Peabody Duck Brave in the Face of Danger, Leaving Plenty of Space for Photographs of and Writings by Reflection

page 2A page JA -page 4A ------Everything You Argentine Lecturer's Imaginative Figures W ant to Know about Book Reviewed at Creative Studies A.S. Program Board

An Alumnus Is Randall Book Shows Guest Artist of All Women's Bravery Editor’s Note: This review of photograph can be taken Margaret Randall’s book, Women separately or in combination, Peabody Duck Brave in the Face of Danger, leaving plenty of space for Photographs of and Writings by reflection. By Connie V. Dowell Latin and North American Women Brave in the Face of Contributor Women, is run in conjunction with Danger reminds us that our family her free public lecture, "The is large and our world is one. It Imagination of the Writer/The connects us in our most intimate Henry Brown came to UCSB to Imagination of the State" moments and reveals our dif­ play baseball in 1969 and returned scheduled for tomorrow night, ferences and similarities. It this quarter as a professional actor Nov. 13 in Campbell Hall at 8 p. m. presents the many faces of women in the role of guest artist and we know and don’t know. It leading actor in “ The Peabody educates us and makes us feel Duck.” By Marta Navarro closer to one another. While getting a quick meal at the Many feelings and ideas surface Arts Writer UCen before baseball practice, Grafitti Band Guitarist Jesse Ed Davis throughout the book. There is a Brown accidentally spilled a glass weaving of experiences between of milk on Frank Silvera, who was Women Brave in the Face of birth and death, war and love. at that time a guest artist at UCSB. Danger is a magnificent collection Some of these one can identify Silvera, whose films included Viva of images and words of women. It with, others may come Zapata and Mutiny on the Bounty Grafitti in the Pub is an inspirational collage of vicariously, but they are all introduced Brown to Dr. William womanism. It is a proud and emotive. R. Reardon, now Professor By Philip HaM empowering contribution to the Emeritus in Dramatic Arts. and the plight of the Native diversity of womanhood. Margaret Randall is the author Arts Writer Reardon recruited him for the American people in the United The photographs could not be of 40 books. After living in Latin UCSB Touring Players — actors, States. Westerman, accompanying closer to real life. They are America for 23 years she wanted to not athletes. On the cold, rainy night of himself on the guitar, opened the everyday faces of Latin and North return to the United States and was Another guest artist, Paul Wednesday, Nov. 4 ,1 journeyed to show with a song about missionary American women struggling, denied residency because of her Winfield whose films include The the Pub to watch the highly praised work, and the damage that working, surviving. This reflection open criticism of Ü.S. foreign Lost Man, The Greatest, and Star Grafitti Band. The Grafitti Band thoughtless missionaries can do to of reality is accompanied by the policy. She is appealing this Trek II, later worked with Henry released their first album, “ aka the culture of a people in their words of famous and anonymous decision. Bfown and introduced him to Grafitti Man,” in 1986 to rave efforts to “civilize.” Among the voices. Therefore the poetry of Her visit is sponsored by Arts & Stanley Kramer. Kramer who was reviews. No less a musical other interesting ideas expressed Audre Lorde, Rasario Castellanos, Lectures, the Women’s Center, then working on R.P.M. hired presence than Bob Dylan praised it by Westerman was an ironic song Joy Harjo or Marge Piercy comes A.S. Program Board, Latin Brown, still a student, for his first as his favorite album of 1986. With entitled “ Here Comes the An- alive next to a soldier, a mother, a American and Iberian Studies film job. the release of their second album, thros” about the desecration of lesbian, a dancer. There is great program, Communication Studies Since his graduation from UCSB “ Heart Jump Bouquet,” the band sacred Indian sites by an­ flexibility of meaning and ap­ Program and the Department of in 1971, Henry Brown has appeared is again moving closer to thropologists searching to discover preciation. Each text and Political Science and Sociology. in such movies as Lethal Weapon, widespread recognition for their the culture that they are, in fact, The Man in