DOCSLIB.ORG

Copyrighted Material

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Copyrighted Material bindex.qxd 3/29/06 12:21 PM Page 309 Index Albums are set in italic type. Song titles are set within quotation marks. Film titles set in italic type are qualified. Page numbers in italic type refer to illustrations. A&M Records, 46, 64, 65–66, 82, 85, Ashby, Hal, 153 111, 131, 156–157, 238, 240 Asher, Jane, 108 Acevedo, Susan, 80, 147 Asher, Peter, 110, 152, 183 Ackles, David, 71 on Geffen and Roberts, 128, 133–134 “Act Naturally,” 57 as record producer, 199–200, 223, 224, Adler, Lou, 4, 6, 91, 96, 131, 143, 218 233, 246 Mamas and Papas and, 31, 93, 110 Taylor and, 108–109, 124, 199 Monterey Pop Festival and, 18 Ash Grove, 2–3, 4, 57, 78 Ode label and, 110–111 Ashley, Ted, 51, 233, 234 Roxy club and, 179, 201 Asylum Records, 136, 138, 141, 191–199, After the Gold Rush, 121, 147, 206, 207 211, 222, 240, 242, 246, 251, 265 Ahern, Paul, 151, 195 Byrds and, 157, 158 “Albuquerque,” 206 drug use at, 238–239 “All I Want,” 125 Eagles and, 135–136, 138, 141, “Almost Cut My Hair,” 119 150–152, 195 Alpert, Herb, 65, 66, 84, 91 Elektra merger, 209–215 “Already Gone,” 212 Geffen and, 110, 131, 133, 135–142, Altamont Festival, 85, 96–97 151, 152, 191–193, 195, 197 Altman, Robert, 218–219 See also Elektra-Asylum “Amelia,” 264 Atlantic Records, 13, 52, 119, 120, 129, America, 193, 196, 214, 239 130, 192, 196, 209–210, 235 American Beauty, 65, 157 Autumn Records, 10 American Dream,COPYRIGHTED263 Axton, MATERIAL Hoyt, 218 Amos Records, 72, 74, 136 Azoff, Irving, 184, 203, 222, 254. See also Anderle, David, 23, 24, 28, 29, 87–88, under Eagles 91, 94, 103, 127, 131, 269, 272 Andes, Mark, 206 Babitz, Eve, 61, 77, 85, 136, 154, And So: On, 133 187–188 Anger, Kenneth, 97 Troubadour and, 67, 73, 74, 243 Annie the Junkie, 28 “Babylon Sisters,” 232 Apple, 64, 108 Back Porch Bluegrass, 57, 65 Archer, Lew, 260 Bad Love, 270 “Arrangement, The,” 123 Baez, Joan, 264 309 bindex.qxd 3/29/06 12:21 PM Page 310 310 INDEX Balin, Marty, 96 Brandt, Jerry, 50 Band, 59–60, 88, 89, 215, 248 Brandt, Steve, 94 Banham, Reyner, 95–96, 268 Bread, 229 Barbata, Johnny, 172 “Brides of Jesus,” 89 Barrère, Paul, 90, 230, 256–257 Briggs, David, 49, 72, 79, 205 Barron, Ronnie, 241 Bright Lights and Country Music, 62 Battin, Skip, 86 Brogan, Bill, 29 Battiste, Harold, 87 “Broken Arrow,” 42, 149 Beach Boys, 8, 9–10, 58, 71, 80n, 91, 94 Brooks, Albert, 253 Beatles, 4, 9, 10, 13, 33, 42, 57, 63–64, Brown, Jerry, 198, 253 108, 114, 236 Brown, Nancy, 235 Beatty, Warren, 94, 143, 219 Browne, Jackson, 2, 5, 8, 17, 23, 25–29, Beau Brummels, 10 42, 49, 53, 54, 67–71, 109, 114, Beck, Don, 66 129–130, 132–136, 138, 141, 143, Becker, Walter, 232 144, 152, 160, 176, 177, 180, “Before the Deluge,” 222, 247 191–198, 211, 213, 229–230, 244, 269 Before the Flood, 215 on Asylum, 130, 132–134, 203, Beggars Banquet, 47, 87 222–223 Bergen, Candice, 95 Eagles and, 150, 151, 178, 195, 196, Bergman, Jo, 154 248 Berline, Byron, 66, 154 George’s death and, 257 