Multimedia Journalism J334 (07530) | J395-10 (07825) Spring 2011
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Ethics for Digital Journalists
ETHICS FOR DIGITAL JOURNALISTS The rapid growth of online media has led to new complications in journalism ethics and practice. While traditional ethical principles may not fundamentally change when information is disseminated online, applying them across platforms has become more challenging as new kinds of interactions develop between jour- nalists and audiences. In Ethics for Digital Journalists , Lawrie Zion and David Craig draw together the international expertise and experience of journalists and scholars who have all been part of the process of shaping best practices in digital journalism. Drawing on contemporary events and controversies like the Boston Marathon bombing and the Arab Spring, the authors examine emerging best practices in everything from transparency and verifi cation to aggregation, collaboration, live blogging, tweet- ing, and the challenges of digital narratives. At a time when questions of ethics and practice are challenged and subject to intense debate, this book is designed to provide students and practitioners with the insights and skills to realize their potential as professionals. Lawrie Zion is an Associate Professor of Journalism at La Trobe University in Melbourne, Australia, and editor-in-chief of the online magazine upstart. He has worked as a broadcaster with the Australian Broadcasting Corporation and as a fi lm journalist for a range of print publications. He wrote and researched the 2007 documentary The Sounds of Aus , which tells the story of the Australian accent. David Craig is a Professor of Journalism and Associate Dean at the University of Oklahoma in the United States. A former newspaper copy editor, he is the author of Excellence in Online Journalism: Exploring Current Practices in an Evolving Environ- ment and The Ethics of the Story: Using Narrative Techniques Responsibly in Journalism . -
The State of Multimedia Newsrooms in Europe
MIT 2002 The State of Multimedia Newsrooms in Europe Martha Stone, Jan Bierhoff Introduction The media landscape worldwide is changing rapidly. In the 1980s, the “traditional” mass media players were in control: TV, newspapers and radio. Newspaper readers consumed the paper at a specified time of the day, in the morning, over breakfast or after work. Radio was listened to on the way to and from work. Television news was watched in the morning mid-day and/or evening. Fast forward to 2002, and the media landscape is fragmented. The consumption of news has changed dramatically. News information is all around, on mobile phones, newspapers, PDAs, TV, Interactive TV, cable, Internet, teletext, kiosks, radio, video screens in hotel elevators, video programming for airlines and much more. Meanwhile, also the concept of news has changed to be more personalised, more service-oriented and less institutional. The sweeping market changes have forced media companies to adapt. This new challenge explains why Dow Jones Company, owner of the Wall Street Journal, now considers itself “a news provider of any news, all the time, everywhere.” In the frame of the MUDIA project (see annex 1), an international team of researchers has taken stock of the present situation concerning media and newsroom convergence in Europe. The various routes taken to this ideal have been mapped in a number of case studies. In total 24 leading European media (newspapers, broadcasters, netnative newscasters) were approached with a comprehensive questionnaire and later visited to interview key representatives of the editorial and commercial departments (see annex 2). The study zoomed in on four countries: the United Kingdom, Spain, France and Sweden; viewpoints from other media elsewhere in Europe were added on the basis of existing literature, and throughout the study a comparison with the USA is made where possible and relevant. -
Spring 2019 Umass Journalism Courses Confirm Classes, Time and Location on SPIRE
