Ethics for Digital Journalists
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Kelly Mcbride Transcript.Pdf
everywomanChangemakers Podcast Transcript How can more diverse newsrooms change the way we see the world for the better? Anna (00:06): Progress. It's in the actions we take right now and in daring to think differently. Each one of us can do something to change things for the better right where we are now, and a thousand small things done with intent adds up to real change. For some people, that initial spark becomes a fire. Anna (00:26): Welcome to the Everywoman Changemakers Podcast. I'm Anna, your host, and every month I'll be talking to inspiring leaders and activists who are changing outlooks, challenging perceptions, and making a difference in the worlds of inclusion, business, the environment, sport, travel, and more. We'll be discussing their work, motivations, and vision. And most importantly, how a revolution of one can lead to a positive, powerful change for the many. Anna (00:53): Today, we're talking to Kelly McBride, Senior Vice President of the Poynter Institute, a nonprofit journalism school and research organisation based in Florida that champions freedom of expression, civil dialogue, and compelling journalism that helps citizens to participate in healthy democracies. She's also the chair of the Craig Newmark Centre for Ethics and Leadership so welcome Kelly. Kelly McBride (01:12): Thanks for having me. Anna (01:13): Let's start with a context question. I mean, when we're talking about media ethics, what are we talking about for the lay person and why is it so important, especially now, I imagine, in an age of digital journalism where it's a free fall, isn't it, anyone can publish anything and have it read by a lot of people and create a lot of influence. -
Reassessing Journalism 'S Global Future
Challenge & Change: REASSESSING JOURNALISM’S GLOBAL FUTURE Alan Knight Edited By CHALLENGE AND CHANGE Reassessing Journalism’s Global Future Edited by Alan Knight First published in 2013 by UTS ePRESS University of Technology, Sydney Broadway NSW 2007 Australia http://epress.lib.uts.edu.au/ © 2013 Copyright rests with the respective authors of each chapter Challenge and change : reassessing journalism’s global future Edited by Alan Knight ISBN: 978-0-9872369-0-6 The chapters in this book are peer reviewed. Table of Contents Chapter One Journalism re-defined : Alan Knight 1 Chapter Two The rise and fall of newspapers : Paolo Hooke 30 Chapter Three One World? Globalising the Media : Tony Maniaty 53 Chapter Four Reporting a world in conflict : Tony Maniaty 76 Chapter Five Networked journalism in the Arab Spring : Alan Knight 107 Chapter Six Ethics in the age of newsbytes : Sue Joseph 126 Chapter Seven Data Drive Journalism : Maureen Henninger 157 Chapter Eight Information Sources and data discovery: Maureen Henninger 185 Chapter One: Journalism Re-defined Prof. Alan Knight –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– “The future of journalism can and will be better than it’s past. We have never had a more open ecosystem for the expression of information and ideas”. Richard Gingras, Director of news and social products at Google August 9, 2012 in Chicago. (Gingras, 2012)1 Journalists were once defined by where they worked; in newspapers, or radio and television stations. Now, the internet promises everyone, everywhere can be a publisher. But not everyone has the skills or training to be a journalist; defined by their professional practices and codes of ethics. -
TSG David Eustace - FINAL.Pdf
DAVID EUSTACE SELECTED WORKS 4-28 FEBRUARY 2015 Photo: Eduardo Fiel FOREWORD Selected Works may seem a prosaic title for an exhibition which we hope will stop you in your tracks. The photographs are a selection from the oeuvre of an artist who has worked with both passion and professional dedication for twenty-five years but who has not had the conventional career easily summed up with a mid-term retrospective. His personal history is the counterpoint to his career; his discovery of the camera was a personal salvation which provided a raison d’être and opened a floodgate from which has flowed a tumult of images, each a tribute to the photographer’s imagination and technical skill. For Eustace each day is full of possibility, his life a series of happy resolutions and coincidences and he carries this openness into the studio and behind the lens so that he can see the essential character of a sitter and respond intuitively. Throughout his life he has shown the vision to imagine projects on a grand scale, some of which have been shot over a period of years. This exhibition is another chapter in his story; it is our first photography exhibition and the first showing for the photographer in a gallery but most importantly the images work in exactly the same way as modern painting: we respond emotionally as individuals. The exhibition is also a fitting launch for a major monograph on Eustace: I Write to Tell You of a Baby Boy Born Only Yesterday… The Scottish Gallery would like to thank Edinburgh Napier University for their contribution towards this special publication. -