Berman, Wallace, 78 Major and, 197–198, 247 Bernstein, Joel, 37, 38, 39, 54, 77–78, Running on Empty, 258 119, 120, 269 social/political causes and, 259, 260 Berry, Bruce, 205 solo career, 139, 196–198 “Be Still,” 94 Troubadour and, 67, 68, 69, 71, 226, “Best of My Love,” 212–213, 224 267 Big Brother & the Holding Company, 18 Zevon and, 186, 246, 247–248, 259, Big Pink (Woodstock house), 27 260 “Big Yellow Taxi,” 123 Bruce, Denny, 16, 30, 42–43, 47, 80, 106, Binder, Steve, 50 118, 121, 141, 149, 198, 202, 212 black music, 233 Brumley, Tom, 70 Black Rose, 233 Bryndle, 71 “Black Rose,” 233 Buckingham, Lindsey, 252–253 Black Sabbath, 188, 190 Buckingham-Nicks, 252 Blackwell, Chuck, 87 Buckley, Tim, 25, 91, 92, 214–215, 238 Blimp Productions, 114, 137 Buffalo Springfield, 11–17, 39, 42–43, 48, “Blonde in the Bleachers,” 143 58, 60–61, 69, 71, 203, 248–249, 261 Blonde on Blonde, 60 Bullens, Cindy, 241 Blue, 124–125 Burrell, Gretchen, 85, 154, 155, 208 Blue, David, 71, 128, 137, 141, 184, 203, Burrito Deluxe, 153 213, 258 Burton, James, 72, 87, 156 Blue Valentine, 255 Butterfield, Paul, 210 “Boho Dance, The,” 242 Buttrey, Kenny, 147, 148 Bonoff, Karla, 71, 229 Byrds, 5, 7, 8, 11, 12, 24, 27, 56, 69, 87, Born to Run, 249 89, 94, 207, 251 “Both Sides, Now,” 36, 40, 105 feuds and lineup changes, 15–17, 42, Bourgoise, Dan, 32 61, 63, 64, 82, 86 Bowen, Jimmy, 72, 74, 250 reunion album, 157–158, 179, 203, 240 Bowie, David, 203, 204 Byrds, 157 Boyd, Jenny, 252 Boyd, Joe, 33, 36 “Cactus Tree,” 39–40 Boylan, John, 71, 75, 134, 135, 199 Caine, Allison, 99–100, 103, 104, 125, Bramlett, Bonnie, 87, 230 222 bindex.qxd 3/29/06 12:21 PM Page 311 INDEX 311 Cale, John, 85 “Cocaine,” 258 “California,” 124, 125 Cohen, Andee, 208 California Bloodlines, 60 Cohen, Herb, 4, 71, 91, 212, 214 “California Dreamin’,” 6 Cohen, Leonard, 107 Cammell, Donald, 47, 48, 93, 94, 97 “Cold Blue Steel and Sweet Fire,” 143 Campbell, Glen, 7, 63, 87, 133, 242 Cole, Brian, 237 Campbell, Joseph, 73 Cole, Jerry, 87 Canned Heat, 3, 78 Collins, Judy, 36, 100, 101, 106–107, Capitol Records, 33, 57, 58, 71, 198, 118, 211 270–271 Collins, Tommy, 57 Captain Beefheart, 91 “Colors of the Sun,” 25 “Carey,” 124 Columbia Records, 3–4, 5, 24, 37, 63, 64, “Carmelita,” 246 131, 193, 215 “Car on a Hill,” 220 Comes a Time, 262 Carpenters, 229 Companion Music, 192, 246 “Case of You, A,” 124, 125 “Company,” 254 Cash, Johnny, 60, 147 Cooder, Ry, 3, 10, 47, 58, 72, 78, 87, Cassado, Frank and Lucy, 139 113–114, 149, 159 “Change Partners,” 146 as solo artist, 88–89, 188, 232 “Changing Heart,” 157 Cook, Richard, 248, 262 Charles, Ray, 57, 210, 213 Coolidge, Rita, 146 Charone, Barbara, 235 “Coolsville,” 254 Chateau Marmont, 85, 93, 155–156 Cooper, Alice, 91, 188, 203 Chelsea Girl, 26 Cooper, Michael, 154 “Chelsea Morning,” 40, 105 Copeland, Greg, 25, 26 Cher, 201, 210n, 265 Corman, Roger, 61 “Chicago,” 118 Cornyn, Stan, 7, 32–33, 41, 108, 123, “Chicken Little Was Right,” 114 130–131, 140, 172, 210, 268 Cho, Jeannie (“Butchie”), 16, 29 “Cortez the Killer,” 237 