Spring 2019 UMass Journalism Courses Confirm classes, time and location on SPIRE. This is a guide, and courses may change. Journal 201: Introduction to Journalism (4 cr.) Cap. 100 Open to first-year and sophomores of any major. Gen Ed: SB DU TTH 8:30 a.m. - 9:45 a.m. Sibii ILC S140 Introduction to Journalism is a survey class that covers the basic principles and practices of contemporary journalism. By studying fundamentals like truth telling, fact checking, the First Amendment, diversity, being a watchdog to the powerful and public engagement, students will explore the best of what journalists do in a democratic society. Students will also assess changes in the production, distribution, and consumption of journalism as new technologies are introduced to newsrooms. Toward the end of the semester, students look at case studies across the media and learn how different audiences, mediums, and perspectives affect the news. Journal 250: News Literacy (4 cr.) Cap. 40 Open to any major. Gen Ed: SB TTh 10:00 a.m. - 11:15 a.m. Fox ILC N255 What is fact? What is fiction? Can we even tell the difference anymore? Today’s 24-hour news environment is saturated with a wide array of sources ranging from real-time citizen journalism reports, government propaganda and corporate spin to real-time blogging, photos, and videos from around the world, as well as reports from the mainstream media. In this class, students will become more discerning consumers of news. Students will use critical-thinking skills to develop the tools needed to determine what news sources are reliable in the digital world. -
Mobile Journalism Is a Groundbreaking Transmissions
Table of contents introduction Journalism has undergone a major A case in point is breaking news. When transformation and benefited as a a natural disaster or a major accident result of multiple technological happens it traditionally required innovations over the last ten years. substantial resources, including the This advancement demands that deployment of heavy and expensive traditional journalism adapts to equipment to report live. This is true of constant change so media can meet transporting a crew to Pakistan´s audience expectations, specifically in northern mountainous areas to report terms of credibility and timing. on an earthquake, but is also true of reporting the refugee crisis in Europe. Among these technological develop- Another example is covering war, ments, the emergence of smart- where journalists are often targeted phones, along with digital technology for reporting on demonstrations or and Wi-Fi, has deeply changed—and restricted from accessing conflict continues to change—journalism. Not zones. only has the smartphone become a crucial device for news consumption, With smartphones in their back but it also provides a pocket-sized pockets, journalists no longer have to media hub for journalists. worry about setting up cables, connec- tions, large cameras or satellite Mobile journalism is a groundbreaking transmissions. They can go almost way of doing journalism. Armed with unnoticed. only a smartphone, journalists are empowered to cover almost any story Mobile journalism has additional in a timely and safer manner. One of advantages, aside from increased the most notable advantages of mobility and access. The development mobile journalism is that it enables the of highly sophisticated cameras, apps journalist to overcome frequent and add-on equipment allows journal- challenges and barriers, often ists to explore their creativity and use strengthening freedom of speech and their smartphones not only in crisis or access to information. -
Journalism in the Era of Mobile Technology: the Changing Pattern of News Production and the Thriving Culture of Fake News in Pakistan and Ghana
Sadia Jamil, Gifty Appiah-Adjei Journalism in the era of mobile technology: the changing pattern of news production and the thriving culture of fake news in Pakistan and Ghana Sadia Jamil1 University of Queensland, Australia Gifty Appiah-Adjei University of Education, Winneba, Ghana DOI: 10.30547/worldofmedia.3.2019.2 Abstract The advent of new technologies has resulted in the rise of mobile journalism around the globe. Mobile devices have reformed the newsroom environments by introducing new means to connect with the audience and to communicate with other journalists within the same place. Many traditional media organizations already produce news content for mobile web-sites and apps in proportion to cross-media strategies, reflecting structural changes in the journalism industry and transformation in the process of news production in many countries and although coming from different cultural traditions and geographical locations, Pakistan and Ghana are no exceptions. However, there are concerns about the potential role of mobile journalism in fostering the culture of fake news in both countries. Thus, using the media convergence and social responsibility theories, this study aims to analyse how mobile journalism is altering the news production process and fostering the trend of fake news in Pakistan and Ghana. To accomplish this aim, this study uses the qualitative methods of document review and in-depth interviews and offers a thematic analysis of the qualitative data. Keywords Mobile journalism, fake news, media convergence, social responsibility, Pakistan’s and Ghana’s news media. 1 Corresponding author: Sadia Jamil, University of Queensland, St Lucia Qld 4072, Australia. Email: [email protected] 42 Journalism in the era of mobile technology: The changing pattern of news production and the thriving culture of fake news in Pakistan and Ghana Introduction Technology has always been at the forefront of newsgathering and the journalistic process. -
