DOCSLIB.ORG

L1 LINDORIGINALS 433 6 Oktober 2013 Arnold Rypens

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
L1 LINDORIGINALS 433 6 Oktober 2013 Arnold Rypens L1 LINDORIGINALS 433 6 oktober 2013 Arnold Rypens - Kirsten 3:16 1 Till I'm Too Old To Die Young (Welch) Curb MOE BANDY YT Dit zijn The Originals bij L1 Radio met Moe Bandy in 1987 en de oudste Till I'm Too Old To Die Young. Ruud Herman & Dick Van Altena deden hem dat na, ook Kevin Welch, nochtans de auteur, kwam hier pas later mee én Linda Ronstadt. Allemaal figuren die aan zelfreflectie doen bij zo'n titel, allemaal te oud inmiddels om jong te sterven, alleen wat die laatste betreft, Linda Ronstadt, bij haar is helaas komen vast te staan dat ze nooit meer zal kunnen zingen nu ze aan Parkinson leidt. Krijg zo iets te horen! Dan denk je: niet alleen een hart, ook een stem is Like A Wheel. 3:31 2 Heart Like A Wheel (McGarrigle) Decca McKENDREE SPRING 9 Heart Like A Wheel, een nummer van Kate McGarrigle, bekend van Linda Ronstadt, origineel van deze band McKendree Spring. Linda Ronstadt staat centraal in The Originals, niet enkel vandaag, zelfs de hele maand oktober! Zoveel heeft zij gecoverd dat wij graag rond haar persoon bijeen brengen, in originele versie uiteraard. Met haar eerste bandje The Stone Poneys scoorde ze bescheiden in 1967 met deze Different Drum van de Greenbriar Boys. 3 Different Drum (Nesmith) Vanguard GREENBRIAR BOYS YT 4 Silver Threads And Golden Needles (Reynolds) Capitol WANDA JACKSON YT Dit zijn The Originals met Wanda Jackson en Silver Threads And Golden Needles, haar B-kant van Hot Dog in 1956; er is geen oudere. Daarvoor The Greenbriar Boys en Different Drum en de link tussen de twee is Linda Ronstadt, de silver & gold voice die door een slopende ziekte niet meer naar behoren kan glanzen en daarom voor eeuwig zal zwijgen. Moet pijnlijk zijn. Wij voelen mee. Are My Thoughts With You, zong zij in 1970 op haar lp Silk Purse, origineel van Mickey Newbury. 5 Are My Thoughts With You (Newbury) RCA MICKEY NEWBURY YT Mickey Newbury op zijn lp Harlequin Melodies uit 1968, met zijn versies van zijn hitsongs, in dit geval latere hits voor The First Edition, Linda Ronstadt en Etta James. Deze hier kennen we naast Linda Ronstadt ook van Leo Kottke, Bonnie Raitt, Jim Dickinson en Willy DeVille: Louise van en door Paul Siebel. 6 Louise (Siebel) Elektra PAUL SIEBEL YT 3:48 7 Love Has No Pride (Kaz/Titus) WB BONNIE RAITT 6 Een jonge Bonnie Raitt in 1972, dit moeten The Originals zijn. You bet! Love Has No Pride kennen we achteraf ook van Linda Ronstadt tot Paul Young en bij ons Ricky Koole. In datzelfde 1972 nam de toen al even jong als knappe Linda I Still Miss Someone op van Johnny Cash. 2:35 8 I Still Miss Someone (Cash) Columbia JOHNNY CASH 15 2:22 9 I Can't Help It If I'm Still In Love With You MGM HANK WILLIAMS 19 I Can't Help It If I'm Still In Love With You van Hank Williams, na I Still Miss Someone de tweede verwijzing naar Johnny Cash en in ons geval Linda Ronstadt. Zij staat centraal in The Originals deze hele maand oktober, omdat ze dus haar stem niet langer naar behoren kan gebruiken en oh ironie, ook hier zal je die nauwelijks horen want zowat al haar hits zijn covers! 