Cholodenko, Lisa, 20 Corvettes, 70 “Christian Life, The,” 63 Cotton, Paul, 152 “Christine’s Tune (Devil in Disguise),” 82 “Country Honk,” 81 “Chuck E.’s in Love,” 254 “Country Road,” 109 “Cinnamon Girl,” 79 country rock, 31, 57, 62, 75 “Circle Game, The,” 36, 39 Courson, Pamela, 22–23 Circle Game, The, 26 Court and Spark, 123, 143, 219–220, 222, Ciro’s, 5, 64 242–243, 264 Clapton, Eric, 40, 79, 164 “Cowboy Movie,” 146 Clark, Gene, 55–56, 60, 68, 135, 159, “Cowgirl in the Sand,” 157 179, 251 Crazy Horse, 79, 120, 171, 186, Byrds and, 4–5, 15–16, 42, 56, 205–206, 237 156–158 Crazy Horse, 148 as Dillard and Clark, 64–67, 156, 158, Creedence Clearwater Revival, 88 164 Crill, Chester, 93 solo career, 63–64, 156–157, 240–242 Criteria studio, 260–261 Clark, Rick, 157 Crosby, David, 2, 43–44, 48, 49, 50, 68, Clarke, Michael, 5, 66, 157, 164, 169, 150, 164, 214 179 autobiography, 238 Clayton, Merry, 110 Browne and, 129, 132, 197, 198, 260 Clayton, Sam, 230 Byrds and, 4–5, 15–17, 42, 61, 157, Closing Time, 213 158, 179, 203, 251 Clouds, 105 drug use, 17, 101–102, 235, 239, 260, Coburn, James, 20, 83 263 cocaine. See drug use Elliott and, 7, 16, 17, 30, 42 bindex.qxd 3/29/06 12:21 PM Page 312 312 INDEX Crosby, David (continued) “Different Drum,” 58–59, 71 Geffen and, 53, 54, 103–104, 128, 132, Dillard, Doug, 57–58, 64–67, 68, 71, 164 145, 146–147, 158 Dillard, Rodney, 57–58, 71 Mitchell and, 36–40, 101, 146, 164 Dillard and Clark, 64–67, 156, 158 political causes and, 120, 260 Dillards, 11 See also Crosby and Nash; Crosby, Stills, Diltz, Henry (“Tad”), 4, 5, 12, 20, 30, 40, and Nash; Crosby, Stills, Nash, and 41, 48, 79, 123, 128, 151, 196 Young DiMartino, Dave, 122 Crosby and Nash, 236, 239 Dimitriades, Tony, 129 Crosby, Stills, and Nash (CSN), 51–52, Di Nardo, Connie, 27 99–105, 115, 158, 168, 262 Dixie Chicken, 230 Crosby, Stills, and Nash, 100, 102–103, 119 “Doctor My Eyes,” 132, 152 Crosby, Stills, Nash, and Young (CSNY), Doerge, Craig, 140, 169, 248 105, 112, 115–120, 122, 144–146, Doheny, Ned, 83, 109, 177, 194, 200, 172, 204–205 219 breakup of, 236–237 Asylum and, 136 Geffen and, 116–120, 128, 129, 132, Browne and, 26–28, 144, 197 145, 234–235, 263 Eagles and, 151, 195, 196, 248 reunions, 234–236, 239, 260–261, 263 Geffen and, 136, 137, 141, 192 Crowe, Cameron, 43, 73, 121, 122, 134, Manson and, 94 149, 150, 205, 225, 234, 235, 237, money and, 26, 74, 272 240, 263 Troubadour and, 71, 74 CSN, 262 Doherty, Denny, 6, 11, 30, 56, 95, 153 Dolenz, Mickey, 22 Dalton, David, 96 Donahue, Tom, 10 “Danger Bird,” 237 Don Juan’s Reckless Daughter, 264 Darrow, Chris, 20, 27, 31, 57, 62, 66, 75, “Don’t Be Denied,” 148, 236 109, 152, 160, 197, 240, 269 “Don’t Cry Now,” 199 on Ronstadt, 70–71, 107, 139, 224 Don’t Cry Now, 199 David Geffen Enterprises, 51 Doobie Brothers, 191 Davis, Clive, 18, 51, 52, 127, 131, 193, “Doolin Dalton,” 196 264 Doors, 22–23, 24, 93, 211 Davis, Dickie, 9, 12–13, 14, 43 Douglas, Steve, 87 Davis, Jesse Ed, 157 Dowd, Tom, 210n Davis, Mike, 268 “Down by the River,” 79, 117 Davis, Patti, 240 Dr.
