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Visions of an Interactive Utzon Archive: Tangible, Visual and Interactive Experiences of Utzon Works

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Visions of an Interactive Utzon Archive: Tangible, Visual and Interactive Experiences of Utzon Works FOURTH INTERNATIONAL UTZON SYMPOSIUM – SYDNEY AUSTRALIA WHAT WOULD UTZON DO NOW? Visions of an Interactive Utzon Archive: Tangible, Visual and Interactive Experiences of Utzon Works Liselott Stenfeldt and Kaj Grønbæk Alexandra Institute; Department of Computer Science, Aarhus University and Alexandra Institute Abstract Archive is aimed at developing and using technology in innovative ways to define and communicate the This paper discusses how to utilize digital means and significance of Jørn Utzon’s work and to visualize his interactivity to provide tangible and visual experiences working methods as an exemplary model for teaching of the material in the existing Utzon Archive – including and practice within architecture as well as for the both realized and unrealized works. The establishment general public. of a physical Utzon Archive in the Utzon Center in Aalborg, Denmark, presents the unique opportunity to We overall wish to give the visitors a new experience access and exhibit a major part of the drawings and when exploring the existing Utzon Archive. The models of Utzon. The research is aimed at developing primary motivation and idea for using technology as a digital methods to define and communicate the tool is that we see this as a new engaging way to invite significance of Jørn Utzon’s work and to visualize his a broader group of users to participate and show working methods as an exemplary model for teaching interest in a creative architectural process. and practice within architecture as well as for the general public. The paper will describe our first In this paper we will present our visions of four reflections and mapping on how to treat an archive different spatial interactive installations that can be seen comprising mainly of analogue drawings and scale as ideas or examples of how to present and unfold the models in new engaging ways, offering visitors an Archive in new ways; The interactive drawing table opportunity to step into the mind of a visionary visualizing the original 2Ddrawings, The interactive model architect and experience his architectural universe. We workstation giving the visitors the opportunity to give an overview on different interactive techniques to experiment with original paper model volumes, The engage users and offer new engaging ways to living Sketchbooks allowing people to look through a experience the existing Utzon Archive in a permanent peephole into the deepest mind of Utzon, and finally physical exhibition in The Utzon Center. Tangible The immersive Soundscapes of the work of Utzon. interaction via miniatures of Utzon’s modules, embodied audio-visual exploration of selected Utzon The aim of the project is to investigate how to give the works, as well as Augmented Reality visualizations at visitor an as authentic as possible spatial and multi- locations are among the means to be developed and sensory experience by using technology. How can we, explored. The overall aim is to explore how to give the by using technology, actually support and enrich the visitor an as authentic as possible spatial and multi- original material of Utzon without compromising the sensory experience without compromising the essence value in the creative process and ensuring the and the high quality of Utzon’s work. emotional content of a design derived from a hand? How can an archive, which has not been open to a Introduction public audience before, be a part of future teaching in a way that will engage and stimulate the curiosity of a The research described in this paper is intended to wide group of people? take place in a real physical museum context, The Utzon Centre i , in Aalborg, Denmark. The Background – The Architecture of Jørn establishment of a physical Utzon Archive at this Utzon location has to us presented the unique opportunity to access and visualize a major part of the drawings and The Architect Jørn Utzon models of Utzon. “His work shows the world that he has been there and In this context, the vision of the interactive Utzon beyond – he proves that the marvellous and seemingly VISIONS OF AN INTERACTIVE UTZON ARCHIVE impossible in architecture can be achieved. He has create a sculpture that changes character always been ahead of his time.” - The Pritzker depending on the time of the day and the weather. Architecture Prize, 2003ii The lighting will i.e. show the marked sculptural effect of the concrete folded beams. Jørn Utzon is overall a great exponent of the humanistic Nordic tradition within modern - Additive architecture: Utzon is well-known for his architecture. He sought practical and poetic inspiration additive approach, based on inspiration from from nature and cultures from all around the world and patterns in nature to be seen both in the physical at the same time strived to push the boundaries of elements, geometric shapes and dividing the what the materials, building techniques