2:33 10 You're No Good (Ballard) Jubilee DEE DEE WARWICK BTWH1/16 You're No Good door Dee Dee Warwick, het jongste zusje van Dionne, in 1963. Werd in 1974 de grootste hit voor Linda Ronstadt, haar enige n°1 US. Auteur Clint Ballard Jr. schreef ook Gotta Get A Hold Of Myself voor diezelfde Dee Dee Warwick (waarmee die The Zombies voor was) en de Engelse n°1 I'm Alive van The Hollies. Maar we dwalen af. Love Is A Rose was Linda Ronstadt op het lijf geschreven, heeft ze van Neil Young, die de melodie eerder al gebruikte in zijn Dance Dance Dance. Daarvan kwam eerst een versie uit op de debuut-lp van Crazy Horse, maar Neil's Massey Hall concert uit zijn Archives serie is ouder. 2:06 11 Dance Dance Dance (Young) Reprise NEIL YOUNG 16 Dit zijn The Originals bij L1 Radio met Neil Young's Dance Dance Dance, de melodische blauwdruk van Love Is A Rose. Little Feat time in deze Linda Ronstadt reeks; mogen we zomaar niet voorbij laten gaan. Ze coverde om te beginnen Willin' van hun debuut-lp, wat eigenaardig genoeg eerder op plaat is gezet door deze Johnny Darrell. 12 Willin' (George) UA JOHNNY DARRELL DALET? 2:34 13 Roll Um Easy (George) WB LITTLE FEAT 3 Roll Um Easy, verborgen pareltje uit Little Feat's Dixie Chicken-lp, echter niet voor Linda Ronstadt in the old days, de gebroeders Chris & Rick Robinson van The Black Crowes in the new days en J.D. Souther op een Lowell George tribute in between. Overigens is het hier net zo goed John David Souther tijd in The Originals want Linda Ronstadt coverde ook gretig van hem. Het titelnummer van haar fameuze Prisoner In Disguise- lp uit 1975 draagt de signatuur van J.D. Souther. The Souther-Hillman- Furay Band. 14 Prisoner In Disguise (Souther) cass Asylum SOUTHER HILLMAN FURAY BAND 644-2 15 Simple Man, Simple Dream (Souther) cass Asylum JOHN DAVID SOUTHER 637-2 John David Souther in The Originals, Simple Man, Simple Dream, gecoverd door Linda Ronstadt op haar lp Simple Dreams in 1977. Daarvoor het twee jaar oudere Prisoner In Disguise, ook met J.D. Souther, Chris Hillman en Richie Furay. Linda had toen echt een zwak voor john David's composities: zijn Faithless Love stond al op haar lp Heart Like A Wheel en dan zijn er ook nog Silver Blue, White Rhythm & Blues, Don't Cry Now en I Can Almost See It. En is er nu werkelijk niks wat zij als eerste opnam, zodat we - al was het slechts één keer - die stem van haar nog eens horen? Vooruit dan. Lo Siento Mi Vida uit haar lp Hasten Down The Wind, dank zij twee Belgische covers: Los Machucambos en Erik Van Neygen & Sanne. 16 Lo Siento Mi Vida (Edwards/Ronstadt) Asylum LINDA RONSTADT YT Linda Ronstadt in The Originals, de vrouw waar het hier een maand lang om te doen is, niet dat ze dood is, alleen monddood helaas, wat een kwelling moet zijn. Slotnummer van deze eerste aflevering: Dolly Parton's I Will Always Love You. Linda was namelijk de allereerste die dat coverde. Eindafk. 3:08 17 I Will Always Love You (Parton) RCA DOLLY PARTON L119b 11 18 Body And Soul (Green) CARROLL CHANNING .
