretically, the analyses are grounded in postcolonialism, representation and the concept of new racism. To discuss medias’ influence on audiences, the theory also presents related research on this subject. Illustrating a statistical lack of diversity, as well as tendencies of stereotypical representations, the research indicates a postcolonial discourse in ELLE’s content – results that are problematic both in relation to racial equality and to the socially constructed beauty-ideals that ELLE takes part in creating. ABSTRAKT Formålet med denne opgave er at undersøge diversiteten og repræsentationen af farvede modeller i ELLE US’ modeserier fra 2017. Ligesom formålet, er den metodologiske tilgang todelt, da den undersøger materialet gennem både en kvantitativ indholdsanalyse såvel som en kvalitativ visuel analyse. Teoretisk tager opgaven sit udgangspunkt i postkolonialisme, repræsentation og konceptet ‘new racism’. For at kunne diskutere mediernes indflydelse på deres publikum, præsenterer teorien også relateret forskning inden for dette felt. Analyserne viser både statistisk manglende diversitet og tendenser af stereotype repræsentationer, hvilket indikerer en postkolonial diskurs i ELLEs indhold – resultater, der er problematiske både i forhold til racemæssig lighed og for de socialt konstruerede skønhedsidealer, som ELLE er med til at skabe. -
'Just Like Hitler': Comparisons to Nazism in American Culture
University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 5-2010 'Just Like Hitler': Comparisons To Nazism in American Culture Brian Scott Johnson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the English Language and Literature Commons Recommended Citation Johnson, Brian Scott, "'Just Like Hitler': Comparisons To Nazism in American Culture" (2010). Open Access Dissertations. 233. https://scholarworks.umass.edu/open_access_dissertations/233 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ‘JUST LIKE HITLER’ COMPARISONS TO NAZISM IN AMERICAN CULTURE A Dissertation Presented by BRIAN JOHNSON Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 English Copyright by Brian Johnson 2010 All Rights Reserved ‘JUST LIKE HITLER’ COMPARISONS TO NAZISM IN AMERICAN CULTURE A Dissertation Presented by BRIAN JOHNSON Approved as to style and content by: ______________________________ Joseph T. Skerrett, Chair ______________________________ James Young, Member ______________________________ Barton Byg, Member ______________________________ Joseph F. Bartolomeo, Department Head