Volume I. Washington City, D* C., December 17,1871
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[, F/ V C Edna Hammer Cooley 1986 APPROVAL SHEET
WOMEN IN AMERICAN THEATRE, 1850-1870: A STUDY IN PROFESSIONAL EQUITY by Edna Hammer Cooley I i i Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in parti.al fulfillment of the requirements for the degree of Doctor of Philosophy ~ /, ,, ·' I . 1986 I/ '/ ' ·, Cop~ I , JI ,)() I co uI (~; 1 ,[, f/ v c Edna Hammer Cooley 1986 APPROVAL SHEET Title of Dissertation: Women in American Theatre, 1850-1870: A Study in Professional Equity Name of Candidate: Edna Hammer Cooley Doctor of Philosophy, 1986 Dissertation and Approved: Dr. Roger Meersman Professor Dept. of Communication Arts & Theatre Date Approved: .;;Jo .i? p ,vt_,,/ /9Y ,6 u ABSTRACT Title of Dissertation: Women in American Theatre, 1850- 1870~ A Study_ in Professional Equi!:Y Edna Hammer Cooley, Doctor of Philosophy, 1986 Dissertation directed by: Dr. Roger Meersman Professor of Communication Arts and Theatre Department of Communication Arts and Theatre This study supports the contention that women in the American theatre from 1850 to 1870 experienced a unique degree of professional equity with men in the atre. The time-frame has been selected for two reasons: (1) actresses active after 1870 have been the subject of several dissertations and scholarly studies, while relatively little research has been completed on women active on the American stage prior to 1870, and (2) prior to 1850 there was limited theatre activity in this country and very few professional actresses. A general description of mid-nineteenth-century theatre and its social context is provided, including a summary of major developments in theatre in New York and other cities from 1850 to 1870, discussions of the star system, the combination company, and the mid-century audience. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
Yesterdays with Actors
Digitized by the Internet Archive in 2007 with funding from Microsoft Corporation http://www.archive.org/details/actorsyesterdaOOwinsuoft YESTERDAYS WITH ACTORS. m YESTERDAYS WITH ACTORS BY CATHERINE MARY REIGNOLDS-WINSLOW BOSTON CUPPLES AND COMPANY 1887 Copyright, 1SSC, by Catherine Mary Rrignoi.ds-Winslow. All Rights Reserved. The Hyde Park Press. YESTERDAYS WITH ACTORS BY CA THERINE 1 MAR ' REIGNOLDS- WINSL O W BOSTON CUPPLES AND HURD 94 Boylston Street 1887 Copyright, 1SS6, by Catherine Mary Reignolds-Winslow. All Rights Reserved. The Hyde Park Press. To Helen Morton, M.D., Physician, Faithful Friend, Tnie Woman Good ;t to whose Skill, Constancy, and Courage, I owe Health, Hope, and Inspiration ; these Memories are affectionately inscribed. W&UtAJMf^XLMJWGE&F"' iPIlP C O.N TENTS. PAGE Introduction vii i. Charlotte Cushman 17 2. Edwin Forrest 29 3. _/#/?« Brougham 45 4. Laura Keene — Agnes Robertson ... 62 5. i£. ^4. Sothern 79 6. Ben. De Bar — Matilda Heron —J. H. Hackett — Mrs. John Wood —James E. Murdoch — Mrs. Lander . 100 7. Boston Museum 122 8. Boston Museum, continued 143 9. Travel in America 162 10. Canada and England 184 PHOTO-GRA VURES. PAGE William Warren frontispiece Mrs. Winslow title-page Charlotte Cushman 17 Edwin Forrest 29 John Brougham 45 Laura Keene 62 E. A. Sothern 79 Matilda Heron 108 • VIGNETTES. William E. Burton 62 Agnes Robertson 64 J. A. Smith 84 Mr. Buckstone 90 J. H. Hackett 114 Mrs. John Wood 115 James E. Murdoch 116 E. F. Keach 123 R. M. Field 133 Mr. Barrow 135 Mrs. Barrow - 135 Kate Bateman 136 John Wilkes Booth 140 Mrs. -
Journalistic Dramatic Criticism: a Survey of Theatre Reviews in New York, 1857-1927
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1939 Journalistic Dramatic Criticism: a Survey of Theatre Reviews in New York, 1857-1927. Louise Adams Blymyer Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the Speech and Rhetorical Studies Commons Recommended Citation Blymyer, Louise Adams, "Journalistic Dramatic Criticism: a Survey of Theatre Reviews in New York, 1857-1927." (1939). LSU Historical Dissertations and Theses. 7810. https://digitalcommons.lsu.edu/gradschool_disstheses/7810 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MANUSCRIPT THESES Unpublished theses submitted for the master*s and doctor’s degrees and deposited in the Louisiana State University Library are available for inspection. Use of any thesis is limited by the rights of the author. Bibliographical references may be noted* but passages may not be copied vinless the author has given permission# Credit must be given in subsequent written or published work# A library which borrows this thesis for use by its clientele is expected to make sure that the borrower is aware of the above res trictions « LOUISIANA STATE UNIVERSITY LIBRARY 119-a JOURNAXISTIC DRAMATIC -