and technology construction up into equal components that could of his time could achieve. (Tyrrell, R. 2011). be put together in various structures (and be industrially produced). Some of the recurring overall design principles that are the underlying basis for numerous works by Utzon are We will – in different ways – strive to base our (Utzon, J., 2002): research on design principles directly inspired by this when we design and develop interactive experiences. - Form & function: with inspiration from all over the world, Utzon has created buildings that are The Utzon Center in Aalborg, Denmark functional both in terms of choice of material, construction and social purpose. The Utzon Research Center was established to study and disseminate Utzon’s Archive and work and is an - Structural expression: Utzon was very interested integral core activity within the Utzon designed building in working with different expressions in the in Aalborg. structure in the physical elements, supporting and enhancing a construction or a pattern from nature. The research made under its auspices will serve to define and articulate the significance of Jørn Utzon’s - Materials: The intention of Utzon was to always work and investigate his working methods as an expose the character of carefully selected exemplary model for teaching and practice. materials in his buildings. They were all specifically chosen to be weather resistant, durable and with As the first of its permanent kind in Denmark, the an aesthetic and sustainable ageing process. Utzon Research Center will serve to develop, communicate and promote a profound, research-based - Colour: Inspired by nature itself, the colours used understanding of the work of a major Danish and in buildings like the Sydney Opera House were the international architect. real down-to-earth concrete, granite and ceramics. The colour of the shells became white, The establishment of the physical library in the Utzon as a contrast to its interior being very dark. Center in Aalborg combined with the fact that the Center has now bought a significant part of the original - Light: The building should be able to catch and Archive of Utzon, we see as a great opportunity for reflect the sky with all its varied lights, dawn to establishing an experimental project using and testing dusk, day to day, throughout the year. new technology in order to visualize and communicate an archive comprising mostly analogue drawings in new - Acoustics: shape and choice of material is designed engaging ways, offering different visitors from around with the acoustic experience and function in mind. the world an opportunity to step into the mind of a visionary architect and experience his architectural - Orientation and movement: The buildings should universe. be entered in a beautiful way. For example, people approaching the Sydney Opera House are all the Through the use of interactive media experiences, time orientated towards the beautiful harbour. visitors at the Center will – among other things – be When entering here, they are welcomed by able to gain deeper insights into Jørn Utzon’s sources openness, the fluidity of people’s movement of inspiration, and see new perspectives of the design through the house. process through advanced photographic, advanced visualisations and immersive spatial experiences of his - The building as a sculpture: when designing the built and unbuilt projects. Sydney Opera House, Utzon was determined to FOURTH INTERNATIONAL UTZON SYMPOSIUM – SYDNEY AUSTRALIA WHAT WOULD UTZON DO NOW? Inspiration from Interactive Spaces In the 1990s, a number of architects around the world Research started in practice to see the potentials of integrating digital technology into architecture. Since the beginning 1940s – new understanding of knowledge, information and of the 2000s, advanced digital technology has more or interaction less become a natural part of our everyday lives and is used by many architects – all around us we can for The revolution of cyberneticsiii in the 1940s changed example experience funny-shaped buildings, digital data the way we think about both knowledge and in different shapes and reactive doors and windows. information, and how they are communicated between And for the first time, new standards are made possible individuals and social groups. It enabled the advent of as a result of this. ‘the Information Age,’ and paved the way for the use of the computer in every aspect of daily life, including the While the direct impact of cybernetics and responsive Internet. environments on architecture has so far been limited to concepts of ‘virtual reality,’ ‘intelligent buildings,’ and One early proponent and practitioner of cybernetics is ‘simulacra,’ its indirect impact has of course been Gordon Pask iv (1928-1996). He started out working enormous when referring to the use of the computer within the field of human-computer interaction already as a tool for architectural design, representation, in the 1960s, and he is still someone architects and communication, and education (Krogh & Grønbæk, designers are interested in and are referring to. Pask’s 2001).
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