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Simone De Beauvoir and the Politics of Privilege
Simone de Beauvoir and the Politics of Privilege SONIA KRUKS How should socially privileged white feminists (and others) address their privilege? Often, individuals are urged to overcome their own personal racism through a politics of self-transformation. The paper argues that this strategy may be problematic, since it rests on an over-autonomous conception of the self. The paper turns to Simone de Beauvoir for an alternative account of the selh as “situated,” and explores what this means for a politics ofprivilege. In 1955, Simone de Beauvoir published a collection of essays entitled Privil&es. She wrote in the Preface that one question linked all her essays together: how may the privileged think about their situation? They cannot think about it honestly and without self-delusion, she says. For, “to justify the possession of particular advantages in the mode of the universal is not an easy undertaking,” and it results in a mode of thought marked by the kinds of obfuscation and self- deception that Beauvoir (along with Jean-Paul Sartre) calls “bad faith” (1955, 7). Beauvoir’s main concern in her book was with how ruling-class privilege is masked, or rationalized, in thought. However, her critique also resonates strongly with recent feminist critiques of the self-deceptions inherent in mas- culine, white-race, and other forms of privilege, as well as with the dilemmas of privileged would-be progressives’ more generally. In this paper I turn to Simone de Beauvoir to help think about ‘privilege’ as it is conceived in feminist theory and politics today, and particularly as it poses a predicament for those who enjoy significant social privilege while also being committed to fighting it. -
Human Rights in the Twentieth-Century
THE UNIVERSITY OF CHICAGO HUMAN RIGHTS IN THE TWENTIETH-CENTURY: A LITERARY HISTORY A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE BY HADJI BAKARA CHICAGO, ILLINOIS DECEMBER 2016 TABLE OF CONTENTS List of Figures iii Introduction: A Century in Four Figures 1 Chapter One: The Legislator 29 Chapter Two: The Refugee 77 Chapter Three: The Prisoner 131 Chapter Four: The Witness 182 Bibliography 240 ii LIST OF FIGURES Figure 1 | Vladimir Nabokov, American Identification Card (1940) | 1 Figure 2 | Vladimir Nabokov, Index Card Drafts Lolita (undated) | 2 Figure 3 | Archibald MacLeish, Preamble to the United Nations Charter (undated) | 30 Figure 4 | Archibald MacLeish’s “Declaration Draft” detail (undated) | 34 Figure 5 | Archibald MacLeish’s “Declaration Draft” (undated) | 51 Figure 6 | Archibald MacLeish’s draft of the preamble to the UN Charter (1945) | 52 Figure 7 | Archibald MacLeish First Fragment of “Actfive” (1945) | 63 Figure 8 | United Nations Commission on Human Rights. Lake Success, New York (1947) | 65 Figure 9 | Peter Benenson, “The Forgotten Prisoners,” May 28th, 1961 | 133 Figure 10 | “Freedom Writers.” Amnesty Campaign (1988) | 136 Figure 11 | PEN International Campaign Poster Jen Saro Wiwa (1994) | 137 Figure 13 | Heinemann edition of Ngugi’s Detained (1981) | 143 Figure 14 | Paul Tabori, Book Cover for The Pen in Exile (1954) | 145 Figure 15 | Paul Tabori, List of imprisoned writers (1960) | 147 Figure 16 | Agostinho Neto (1968) | 148 Figure 17 | Spanish Edition of Henri Alleg’s La Question (1957) | 157 Figure 18 | Ernesto Sabato delivers first drafts of Nunca Mas (1984) | 163 Figure 19 | Gabriel Garcia Marquez at the Russell War Crimes Tribunals II (1974) | 164 Note: Actual images not included in this version of the dissertation due to copyright issues. -
The Declaration of the 121 Robert Barrat
92 THE DECLARATION OF THE 121 ROBERT BARRAT An editor of the Left-wing Catholic periodical l Temoinage Chretien1 EARLY in September, the large Paris dailies received in their post a four-page statement, printed on fine paper, and headed 'Declaration on the Right to Disobedience in the Algerian War.'