I ANKARA UNIVERSITY INSTITUTE of SOCIAL SCIENCES
ANKARA UNIVERSITY INSTITUTE OF SOCIAL SCIENCES FACULTY OF COMMUNICATIONS COMPARATIVE ANALYSIS OF IMPROVING NEWS TRUSTWORTHINESS IN KENYA AND TURKEY IN THE WAKE OF FAKE NEWS IN DIGITAL ERA. MASTER’S THESIS ABDINOOR ADEN MAALIM SUPERVISOR DR. ÖĞR. ÜYESİ ERGİN ŞAFAK DİKMEN ANKARA- 2021 i TEZ ONAY SAYFASI TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ (MEDYA VE İLETİŞİM ÇALIŞMALARI ANABİLİM DALI) Dijital Çağdaki Sahte Haberlerin Sonucunda Türkiye ve Kenya’da Artan Haber Güvenilirliğinin Karşılaştırmalı Analizi (YÜKSEK LİSANS TEZİ) Tez Danışmanı DR. ÖĞR. Üyesi ERGİN ŞAFAK DİKMEN TEZ JÜRİSİ ÜYELERİ Adı ve Soyadı İmzası 1- PROF.DR. ABDULREZAK ALTUN 2- DR. ÖĞR. Üyesi ERGİN ŞAFAK DİKMEN 3- Doç. Dr. FATMA BİLGE NARİN. Tez Savunması Tarihi 17-06-2021 ii T.C. ANKARA ÜNİVERSİTESİ Sosyal Bilimler Enstitüsü Müdürlüğü’ne, DR. ÖĞR. Üyesi ERGİN ŞAFAK DİKMEN danışmanlığında hazırladığım “Dijital Çağdaki Sahte Haberlerin Sonucunda Türkiye ve Kenya’da Artan Haber Güvenilirliğinin Karşılaştırmalı Analizi (Ankara.2021) ” adlı yüksek lisans - doktora/bütünleşik doktora tezimdeki bütün bilgilerin akademik kurallara ve etik davranış ilkelerine uygun olarak toplanıp sunulduğunu, başka kaynaklardan aldığım bilgileri metinde ve kaynakçada eksiksiz olarak gösterdiğimi, çalışma sürecinde bilimsel araştırma ve etik kurallarına uygun olarak davrandığımı ve aksinin ortaya çıkması durumunda her türlü yasal sonucu kabul edeceğimi beyan ederim. Tarih: 3/8/2021 Adı-Soyadı ve İmza ABDINOOR ADEN MAALIM iii ANKARA UNIVERSITY INSTITUTE OF SOCIAL SCIENCES FACULTY OF COMMUNICATIONS COMPARATIVE ANALYSIS OF IMPROVING NEWS TRUSTWORTHINESS IN KENYA AND TURKEY IN THE WAKE OF FAKE NEWS IN DIGITAL ERA. MASTER’S THESIS ABDINOOR ADEN MAALIM SUPERVISOR DR. ÖĞR. ÜYESİ ERGİN ŞAFAK DİKMEN ANKARA- 2021 iv DECLARATION I hereby declare with honour that this Master’s thesis is my original work and has been written by myself in accordance with the academic rules and ethical requirements. -
MA/Msc Digital Journalism Programme Specification
MA/MSc Digital Journalism Programme Specification Awarding Institution: University of London (Interim Exit Awards made by Goldsmiths’ College) Teaching Institution: Goldsmiths, University of London Name of Final Award and Programme Title: MA/MSc Digital Journalism Name of Interim Exit Award(s): Postgraduate Certificate in Digital Journalism Postgraduate Diploma in Digital Journalism Duration of Programme: 1 year full-time or 2 years part-time UCAS Code(s): Not applicable HECoS Code(s): (100442) Journalism 50% (100366) Computer Science 50% QAA Benchmark Group: Not appliCable FHEQ Level of Award: Level 7 Programme accredited by: Not applicable Date Programme Specification last updated/approved: December 2020 Home Department: Media, Communications and Cultural Studies Department(s) which will also be involved in teaching part of the programme: Computing Programme overview Journalism is changing rapidly to deal with fundamental changes in technology and in the way people access and disseminate information using the World Wide Web and portable electronic media. The MA/MSc in Digital Journalism has been specifically developed to create graduates who will not only be able to deal with current technologies as they affect Journalistic practice, but will also have the necessary deep understanding and skill to adapt to future technologically-informed changes in practice and, in some cases, to develop the technologies that will bring about these changes. Students will receive highly specialised training in digital technologies, enabling them to develop technical and editorial skills in all aspects of computer-supported news gathering and digital media production. The goal of the program is for its graduates to help produce, MA/MSc Digital Journalism - Programme Specification 1 Goldsmiths, University of London shape, refresh, and reinvent journalism in fast-changing mobile and global media. -