Load more

Recommended publications
  • Greetings from Tim Buckley
    GREETINGS FROM TIM BUCKLEY EEN FILM VAN DAN ALGRANT WILD BUNCH WILLEMSSTRAAT 24 B - 1015 JD – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx GREETINGS FROM TIM BUCKLEY – DAN ALGRANT PROJECT SUMMARY EEN PRODUCTIE VAN FROM A TO Z PRODUCTIONS, SMUGGLER FILMS TAAL ENGELS LENGTE 99 MINUTEN GENRE DRAMA LAND VAN HERKOMST USA FILMMAKER DAN ALGRANT HOOFDROLLEN PENN BADGLEY, IMOGEN POOTS RELEASEDATUM 26 SEPTEMBER 2013 KIJKWIJZER SYNOPSIS In 1991 repeteert een jonge Jeff Buckley voor zijn optreden tijdens een tribute show ter ere van zijn vader, wijlen volkszanger Tim Buckley. Terwijl hij worstelt met de erfenis van een man die hij nauwelijks kende, vormt Jeff een vriendschap met een mysterieuze jonge vrouw die bij de show werkt en begint hij de potentie van zijn eigen muzikale stem te ontdekken. CAST JEFF PENN BADGLEY ALLIE IMOGEN POOTS TIM BEN ROSENFIELD GARY FRANK WOOD JEN JENNIFER TURNER CAROL KATE NASH JANE ISABELLE MCNALLY LEE WILLIAM SADLER HAL NORBERT LEO BUTZ YOUNG LINDA JADYN STRAND RICHARD FRANK BELLO JANINE NICHOLS JESSICA STONE YOUNG LEE TYLER GILHAM SIRENS KEMP AND EDEN C.H. DAVID SCHNIRMAN CARTER STEPHEN TYRONE WILLIAMS MILOS CHRISTOPH MANUEL FRANK DAVID LIPMAN GARY LUCAS GARY LUCAS CREW DIRECTOR DAN ALGRANT SCREENWRITER DAN ALGRANT DAVID BRENDEL EMMA SHEANSHANG CINEMATOGRAPHER ANDRIJ PAREKH EDITOR BILL PANKOW CASTING AVY KAUFMAN PRODUCTION DESIGN JOHN PAINO COSTUME DESIGN DAVID C. ROBINSON ORIGINAL MUSIC GARY LUCAS GREETINGS FROM TIM BUCKLEY – DAN ALGRANT DIRECTOR’S STATEMENT Before GREETINGS FROM TIM BUCKLEY, I had made two short films about my father. When I was 21, I made the first film about how much I hated him when he left my mother.
    [Show full text]
  • Sam Quinn's Posthumous Visit with Gram Parsons by Carole Perkins 2008
    Sam Quinn's Posthumous Visit With Gram Parsons by Carole Perkins 2008 Sam Quinn and his band, the everybodyfields, recently stayed at The Joshua Tree Inn where legendary singer/songwriter Gram Parsons died from a drug and alcohol overdose in 1973 at the age of 26. Quinn, Jill Andrews, Josh Oliver, and Tom Pryor, comprise the everybodyfields whose music has been described as, "a fresh set of fingerprints in the archives of bluegrass, country, and folk music." The band was touring the west coast when Quinn discovered the band was booked to stay at The Joshua Tree Inn. The Joshua Tree Inn is a simple but mythical motel in California, about 140 miles east of Los Angeles. It was popular in the fifties for Hollywood rabble rousers and trendy in the seventies for rockers and celebrities. These days, the main attraction is the room Parsons passed away in, room Number Eight, where thousands of fans pilgrimage every year to pay homage to Parsons. Quinn says he's been a fan of Parsons since he was eighteen but never dreamed he'd be sharing a wall with Parson's old motel room one day. "It was really far out to find out we would be staying in the Joshua Tree Inn. I had just woken up in our van that was parked about a mile away. I knew we'd be in the vicinity of where Gram died but sharing a wall with Gram, no, not a chance," he says. "So we walk into the lobby and the lady at the front desk gives me a key to room Number Seven, the room right next to the one Gram died in.