American Drama Release Three Bibliography 2
American Drama Release Three Bibliography Adams, C. L. (Charles L.), Favelle: Or The Fatal Duel. A Drama, in One Act Boston Publisher unknown 1809 Preliminaries omitted. Addis, J. B., Vanity; or, A Lord in Philadelphia. Corrected by J. B. Addis, Stage Manager, Arch Street Theatre Philadelphia T. K. And P. G. Collins 1854 Preliminaries omitted. Aiken, George L., 1830–1876, Uncle Tom's Cabin; or, Life Among the Lowly. A Domestic Drama, in Six Acts. To which Are Added a Description of the Costume—Cast of the Characters—Entrances and Exits— Relative Positions of the Performers on the Stage, and the Whole of the Stage Business. As Performed at the Principal English and American Theaters New-York Samuel French [1859] Preliminaries omitted. Alcott, Louisa May, 1832–1888, Bianca. Operatic Tragedy [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”] Boston Roberts Brothers 1893 Alcott, Louisa May, 1832–1888, Captive of Castile; or, The Moorish Maiden's Vow [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”] Boston Roberts Brothers 1893 Alcott, Louisa May, 1832–1888, Ion [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”] Boston Roberts Brothers 1893 Alcott, Louisa May, 1832–1888, Norna; or, The Witch's Curse [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”] Boston Roberts Brothers 1893 Alcott, Louisa May, 1832–1888, The Greek Slave [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”] Boston Roberts Brothers 1893 Alcott, Louisa May, 1832–1888, The Unloved Wife; or, Woman's Faith [in, Comic Tragedies Written by “Jo” and “Meg” and Acted by the “Little Women”] Boston Roberts Brothers 1893 Aldrich, Thomas Bailey, 1836–1907, Judith Of Bethulia: A Tragedy [in, The Poems of Thomas Bailey Aldrich: Revised and Complete: Household Edition] Boston Houghton, Mifflin and Company [1907] Preliminaries omitted. -
Performing Illness in the Late-Nineteenth-Century Theatre
STAGES OF SUFFERING: PERFORMING ILLNESS IN THE LATE-NINETEENTH-CENTURY THEATRE by Meredith Ann Conti Bachelor of Fine Arts, Denison University, 2001 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Meredith Ann Conti It was defended on April 11, 2011 and approved by Attilio Favorini, PhD, Professor, Theatre Arts Kathleen George, PhD, Professor, Theatre Arts Michael Chemers, PhD, Associate Professor, Carnegie Mellon University, Drama Dissertation Advisor: Bruce McConachie, PhD, Professor, Theatre Arts ii Copyright © by Meredith Ann Conti 2011 iii STAGES OF SUFFERING: PERFORMING ILLNESS IN THE LATE-NINETEENTH-CENTURY THEATRE Meredith Ann Conti, PhD University of Pittsburgh, 2011 Few life occurrences shaped individual and collective identities within Victorian society as critically as suffering (or witnessing a loved one suffering) from illness. Boasting both a material reality of pathologies, morbidities, and symptoms and a metaphorical life of stigmas, icons, and sentiments, the cultural construct of illness was an indisputable staple on the late-nineteenth- century stage. This dissertation analyzes popular performances of illness (both somatic and psychological) to determine how such embodiments confirmed or counteracted salient medical, cultural, and individualized expressions of illness. I also locate within general nineteenth-century acting practices an embodied lexicon of performed illness (comprised of readily identifiable physical and vocal signs) that traversed generic divides and aesthetic movements. Performances of contagious disease are evaluated using over sixty years of consumptive Camilles; William Gillette’s embodiment of the cocaine-injecting Sherlock Holmes and Richard Mansfield’s fiendishly grotesque transformations in the double role of Dr. -
VOLUME VII, WASHINGTON CITY, DG, APRIL 29,1877. NUMBER a the CAPITAL