Load more

Recommended publications
  • LINDA RONSTADT 30 Unsterbliche Songs Der Fantastischen Sängerin Aus Fast Drei Dekaden Auf Zwei Cds! Ab 21
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] LINDA RONSTADT 30 unsterbliche Songs der fantastischen Sängerin aus fast drei Dekaden auf zwei CDs! Ab 21. August 2015 LINDA RONSTADT gehört zu den erfolgreichsten Künstlerinnen des Westcoast und Countryrock, aber ihre Fähigkeiten greifen weit über Genregrenzen hinaus. Mit ihrer unvergleichlichen Stimme, die gleichzeitig zart und kraftvoll sein kann, produzierte sie Dutzende von Hits und verkaufte sie seit 1968 weit über 100 Millionen Alben. Zahllose Auszeichnungen, darunter allein 11 Grammys und ein Golden Globe für ihre Rolle im Broadway Musical „The Pirates of Penzance“, machten sie zu einer der gefeiertsten Künstlerinnen Amerikas. Im vergangenen Jahr wurde sie von US-Präsident Obama mit der Kunstmedaille der Vereinigten Staaten ausgezeichnet und in die Rock’n’Roll Hall Of Fame aufgenommen. Die Retrospektive Just One Look: The Very Best Of LINDA RONSTADT wirft einen intensiven Blick auf ihre außergewöhnliche Karriere und bringt ihre besten Aufnahmen auf zwei CDs zusammen! Die Sammlung mit 30 Songs umfasst alles in allem 26 Jahre und enthält Aufnahmen aus 11 ihrer Studio-Alben. Mit dabei ist auch ihr allererster großer Hit Different Drum, der von Monkees-Mitglied Mike Nesmith geschrieben wurde und den LINDA RONSTADT für das zweite Album ihres kurzlebigen Folk-Rock-Trios The Stone Poneys aufgenommen hatte. Disc 1 vollzieht den bahnbrechenden Aufstieg in den Siebzigern nach, der LINDA RONSTADT als eine der erfolgreichsten Sängerinnen etablierte. Es waren Songs wie Love Has No Pride aus dem 1973er Album Don’t Cry Now und You’re No Good aus dem mehrfach mit Platin ausgezeichneten Grammy-Album Heart Like A Wheel (1974), die ihr einen massiven Durchbruch verschafften.
    [Show full text]
  • Karla Bonoff Still Loves the Stage by Jon Matsumoto for the Mercury News 12/03/2009
    Karla Bonoff still loves the stage By Jon Matsumoto For the Mercury News 12/03/2009 In 1976, Karla Bonoff had three of her songs included on Linda Ronstadt's hit album "Hasten Down the Wind." Thirteen years later, Ronstadt sang three more of her tunes on another popular album called "Cry Like a Rainstorm, Howl Like the Wind." One of those tracks, "All My Life," earned Rondstadt and her duet partner Aaron Neville a Grammy Award for Best Pop Vocal Duo. Toss in a 1993 No. 1 country hit Wynonna Judd scored with her song "Tell Me Why" and the impression you might get is that Bonoff is first and foremost a songwriter. In actuality, the Los Angeles-bred artist feels she has always been as much a vocalist and performer as she is a tunesmith. "I don't separate them, because I've written songs and performed from the beginning," Bonoff says. "People know me as a songwriter because other people recorded my songs, but I can't really separate those things." This weekend, Bonoff will showcase her skills as a performer and singer in shows in Berkeley and Santa Crus. Sprinkled in with her catalog material will be some more recent songs that were featured on her 2007 concert CD, "Karla Bonoff Live." On stage, she will be backed by her longtime collaborator Kenny Edwards on bass, guitar, mandolin and vocals and guitarist Nina Gerber. Bonoff began performing at open mike nights at L.A.'s famed Troubadour club when she was just 16. After briefly attending UCLA in the late '60s, she was part of a short-lived band called Bryndle.
    [Show full text]
  • Mr Paul Barker
    RECEIVED 0 5 JUL 201Z HOUSE OF REPRESENTATIVI8 STANDING COMMITTBI ON INFRASTRUCTURE AND COMMUNICATIONS The Committee Secretary House of Representatives Standing Committee on Infrastructure and Communications P.O.BOX 6021 PARLIAMENT HOUSE CANBERRA ACT 2600 AUSTRALIA, Dear Sir or Madam, A simple, brief and hopefully to the point illustration of the ongoing exploitation of the Australian consumer by the world's largest music retailer, Apple's " i-tunes" I enclose examples of what would be described as a "back catalogue" item with a Nine (9) dollar difference in pricing, with the Australian dollar sitting at parity with the US dollar. This is how it is with most music products, 1000's of pages of submission are not needed, just ask Apple to explain, justify this example , I understand that if Apple set their price and people pay then the argument for it to stop seems weak but their pricing is immoral and exploitative . They know they are the market leader and use their market power to make excessive profits. It seems that they have been guilty of this sort of behaviour in other countries and have been forced to change their pricing, In America they were seen to be charging an unfair price for their sonically inferior product when compared with the CD and were forced to change their pricing. They have been censured recently over their immoral advertising of products and "4G" compatibility Hopefully something can be done to ensure that Australia is not just an easy target for huge corporations like Apple Yours sincerely PAUL BARKER Music a Rock i Warren Zevon Album Review After the release of Warren Zevon's fourth album, Bad Luck Streak in Dancing School, he was clean and sober for the first time years, and on-stage he was determined to make the most of his newrtound strength and self-control.
