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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
13Th FLOOR ELEVATORS
13th FLOOR ELEVATORS With such a seminal album, it’s not surprising that the cover for The Psychedelic Sounds Of The 13th Floor Elevators (1966 : International Artists Artwork : John Cleveland) has been borrowed such a lot, often by psych upstarts (also leaning on the music) and CD compliers wanting some of the early sixties garage ambience to rub off on them. The result is a great display of primary colours. Artist : The Suicidal Flowers Title : The Psychedevilic Sounds Of The Suicidal Flowers / 1997 Album / Suicidal Flowers Artwork : Unknown Artist : Artist : Various Various Artists Artists Title : The Title : The Pseudoteutonic Psychedelic Sounds Of The Sounds Of The Prae-Kraut Sonic Cathedral Pandaemonium # / 2010 14 / 2003 Album / Sonic Album / Lost Cathedral Continence Recordings Artwork / Artwork : Jimmy Reinhard Gehlen Young - Andrea Duwa - Splash 1 COVERED! PAGE 6 1 LEONA ANDERSON ASH RA TEMPEL Leona Anderson’s 1958 long-player Music To Suffer By (Unique Records) This copy of Ash Ra Tempel’s 1973 album is a gem, though I must admit I’ve never been able to get vinyl albums Starring Rosi lovingly recreates Peter to shatter quite like that (or the Buzzcocks TV show intro). The Makers Geitner’s original (cover photo : Claus have actually copied the original image for their EP and then just Kranz). added a new label design. Artist : Magic Aum Gigi Title : Starring Keiko/ 2000? Album / Fractal Records Artwork : Peter Artist : The Geitner (Photo : Makers Magic Aum Gigi) Title : Music To Suffer By / 1995 3 track EP / Estrus Wreckers Artwork : Art Chantry Artist : Smiff-N- Artist : Pavement Wessum Title : Watery, Title : Dah Shinin’ Domestic / 1992 / 1995 EP / Matador Album / Wreck Records Records Artwork : Unknown Artwork : C.M.O.N. -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
At Thirty-Three, My Anger Hasn't Subsided. It's Gotten
t thirty-three, my anger hasn’t subsided. It’s gotten And to all this, I don’t have a real answer. I don’t think I’m naïve. I deeper. It’s more like magma keeping me warm instead of lava don’t think I’m expecting too much, but it’s hard not to feel shat upon by AAshooting haphazardly all over the place. It’s managed. You see, the world-at-large every step of the way. There are a couple of things that I’ve been able to channel the balled-fist, I’m hitting-walls-and-breaking- temper my anger. First off, when we were doing our math, I got another knuckles anger into something of a long-burning fuse. Oh, I’m angry, but number: sixty-four. That’s how many folks help out Razorcake in some I’m probably one of the calmest angry people you’re likely to meet. I take way, shape, or form on a regular basis. Damn, that’s awesome. Sixty- all of my “fuck yous” and edit. I take my “you’ve got to be fucking kid- four people, without whom this zine would just be a hair-brained ding me”s and take pictures and write. I seek revenge by working my ass scheme. off. Anger, coupled with belief, is a powerful motivator. The second element is a little harder to explain. Recently, I was in an What do I have to be angry about? I don’t think it’s obvious, but we do adjacent town, South Pasadena. -
Directory Download Our App for the Most Up-To-Date Directory Info
DIRECTORY DOWNLOAD OUR APP FOR THE MOST UP-TO-DATE DIRECTORY INFO. E = East Broadway N = North Garden C = Central Parkway S = South Avenue W = West Market m = Men’s w = Women’s c = Children’s NICKELODEON UNIVERSE = Theme Park The first number in the address indicates the floor level. ACCESSORIES Almost Famous Body Piercing E350 854-8000 Chapel of Love E318 854-4656 Claire’s E179 854-5504 Claire’s N394 851-0050 Claire’s E292 858-9903 GwiYoMi HAIR Level 3, North 544-0799 Icing E247 854-8851 Soho Fashions Level 1, West 854-5411 Sox Appeal W391 858-9141 APPAREL A|X Armani Exchange m w S141 854-9400 abercrombie c W209 854-2671 Abercrombie & Fitch m w N200 851-0911 aerie w E200 854-4178 Aéropostale m w N267 854-9446 A’GACI w E246 854-1649 Alpaca Connection m w c E367 883-0828 Altar’d State w N105 763-489-0037 American Eagle Outfitters m w S120 851-9011 American Eagle Outfitters m w N248 854-4788 Ann Taylor w S218 854-9220 Anthropologie w C128 953-9900 Athleta w S145 854-9387 babyGap c S210 854-1011 Banana Republic m w W100 854-1818 Boot Barn m w c N386 854-1063 BOSS HUGO BOSS m S176 854-4403 Buckle m w c E203 854-4388 Burberry m w S178 854-7000 Calvin Klein Performance w S130 854-1318 Carhartt m w c N144 612-318-6422 Carter’s baby c S254 854-4522 Champs Sports m w c W358 858-9215 Champs Sports m w c E202 854-4980 Chapel Hats m w c N170 854-6707 Charlotte Russe w E141 854-6862 Chico’s w S160 851-0882 Christopher & Banks | c.j. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