Digital Journalism and Democracy 9 Beate Josephi
The SAGE Handbook of Digital Journalism BK-SAGE-WITSCHGE-160034.indb 1 4/21/2016 8:51:09 PM SAGE was founded in 1965 by Sara Miller McCune to support the dissemination of usable knowledge by publishing innovative and high-quality research and teaching content. Today, we publish over 900 journals, including those of more than 400 learned societies, more than 800 new books per year, and a growing range of library products including archives, data, case studies, reports, and video. SAGE remains majority-owned by our founder, and after Sara’s lifetime will become owned by a charitable trust that secures our continued independence. Los Angeles | London | New Delhi | Singapore | Washington DC | Melbourne BK-SAGE-WITSCHGE-160034.indb 2 4/21/2016 8:51:15 PM The SAGE Handbook of Digital Journalism Edited by Tamara Witschge, C.W. Anderson, David Domingo and Alfred Hermida BK-SAGE-WITSCHGE-160034.indb 3 4/21/2016 8:51:15 PM SAGE Publications Ltd Introductions & editorial arrangement © Tamara Witschge, 1 Oliver’s Yard C.W. Anderson, David Domingo and Alfred Hermida 2016 55 City Road London EC1Y 1SP Chapter 1 © Beate Josephi 2016 Chapter 21 © Laura Ahva and Chapter 2 © Owen Taylor 2016 Heikki Heikkilä 2016 SAGE Publications Inc. Chapter 3 © Eugenia Siapera Chapter 22 © Bart Cammaerts 2455 Teller Road 2016 and Nick Couldry 2016 Thousand Oaks, California 91320 Chapter 4 © Rasmus Kleis Chapter 23 © Seth C. Lewis and Nielsen 2016 Oscar Westlund 2016 SAGE Publications India Pvt Ltd Chapter 5 © Stephen J.A. Ward Chapter 24 © Chris Peters 2016 B 1/I 1 Mohan Cooperative Industrial Area 2016 Chapter 25 © David M. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Notes and Sources for Evil Geniuses: the Unmaking of America: a Recent History
Notes and Sources for Evil Geniuses: The Unmaking of America: A Recent History Introduction xiv “If infectious greed is the virus” Kurt Andersen, “City of Schemes,” The New York Times, Oct. 6, 2002. xvi “run of pedal-to-the-medal hypercapitalism” Kurt Andersen, “American Roulette,” New York, December 22, 2006. xx “People of the same trade” Adam Smith, The Wealth of Nations, ed. Andrew Skinner, 1776 (London: Penguin, 1999) Book I, Chapter X. Chapter 1 4 “The discovery of America offered” Alexis de Tocqueville, Democracy In America, trans. Arthur Goldhammer (New York: Library of America, 2012), Book One, Introductory Chapter. 4 “A new science of politics” Tocqueville, Democracy In America, Book One, Introductory Chapter. 4 “The inhabitants of the United States” Tocqueville, Democracy In America, Book One, Chapter XVIII. 5 “there was virtually no economic growth” Robert J Gordon. “Is US economic growth over? Faltering innovation confronts the six headwinds.” Policy Insight No. 63. Centre for Economic Policy Research, September, 2012. --Thomas Piketty, “World Growth from the Antiquity (growth rate per period),” Quandl. 6 each citizen’s share of the economy Richard H. Steckel, “A History of the Standard of Living in the United States,” in EH.net (Economic History Association, 2020). --Andrew McAfee and Erik Brynjolfsson, The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies (New York: W.W. Norton, 2016), p. 98. 6 “Constant revolutionizing of production” Friedrich Engels and Karl Marx, Manifesto of the Communist Party (Moscow: Progress Publishers, 1969), Chapter I. 7 from the early 1840s to 1860 Tomas Nonnenmacher, “History of the U.S. -
The State of Multimedia Newsrooms in Europe