    [Show full text]
  • Copyrighted Material
    bindex.qxd 3/29/06 12:21 PM Page 309 Index Albums are set in italic type. Song titles are set within quotation marks. Film titles set in italic type are qualified. Page numbers in italic type refer to illustrations. A&M Records, 46, 64, 65–66, 82, 85, Ashby, Hal, 153 111, 131, 156–157, 238, 240 Asher, Jane, 108 Acevedo, Susan, 80, 147 Asher, Peter, 110, 152, 183 Ackles, David, 71 on Geffen and Roberts, 128, 133–134 “Act Naturally,” 57 as record producer, 199–200, 223, 224, Adler, Lou, 4, 6, 91, 96, 131, 143, 218 233, 246 Mamas and Papas and, 31, 93, 110 Taylor and, 108–109, 124, 199 Monterey Pop Festival and, 18 Ash Grove, 2–3, 4, 57, 78 Ode label and, 110–111 Ashley, Ted, 51, 233, 234 Roxy club and, 179, 201 Asylum Records, 136, 138, 141, 191–199, After the Gold Rush, 121, 147, 206, 207 211, 222, 240, 242, 246, 251, 265 Ahern, Paul, 151, 195 Byrds and, 157, 158 “Albuquerque,” 206 drug use at, 238–239 “All I Want,” 125 Eagles and, 135–136, 138, 141, “Almost Cut My Hair,” 119 150–152, 195 Alpert, Herb, 65, 66, 84, 91 Elektra merger, 209–215 “Already Gone,” 212 Geffen and, 110, 131, 133, 135–142, Altamont Festival, 85, 96–97 151, 152, 191–193, 195, 197 Altman, Robert, 218–219 See also Elektra-Asylum “Amelia,” 264 Atlantic Records, 13, 52, 119, 120, 129, America, 193, 196, 214, 239 130, 192, 196, 209–210, 235 American Beauty, 65, 157 Autumn Records, 10 American Dream,COPYRIGHTED263 Axton, MATERIAL Hoyt, 218 Amos Records, 72, 74, 136 Azoff, Irving, 184, 203, 222, 254.
    [Show full text]
  • 500 Songs, 1 Day, 1.79 GB
    Page 1 of 15 WCBS 500 songs, 1 day, 1.79 GB Artist Name Album Time Year Ad Libs The Boy from New York City single 2:57 1964 Al Green Tired of Being Alone Al Green Gets Next to You 2:43 1971 America A Horse With No Name America Live 4:08 1977 America Sister Golden Hair Hearts 3:20 1975 Andrews Sisters Boogie Woogie Bugle Boy Buck Privates 2:45 1941 Angels My Boyfriend's Back single 2:11 1963 Archie Bell & the Drells Tighten Up Tighten Up 2:40 1968 Archies Sugar Sugar Everything's Archie 2:44 1969 Aretha Franklin Think Aretha Now 2:18 1968 Aretha Franklin Respect I Never Loved a Man the Way I Lo… 2:28 1967 Aretha Franklin I Never Loved a Man (The Way I Lo… I Never Loved a Man the Way I Lo… 2:52 1967 Aretha Franklin Think The Queen of Soul [CD2] 2:19 2014 Aretha Franklin Rock Steady Young, Gifted and Black 3:14 1971 Association Cherish And Then... Along Comes the Ass… 3:29 1969 Association Along Comes Mary And Then... Along Comes the Ass… 2:52 1969 Association Windy Insight Out 2:55 1967 Association Never My Love Insight Out 3:12 1967 B.J. Thomas Raindrops Keep Falling on My Head Butch Cassidy and the Sundance… 2:59 1969 Bachman–Turner Overdrive Taking Care Of Business Bachman–Turner Overdrive II 4:48 1973 Badfinger Come and Get it Magic Christian Music 2:23 1970 Badfinger No Matter What No Dice 2:58 1970 Badfinger Day After Day Straight Up 3:09 1971 Band The Night They Drove Old Dixie Down The Band 3:31 1969 Band The Weight Music From Big Pink 4:39 1968 Barry Mann Who Put the Bomp (in the Bomp, B… single 2:46 1961 Beach Boys I Get Around All Summer Long 2:15 1964 Beach Boys Good Vibrations Altobello Selects 3:38 1966 Beach Boys Help Me, Rhonda The Beach Boys Today! 