History As an Anecdote
eric B shumwayShlimway in the first place thejournalthebhe journal is a product of a literary adolescent mormon pacific historical society conference talk saturday april 10 1982 who wrote most of it after he had been totally immersed in the tongan culture thinking and speaking only tongan for over two years the document is full HISTORY AS AN ANECDOTE of secondsecondlanguagelanguage interference what offends is more a lack of rhetorical my purpose today is toco discuss some experiences and events during aymy restraint than of truthful intent there is the twisted grammar the bloated mission in tonga 195919621959 1962 which from the perspective now of two decades style in which every noun is accompanied by a heavy adjective the unidimen- constituted certain rights of passage in my growth as a human being and a sional point of view in which the missionary seems to be the chief figure latterlatterdayday saint my material is taken largely from my missimissionaryonaryconary journal1 in a drama whose other characters stand vaguely in the wings coming to life typically what happened to me in tonga by way of an elevation of consciousness only when his oversized shadow passes over them there is too much interpreting and spiritual maturity is duplicated repeatedly in every mission of the church and not enough telling the irritating author intrusion on the subject the but perhaps there are some insights and aberrations which may interest a victimizing of true poignancy by overwrought description overlooking these church history in the pacific buff -
L1 LINDORIGINALS 433 6 Oktober 2013 Arnold Rypens
L1 LINDORIGINALS 433 6 oktober 2013 Arnold Rypens - Kirsten 3:16 1 Till I'm Too Old To Die Young (Welch) Curb MOE BANDY YT Dit zijn The Originals bij L1 Radio met Moe Bandy in 1987 en de oudste Till I'm Too Old To Die Young. Ruud Herman & Dick Van Altena deden hem dat na, ook Kevin Welch, nochtans de auteur, kwam hier pas later mee én Linda Ronstadt. Allemaal figuren die aan zelfreflectie doen bij zo'n titel, allemaal te oud inmiddels om jong te sterven, alleen wat die laatste betreft, Linda Ronstadt, bij haar is helaas komen vast te staan dat ze nooit meer zal kunnen zingen nu ze aan Parkinson leidt. Krijg zo iets te horen! Dan denk je: niet alleen een hart, ook een stem is Like A Wheel. 3:31 2 Heart Like A Wheel (McGarrigle) Decca McKENDREE SPRING 9 Heart Like A Wheel, een nummer van Kate McGarrigle, bekend van Linda Ronstadt, origineel van deze band McKendree Spring. Linda Ronstadt staat centraal in The Originals, niet enkel vandaag, zelfs de hele maand oktober! Zoveel heeft zij gecoverd dat wij graag rond haar persoon bijeen brengen, in originele versie uiteraard. Met haar eerste bandje The Stone Poneys scoorde ze bescheiden in 1967 met deze Different Drum van de Greenbriar Boys. 3 Different Drum (Nesmith) Vanguard GREENBRIAR BOYS YT 4 Silver Threads And Golden Needles (Reynolds) Capitol WANDA JACKSON YT Dit zijn The Originals met Wanda Jackson en Silver Threads And Golden Needles, haar B-kant van Hot Dog in 1956; er is geen oudere. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Multidisciplinary Association for Psychedelic Studies