the Glass Booth, The unique music. destroying. Marcus Nelson Murders, and The The main forces behind the band Guarneri: A Quartet with Humor Friendly Fire. In addition to being are poet John Trudell and guitarist “ I sing most of my songs in the the only black guest star to have Jesse Ed Davis. Trudell had been interest of freedom of religion,” By Renee Boyer appeared on “M A S H,” his strictly a poet until he met Davis at Westerman told the audience Contributor television credits include “ Police a 1985 reading of his poetry. It was during one of his frequent talks. Story,” “The,Rookies,” “Kojak,” through this meeting that the band One of the most interesting ob­ “Ironside,” “The Streets of San was formed. Davis is an ex­ servations that he made was in The Guarneri String Quartet performed at Campbell Hall Tuesday Francisco,” “ Banacek,” and “ The perienced session musician who comparing the plight of the Native evening. The masterful combination of violinist John Dally, violist Bold Ones.” has worked with such artists as American people in the United Michael Tree, cellist David Soyer and guest artist pianist Steven De “ What can you really give the John Lennon, Paul McCartney, States with that of the Black people Groote (Violinist and Quartet member Arnold Steinhardt cannot perform college back? This was a chance George Harrison, Bob Dylan and oppressed by apartheid in South during the Fall ’87 season due to injury.) delighted the audience. They for a direct payback — to display Jackson Browne. Together they Africa. He punctuated this point by played together solidly as an ensemble. The years of experience these my skills and perhaps make Dr. form the nucleus of a unique band adding that he had just completed musicians have was evident throughout the entire concert. Their unex­ Reardon proud,” commented the that places an extreme emphasis a torn1 dedicated to the freeing of pected humourous touches related throughout the performance are what actor. on the lyrical content of each song. Nelson Mandela as well as an the audience will remember most. “ Henry is not only a performer The show was opened by singer/ imprisoned Indian, Leonard — he is also a consultant giving the guitarist Floyd Westerman. In Peltier. He sang a song entitled The program opened with Mozart’s Quartet for Piano and Strings No. 1, director, playwright, and the cast between songs, Westerman spoke “ The Red, White and Blue and the in G minor, K. 478. When the three string players walked on stage, they immediate feedback especially on to the audience concerning his Red, White and Black,’-’ furthering began to move about the music stands and chairs to become comfortably (See BROWN, p.2A) views on the freedom of religion (See GRAFITTI, p.3A) (See GUARNERI, p.2A) Peabody Duck: A Thought-provoking Delight

Henry Brown, a visiting professional actor who lends By S.M. Wenrick maturity is Deacon, an older Black porter at the Peabody Arts Writer Hotel in Memphis. That he plays a man thirty years his senior poses no problem, as makeup is subtle and his limp is Les Wade’s “ The Peabody Duck” throws us a curve: when consistent. is a duck not a duck? His answer: when it is an icon, a pillar The other actors also turn out superb performances. supporting an entire social system. Allison Gendreau nearly incarnates the dowdy Willene, an Goleta Beach’s own Gabriela the Duck is admirable in the older southern woman dimly aware there is something else title role, appearing briefly in the arms of one or another of but frustrated in the expression of it. She betrays none of her the small human cast in UCSB’s world premiere production. actual youth until the end. Tes6 Gill is a perfect Rowena, a The play is a delight, and thought provoking too. Wade’s red-headed floozy with a Southern accent and flamboyant script as well as the direction is tight. It moves so fast, in­ black underwear. Her big mouth goes far in promoting deed, that the audience needs five moments to become laughter. habituated to the rapid-fire southern accents. In the first act She has her sights set on Clinton (Paul Michael Quick), the the dialogue is packed with almanac-style information, young revolutionary who ignores her. He is too involved in through which the six characters are more or less defined. finding a cause for his kidnapping the duck during its daily The Elvis wanna-be scuzz, for example, suggests they five