    [Show full text]
  • RANDY-NEWMAN-Little-Criminals-Songbook-.Pdf
    tFa-. rË I T RandyNewnrran i I LITTLE GRIMIÍ{AI.S RandyNewman has emergedas one of the most importantcom- RANDYNEWMAN posersand songwriters in popularmusic. His rise Írom "cult idol" slatusto hiscurrent international recognition as a giftedperformer andcomposer has been chÍonicled by all forms oÍ media, as well as byfellow artists. Commercially,Newman is best knownas the writeroÍ hrtsongs suchas "lvlamaTold Me Not To Come,"recorded by ThreeDog "l Night,and Thinklt's GoingTo RainToday," recorded by Judy Collinsand Dave Van Ronk, among others. Over the lasl five years, RandyNewman songs have appeared on albumsby inteÍpretersas diverseas Art Garfunkel,Ringo Starr,Barbra Streisand, Etta James,Joe Cocker, Linda Ronstadt, Bonnie Raitt and Sonny Terry & BrownieMcGhee. Newman also received a greatdeal o{ attention for his work on the soundtrackof f\,4ickJagger's Pertormance, in whichhe conducted,sang and accompanied himself on pianoon "GoneDead Train." "RandyNewman's music Bornin New Orleans, Newman moved to CaliÍorniawith his family at is deeplyentrenched in anearly age At6 hebegan playing piano. At 12he díove headlong Americana." intomuslc theory, a studywhich he latercontinued at U.C.L.A. Threeof Newman'suncles, AlÍred. Lionel and Emil,are muchre- spectedconductors and film score composers (in 1972, Newman premieredSail Away at New York'sPhilharmonic Hall with Emil conducting,he debutedGood Old Soys at the AtlanticPhil- harmonrc).From his deceptively simple piano accómpanimênts to hismasterÍul use of full orchestra, Randy Newman's music is deeply entrenchedin Americana.Slrains of SteohenFoster. blues and countryriffs, a sophisticateduse of rhythmand rhymethat echoes theshow tunes and classic pop balladry oÍ PoíteÍ and Gershwin and Hart(Newman, inÍact, began his career writing glossy Brill Building typepop tunes)underlie his work.Many oÍ his songsdeal with ordinarypeople in ordinarysituatjons (he once said that what he reallydoes is putshort stories to music),but no writerin contem- porarymusic has managed to carve out a persona!niche in quite the wayRandy Newman has.
    [Show full text]
  • Tim Buckley Il Navigatore Delle Stelle
    Tim Buckley Il navigatore delle stelle originali scritte dall'ex compagno di scuola - aspirante poeta - Larry Beckett. Abbandonati definitivamente gli studi universitari trova il suo ambiente ideale al losangelino Troubadour. Qui fa amicizia con un chitarrista di squisita tecnica esecutiva, Lee Underwood, e soprattutto è notato da un certo Herb Cohen, astutissimo manager di Frank Zappa e Captain Beefheart, che lo presenta al boss dell'Elektra Jac Holzman. Sottoscritto un contratto con quell'etichetta, in soli tre giorni incide negli studi Sunset Sound il disco di debutto, intitolato semplicemente Tim Buckley, avvalendosi del prezioso supporto di ottimi musicisti. Oltre agli amici Lee Underwood e Jim Fielder (basso), sono della partita Billy Mundi (batteria e percussioni), la stella Van Dyke Parks (piano, celeste, harpsichord) e Jack Nitzsche artefice dei sontuosi arrangiamenti. L'album, in vendita durante le festività natalizie del 1966, inanella una lunga serie di classiche ballate «Lo splendore del sole ricorda i cieli La sua America gli regalerà pochi folk ispirate direttamente a Fred successi, mentre l'Europa lo scoprirà Neil, Tim Hardin e soprattutto a Bob della realtà/Pensavi di stare volando molto tardi con la sola eccezione Dylan (Aren't You The Girl, Song ma hai dovuto aprire gli occhi» della Francia, dove una élite di For Janie, Understand Your Man), Tim Buckley da Pleasant Street persone lo elegge come il più anche se Tim è in grado di grande innovatore della musica a apportare originali e minuziose stelle e strisce dopo Bob Dylan. variazioni armoniche (I Can't See Folksinger di enorme forza e dolcezza, Timothy Charles Buckley III nasce a You).