* The statement was signed by 121 personalities from the academic world, literature and the arts, among them writers like Jean-Paul Sartre, Andre Breton, Simone de Beauvoir, Vercors, Arthur Adamou, Marguerite Duras and Jean-Louis Bory; film-makers and actors like Alain Resnais, Alain Cuny, Roger Blin, Simone Signoret; university professors Theodore Monod, Andre Mandouze, P. Vidal-Naquet, Michel Leiris; painters like Pignon, Masson, Marc Saint-Saens, Lapoujade; and musicians like Pierre Boulez. My own name was there, and those of other, more significant figures. The Left intelligentsia was publishing its attitude to the Algerian War. And this attitude was candidly subversive. The Algerian War, the manifesto argued, is senseless. It is not a national war, as the Algerian army in no way threatens the conquest of France. It is neither a civil war nor a war of con quest, since it has been recognized that the Algerian people have the right of self-determination. At first presented to the public as a police action, it has tended more and more to become an operation of the army, which seeks to secure caste interests, which has made an institution of torture in Algeria and has taken up a position of open or latent revolt against democratic insti tutions. In these circumstances it is reasonable that many French men should come to question the validity of their traditional duties; either by refusing to take up arms against the Algerian people, or by bringing help and protection to the Algerians who are being oppressed in the name of the French people. -
The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason Timothy Scott Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1424 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE FRENCH REVOLUTION IN THE FRENCH-ALGERIAN WAR (1954-1962): HISTORICAL ANALOGY AND THE LIMITS OF FRENCH HISTORICAL REASON By Timothy Scott Johnson A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 TIMOTHY SCOTT JOHNSON All Rights Reserved ii The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason by Timothy Scott Johnson This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Richard Wolin, Distinguished Professor of History, The Graduate Center, CUNY _______________________ _______________________________________________ Date Chair of Examining Committee _______________________ -
Albert Camus and the Anticolonials: Why Camus Would Not Play the Zero Sum Game James D
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, Department of History History, Department of 2014 Albert Camus and the Anticolonials: Why Camus Would Not Play the Zero Sum Game James D. Le Sueur University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/historyfacpub Part of the Continental Philosophy Commons, European Languages and Societies Commons, French and Francophone Literature Commons, History Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Le Sueur, James D., "Albert Camus and the Anticolonials: Why Camus Would Not Play the Zero Sum Game" (2014). Faculty Publications, Department of History. 192. http://digitalcommons.unl.edu/historyfacpub/192 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WHY CAMUS WOULD NOT PLAY THE ZERO SUM GAME / LE SUEUR 27 Albert Camus and the Anticolonials: Why Camus Would Not Play the Zero Sum Game1 James D. Le Sueur, University of Nebraska, Lincoln IN 1994, I RETURNED FROM PARIS TO HYDE PARK just in time to catch a lecture about Albert Camus that an esteemed colleague, the late Tony Judt, was giving at the University of Chicago. I was much younger then, eager to engage in debate, and I had just spent most of the past two years turning over the recently opened pages of Camus’ private papers in Paris and trolling through the private papers of other prominent French intellectuals, as well as newly declassified state archives for what was to become my first book,Uncivil War.2 I had also done dozens of interviews with Camus’ friends and fellow travelers (Jean Daniel, Germaine Tillion, Jean Pélégri, etc.), as well as old adversaries (including Françis Jeanson). -
Jean-Paul Sartre and the Algerian Revolution: 1954-1962
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] JEAN-PAUL SARTRE AND THE ALGERIAN REVOLUTION: 1954-1962 BY ABDELMADJID AMRANI B.A. ALGIERS UNIVERSITY, (1981) M. LiTT. GLASGOW UNIVERSITY, (1985) A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, PH.D. DEPARTMENT OF MODERN HISTORY FACULTY OF ARTS UNIVERSITY OF GLASGOW FEBRUARY 1990 i ProQuest Number: 10970983 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10970983 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. -
Freedom Is a Strange Feeling