o’clock trot to the fountain. A crew cut as well as his demand a pair of Elvis’ toenails as ransom for the kidnapped slight diffidence suits him. duck. There is a woman, he says, who clips the king’s toenails Robert Owens delivers a good performance as the young regularly because “ you know they keep growing after black shoeshiner, with an emphasis on young. You can see death.” the hope around his eyes. Michael Walsh’s Garland is good as The six are so natural in their roles that one wonders if a stereotypical greasy creep, and his smaller stature con- Wade has not written his play for this cast. Central to it is (See PEABODY, p.2A) 2 A Thursday, November 12,1987 Daily Nexus A Comedy Bordering On Insanity Biography o f a Disappearance

Editor’s Note: This review of Alicia of the 30,000 people that “ disappeared” Portnoy’s book is run in conjunction in Argentina between 1976 and 1979. To with her lecture, “Disappearing and this day she ignores why she was not / t h e \ Surviving in Argentina," scheduled for killed. The Little School is her Fri. Nov 13 next Monday, Nov. 16, at 8 p.m. in the biographical account of this period of 7,9,11 pm $ 2 .5 0 UCen Pavillion, sponsored by Arts & military abuse. Partnoy managed to t lT T L E Campbell Hall Lectures, A.S. Program Board, the survive thanks to her own will to live. Spons. by Latin American and Iberian Studies One of the most moving effects in SCHOOL Student Econ. Assoc. Program, COMPA, and the Peace Partnoy’s narration is found in her & A S Underwrite Resource Center. description of the prisoners’ relationship with one another. In the midst of her own starvation, Partnoy The Peak...The Dream... offers cherished bread crumbs to By Marta Navarro another prisoner. On another occasion The Ultimate Test. Arts Writer she challenges a guard to arm-wrestle to distract him from beating a prisoner. The Little School Partnoy masters an amazing con­ Tales of Disappearance & Survival in vergence between misery and poetry: a Argentina tribute to the human spirit in the middle through as separate personalities By Alicia Partnoy of a filthy, brutal environment. The bound together by their commitment to scene where she and her friend Maria justice. They are people who learned to TONIGHT She was a student, a young mother Elena can be brought together in the cope with abuse and humiliation and Nov. 1 2 • 9 & 11 pm who identified with the struggle of the rain is a delightful and intense stay alive. Still many of them did not Isla Vista Theater Argentine people: workers who description of sounds and feelings. A survive or were never found. S2.50- demanded better wages and students similar moving effect is created when After her release from “ the little Sponsored.by Delta Delta Delta & A.S. Underwrite that protested against a repressive she talks about her daughter Ruth, school,” Alicia Partnoy was taken to government. She was caught and sent whose face she can not remember another place where she remained for to “ the little school,” a concentration anymore, or when she describes the 52 more days. In June of 1977, she “ re­ camp where she was kept for three-and- small box of matches where she keeps appeared,” but was still a political GO BOWLING THIS WEEKEND a-half months for being considered a her tooth that fell out. prisoner for two-and-a-half years. In threat to national security. The Little School is a direct and 1979 she was released and came to the AUTOMATIC SCORERS Alicia Partnoy survived, unlike many honest book. The prisoners come United States with her daughter Ruth. Only at Orchid Bowl Fun &- Easy to Use! PEABODY GUARNERI (Continued from p.lA) stage, is a bit the sacred cow (Continued from p.lA ) A ll You Do Is B o w l trasts well with that of in Jeri Sykes’ wonderfully situated. During this ruckus, Soyer commented “ The next Computerized Scoring Deacon, Dexter and Clinton. curious set. The scene is the piece we’ll move further to that side of the stage,” inducing He has a surprise in his basement of Memphis’ laughter from the audience. Although die Mozart was OPEN 24 HOURS guitar case, which he shows grand hotel, cluttered with executed flawlessly, it seemed to lack spirit — as though it “ to his closest friends.” the junk of several was a warm-up for the rest of the concert. Wade’s other characters generations. That the work The next number on the program was Beethoven’s ORCHID BOWL close to UCSB are