NEW/CHANGE PROGRAM REQUEST Undergraduate Programs
NEW/CHANGE PROGRAM REQUEST UUPC Approval _________________ UFS Approval ___________________ Undergraduate Programs Banner Posted __________________ FLORIDA Department School of Communication and Multimedia Studies Catalog __________________________ ATLANTIC UNIVERSITY College Arts and Letters Program Name New Program Effective Date (TERM & YEAR) Multimedia Studies Journalism ✔ Change Program Fall 2021 Please explain the requested change(s) and offer rationale below or on an attachment See attached memo. Faculty Contact/Email/Phone Consult and list departments that may be affected by the change(s) and attach documentation Aaron Veenstra / [email protected] / 7-3851 N/A Approved by Date Department Chair College Curriculum Chair 11.23.20 College Dean 11-30-2020 UUPC Chair Undergraduate Studies Dean UFS President Provost Email this form and attachments to [email protected] one week before the UUPC meeting so that materials may be viewed on the UUPC website prior to the meeting. FAUprogramchangeUG, created December 2017 Memo for Multimedia Journalism Program Changes: 1. In an effort the streamline the curriculum, decrease time to degree, and maintain curricular rigor, the MMSJ program proposes several changes. We will reduce the required number of credits from 50 credits to a minimum of 38 (can be more depending on focus courses selected). 2. We are also dividing the MMSJ Curriculum into three parallel streams: Core (13 required credits), Production (13 required credits), Focus (12 required credits minimum). This entails renaming: a. the “Disciplinary Core” into “Core,” b. renaming the “Performance and Production” category to “Production” and, c. remove/collapse all remaining current sections, Focus, Theory/History/Criticism, and Performance and Production Emphasis”, to “Focus” resulting the categories as listed below: Core The following courses are required (13 credits): MMC 1540 Introduction to Multimedia Studies (3 credits) JOU 4004 U.S. -
University of Calicut Board of Studies (Ug) In
[Type text] UNIVERSITY OF CALICUT BOARD OF STUDIES (UG) IN JOURNALISM Restructured Curriculum and Syllabi as per CBCSSUG Regulations 2019 (2019 Admission Onwards) PART I B.A. Journalism and Mass Communication PART II Complementary Courses in 1. Journalism, 2. Electronic Media 3. Mass Communication (for BA West Asian Studies) 4. Complementary Courses in Media Practices for B.A LRP Programmes in Visual Communication, Multimedia, and Film and Television for Non-Journalism UG Programmes [Type text] GENERAL SCHEME OF THE PROGRAMME Sl No Course No of Courses Credits 1 Common Courses (English) 6 22 2 Common Courses (Additional Language) 4 16 3 Core Courses 15 61 4 Project (Linked to Core Courses) 1 2 5 Complementary Courses 2 16 6 Open Courses 1 3 Total 120 Audit course 4 16 Extra Credit Course 1 4 Total 140 [Type text] PART I B.A. JOURNALISM AND MASS COMMUNICATION Distribution of Courses A - Common Courses B - Core Courses C - Complementary Courses D - Open Courses Ability Enhancement Course/Audit Course Extra Credit Activities [Type text] A. Common Courses Sl. No. Code Title Semester 1 A01 Common English Course I I 2 A02 Common English Course II I 3 A03 Common English Course III II 4 A04 Common English Course IV II 5 A05 Common English Course V III 6 A06 Common English Course VI IV 7 A07 Additional language Course I I 8 A08 Additional language Course II II 9 A09 Additional language Course III III 10 A10 Additional language Course IV IV Total Credit 38 [Type text] B. Core Courses Sl. No. Code Title Contact hrs Credit Semester 11 JOU1B01 Fundamentals -
What Drives Hyper-Partisan News Sharing: Exploring the Role of Source, Style, and Content
University of Massachusetts Amherst ScholarWorks@UMass Amherst Communication Department Faculty Publication Series Communication 2020 What drives hyper-partisan news sharing: Exploring the role of source, style, and content Weiai Wayne Xu Yoonmo Sang Christopher Kim Follow this and additional works at: https://scholarworks.umass.edu/communication_faculty_pubs 1 What drives hyper-partisan news sharing: Exploring the role of source, style, and content Weiai Wayne Xu Assistant Professor N334 Integrative Learning Center, Department of Communication University of Massachusetts – Amherst Amherst, MA 01003-1100 Phone: +001-(414)688-3059 Email: [email protected] Yoonmo Sang Assistant Professor Faculty of Arts & Design University of Canberra Email: [email protected] Christopher Kim Ph.D. Candidate Faculty of Arts and Design, University of Canberra