2:48 1965 Beach Boys Barbara Ann Beach Boys' Party! 2:20 1965 Beach Boys Wouldn't It Be Nice Pet Sounds 2:25 1966 Beach Boys Sloop John B Pet Sounds 2:58 1966 WCBS Page 2 of 15 Artist Name Album Time Year Beach Boys God Only Knows Pet Sounds 2:52 1966 Beach Boys Don't Worry, Baby Shut Down, Vol.
    [Show full text]
  • WCXR 2004 Songs, 6 Days, 11.93 GB
    Page 1 of 58 WCXR 2004 songs, 6 days, 11.93 GB Artist Name Time Album Year AC/DC Hells Bells 5:13 Back In Black 1980 AC/DC Back In Black 4:17 Back In Black 1980 AC/DC You Shook Me All Night Long 3:30 Back In Black 1980 AC/DC Have a Drink on Me 3:59 Back In Black 1980 AC/DC Dirty Deeds Done Dirt Cheap 4:12 Dirty Deeds Done Dirt… 1976 AC/DC Squealer 5:14 Dirty Deeds Done Dirt… 1976 AC/DC Big Balls 2:38 Dirty Deeds Done Dirt… 1976 AC/DC For Those About to Rock (We Salute You) 5:44 For Those About to R… 1981 AC/DC Highway to Hell 3:28 Highway to Hell 1979 AC/DC Girls Got Rhythm 3:24 Highway to Hell 1979 AC/DC Beating Around the Bush 3:56 Highway to Hell 1979 AC/DC Let There Be Rock 6:07 Let There Be Rock 1977 AC/DC Whole Lotta Rosie 5:23 Let There Be Rock 1977 Ace Frehley New York Groove 3:04 Ace Frehley 1978 Aerosmith Make It 3:41 Aerosmith 1973 Aerosmith Somebody 3:46 Aerosmith 1973 Aerosmith Dream On 4:28 Aerosmith 1973 Aerosmith One-Way Street 7:02 Aerosmith 1973 Aerosmith Mama Kin 4:29 Aerosmith 1973 Aerosmith Rattkesnake Shake (live) 10:28 Aerosmith 1971 Aerosmith Critical Mass 4:52 Draw the Line 1977 Aerosmith Draw The Line 3:23 Draw the Line 1977 Aerosmith Milk Cow Blues 4:11 Draw the Line 1977 Aerosmith Livin' on the Edge 6:21 Get a Grip 1993 Aerosmith Same Old Song and Dance 3:54 Get Your Wings 1974 Aerosmith Lord Of The Thighs 4:15 Get Your Wings 1974 Aerosmith Woman of the World 5:50 Get Your Wings 1974 Aerosmith Train Kept a Rollin 5:33 Get Your Wings 1974 Aerosmith Seasons Of Wither 4:57 Get Your Wings 1974 Aerosmith Lightning Strikes 4:27 Rock in a Hard Place 1982 Aerosmith Last Child 3:28 Rocks 1976 Aerosmith Back In The Saddle 4:41 Rocks 1976 WCXR Page 2 of 58 Artist Name Time Album Year Aerosmith Come Together 3:47 Sgt.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • May 6 May 13