effective, too. Fletcher, is performed in the Studio Serenade for Violin, Viola and Cello in D Major, Op. 8. The Hwy 101 at N. Fairview Willene’s dead husband, Theater is significant in players’ humour was again made evident via their eye manifests himself sur­ creating an intimate setting. contact, head movements, and bow movements. For 5925 Calle Real, Goleta 967-0128 prisingly at the end, and The second act lacks the example, when the third movement ended in unison staccatto additional supports are easy levity and frantic pace, notes, the players held their bows in the air a while after the given by his albino por­ as some of the characters note had sounded and grinned. They seemed to agree on the cupine and Methusda, a think the duck dead and the interpretation of the entire piece and stuck to their plan. The Sex with a woman too drunk to “ hero bull” whose skeleton situation upstairs becomes audience was entranced by their accurate and beautiful consent is a criminal act — not a skull ultimately saves the more grave. It is curious sounds. sexual act. Peabody duck. Faulkner, that none of the well-to-do The final repertoire performed was Schumann’s Quartet whose portait hangs up- patrons of the Peabody, for Piano and Strings, in E-flat Major, Op. 47. The Quartet bereft of their bastion of communicated energy and vitality. They w ere constantly ' Southern gentility, think to sensitive to all the parts being played simultaneously so the look for the duck on the harmony essential to ensemble playing was not lost. premises. The debate rages _ The Quartet is considered the world’s premiere quartet. on in the basement, During the 21 years of their existence, the members of the however, with thankfully no quartet have remained unchanged. They have toured Japan outside interference, and and New Zealand, as well as the U.S. They have performed at gives rise to some in­ international music festivals, been broadcast on TV and teresting musings. Clinton, radio, and have made educational presentations. Three with his socialist ideals, is books have been written about them. The quartet is currently accused by the older Black on the faculty of the Curtis Institute of Music in Philadelphia man. “ You stole Dr. King’s and the University of Maryland. Their ’86-’87 season includes dream!” ^ 100 recitals in the U.S., Canada and Europe. /E ______and a special dental addition Garland stands up for him, -Jit#. Deacon hands him a Tootsie WHERE®® to make his teeth less per­ if ¡fw* BROWN fect. Pop. The Tootsie Pops have STATE STREET « “ I don’t want to play it now been written into the SS&K’! g g S È N D S . ^ w (Continued from p.lA ) safe and become just script,” Wade smiles, “ and A N D THE issues of minority interest,” another doddering old guy,” so have many of Henry’s <3 «O*; KOK t-u*, H A P P Y H O U R FUN BEGINS explained Robert Egan, he stresses, “ I want to have other suggestions. ” W'-í «i.iV'a*. *26* ' Chair, Department of a bold signature with “ Henry Brown brings an 4-8 PM MON-FRI w rrít------■?&&& tm m ; Dramatic Arts. Deacon.” enormous energy to the w a t ws?$i 75 WELL DRINKS 99C MARGARITAS >0881 “ Another reason to come “ Henry can take material stage. He’s willing to dig and s i $ i 00 DRAFTS WED-FRI 25CTACO BAR back was that this role was and find ways to play it. He’s dig deeper. To help Deacon right for me. No one has not good for locating the age, he went to a dentist and x SK- j: •• y.T*r.f. ***& iñWSSSt i 5 6 » . S W W 6009 « ***■ « 8 done this before. I ’m the first weak points in the text — he had forms made for his teeth V ,. jv :% aswsa a»StlíV tuso* UfiSMS W W SSTi'í'S SCam tO lt t < that make his mouth form ■ vjrsvc ?: :•,'**/ a&m ------fs» o a m a s f&seu « e w *m Deacon,” added Brown, who can make almost anything 3*í*5**»í' •««í^sri'ÍS.r* íí sa SíSHK «gasa ÍS?