MULTIDISCIPLINARY ASSOCIATION FOR PSYCHEDELIC STUDIES VOLUME X NUMBER 3 PSYCHEDELICS & CREATIVITY 2 m a p s • v o l u m e X n u m b e r 3 • c r e a t i v i t y 2 0 0 0 Creativity 2000 MAPS (Multidisciplinary Association for 1 Introductions Psychedelic Studies) is a membership-based Rick Doblin, Ph.D., Jon Hanna and Sylvia Thyssen organization working to assist psychedelic 4 Psychedelics and the Creation of Virtual Reality researchers around the world design, obtain Excerpted from an interview with Mark Pesce governmental approval, fund, conduct and report on psychedelic research in humans. 6 Visionary Community at Burning Man Founded in 1986, MAPS is an IRS approved By Abrupt 501 (c)(3) non-profit corporation funded 9 The Creative Process and Entheogens by tax-deductible donations. MAPS has Adapted from The Mission of Art previously funded basic scientific research By Alex Grey into the safety of MDMA (3,4-methylene- 12 Left Hand, Wide Eye dioxymethamphetamine, Ecstasy) and has By Connor Freff Cochran opened a Drug Master File for MDMA at the U.S. Food and Drug Administration. MAPS is 17 Huxley on Drugs and Creativity Excerpted from a 1960 interview for The Paris Review now focused primarily on assisting scientists to conduct human studies to generate 18 Ayahuasca and Creativity essential information about the risks and By Benny Shanon, Ph.D. psychotherapeutic benefits of MDMA, other 20 MAPS Members Share Their Experiences psychedelics, and marijuana, with the goal Anecdotes by Abram Hoffer, M.D., Ph.D., FRCP(C), of eventually gaining government Dean Chamberlain, Dan Merkur, Ph.D., Sam Patterson, approval for their medical uses. -
FAKE BOOKS Catalog
2006 Music Dispatch FAKE BOOKS Catalog 8 BEGINNING FAKE BOOKS 27 BEST CHORD CHANGES 24 GUITAR FAKE BOOKS 25 JAZZ BIBLE SERIES 34 LYRIC COLLECTIONS 32 LYRIC LIBRARY 28 PAPERBACK SONGS 2 REAL BOOKS 26 REAL LITTLE FAKE BOOKS ORDER TODAY! 1-800-637-2852 www.musicdispatch.com 2 FAKE BOOKS The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. We are very proud to offer the first legitimate and legal editions of these books ever produced. You won’t even notice the difference, other than that all of the notorious errors have been fixed: the covers and typeface look the same, the song lists are nearly identical, and the prices for our editions are even more affordable than the originals! Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time! THE REAL BOOK – VOLUME 1 SIXTH EDITION 400 songs, including: Afternoon in Paris • Agua De Beber (Water to Drink) • Alfie • All Blues • All of Me • All the Things You Are • Alright, Okay, You Win • Anthropology • April in Paris • Au Privave • Autumn in New York • Autumn Leaves • Bewitched • Black Coffee • Black Orpheus • Blue Bossa • Blue in Green • Bluesette • Body and Soul • Boplicity (Be -
Soul-Guide.Pdf
Soul – the sub-genres: • The Motown Sound • The Stax/Volt Sound • Atlantic Soul • Philadelphia Soul • 80s Soul/Urban ORIGINS Soul music eventually materialized in the early 1960s. It developed out of the Black music that became popular in the 1950's; that is, American gospel and R&B, performed primarily by black musicians almost exclusively to a black audience. Some of the most successful R&B artists of the 50s were the ones who made it into the pop charts in the 1960s with ‘Soul’ numbers. One such person was Ray Charles who was a major force in the early development of soul music with his unique style, which was of a rich blend of gospel, rhythm and blues and Jazz. musical characteristics Soul music, especially that from the 1960s, was simply ‘pop-orientated’ R&B. Therefore, Soul and R&B performances share common instrumentation, with the performing ensemble divided into a rhythm section and a horn section. Typically, the rhythm section consists of a drum kit, bass (electric or acoustic), piano (sometimes organ instead of or in addition to piano), and guitar, while the horn section features saxophones, trumpets, and occasionally trombones (though confusingly almost never, despite its name, horns). The emphasis on the horn section in most styles of soul and R&B has been one of the ways in which the music has historically been differentiated from white rock music, which has tended to be guitar dominated. Other common musical elements of Soul and R&B music include the use of: (1) the twelve--bar form, using a three line lyric, originating in earlier styles of blues; (2) call and response, whereby a singer or instrumentalist will sing or play a phrase and another vocalist or instrumentalist will answer with another phrase; (3) incessant repetition of musical notes, rhythms, phrases, or verses; the use of blue notes and (5) a tightly integrated and complex blending of instruments, in which it is often difficult to differentiate the separate sounds or instruments being played at a given moment.