VOLUME VII, WASHINGTON CITY, D. G., APRIL 29,1877. NUMBER a children of men, and it teaches us that tru« nation on this occasion is of a capacity that we fairly LATEST BY TELEGRAPH. AT THE CITY HALL. THE CAPITAL, charity is a charity to ourselves, an ele- presume will not fail to do the brilliancy of Sheridan CIRCUIT COURT—Chief Justice Carlter.—Yesterday, . PUBLISHED WEEKLY BY complete justice. In this court: Christman vs. Dexter; judgment by de vating, healthy impulse and nat a calcu- Foreign News« fault. Hume vs. Southey; rule to show cause, dis- THE CAPITAL PUBLISHING COMPANY The gentlemen, ai the cast runs, aro Sir Anthony charged. Wright vs. Welch & Co.; motion for new lation. Absolute, Mr. Alex. Hunter; Captain Absolute, Mr. NEW YORK/April 28.—The following disiatchTs"aro trial overruled and bills of exception filed. Hueber 937 D street, Washington, ». O. Does one ever reflect how little we can do published here: etux. vs. Tueber et ux.; motion for now trial over- J. H. Reld; Faulkland, Mr. Courtland H. Smith; LONDON, April 28.—Advices through Turkish sourc cs ruled. District of Columbia vs. Lord; motion for new DONN PIATT, . EDITOR. for the poor? The difference between Bob Acres, Colonel Mott Ball; Sir Lucius O'Trigger, from Asia Minor report that the battle at Batoum, be- trial overruled. Magruder vs. Thornton ; certified to Mr. George Douglas of this city; Mr. Fag, Mr. Sam tween Turks and Jtussians, raged throughout the general term. Kowald vs. Harrison; certiorari wealth and poverty are most imaginary. whole of yesterday. The Russians were commanded by lashed. -
The Theatre in Mississippi from 1840 to 1870. Guy Herbert Keeton Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1979 The Theatre in Mississippi From 1840 to 1870. Guy Herbert Keeton Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Keeton, Guy Herbert, "The Theatre in Mississippi From 1840 to 1870." (1979). LSU Historical Dissertations and Theses. 3399. https://digitalcommons.lsu.edu/gradschool_disstheses/3399 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Pagefs)”. If it was possible to obtain the missing pagefs) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
Grecian Theater in Philadelphia, 1800-1870 Lee Pearcy Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2015 Grecian Theater in Philadelphia, 1800-1870 Lee Pearcy Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/classics_pubs Custom Citation Pearcy, Lee, "Grecian Theater in Philadelphia, 1800-1870," Oxford Handbook of Greek Drama in the Americas, eds. K. Bosher, F. Macintosh, J. McConnell, P. Rankine. Oxford University Press, 2015. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/classics_pubs/108 For more information, please contact [email protected]. Grecian Theater in Philadelphia, 1800–1870 Oxford Handbooks Online Grecian Theater in Philadelphia, 1800–1870 Lee Pearcy The Oxford Handbook of Greek Drama in the Americas Edited by Kathryn Bosher, Fiona Macintosh, Justine McConnell, and Patrice Rankine Print Publication Date: Oct Subject: Classical Studies, Classical Reception 2015 Online Publication Date: Dec DOI: 10.1093/oxfordhb/9780199661305.013.005 2015 Abstract and Keywords Between the death of President Washington and the Civil War, dramas set in ancient Greece or based on Greek models allowed Philadelphia audiences to simultaneously affirm and subvert their ideas about gender, race, and society. Greek drama on the Philadelphia stage before the 1880s was represented by adaptations, and often adaptations of adaptations, that are far from anything that a twenty-first-century audience would accept as Aeschylus, Sophocles, Euripides, or Aristophanes. The reception of Ernst Legouvé’s Médée as both tragic drama and minstrel burlesque and responses to the real-life tragedy of Margaret Garner provide striking examples of receptions divided along the lines of race and class. -
Yolüme Vii. Washington City, Dc, March 11, 1877. Number 2