®» i plays the proud, aged man sound good,” commented the words differently than he tx'omgsetenxwstwvsi s œ who runs the service staff. Les Wade, playwright of normally does. Those little “ Deacon is a character of ‘ ‘The Peabody Duck. ’ ’ things make it a joy to work WED&THURS j » » asa substance and requires an “ He brings a lot of work with Henry,” said John www*r&-’ actor of substance. Getting into each rehearsal,” he Blondell, director of “ The **3tPSZ vsmw&mi Kl Ä i Ä B?a3SiS»6BSíí»i Henry was a really good added. “ The other side of the Peabody Duck.” ptìthC**'* ***** DANCE TO ; '"na® b s k s opportunity to increase the script will be filled with In one of his first lines, value of the project,” Egan Henry’s notes — sometimes Deacon talks about an ac­ m n-m xssm m i added. with what time he thought of cident not unlike Henry fe? á&SÉHRí Í&&5&4 SANTA BARBARA One of the challenges of the idea — and his Brown’s spilt milk at the m «&**** ¡txm the role has been aging about suggestions.” UCen which influenced his mmf* AÁ&PÍ1BI&KH SOUND SYSTEMS i®- SÍ.5SS? ÍSSÍÍS43 *60 30 years to become the sixty- One night within a week of life: “First week I got my ffKgtfâ -...... s five year old Deacon. Along opening, Henry Brown waiter jacket ... spilled a B*Ü¡? Cjft «■££&£ > with make-up and graying started passing out Tootsie bowl of gravy ... goes on p $1.75 CORONA 6BÓ0Ü *gg*S VÓtitP W » PSttFít SeSSS 3 hair, Brown wears glasses, Pops to various characters Edwin’s shoes ... Big Brass ■ K M íb b s x áaaisi afea»»?®» padding to add extra weight, during the last act. “ When comes charging over yelling 8ÊS8* * Sfi fSfSSS rSX'&’X < about sending me back to the $£ %£%$$$ '£»- Ogí** bes 250TEQUILA a« im?* s*s* p i fields ... Edwin tells the Big K. 'iZt* ¿i'ic M er* 5« «tóSET íwms SATURDAY, Brass he’s the cause — no b-3 fcn.«-,, „„ p sfó é s*eót m __-¡wá . ~.,m ¡ama am o «asías- em. part my fault. Little thing ... as » /# agsm om&p mam asas* omat * w n » * NOVEMBER 14 meant a lot to me. Yeah, it’s h -s «'¿»sí -Tísísr -Muse» s ñ ffli #essbr m n » !- zó&.'is- &&& tjtous mam *« s*t «asa« tunta wmt¡ mona a w » ? the little things....” And * 7,9,11 pm 4 ’S3í&Btr ■%«,?’ ¿V i kn#k m¡e& *n b ® mato atan» íb u s # i»s s w wase» a*? perhaps it’s the sum of the «sw » o¡s* h ateott msm w w » wma jm m a w w * % Z » ijg: --¡Méí JWSBg WP* « W 9 N » a # NBWN HNMt « N ® * iQM Campbell Hall little things that make Henry 1 «¡85ÍB <*»»«» «KW» '«Me« «KR8 SNR <**0» «Kíltt i Brown’s performance as i i-'Wf j¡Ep£? i ÏrJ&ÜP' $ izw.immk Sponsored by Deacon so amazing, 7 W Wftfip » ¡ X'l'L*': NO COVER WITH THIS AD EXP. 11/20/87 C.I.S.P.E.S/ AMERICAN i S J á f e State SL Santa Barbwa A.S. Underwrite • w r « . ••JX/•"“ •- -».i v . ^ V ^ Ü36WP fiflyfví?* V CANCER 'GÏÏHtï i? SOCIETY Daily Nexus Thursday, Novembèr 12,1967 3A The College of Creative Studies Exhibit Be a g a in s t silen ce: Reminiscent Figurationism s p e a k o u t if y o u 'v e By Anthony Emerton McCleary and Stock, we don't see into the Contributor souls of these “ individuals.” b e e n Stock’s paintings also have an air of the nineteenth century. There is an association ra p e d . J W fiŒ N G S ì There are echoes of the nineteenth cen­ with melodrama, with the silent movies and Dffi€CT€D GY flJCC COTiDODIflFN tury in the College of Creative Studies’ with romanticism. The youth in “ The Rope” Women’s Center: exhibition of 1980’s figurative painting by is a Byronesque figure, overdressed 961-3778 nougiyp io QQ 3 ’ a-oopiti Dan McCleary, Hank Pitcher and Mark shirt and satin ruff, lying languidly in a Campus Police: 961-3446 TMMt THEMte Stock, figuration/imagination. glade, having written a suicide note, S.B. Rape Crisis Center: 569-CALL «it & teauie lot office «woks Rather than a distortion of the figure, doubtless because of an unrequited love UG8 DMTii flt> Mice DGVSntOIT which is commonplace in twentieth century either for himself or another person. painting, here meaning is emphasized by a “ The Noble Romantic” or the noble distortion of mood into the melodramatic. debauchee of the other pictures, suitably Meaning is conveyed by the subtlety of overdressed and suffering from facial expression and accentuation of pose. lovesickness, bad news, too much alcohol or In Pitcher’s work, it is the physical all three, leans against a wall contemplating presence of the body that is important what he would have done, should have done, rather than the faces, which are generally or simply feeling sorry for himself. impenetrable. His work mirrors Gauguin, After many years of irrelevance (one though there is a greater scale, simplicity of could almost say most of the twentieth design and brashness of approach. The century), we see the revival of figurative stylization and the coloring of “ The Boy at painting and also of painting that tells a Coal Oil Point” are almost pure Gauguin, story. It is perhaps a significant sign of the though the subject is more heroic, a com­ dead end into which abstractionism has