    [Show full text]
  • L1 LINDORIGINALS 433 6 Oktober 2013 Arnold Rypens
    L1 LINDORIGINALS 433 6 oktober 2013 Arnold Rypens - Kirsten 3:16 1 Till I'm Too Old To Die Young (Welch) Curb MOE BANDY YT Dit zijn The Originals bij L1 Radio met Moe Bandy in 1987 en de oudste Till I'm Too Old To Die Young. Ruud Herman & Dick Van Altena deden hem dat na, ook Kevin Welch, nochtans de auteur, kwam hier pas later mee én Linda Ronstadt. Allemaal figuren die aan zelfreflectie doen bij zo'n titel, allemaal te oud inmiddels om jong te sterven, alleen wat die laatste betreft, Linda Ronstadt, bij haar is helaas komen vast te staan dat ze nooit meer zal kunnen zingen nu ze aan Parkinson leidt. Krijg zo iets te horen! Dan denk je: niet alleen een hart, ook een stem is Like A Wheel. 3:31 2 Heart Like A Wheel (McGarrigle) Decca McKENDREE SPRING 9 Heart Like A Wheel, een nummer van Kate McGarrigle, bekend van Linda Ronstadt, origineel van deze band McKendree Spring. Linda Ronstadt staat centraal in The Originals, niet enkel vandaag, zelfs de hele maand oktober! Zoveel heeft zij gecoverd dat wij graag rond haar persoon bijeen brengen, in originele versie uiteraard. Met haar eerste bandje The Stone Poneys scoorde ze bescheiden in 1967 met deze Different Drum van de Greenbriar Boys. 3 Different Drum (Nesmith) Vanguard GREENBRIAR BOYS YT 4 Silver Threads And Golden Needles (Reynolds) Capitol WANDA JACKSON YT Dit zijn The Originals met Wanda Jackson en Silver Threads And Golden Needles, haar B-kant van Hot Dog in 1956; er is geen oudere.
    [Show full text]
  • Late Sixties Rock MP3 Disc Two Playlist.Pdf
    Late Sixties Rock MP3 Disc Two Playlist Page One Of Three Title Artist Album 01 - Keep on Chooglin’ Creedence Clearwater Revival Bayou Country 02 - Voodoo Child (Slight Return) The Jimi Hendrix Experience Electric Ladyland 03 - Babe I’m Gonna Leave You Led Zeppelin Led Zeppelin I 04 - Move Over Janis Joplin Pearl 05 - Se a Cabo Santana Abraxas 06 - That Same Feelin’ Savoy Brown Raw Sienna 07 - Plastic Fantastic Lover Jefferson Airplane Surrealistic Pillow 08 - My Guitar Wants to Kill Your Mama Frank Zappa Single 09 - Sparks The Who Tommy 10 - Girl with No Eyes It's A Beautiful Day It's A Beautiful Day 11 - As You Said Cream Wheels of Fire 12 - Different Drum Linda Ronstadt & the Stone Poneys Evergreen, Volume 2 13 - These Boots Are Made for Walkin’ Nancy Sinatra Boots 14 - Iron Butterfly Theme Iron Butterfly Heavy 15 - Summertime Blues Blue Cheer Vincebus Eruptum 16 - Mississippi Queen Mountain Climbing! 17 - Working on the Road Ten Years After Cricklewood Green 18 - On the Road Again Canned Heat Boogie with Canned Heat! 19 - Freedom Richie Havens Woodstock 20 - Déjà Vu Crosby, Stills, Nash & Young Déjà Vu 21 - The Best Way to Travel The Moody Blues In Search of the Lost Chord 22 - Big Yellow Taxi Joni Mitchell Ladies of the Canyon 23 - If 6 Was 9 The Jimi Hendrix Experience Axis: Bold as Love 24 - Unconscious Power Iron Butterfly Heavy 25 - Break on Through (To the Other Side) The Doors The Doors 26 - I Feel Free Cream Fresh Cream 27 - I’m Free The Who Tommy 28 - Try (Just a Little Bit Harder) Janis Joplin I Got Dem 0l’ Kozmic Blues
    [Show full text]
  • PRESSBOOK COMPLETO in ITALIANO Di
    La matricola Mike Wazowski ha sognato di diventare uno spaventatore sin da quando era un piccolo mostro e sa meglio di chiunque altro che i migliori spaventatori vengono dalla Monsters University (MU). Ma durante il primo semestre proprio alla MU, i suoi piani vengono sconvolti dall’incontro con lo spocchioso James P. Sullivan, detto “Sulley”, uno spaventatore dal talento naturale. Il loro spirito competitivo fuori controllo li farà cacciare dall’esclusivo programma per spaventatori dell’Università e, come se ciò non bastasse, si renderanno conto che l’unico modo per rimettere le cose a posto sarà quello di lavorare insieme, facendo squadra con un gruppo di mostri scapestrati. Ricco di risate e divertimento, il nuovo capolavoro Disney•Pixar Monsters University è diretto da Dan Scanlon (Cars, Mater and the Ghostlight, Tracy), prodotto da Kori Rae (Up, Gli incredibili, Monsters & Co.) e vanta le musiche del compositore premio Oscar® Randy Newman (Monsters & Co., Toy Story 3), che da quest’anno entrerà a far parte della Rock and Roll Hall of Fame, di Axwell & Sebastian Ingrosso, degli Swedish House Mafia e di Mastodon Il film arriverà nelle sale italiane il 21 agosto 2013, in Disney Digital 3D™. BENVENUTI ALLA MU Gli sceneggiatori riportano i personaggi indietro nel tempo “Volevamo che Monsters University fosse la storia di Mike” afferma il regista Dan Scanlon. “La sua sincerità e il suo spirito d’iniziativa sono irresistibili, la sua ricerca è così personale”. Fin dall’inizio Scanlon era attratto dall’idea di un personaggio alla scoperta di sé. “Impostando la storia nel periodo in cui Mike si avventura per la prima volta nel mondo da solo ci ha permesso di esplorare a fondo questo viaggio di autoconsapevolezza, sperimentando insieme a lui il divertimento, gli alti e bassi, le amicizie e le rivelazioni che si susseguono nella crescita.