FREEDOM IS A British Guiana Jagan Wants STRANGE FEELING Independence '^illllllllllllllllliilllllllllllllllllllllllllllllllllllllllllllllllll lllllllllilllllllllllllllllllillllllllllllllllllllllllltllllllllllllll| By May 31 1 Says HENRI ALLEG, Algerian resistance hero whose book on the tortures to which j I he and others had been subjected first showed the world that the French colonialists were | Dr. Cheddi Jagan, Prime Minister of British Guiana, and' a guest at I using in Algeria the same methods as the Nazis. Alleg recently escaped from a French | the Tanganyikan Independence Celebrations, told a press-conference E jail after five years imprisonment and is now in Czechoslovakia. e in Dar es Salaam that he was meeting Mr. Maudling, the Colonial Secretary, to demand the fixing of ^iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiim Illllllillllllllllllllllllllllllltllllllllllllllllllllllllllllllllllllir his country’s independence date. The main opposition party had asked for independence on May 31, OW that I am free there is come, and when it did we hoped started all over again. 1962, and he was in full agreement. that we would not wake up in the This is why hunger-strikes were N an odd feeling that 1 can morning to sec another of our held so often. A recent one lasted Asked if British Guiana would not shake off. until the Algerian prisoners forced become a member of the Common friends die. wealth, he said that his country was Tt is the strangeness, after years Nor did those sentenced to death the French administration to con Henri Alleg cede to their demands and grant committed to do so, if the Common in prison, of being able to walk sleep. They remained awake so wealth was still there. -
ON COLONIAL NOSTALGIA CASE STUDY: ALGERIA Ms
International Journal of History and Philosophical Research Vol.6, No.1, pp.13-20, March 2018 ___Published by European Centre for Research Training and Development UK (www.eajournals.org) ON COLONIAL NOSTALGIA CASE STUDY: ALGERIA Ms. Ouarda Larbi Youcef University Abd El Hamid Ibn Badis, Faculty of Foreign Languages, Department of English, Mostaganem, Algeria ABSTRACT: The colonization of Algeria lasted for one hundred thirty-two years. The war that broke up on November 1, 1954, cost much blood, 1.5 million people killed. At this juncture, the colonized regarded Western colonialism, in general, French one, in particular as a system with undeniable damaging effects. In these recent years, however, there has been much talk in progress, both in the settler country and in the formerly colonized. This talk is about a presumed positive role. In other words, a new political discourse and a new literature aiming at justifying and sanctifying the role and the impact of colonialism is coming to the fore. The colonists, having never given up yearning for Paradise Lost, are seeing to rehabilitate what they consider a distorted image of colonialism. Their main argument is grounded in the fact that it had unquestionably been beneficial not only to them but also to the natives. In short, the argument lies in that the civilizing mission proved a success. Likewise, in Algeria, a population, mainly young, born after independence, and which can only guess the far reaching consequences of such a system, is led to think that its embrace would have enabled it not to miss the rendez-vous with modernity. -
© in This Web Service Cambridge University
Cambridge University Press 978-1-107-09388-1 - Literature, Ethics, and Decolonization in Postwar France: The Politics of Disengagement Daniel Just Index More information Index Adereth, Maxwell, 189n.15 “Le point sur Robbe-Grillet?”, 190n.23 Adler, Laure, 188n.7 “Literal Literature”, 176n.34 Adorno, Theodor, 126, 153, 189n.14, 193n.1 “Of What Use is an Intellectual?”, 174n.3 Agamben, Giorgio, 188n.33 “The Last Word on Robbe-Grillet?”, 177n.38 Alazet, Bernard, 192n.21 “The Photographic Message”, 176n.23 Algeria, 4, 17, 89–90, 93–95, 116, 123, 129, 165, “The Third Meaning”, 176n.24 172n.6, 183n.5, 184n.18, 185n.33, 185n.30, Camera Lucida, 176n.25 190n.22, 195n.30 literature and action, 9–12 Camus’s representation of, 80–82, 85–92, myth, 6 105–107 Mythologies, 31, 43, 73, 172n.9, 175n.16, 177n.39 Algerian War, 72, 77–79, 85, 89, 97–99, 112–113, on film and photography, 34 115–116, 130, 135–137, 185n.33, 190n.27 on Flaubert, 27–31, 41 and international politics, 84–85 on Mallarmé, 41–42 and literature, 79 on Robbe-Grillet, 39–40 Duras’s journalism on, 124–125 on Sartre, 166 intellectuals and the Algerian War, 4–5, 84–85, on The Stranger, 31–34 123–124, 126–127, 129, 137–138, 164–165 political position, 7 opposition to, 68–69, 84 Writing Degree Zero, 11, 17, 24–44, 50, 53, 55, Algiers, 79–80, 82 58, 65, 77, 125, 160, 174n.1, 179n.18, 194n.16, Alleg, Henri 195n.34 The Question, 84 Bataille, Georges, 9, 47–48, 60, 65, 72, 76–78, Althusser, Louis, 70 141, 164, 177, 179, 182 Antelme, Robert, 78, 84, 127–128, 183n.37, 182n.36 Inner Experience, 60, 78, 179 Apter, Emily, 184n.18 Literature and Evil, 173n.20, 182n.29 Arabs, 86–87, 89–91, 106, 110 The Accursed Share, 191n.14 Aron, Raymond, 4, 11, 82, 171n.5, 183n.5 Battle of Algiers, 8 Augustine, St. -