dug plete glorification of the noble savage, or in itself, which has inevitably led to a return to this case, the noble surfer complete with and revival of interest in older forms. surfboard “ shield” and fetishistic plants. McCleary is the most severe of the three. Elsewhere, savage stands with friend His figures remain solitary even when savage by the camp fire under the stars. together, they are either looking in opposite I feel slightly uncomfortable with these directions, are leaving each other or are images, which seem like heroic figures, together only for “ Christmas Eve. The KTYD ANNOUNCES ‘THE CURE IN ORANGE’ symbols for a nobler order, without fault or painting has less lushness than Stock and NOV 13-19» * ‘VIC’ Theater • 965-1886 humanity, like the idealized worker or Pitcher, it is more introverted in its idealized patriot. The idea of the statement. superhuman always seems to submerge The “ McDonald’s Workers” are together most human qualities. Unlike the works of but not looking at each other. Their physical METROPOLITAN ARLINGTON 13I7 State St. SJ. 966-938? proximity an enforced accident, a coin­ THEATRES CORP John Huston Retrospective cidence of circumstance. IÏÎT© Movie Hotline 963-9503 Though I like figurative painting and find Call for information - 966-9382 many of the paintings in the show in­ RIVIERA teresting, the undeniable empathy of much GRANADA FIESTA FOUR 12M Stole SL, S J.H3-1471 >16 State St. SJ. 963-6711 m llowdo tote fare, UJ4S-4H3 of the work with the nineteenth century is uncomfortable, as though I ’ve entered some Suspect (R) Death Wish IV * 5:10,7:50,10:20 Whales of August sort of time warp. The images of Stock exist Sat 8 Sun also 12:06,2:36 6.8.10 Sat 8 Sun also 2,4 6:15,7:10,9:06 in nineteenth century paintings of sen­ Sat 8 Sun also 1:46,3:30 Fatal Attraction (R) timental scenes and records of actions, such 5,7:36,10:06 Weeds 6:15,7:46,10 as David Wilkies “ Letter of Introduction,” Sat 8 Sun also 12,2:20 Sat 8 Sun also 12:46,3 PLAZA DE ORQ (1813). Though the portrayal of figures in Like Father varying attitudes of destruction or self Hello Again 3 0 Mtdicodi W«y, SJ. 663-4936 Like Son (PG13) 6:46,7:46,9:46 destruction was less popular than death for 8; Sat 8 Sun also 3:20 Sat 8 Sun also 1:46,3:46 a noble cause (there were noble causes Russkies Prince of Princess Bride 7:30,9:30 then), it certainly had ijs place in roman­ Darkness 6:15,7:30,9:46 Sat 8 Sun also 1:30,3:30,5:30 ticism. Here is what appears to be death 5:40.10:10 Sat 8 Sun also 1,3 Sat 8 Sun also 1:10 Fatal Beauty because there’s nothing better to do. 7:40,9:46 The most striking disimilarity is between Sat 8 Sun also 1:15,3:20,5:25 McCleary and Stock as opposed to Pitcher CINEMA FAIR VIEW The first two- revealing weakness, in­ 6656 HoHister to e , to h fa 967-9M7 8 1 K W wiwr, toieta 967-6744 security, and uncertainty compared to Less than Zero Baby Boom Christine Bruno noticed "The Pitcher’s confident and macho style. 7:30.9:30 5:30.7:46.10 Butler's in Love." RYAN beck/d«iiyn.xu. The show continues until November 20th. Sat 8 Sun also 1:30,3:30,5:30 Sat & Sun also 1,3:15 320 S. Ketteff Ave, M eto 483-2245 Fatal Attraction Hiding Out 7,9:16 6:30,7:30,9:30 Made in Heaven the lyrics spoken. This was due in part to my Sat 8 Sun also 2:30,4:46 Sat 8 Sun also 1:30,3:30 7:15,9:30 unfamiliarity of the band’s work prior to the Sat 8 Sun also 1:15,3:15,5:15 GRAFITTI concert, as well as the fact that on some of the faster-paced songs Trudell was drowned SW AP M EET 611 Stott ».962-3616 (Continued from p.lA) out by the band’s playing. 907 S. Kellogg, Goleta 964-9050 After the end of their first set, The Grafitti —Gringo Mojado the comparison. Westerman appeared on WEDNESDAY EVENING 6:30,10: SaberDom 3:10.6:30,10 stage for a brief encore, and closed his set Band was called back for an encore, and the La Fuga de Carrasco with a song dedicated to Ronald Reagan, audience was able to listen to two more of 4:30 P.M. to 10 P.M. .8:15; Sab&Dom 1:30.4:56.8:15 . l “ Custer Died for Your Sin. ” the band’s songs before the close of the EVERY SUNDAY 7 A.M. TO 4 P.M. All programs, showtfmes and restrictions After Westerman exited it was time for show. subject tothonge without ootke. the Grafitti Band to perform. The six- In general, the evening was a success. The member band appeared shortly, and im­ band showed that the high praise earned mediately launched into