MIT 2002 The State of Multimedia Newsrooms in Europe Martha Stone, Jan Bierhoff Introduction The media landscape worldwide is changing rapidly. In the 1980s, the “traditional” mass media players were in control: TV, newspapers and radio. Newspaper readers consumed the paper at a specified time of the day, in the morning, over breakfast or after work. Radio was listened to on the way to and from work. Television news was watched in the morning mid-day and/or evening. Fast forward to 2002, and the media landscape is fragmented. The consumption of news has changed dramatically. News information is all around, on mobile phones, newspapers, PDAs, TV, Interactive TV, cable, Internet, teletext, kiosks, radio, video screens in hotel elevators, video programming for airlines and much more. Meanwhile, also the concept of news has changed to be more personalised, more service-oriented and less institutional. The sweeping market changes have forced media companies to adapt. This new challenge explains why Dow Jones Company, owner of the Wall Street Journal, now considers itself “a news provider of any news, all the time, everywhere.” In the frame of the MUDIA project (see annex 1), an international team of researchers has taken stock of the present situation concerning media and newsroom convergence in Europe. The various routes taken to this ideal have been mapped in a number of case studies. In total 24 leading European media (newspapers, broadcasters, netnative newscasters) were approached with a comprehensive questionnaire and later visited to interview key representatives of the editorial and commercial departments (see annex 2). The study zoomed in on four countries: the United Kingdom, Spain, France and Sweden; viewpoints from other media elsewhere in Europe were added on the basis of existing literature, and throughout the study a comparison with the USA is made where possible and relevant. -
Emotion and Digital Journalism Karin Wahl-Jorgensen Cardiff University
Emotion and digital journalism Karin Wahl-Jorgensen Cardiff University Introduction The era of digital journalism represents a shift in the forms of knowing – or epistemology – of journalism. This shift, I argue, has opened up new spaces for more emotional and personalized forms of expression in public discourse. In referring to digital journalism, I am interested in tracing the consequences of a particular set of developments that have occurred as a result of the “digital disruption” (Jones and Salter, 2011) engendered by the emergence of online journalism and convergence. These processes have been ongoing since the 1990s (e.g. Scott, 2005) but remain profoundly destabilizing and transformative. The changes to journalism practice that have resulted from these processes are multifarious and far-reaching, involving fundamental challenges to everything from the business model of journalism to journalism’s self-understanding and its relationships to audience. As Franklin (2013: 2) argued in an editorial to the first issue of the journal, Digital Journalism: Digital journalism is complex, expansive and, even in these early days, constitutes a massive and ill-defined communications terrain which is constantly in flux. Digital journalism engages different types of journalistic organizations and individuals, embraces distinctive content formats and styles, and involves contributors with divergent editorial ambitions, professional backgrounds, and educational experiences and achievements, who strive to reach diverse audiences. 1 Franklin’s description of the complexities of the digital journalism landscape highlights how this new era has challenged conventional understandings of who journalists are and what journalism is, involving an ever-wider range of groups and individuals, as well as genres and platforms. -
Writing 5 Section Descriptions for Fall Term 2016
http://oracle-www.dartmouth.edu/dart/groucho/course_desc.engl5... Registrar Home > Writing 5 Section Descriptions for Fall Term 2016 Writing 5 introduces Dartmouth students to the writing process that characterizes intellectual work in the academy and in educated public discourse. Each section of Writing 5 organizes its writing assignments around challenging readings chosen by the instructor. The course focuses primarily on the writing process, emphasizing careful reading and analysis, thoughtful questions, and strategies of effective argument. Below you will find a list of the courses being offered next term. Re-order by Class Hour Writing 5 -- Expository Writing Section 01 Hour: 11; Instructor: Andreea Aldea Description: Powers of Imagination: Possibility and Conceivability in Philosophy and Science Philosophy has a long history of asking questions about the import of the imagination for theoretical thought. Questions such as