    MAY 6 ISSUE MAY 13 Orders Due April 8 10 Orders Due April 15 axis.wmg.com 5/3/16 AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE 10,000 Maniacs In My Tribe (180 Gram Vinyl) ECG A 081227947248 60738 21.98 4/1/16 10,000 Maniacs Our Time In Eden (180 Gram Vinyl) ECG A 081227947231 61385 21.98 4/1/16 Last Update: 01/09/13 For the latest up to date info on this release visit axis.wmg.com. ARTIST: 10,000 Maniacs TITLE: In My Tribe (180 Gram Vinyl) Label: ECG/Elektra Catalog Group Config & Selection #: A 60738 Street Date: 05/03/16 Order Due Date: 04/01/16 UPC: 081227947248 Box Count: 30 Unit Per Set: 1 SRP: $21.98 Alphabetize Under: 1 TRACKS Full Length Vinyl 1 Side A Side B 01 What's The Matter Here 01 Gun Shy 02 Hey Jack Kerouac 02 My Sister Rose 03 Like The Weather 03 A Campfire Song 04 Cherry Tree 04 City Of Angels 05 The Painted Desert 05 Verdi Cries 06 Don't Talk ALBUM FACTS Genre: Rock ARTIST & INFO Hometown: Jonestown, NY MARKETING POINTS Info: -10,000 Maniacs is a NY based alternative rock band, which formed in 1981 and continues to be active with various line-ups; Current band includes Mary Ramsey(lead vocals/viola), Jerry Augustyniak(drums/vocals), Dennis Drew(keyboards/vocals), Jeff Erickson(guitar), Steve Gustafson(bass/vocals).-past releases on Elektra & Bar/None Records include "In My Tribe" which was voted one of the 100 most important releases of the decade by Rolling Stone Jan/Feb 2013 live dates around East Coast/Midwest © 2016 Warner Elektra Atlantic Corporation | Terms of Use | Privacy Policy Last Update: 01/09/13 For the latest up to date info on this release visit axis.wmg.com.
    [Show full text]
  • Copy 16 of DOC016
    PAGE SEE ~ J}0 f? TWO lRfIFORNIATech EDITORIAL C Volume LXXVIII, Numher 8 Pasadena, Califomia Friday, November 12, 1976 Eight Pages Free Will More Than a Wish? A new view of the nature of "In effect, the change means consciousness and the relation of ... that the whole value-rich mind to brain, elevating the role qualitative world of inner con­ of subjective conscious exper­ scious subjective experience (in ience to that of "a top level other words, the world of the causal control in brain function," humanities) that has long been was described last Sunday night explicitly excluded from the by Dr. Roger Sperry, Hixon domain of science ... is now Professor of Psychobiology here reinsta ted. at Caltech. "In the revised scheme, con­ In contrast to the past scious mental phenomena have a treatment of conscious mind in place and a use in brain function science as "some kind of non­ and a reason for having been causal epiphenomenon," con­ evolved in a physical system." sciousness is now emerging as A consequence of the change "an active causal property of is that many of the more high order brain processing" that mechanistic aspects of science can move matter in the brain, that the humanities have had Dr. Sperry told the presidential difficulty relating to no longer symposium at the sixth annual apply in the new framework, meeting of the Society for explained Dr. Sperry, adding: Neuroscience. "Science, and particularly be­ The new concept has been havioral· science, gets a new look evolving gradually over a ten-year on these terms to become much period in contrasting with the more ..
    [Show full text]
  • A Mad Magical Poet: Essays on the Life and Art of Warren Zevon
    Grand Valley State University ScholarWorks@GVSU Honors Projects Undergraduate Research and Creative Practice 4-2020 A Mad Magical Poet: Essays on the Life and Art of Warren Zevon Zachary E. Tenney Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/honorsprojects Part of the Comparative Literature Commons, and the Musicology Commons ScholarWorks Citation Tenney, Zachary E., "A Mad Magical Poet: Essays on the Life and Art of Warren Zevon" (2020). Honors Projects. 774. https://scholarworks.gvsu.edu/honorsprojects/774 This Open Access is brought to you for free and open access by the Undergraduate Research and Creative Practice at ScholarWorks@GVSU. It has been accepted for inclusion in Honors Projects by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. A Mad Magical Poet Essays on the Life and Art of Warren Zevon by Zachary E. Tenney Submitted for Completion of the Senior Project to the Frederik Meijer Honors College Grand Valley State University April 25th, 2020 1 Dedicated warmly to my high school buddy, Kyle Hodgson, whose simple “You should listen to this guy” sent me on the most meaningful music journey of my life. And, for giving Warren Zevon a career: Thanks always to Jackson! 2 Author’s Note and Acknowledgements The following text consists of an introduction detailing my personal relationship with Warren Zevon’s music, followed by three essays of a critical/analytical nature on different aspects of Zevon’s career: 1) a general overview of Zevon’s appeal as a literary and philosophical figure, 2) an exploration of his environmental crisis song, “Run Straight Down,” and 3) a commentary on the role of violence in Zevon’s songs.
    [Show full text]
  • Musicians List Pdf Site
    lin’/2002, west coast coolin’/2004, stay with me/2007 – Paul Brown white sand/2007 – Jonathan Butler surrender/2002 Alex Acuña – Cafe Soul All Stars/Love Pages various artists/2005 – Vanessa Carlton be not nobody/2002 – Chiara Civello last quarter percussion, drums moon/2005 – Steve Cole between us/2000, ny la/2003 – Brian Culbertson nice & slow/2001, come on up/2003, it’s on Los Angeles - 1978-2007 tonight/2005, a soulful christmas/2006 – Eric Darius just getting started/2006 – Will Downing emotions/2003, soul sym- AO R Light Mellow cool sound edition/2001 – AO R Light Mellow warner edition/2001 – Anri 16th summer breeze/1994, phony/2005 – George Duke duke/2005 – Richard Elliot chill factor/1999, crush/2001 – Forever, for always, for luther twin soul/1997 – David Baerwald bedtime stories/1990 – David Benoit full circle/2006 – Stephen Bishop saudade/2007 various artists/2004 – Michael Franks rendezvous in rio/2006 – Kenny G paradise/2002 – Jeff Golub do it again/2002, soul – Boys Club boys club/1988 – Brian Bromberg choices/2004 – Jackson Browne world in motion/1989 – Severin Browne sessions/2003 – Euge Groove euge groove/2000, play date/2002, livin’ large/2004 – Everette Harp for the love/2000, all from the edge of the world/1995 – Larry Carlton friends/1983, last nite/1987, kid gloves/1992 – Oscar Castro-Neves all for you/2004, in the moment/2006 – Paul Jackson, Jr. the power of the string/2001, still small voice/2003 – Bob James one/2006 – Joe Cocker night calls/1991 – Shawn Colvin fat city/1992 – Rita Coolidge and so is love/2005
    [Show full text]
  • October 1985
    VOL. 9, NO. 10 FEATURES Cover Photo by Robert Santelli CHRIS PARKER Parker, one of today's most in-demand studio drummers, has recorded with a wide variety of musical greats, including Miles Davis, Aretha Franklin, Gladys Knight & The Pips, James Brown, Bette Midler, and Rod Stewart. He has also been the drummer for such bands as The Brecker Brothers, Stuff, and most recently, his own group Joe Cool. Here, Chris discusses the qualities of a good studio drummer, the role of electronics in the studio, and his work as a songwriter. Stewart by Robert Santelli 8 CHRIS SLADE Charles When Jimmy Page decided to return from his self-imposed by five-year exile from the music business, he wanted highly talented Photo musicians for his new band, The Firm. His choice on drums was Chris Slade, who in Page's words is "an extremely powerful and technical drummer." In this MD exclusive, Slade discusses his prestigious and varied career, including his work with Tom Jones, Manfred Mann, Uriah Heep, and Pink Floyd's David Gilmour, as well as his most recent success with The Firm. Jachles by Teri Saccone 14 S. MICKEY ROKER To have held the drum chair in Dizzy Gillespie's band for a number Michael of years would be a sufficient achievement for most drummers, but by for Mickey Roker, it is only one of many accomplishments. In his first MD interview, Roker recalls his years as one of the regular Photo drummers for Blue Note Records, and talks about his current gig with Milt Jackson.
    [Show full text]