their set. As the after the release of their first album was show progressed, more and more members merited. The biggest disappointment of the of the audience participated by dancing in night was the difficulty in hearing some of front of the stage. Among the highlights of Trudell’s lyrics over the band’s playing. the set were tributes to two legendary This was a concert that could be enjoyed on musicians who had heavily influenced the a variety of levels. As a simple rock concert, band, Elvis Presley and John Lennon. The the band played enthusiastically enough, Lennon tribute, “ God Help and Breed You and the audience really seemed to enjoy All,” seemed to be a favorite of the crowd, it them. But on a deeper level, the poetry of was a slower, more mellow song that both Trudell and Westerman allowed a rare allowed the audience to pay particular insight into a traditionally misunderstood attention to the lyrics. While the band was culture, that of the Native American Indian. supposed to be lyrically oriented, one of the In this sense, the Grafitti Band left the biggest disappointments for me was the fact audience not just entertained, but with some that, at times, I was unable to understand serious ideas to consider. /€

STUDENTS• FACULTY STAFF UCSB Arts & Lectures LIBRARY UCSB Campbell Hall at 8 PM. Thursday, November 12 Nola Darling is a good-humored BQOKSALE woman who enjoys equally satisfactory sexual relationships with three different men — and WED. she sees no good reason to A choose between them. Director N ov. 1 8 Spike Lee takes a refreshing look 8 :3 0 -1 2 :3 0 at the “double standard” of sexual iT relations, as all three men vie for Library, 8th Floor Call for a free brochure: 961-3535. Nola’s monogamous attention.

V/Z///////////////// ///////» The Daily Nexus: Where the News Never Sleeps... And Neither Do We ON THE RADIO - NOT ON THE BUS 4A Thursday, November 12,1987 Daily Nexus Public Lectures ASPB and Special Events Presents: Margaret Randall

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Author Margaret Randall will present a free public HEE-HEE-HEE-HA-HA-HA-HO-HO-HO!!!!!!! lecture on “ The Imagination of the Writer/The Imagination of the State,” this Friday, Nov. 13 at 8 p.m. in GET READY FOR THE LAST the UCen Pavilion. A U.S.-born writer who lived in Latin America for over two decades, Randall is a straight­ forward spokeswoman for human rights and an ac­ complished translator of literature from Nicaragua, COMEDY NITE Mexico and Cuba. Randall often combines her skills as author and photographer to create multi-media views of the world, in OF THE QUARTER!!! particular portraying women and revolution, as in her book Women Brave in the Face of Danger (1985), in which NEXT TUESDAY-NOV. 17, 8:00 PM she matches faces and scenes with passages of text about sometimes unknown, “ ordinary,” Latin and North American women who have chosen paths of courage and IN THE PUB integrity. Randall has published over 20 books, including Part of the Solution (1982), which she also translated for IT COULD BE ABSOLUTELY H/LAR/OUSNW! publication in Spanish, With These Hands (1984)/ Carlotta: Poems and Prose from Havana (1978), A Poetry of Resistance (1983), The Coming Home Poems (1986) and This Is About Incest (1987). Memory Says Yes is scheduled for release in 1988. In addition, she has written histories and essays: Spirit of the People: Vietnamese Women Two Years from the Geneva Accords (1975), Cuban Women Twenty Years Later (1980), Christians in the Nicaraguan Revolution (1983), Risking a Somersault in the A ir: Conversations with Nicaraguan Writers (1984) NOLI. 2 5 -2 4 and other works. Randall’s public lecture is co-sponsored by Arts & Come sit on Santa's lap Lectures, the Women’s Center, A.S. Program Board, the Latin American and Iberian Studies Program, and ond get your picture taken!!! Communication Studies Program and the Departments of Political Science and Sociology. For more information And if you are a really good kid, call Arts & Lectures at 961-3535. you might even get a candy cane!!! Don't Miss These Upcoming Lectures: Alicia Partnoy Lillian Royball Rose Tuesday, Nov. 17 7-10 pm Monday, Nov. 16 8 pm I.V. Theater 2 UCen Pavilion

John G. Healey Head of Amnesty International Tuesday, Nov. 17 8 pm Campbell Hall This page provided and paid for by the College Associated Student There's More to Program Board rhan Just Going to Class.