    [Show full text]
  • Enterta-Nlllent Page 8, the Retriever, December 10, 1973 , Beach Boys Concert Lacks Vitality and Brian
    Enterta-nlllent Page 8, The Retriever, December 10, 1973 , Beach Boys Concert lacks vitality and Brian The Beach Boys are only human, and frustrating bind-if they don't play the country. Released in January, 1973, it "The Beach Boys in Concert" o (Brother I Reprise ) Recorded during do err. (If Brian were in charge, the old favorites the audience will scream is still the best recording I ha ve heard their summer of 73 tour, it is the first sound would have to be perfect, or it their nostalgic heads off. Con­ this year. Their folIo-up Ip should album by the group that Brian Wilson ust wouldn't. be released) sequently, their new material is have been a well planned monster. has had no invlvement with. Because "In Concert" does have a few bright largely ignored. Instead, the bous have shrugged their of his absnece, the album lacks the moments however. A nice version of When the group asked Brian's opion responsibilities to themselves and energetic vitality of their studio ef­ Brian's "Funky Pretty" is rendet:ed, of the tapes that they planned to, took a breather that will surely hurt forts. Since Brian no longer tours with as well as a nice keyboard jam by release, his immediate response was them. At a crucial point in their the group, their vocal sound shows a Dennis Wilson - on "Leaving this "Don't release it!" They of course, career, they choked under pressure. definte loss. (A prime example of this Town," off of their "Holland" album. became highly pissed off and released It's hard.to say what's ahead for the occurs on "Caroline No," where It would be safe to say that the best it anyway.
    [Show full text]
  • “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
    “What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof.
    [Show full text]
  • 991.Com Sleevenotes : a Blog About Collecting Rare Vinyl 7", 12" & LP
    991.com Sleevenotes : A Blog about Collecting Rare Vinyl 7", 12" & LP... http://991.typepad.com/991sleevenotes/2009/04/wednesdays-forthcoming... 991.com Sleevenotes : A Blog about Collecting Rare Vinyl 7", 12" & LP Records, CDs, Memorabilia & Music home archives 991.com latest arrivals sell to us Wednesday, April 15, 2009 Wednesday's Forthcoming Releases At 991.com Shenker Barden http://991.com/Buy/ProductInformation.aspx?StockNumber=467371 * Scorpions and UFO giant Michael Schenker teams up with the legendary Gary Barden * The follow-up from his hugely successful album "In the Midst of Beauty" released last year * The first album from the Michael Schenker-Gary Barden Acoustic Project * Long-term collaborator, Gary Barden's vocals give the cleverly arranged songs just the touch of soul they need for full impact * With Michael Vetter, Schenker has an experienced producer, a second guitarist and a background vocalist on board, who delivers an outstanding performance * Kai Luennemann on percussion completes the team * An eclectic blend of songs and instruments: * The flamenco guitar with castanets in Dance Lady Gipsy conjures up a hot-blooded gipsy dancing * The fiddle and flutes in Fight For Freedom transport you to beautiful Ireland * The strings form just the right counterpart to Michael's guitar in the wonderful ballad All Of My Life * The mouth organ in Can't Live On Love Alone gives it a hint of the blues The Yardbirds http://991.com/Buy/ProductInformation.aspx?StockNumber=467379 When British groups were being introduced to the world back in the Sixties, their albums were often presented in different formats from the original UK release.