the following have been at the forefront of philosophical thought since its Greek inception: How do we engage that which is radically other? How do we challenge our assumptions and presuppositions? How do we propose novel pathways for inquiry? How do we come to deem certain pathways possible? What is the relation between possibility and conceivability? We will look closely at three figures in the history of these questions – Aristotle, Galileo, and Kuhn – and study not only what they have to say about the imagination, but also, more importantly, how they put its powers to use in their own work. We will also consider contemporary discussions, which take up these thinkers’ works and further investigate their proposals. Aristotle, Galileo, and Kuhn all recognized the power of writing and harnessed it accordingly. -
UC Santa Barbara Electronic Theses and Dissertations
UC Santa Barbara UC Santa Barbara Electronic Theses and Dissertations Title A Child's Call: Braiding Narratives in the Face of Racial Violence Permalink https://escholarship.org/uc/item/2654b5gh Author Bancroft, Corinne Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Santa Barbara A Child’s Call: Braiding Narratives in the Face of Racial Violence A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Corinne Bancroft Committee: Professor Kay Young, Chair Professor Bishnupriya Ghosh Professor Carl Gutiérrez-Jones September 2018 The dissertation of Corinne Bancroft is approved. _____________________________________________ Bishnupriya Ghosh _____________________________________________ Carl Gutiérrez-Jones _____________________________________________ Kay Young, Committee Chair August 2018 ACKNOWLEDGEMENTS “‘There is no unraveling the rope’: The Ethics of Braided Narratives” will appear as an article “The Braided Narrative” in the October 2018 issue of Narrative. It remains the final chapter of the dissertation with the permission of the journal. “A Child’s Call” is more of “A Child’s Response” to those who helped me “come of age” intellectually. To those who read to me as a child. To Kate Oubre and Nancy Rabinowitz who introduced me to Louise Erdrich, good teaching, and activism. To Peter Rabinowitz who helped me see how “Lit and Ethics” can be a way of life. To the radical women of the Literature and the Mind Initiative at UCSB who demonstrate daily that thinking and feeling are best accomplished synonymously, especially Julie Carlson. To my brilliant, generous committee, Kay, Bishnu, and Carl, whose comments and critiques kept this project always inspiring and alive. -
Science Fiction Stories with Good Astronomy & Physics
Science Fiction Stories with Good Astronomy & Physics: A Topical Index Compiled by Andrew Fraknoi (U. of San Francisco, Fromm Institute) Version 7 (2019) © copyright 2019 by Andrew Fraknoi. All rights reserved. Permission to use for any non-profit educational purpose, such as distribution in a classroom, is hereby granted. For any other use, please contact the author. (e-mail: fraknoi {at} fhda {dot} edu) This is a selective list of some short stories and novels that use reasonably accurate science and can be used for teaching or reinforcing astronomy or physics concepts. The titles of short stories are given in quotation marks; only short stories that have been published in book form or are available free on the Web are included. While one book source is given for each short story, note that some of the stories can be found in other collections as well. (See the Internet Speculative Fiction Database, cited at the end, for an easy way to find all the places a particular story has been published.) The author welcomes suggestions for additions to this list, especially if your favorite story with good science is left out. Gregory Benford Octavia Butler Geoff Landis J. Craig Wheeler TOPICS COVERED: Anti-matter Light & Radiation Solar System Archaeoastronomy Mars Space Flight Asteroids Mercury Space Travel Astronomers Meteorites Star Clusters Black Holes Moon Stars Comets Neptune Sun Cosmology Neutrinos Supernovae Dark Matter Neutron Stars Telescopes Exoplanets Physics, Particle Thermodynamics Galaxies Pluto Time Galaxy, The Quantum Mechanics Uranus Gravitational Lenses Quasars Venus Impacts Relativity, Special Interstellar Matter Saturn (and its Moons) Story Collections Jupiter (and its Moons) Science (in general) Life Elsewhere SETI Useful Websites 1 Anti-matter Davies, Paul Fireball. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan)