Travels Voyages
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Front Matter
Cambridge University Press 978-1-316-60684-1 — The Venetian Discovery of America Elizabeth Horodowich Frontmatter More Information THE VENETIAN DISCOVERY OF AMERICA Few Renaissance Venetians saw the New World with their own eyes. As the print capital of early modern Europe, however, Venice developed a unique relationship with the Americas. Venetian editors, mapmakers, trans- lators, writers, and cosmographers represented the New World at times as a place that the city’s mariners had discovered before the Spanish, a world linked to Marco Polo’s China, or another version of Venice, especially in the case of Tenochtitlan. Elizabeth Horodowich explores these various and distinctive modes of imagining the New World, including Venetian rheto- rics of “firstness,” similitude, othering, comparison, and simultaneity gen- erated through forms of textual and visual pastiche that linked the wider world to the Venetian lagoon. These wide-ranging stances allowed Ven- etians to argue for their different but equivalent participation in the Age of Encounters. Whereas historians have traditionally focused on the Spanish conquest and colonization of the New World, and the Dutch and English mapping of it, they have ignored the wide circulation of Venetian Ameri- cana. Horodowich demonstrates how with their printed texts and maps, Venetian newsmongers embraced a fertile tension between the distant and the close. In doing so, they played a crucial yet heretofore unrecognized role in the invention of America. Elizabeth Horodowich is Professor of History at New Mexico State Uni- versity. She is the author of Language and Statecraft in Early Modern Venice (2008) and A Brief History of Venice (2009), and is the recipient of awards and fellowships from a variety of institutions, including Harvard University’s Villa I Tatti, the American Historical Association, and the National Endow- ment for the Humanities. -
Glossary Glossary
Glossary Glossary Albedo A measure of an object’s reflectivity. A pure white reflecting surface has an albedo of 1.0 (100%). A pitch-black, nonreflecting surface has an albedo of 0.0. The Moon is a fairly dark object with a combined albedo of 0.07 (reflecting 7% of the sunlight that falls upon it). The albedo range of the lunar maria is between 0.05 and 0.08. The brighter highlands have an albedo range from 0.09 to 0.15. Anorthosite Rocks rich in the mineral feldspar, making up much of the Moon’s bright highland regions. Aperture The diameter of a telescope’s objective lens or primary mirror. Apogee The point in the Moon’s orbit where it is furthest from the Earth. At apogee, the Moon can reach a maximum distance of 406,700 km from the Earth. Apollo The manned lunar program of the United States. Between July 1969 and December 1972, six Apollo missions landed on the Moon, allowing a total of 12 astronauts to explore its surface. Asteroid A minor planet. A large solid body of rock in orbit around the Sun. Banded crater A crater that displays dusky linear tracts on its inner walls and/or floor. 250 Basalt A dark, fine-grained volcanic rock, low in silicon, with a low viscosity. Basaltic material fills many of the Moon’s major basins, especially on the near side. Glossary Basin A very large circular impact structure (usually comprising multiple concentric rings) that usually displays some degree of flooding with lava. The largest and most conspicuous lava- flooded basins on the Moon are found on the near side, and most are filled to their outer edges with mare basalts. -
General Index
General Index Italicized page numbers indicate figures and tables. Color plates are in- cussed; full listings of authors’ works as cited in this volume may be dicated as “pl.” Color plates 1– 40 are in part 1 and plates 41–80 are found in the bibliographical index. in part 2. Authors are listed only when their ideas or works are dis- Aa, Pieter van der (1659–1733), 1338 of military cartography, 971 934 –39; Genoa, 864 –65; Low Coun- Aa River, pl.61, 1523 of nautical charts, 1069, 1424 tries, 1257 Aachen, 1241 printing’s impact on, 607–8 of Dutch hamlets, 1264 Abate, Agostino, 857–58, 864 –65 role of sources in, 66 –67 ecclesiastical subdivisions in, 1090, 1091 Abbeys. See also Cartularies; Monasteries of Russian maps, 1873 of forests, 50 maps: property, 50–51; water system, 43 standards of, 7 German maps in context of, 1224, 1225 plans: juridical uses of, pl.61, 1523–24, studies of, 505–8, 1258 n.53 map consciousness in, 636, 661–62 1525; Wildmore Fen (in psalter), 43– 44 of surveys, 505–8, 708, 1435–36 maps in: cadastral (See Cadastral maps); Abbreviations, 1897, 1899 of town models, 489 central Italy, 909–15; characteristics of, Abreu, Lisuarte de, 1019 Acequia Imperial de Aragón, 507 874 –75, 880 –82; coloring of, 1499, Abruzzi River, 547, 570 Acerra, 951 1588; East-Central Europe, 1806, 1808; Absolutism, 831, 833, 835–36 Ackerman, James S., 427 n.2 England, 50 –51, 1595, 1599, 1603, See also Sovereigns and monarchs Aconcio, Jacopo (d. 1566), 1611 1615, 1629, 1720; France, 1497–1500, Abstraction Acosta, José de (1539–1600), 1235 1501; humanism linked to, 909–10; in- in bird’s-eye views, 688 Acquaviva, Andrea Matteo (d. -
The Scots in Sweden Part Ii
THE SCOTS IN SWEDEN PART II (D) MILITARIA THE PERIOD OF CHARLES XII. No two other nations can boast of so large an element of romance in their history as the Scottish and the Swedish nations. The reader often forgets that he has facts before him, and not the most poetically fanciful or barbarously frightful imaginations of an overwrought brain. Think of the amount of mystery that enters into the life of Mary Queen of Scots; of the death-feuds of the Highland clans; of the wanderings of the Pretender. In Swedish history what can be more romantic than the adventurous youth of Gustavus Vasa, and the imprisonment, madness, and poisoning of King Erik XIV.? Whole periods in the life of Gustavus Adolphus - I here especially allude to his “Brautfahrt” (“search for a bride”) in Germany - are still shrouded in mystery, and now we come to the most romantic King of all, the stubbornly brave, fiery, and thoughtless Charles XII. - not a man who would have been, like Gustavus Adolphus, equally great in the tranquil times of peace, had he ever known them; not a lovable, wise man like Gustavus Vasa, whom the cruel persecutions of his youth did not render bitter and revengeful; but a remarkable man all the same, with something of meteoric rapidity and demoniac splendour in him or rather in his career. For he himself was plain almost to shabbiness, plain in speech, in his food, and in his dress. No strong drink ever passed his lips after the follies of his youth. But his great characteristic was his uncurbed love of war. -
Production and Saturation of Porosity in the Lunar Highlands from Impact Cratering
The fractured Moon: Production and saturation of porosity in the lunar highlands from impact cratering The MIT Faculty has made this article openly available. Please share how this access benefits you. Your story matters. Citation Soderblom, Jason M., et al. “The Fractured Moon: Production and Saturation of Porosity in the Lunar Highlands from Impact Cratering.” Geophysical Research Letters, vol. 42, no. 17, Sept. 2015, pp. 6939–44. © 2015 American Geophysical Union As Published http://dx.doi.org/10.1002/2015GL065022 Publisher American Geophysical Union (AGU) Version Final published version Citable link http://hdl.handle.net/1721.1/118615 Terms of Use Article is made available in accordance with the publisher's policy and may be subject to US copyright law. Please refer to the publisher's site for terms of use. PUBLICATIONS Geophysical Research Letters RESEARCH LETTER The fractured Moon: Production and saturation 10.1002/2015GL065022 of porosity in the lunar highlands Key Points: from impact cratering • The relation between impact-generated porosity and crater size is quantified Jason M. Soderblom1, Alexander J. Evans2, Brandon C. Johnson1, H. Jay Melosh3, Katarina Miljković1,4, • Impacts into highly porous targets 5 6 7 8 3 result in positive gravity anomalies Roger J. Phillips , Jeffrey C. Andrews-Hanna , Carver J. Bierson , James W. Head III , Colleen Milbury , 9 7 1 2,10 11 • The cratering record of the oldest Gregory A. Neumann , Francis Nimmo , David E. Smith , Sean C. Solomon , Michael M. Sori , lunar surfaces is preserved in the -
2257-AV-Venice by Night Digi
VENICE BY NIGHT ALBINONI · LOTTI POLLAROLO · PORTA VERACINI · VIVALDI LA SERENISSIMA ADRIAN CHANDLER MHAIRI LAWSON SOPRANO SIMON MUNDAY TRUMPET PETER WHELAN BASSOON ALBINONI · LOTTI · POLLAROLO · PORTA · VERACINI · VIVALDI VENICE BY NIGHT Arriving by Gondola Antonio Vivaldi 1678–1741 Antonio Lotti c.1667–1740 Concerto for bassoon, Alma ride exulta mortalis * Anon. c.1730 strings & continuo in C RV477 Motet for soprano, strings & continuo 1 Si la gondola avere 3:40 8 I. Allegro 3:50 e I. Aria – Allegro: Alma ride for soprano, violin and theorbo 9 II. Largo 3:56 exulta mortalis 4:38 0 III. Allegro 3:34 r II. Recitativo: Annuntiemur igitur 0:50 A Private Concert 11:20 t III. Ritornello – Adagio 0:39 z IV. Aria – Adagio: Venite ad nos 4:29 Carlo Francesco Pollarolo c.1653–1723 Journey by Gondola u V. Alleluja 1:52 Sinfonia to La vendetta d’amore 12:28 for trumpet, strings & continuo in C * Anon. c.1730 2 I. Allegro assai 1:32 q Cara Nina el bon to sesto * 2:00 Serenata 3 II. Largo 0:31 for soprano & guitar 4 III. Spiritoso 1:07 Tomaso Albinoni 3:10 Sinfonia to Il nome glorioso Music for Compline in terra, santificato in cielo Tomaso Albinoni 1671–1751 for trumpet, strings & continuo in C Sinfonia for strings & continuo Francesco Maria Veracini 1690–1768 i I. Allegro 2:09 in G minor Si 7 w Fuga, o capriccio con o II. Adagio 0:51 5 I. Allegro 2:17 quattro soggetti * 3:05 p III. Allegro 1:20 6 II. Larghetto è sempre piano 1:27 in D minor for strings & continuo 4:20 7 III. -
Winter 2019 Full Issue the .SU
Naval War College Review Volume 72 Article 1 Number 1 Winter 2019 2019 Winter 2019 Full Issue The .SU . Naval War College Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation Naval War College, The .SU . (2019) "Winter 2019 Full Issue," Naval War College Review: Vol. 72 : No. 1 , Article 1. Available at: https://digital-commons.usnwc.edu/nwc-review/vol72/iss1/1 This Full Issue is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Naval War College: Winter 2019 Full Issue Winter 2019 Volume 72, Number 1 Winter 2019 Published by U.S. Naval War College Digital Commons, 2019 1 Naval War College Review, Vol. 72 [2019], No. 1, Art. 1 Cover Aerial view of an international container cargo ship. In “Ships of State?,” Christopher R. O’Dea describes how China COSCO Shipping Corporation Limited has come to control a rapidly expanding network of ports and terminals, ostensibly for commercial purposes, but has thereby gained the ability to project power through the increased physical presence of its naval vessels—turning the oceans that historically have protected the United States from foreign threats into a venue in which China can challenge U.S. interests. Credit: Getty Images https://digital-commons.usnwc.edu/nwc-review/vol72/iss1/1 2 Naval War College: Winter 2019 Full Issue NAVAL WAR COLLEGE REVIEW Winter 2019 Volume 72, Number 1 NAVAL WAR COLLEGE PRESS 686 Cushing Road Newport, RI 02841-1207 Published by U.S. -
Disciplinary Culture
Disciplinary Culture: Artillery, Sound, and Science in Woolwich, 1800–1850 Simon Werrett This article explores connections between science, music, and the military in London in the first decades of the nineteenth century.1 Rather than look for applications of music or sound in war, it considers some techniques common to these fields, exemplified in practices involving the pendulum as an instrument of regulation. The article begins by exploring the rise of military music in the late eighteenth and early nineteenth centuries, and then compares elements of this musical culture to scientific transformations during 1 For broad relations between music and science in this period, see: Myles Jackson, Harmonious Triads: Physicians, Musicians, and Instrument Makers in Nineteenth-Century Germany (Cambridge, MA: MIT Press, 2006); Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840–1910 (Cambridge, MA: MIT Press, 2012); Emily I. Dolan and John Tresch, “‘A Sublime Invasion’: Meyerbeer, Balzac, and the Opera Machine,” Opera Quarterly 27 (2011), 4–31; Emily Thompson, The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933 (Cambridge, MA: MIT Press, 2004). On science and war in the Napoleonic period, see for example: Simon Werrett, “William Congreve’s Rational Rockets,” Notes & Records of the Royal Society 63 (2009), 35–56; on sound as a weapon, Roland Wittje, “The Electrical Imagination: Sound Analogies, Equivalent Circuits, and the Rise of Electroacoustics, 1863–1939,” Osiris 28 (2013), 40–63, here 55; Cyrus C. M. Mody, “Conversions: Sound and Sight, Military and Civilian,” in The Oxford Handbook of Sound Studies, eds. Trevor Pinch and Karin Bijsterveld (Oxford: Oxford University Press, 2012), pp. -
The Abandonment of Butrint: from Venetian Enclave to Ottoman
dining in the sanctuary of demeter and kore 1 Hesperia The Journal of the American School of Classical Studies at Athens Volume 88 2019 Copyright © American School of Classical Studies at Athens, originally pub- lished in Hesperia 88 (2019), pp. 365–419. This offprint is supplied for per- sonal, non-commercial use only, and reflects the definitive electronic version of the article, found at <https://www.jstor.org/stable/10.2972/hesperia.88.2.0365>. hesperia Jennifer Sacher, Editor Editorial Advisory Board Carla M. Antonaccio, Duke University Effie F. Athanassopoulos, University of Nebraska-Lincoln Angelos Chaniotis, Institute for Advanced Study Jack L. Davis, University of Cincinnati A. A. Donohue, Bryn Mawr College Jan Driessen, Université Catholique de Louvain Marian H. Feldman, University of California, Berkeley Gloria Ferrari Pinney, Harvard University Thomas W. Gallant, University of California, San Diego Sharon E. J. Gerstel, University of California, Los Angeles Guy M. Hedreen, Williams College Carol C. Mattusch, George Mason University Alexander Mazarakis Ainian, University of Thessaly at Volos Lisa C. Nevett, University of Michigan John H. Oakley, The College of William and Mary Josiah Ober, Stanford University John K. Papadopoulos, University of California, Los Angeles Jeremy B. Rutter, Dartmouth College Monika Trümper, Freie Universität Berlin Hesperia is published quarterly by the American School of Classical Studies at Athens. Founded in 1932 to publish the work of the American School, the jour- nal now welcomes submissions -
Bon Voyage? 250 Years Exploring the Natural World SHNH Summer
Bon Voyage? 250 Years Exploring the Natural World SHNH summer meeting and AGM in association with the BOC World Museum Liverpool Thursday 14th and Friday 15th June 2018 Abstracts Thursday 14th June Jordan Goodman, Department of Science and Technology Studies, University College London In the Wake of Cook? Joseph Banks and His ‘Favorite Projects’ James Cook’s three Pacific voyages spanned the years from 1768 to 1780. These were the first British voyages of exploration in which natural history collecting formed an integral part. Joseph Banks and Daniel Solander were responsible for the collection on the first voyage, HMS Endeavour, between 1768 and 1771; Johann and Georg Forster, collected on the second voyage, HMS Resolution, between 1772 and 1775; and David Nelson continued the tradition on the third voyage, HMS Resolution, from 1776 to 1780. Though Cook’s first voyage brought Banks immense fame, it was the third voyage that initiated a new kind of botanical collecting which he practised for the rest of his life. He called it his ‘Favorite Project’, and it consisted of supplying the royal garden at Kew with living plants from across the globe, to make it the finest botanical collection in the world. Banks appointed David Nelson, a Kew gardener, to collect on Cook’s third voyage. Not only would the King’s garden benefit from a supply of exotic living plants, but the gardeners Banks sent out to collect them would also learn how best to keep the plants alive at sea, for long periods of time and through many different climatic conditions. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:__7/30/07_________________ I, __ MUNISH GUPTA_____________________________________, hereby submit this work as part of the requirements for the degree of: DOCTORATE OF PHILOSOPHY (Ph.D) in: MATERIALS SCIENCE AND ENGINEERING It is entitled: LOW-PRESSURE AND ATMOSPHERIC PRESSURE PLASMA POLYMERIZED SILICA-LIKE FILMS AS PRIMERS FOR ADHESIVE BONDING OF ALUMINUM This work and its defense approved by: Chair: __Dr. F. JAMES BOERIO ___ ______ __Dr. GREGORY BEAUCAGE __ ___ __ __Dr. RODNEY ROSEMAN _____ ___ __Dr. JUDE IROH _ _____________ _______________________________ LOW-PRESSURE AND ATMOSPHERIC PRESSURE PLASMA POLYMERIZED SILICA-LIKE FILMS AS PRIMERS FOR ADHESIVE BONDING OF ALUMINUM A dissertation submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D) in the Department of Chemical and Material Engineering of the College of Engineering 2007 by Munish Gupta M.S., University of Cincinnati, 2005 B.E., Punjab Technical University, India, 2000 Committee Chair: Dr. F. James Boerio i ABSTRACT Plasma processes, including plasma etching and plasma polymerization, were investigated for the pretreatment of aluminum prior to structural adhesive bonding. Since native oxides of aluminum are unstable in the presence of moisture at elevated temperature, surface engineering processes must usually be applied to aluminum prior to adhesive bonding to produce oxides that are stable. Plasma processes are attractive for surface engineering since they take place in the gas phase and do not produce effluents that are difficult to dispose off. Reactive species that are generated in plasmas have relatively short lifetimes and form inert products. -
Appendix I War of 1812 Chronology
THE WAR OF 1812 MAGAZINE ISSUE 26 December 2016 Appendix I War of 1812 Chronology Compiled by Ralph Eshelman and Donald Hickey Introduction This War of 1812 Chronology includes all the major events related to the conflict beginning with the 1797 Jay Treaty of amity, commerce, and navigation between the United Kingdom and the United States of America and ending with the United States, Weas and Kickapoos signing of a peace treaty at Fort Harrison, Indiana, June 4, 1816. While the chronology includes items such as treaties, embargos and political events, the focus is on military engagements, both land and sea. It is believed this chronology is the most holistic inventory of War of 1812 military engagements ever assembled into a chronological listing. Don Hickey, in his War of 1812 Chronology, comments that chronologies are marred by errors partly because they draw on faulty sources and because secondary and even primary sources are not always dependable.1 For example, opposing commanders might give different dates for a military action, and occasionally the same commander might even present conflicting data. Jerry Roberts in his book on the British raid on Essex, Connecticut, points out that in a copy of Captain Coot’s report in the Admiralty and Secretariat Papers the date given for the raid is off by one day.2 Similarly, during the bombardment of Fort McHenry a British bomb vessel's log entry date is off by one day.3 Hickey points out that reports compiled by officers at sea or in remote parts of the theaters of war seem to be especially prone to ambiguity and error.