    [Show full text]
  • Randy Newman Stereo Pop Special-72 Mp3, Flac, Wma
    Randy Newman Stereo Pop Special-72 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Stereo Pop Special-72 Country: UK Released: 1974 Style: Classic Rock MP3 version RAR size: 1874 mb FLAC version RAR size: 1936 mb WMA version RAR size: 1704 mb Rating: 4.7 Votes: 144 Other Formats: FLAC VQF MPC VOC AC3 MOD MP2 Tracklist A1 –Randy Newman Don’t Send Me Nobody 1:52 A2 –Randy Newman Give Me A Reason To Live 2:33 A3 –Randy Newman Marie 2:28 A4 –Randy Newman Simon Smith And His Amazing Dancing Bear 1:48 A5 –Randy Newman I’ll Be Home 2:30 A6 –Randy Newman Downtown Birmingham 2:13 A7 –Randy Newman Maybe 2:33 A8 –Randy Newman My Old Kentucky Home 1:40 A9 –Randy Newman Let’s Drop The Big One 1:58 A10 –Randy Newman Dayton Ohio 1:40 A11 –Randy Newman I Think It’s Gonna Rain Today 2:30 B1 –Queen Father To Son 6:00 B2 –Queen Son And Daughter 6:40 B3 –Queen Ogre Battle 4:37 B4 –Queen Liar 7:02 Companies, etc. Recorded At – Paris Theatre, London – A1 to A11 Recorded At – Golders Green Hippodrome, London – B1 to B4 Credits Presenter – Alan Black Notes The Randy Newman concert was recorded at the Paris Theatre, London, UK 1973 or 1974 The Queen concert was recorded at the Golders Green Hippodrome, London, UK 1973-September-13 and first broadcast on BBC Radio 1 - 1973-October-20 Side 1: 28:57 min. Side 2: 26:29 min. Barcode and Other Identifiers Matrix / Runout (Side 1): 135600-S Matrix / Runout (Side 2): 135601-S Related Music albums to Stereo Pop Special-72 by Randy Newman Randy Newman - Live Randy Newman & Paul Simon - The Blues Randy Newman - Naked Man Randy Newman / Arno Hintjens - You've Got A Friend In Me / Je Bent Een Vriend Van Mij Randy Newman - A Bug's Life Various - As Favoritas da Disney Pixar Randy Newman And Paul Simon - The Blues Various - To Infinity And Beyond! (Songs From And Inspired By Toy Story 1 & 2) Randy Newman - The Best Of Various - The Princess And The Frog.
    [Show full text]
  • LINDA RONSTADT 30 Unsterbliche Songs Der Fantastischen Sängerin Aus Fast Drei Dekaden Auf Zwei Cds! Ab 21
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] LINDA RONSTADT 30 unsterbliche Songs der fantastischen Sängerin aus fast drei Dekaden auf zwei CDs! Ab 21. August 2015 LINDA RONSTADT gehört zu den erfolgreichsten Künstlerinnen des Westcoast und Countryrock, aber ihre Fähigkeiten greifen weit über Genregrenzen hinaus. Mit ihrer unvergleichlichen Stimme, die gleichzeitig zart und kraftvoll sein kann, produzierte sie Dutzende von Hits und verkaufte sie seit 1968 weit über 100 Millionen Alben. Zahllose Auszeichnungen, darunter allein 11 Grammys und ein Golden Globe für ihre Rolle im Broadway Musical „The Pirates of Penzance“, machten sie zu einer der gefeiertsten Künstlerinnen Amerikas. Im vergangenen Jahr wurde sie von US-Präsident Obama mit der Kunstmedaille der Vereinigten Staaten ausgezeichnet und in die Rock’n’Roll Hall Of Fame aufgenommen. Die Retrospektive Just One Look: The Very Best Of LINDA RONSTADT wirft einen intensiven Blick auf ihre außergewöhnliche Karriere und bringt ihre besten Aufnahmen auf zwei CDs zusammen! Die Sammlung mit 30 Songs umfasst alles in allem 26 Jahre und enthält Aufnahmen aus 11 ihrer Studio-Alben. Mit dabei ist auch ihr allererster großer Hit Different Drum, der von Monkees-Mitglied Mike Nesmith geschrieben wurde und den LINDA RONSTADT für das zweite Album ihres kurzlebigen Folk-Rock-Trios The Stone Poneys aufgenommen hatte. Disc 1 vollzieht den bahnbrechenden Aufstieg in den Siebzigern nach, der LINDA RONSTADT als eine der erfolgreichsten Sängerinnen etablierte. Es waren Songs wie Love Has No Pride aus dem 1973er Album Don’t Cry Now und You’re No Good aus dem mehrfach mit Platin ausgezeichneten Grammy-Album Heart Like A Wheel (1974), die ihr einen massiven Durchbruch verschafften.
    [Show full text]