YOLÜME VII. WASHINGTON CITY, D. C., MARCH 11, 1877. NUMBER 2. can't get out of his own way; therefore most of the son on one side - and old Hamlin oh the other, and principally by the Attorney General, and as that In- THE CAPITAL, blows which he designs for others hit himself. Now, threw down the gage of battle, estimable gentleman, Mr. Taft, who would have been LATEST BY TELEGRAPH. PUBLISHED WEEKLY BY when he came away from the White House the other Would any solemn old senatorial pump stand spon- a superior Attorney General had he ever studied any Tlie Halthews-Kvarts Letters, day. rubbing the inflamed 'seat of his intellect, and sor for Stanley Matthews'dispatch? Show him the law, had gone out, he could not see how it was pos- COLUMBIA, S. C., March 10.—The following letters THE CAPITAL PUBLISHING COMPANY, vdwing vengeance, if he had any sense it would at son ot a gun ! But none of the old pumps responded. sible to retain the Hon. Don Cameron—so remarkable are made publlo to-day by Governor Chamberlain at 987 » street, Washington* D. C. once have occurred to him that tho only- way he could They" were past the.time of life when it is considered as a Cameron from his being somewhat educated. the special request of Stanley Matthews, and are the injure Hayes was by supporting his administration. •necessary to knock chips'off the shoulders of small At this Sonator Cameron remarked with some vio- letters alluded to by Mr. BJalne In the Senate on the BOJitfr PIATT, ...... -
Memories of an Old Actor
Sra CMRLEJ fl.BLIItn L MEMORIES OF AN OLD ACTOR. MEMORIES OF AN OLD ACTOR BY WALTER M. LEMAN 'They are the abstract and brief chronicles of the time'" SHAKESPEARE SAN FRANCISCO A. ROMAN CO., PUBLISHERS 1886 Copyright, 1886, By WALTER M. LEMAN. H. S. CROCKER A CO. STATIONERS AND PRINTERS SAN FRANCISCO DEDICATION. of NATHAN D ORTER, Whose human sympathies embraced not kindred andfriends alone, but went out to and beyond the circle of the legal profession which he dignified by his virtues and adorned by his talents, and to that great brotherhood which found in him the truest exemplar of their motto: "Friendship, Love and Truth" and took in mankind at large ; who dared oppose Wrong though it were clad in silk and purple, and befriend Right though groveling in wretchedness and rags ; upon whose escutcheon us husband, brother, father, friend and man there is neither spot nor blemish this volume is dedi- cated by the writer who knew him long and loved him well. CONTENTS. CHAPTER I. School Remembrances Juvenile Theatricals Competition Status of the Theatre in the United States sixty years ago Number of Theatres Managerial Control By whom held in the Eastern States In the Middle States In the West The Starring System Theatrical Advertising Kean- Cooper Booth The Elder Wallack Forrest Miss Lydia Kelly Mrs. J. Barnes Mrs. Drake Mrs. Sloman Miss Clara Fisher The Federal Street Theatre Mrs. Powell Mrs. Papanti The Kean riot Joe Cowell Watkins Burroughs Flynn i CHAPTER II. Dry Goods and the Drama Opening of the Tremont Theatre- Prize Address William Rufus Blake Mr. -
Fsrjssr- Early in the Fall out Whether the Bay Is to Re the Service," Jack Answered
0 MUSICAL AND DRAMATIC. the lady-killer-in-ohie: P CHAPTER IT. you should not should be At the end concentrate; they fortnight. of that one he went , A BVaJlEB SNOW-SLIDE. The Lady-Klller-ln-Chlef had changed his more general and less markwd." northward to a flanneiB for his clothes nt pay long-promised vMt at the HOUSEFURNISHINQ8. The last benefit of the Beaaon is over. ordinary ~llg gray Bat Jack was sulky as a bear witii a sore house of a man who was in the Cuirassiers ; DUlodfH Bonldrr* Room Ronn CHAPTER L troustra and a coat of gray velveteen. He bead, and would have no ou . tbe when be first * Maggie Mitchell and Mary Anderson are at as he aaantered down tbe argument Joined the regiment. Be had a Buckskin Valck and « NEW GOODS "Most awfully shabby," said Dorothy i tainly, High streetcer3t.at so Montagu was obliged to bare it allsubjectto long and cold journey, arming about an hour Barf rranch in their , merited the nc t.ong cottages. George calmly; "but then, since I have n 1 Blankhampton, homage which was bioiSPlf. Not tbat tbat bad any effect on bis before dinner. Ma)or Hoiroyd went out to the RHn«r. The fall and winter season at the Mailwn paid to his personal appearance wnen his toLgue; be never let Jack rest, a moment. door to meet with a [LmdrllV Democrat 1 roriEET AND PORCELAIN another, what am I to do? I am not a splde brother-officers of nun as the him, thousand apologies square Theater will open with a dramatization evolve a spoke "Ab, you may well look ao blue," be woull for not having been at the station, three miles A fatal accident occurred a rev days ago in DESSERT therefore I cannot new gown out someat man in the service.