Email: [email protected] 2 A growing number of hyper-partisan alternative media outlets have sprung up online to challenge mainstream journalism. However, research on news sharing in this particular media environment is lacking. Based on the virality of sixteen partisan outlets’ coverage of immigration and using the latest computational linguistic algorithm, the present study probes how hyper- partisan news sharing is related to source transparency, content styles, and moral framing. The study finds that the most shared articles reveal author names, but not necessarily other types of author information. The study uncovers a salient link between moral frames and virality. In particular, audiences are more sensitive to moral frames that emphasize authority/respect, fairness/reciprocity, and harm/care. Keywords: news sharing, news diffusion, partisan media, Facebook, social media, moral framing, moral foundations theory 3 What drives hyper-partisan news sharing: Exploring the role of source, style, and content The 2016 U.S. -
JOUR 321 (21171) Smith Syllabus Final (Fall 2021)
JOUR 321: Visual Journalism 2 Units Fall 2021 – Tuesdays – 4:30-6:10 p.m. Section: 21171D Location: ANN 301D Instructor: Olivia Smith Office Hours: Available upon request. Course Description Students will gain an understanding of journalistic visual storytelling through theory and practical application while exploring current and emerging story forms. Key components of the course include critically analyzing, interpreting, producing and understanding stories and story elements presented in journalistic visual formats. With a focus on visual media literacy, students will learn how to produce and share compelling visual stories in a variety of formats. Skills of the class include: Introduction to video for digital and social media platforms, principles of photography, design for web and mobile platforms, and the roles each play in interactive and engaging storytelling. An emphasis will be placed on visual stories for web, mobile and social media. Students will also explore the fundamentals of digital news design, including interactivity and presentation as it applies to journalistic story forms across platforms. In addition to providing you with skills necessary to produce journalistic multimedia stories, including videos and audio slideshows, we will also cover ethical, legal and social issues affecting visual journalists. Finally, we will explore an introduction to best practices for social media. We will take a practical, hands-on approach in this class. An introduction to photo, audio and video editing software will be provided. A modern mobile or tablet device with a camera such as the iPhone X or Android Device will be used as a primary content-gathering device in the class. You’ll learn how to use your device as a journalist, including using apps for shooting, editing and other visual purposes. -
Beactive Mojo MOBILE JOURNALIST GUIDELINES
European Week of Sport #BeActive Mojo MOBILE JOURNALIST GUIDELINES European Week of Sport Upon request, the European Commission can provide further information and materials related to the Week to support #BeActive mojos. CONTACT: EWOS EAC-SPORT [email protected] or [email protected]. MOJO GUIDELINES TABLE OF CONTENT 1 INTRODUCTION 02 2 ABOUT THE WEEK 04 3 WHY MOBILE JOURNALISM 05 4 #BEACTIVE MOJO PROFILE 06 5 WORKING TOGETHER 07 6 EDITORIAL GUIDELINES 08 Mojo messaging Best practices Content to produce Hardware Social media tips Tips on filming and editing Apps for filming and editing 7 ANNEX 13 01 MOJO GUIDELINES Mobile journalists are telling riveting stories with little more than a smartphone in hand. Let’s get mojos on the move for #BeActive. TIBOR NAVRACSICS EUROPEAN COMMISSIONER FOR EDUCATION, CULTURE, YOUTH AND SPORT ABOUT THE WEEK The European Week of Sport aims to promote INTRODUCTION sport and physical activity across Europe, taking place annually from 23-30 September. The Week is for everyone, regardless of age, background or fitness level. With a focus on grassroots Since we began in 2015, the European Week of initiatives, it inspires Europeans to #BeActive Sport has engaged more than 10 million Europeans on a regular basis and creates opportunities in in over 15,000 #BeActive events in 31 countries. peoples’ everyday lives to exercise more. This year, we are expanding our reach and impact with a ‘mobile first’ strategy that integrates mobile The Week has five focus themes - sport in journalists – known as ‘mojos’ – into our campaign. education, workplaces, outdoors, sport clubs and fitness centres.