Jean~Paul Sartre: a Portrait
Peter H. Thomas JEAN~PAUL SARTRE: A PORTRAIT IT WAS IN THE FALL oF 1955 when I saw Sartre for the first time. He was to give at the University of Paris a public lecture on some philosophical aspect of the problem of Time. The event was to begin at eight in the evening. I had arrived at a quarter to eight and found several halls and staircases packed with hundreds of people waiting to be admitted to the lecture room. When the waiting crowd continued to increase, a university official came to announce that the lecture was to be held in another, larger auditorium, which happened to be in a different part of the building. Everybody rushed there with much energy and excitement and formed another queue in front of the newly indi~ cated door. During the next fifteen minutes the pressure of the crowd behind me increased with their number and impatience, and some people began to find it difficult to breathe. The shorter ones, wedged in the throng, started to wince and to moan, but at last the Amphitheatre Richelieu was opened and what had now become an aggressive mob surged through the bottlenecks of the doors with all outward signs of riot and violence. I remember a kind little South American lady, with whom I had exchanged a few friendly words some minutes earlier, breaking out in hysterical screams over the loss of her black velvet hat, which had disappeared in the shuffle and was soon trampled by hundreds of feet. All the available seats of the spacious wood-panelled audi torium were occupied in a few minutes, except those reserved by gallant blades to be offered to prospective female acquaintances whom they succeeded in recruiting on this occasion. -
Torture and Human Rights: a Paradoxical Relationship?1
7 Torture and Human Rights: A Paradoxical Relationship?1 John Beverley The avowed purpose of torture is to elicit useful information—torture is in the first place a form of interrogation. The argument that is usually advanced in this regard is the “ticking bomb” question. What you would you do if you knew you could avoid an imminent disaster by torturing a suspect or threatening him or her with torture to reveal the details of the plot? If you agree that terrorism is the enemy of our values and institutions, that it is directed against our way of life, that it destroys innocent victims, then you should be prepared to take the necessary measures to combat it. If it would have been possible to prevent the 9/11 attacks or similar attacks in the future by torturing suspected terrorists, would you not have acquiesced in the use or threat of torture too? The “ticking bomb” argument of course leaves itself open to the objection frequently raised by opponents of torture and military intelligence specialists alike that information elicited by torture may be unreliable, because the victim of torture will tend to say anything, do anything to avoid the unbearable pain. The problem with this objection, however, is that it depends on the same logic as the “ticking bomb” argument itself. Both make the case for or against torture essentially a utilitarian one (does it work or doesn’t it?) rather than an ethical or legal one: is it right in any circumstance to torture or is there a right to torture in law? One can concede that in some situations torture might be pragmatically warranted (although it would remain illegal and therefore punishable under law). -
The Situationist International
Peter Wollen The Situationist International De Sade liberated from the Bastille in 1789, Baudelaire on the barricades in 1848, Courbet tearing down the Vendôme Column in 1870—French political history is distinguished by a series of glorious and legendary moments which serve to celebrate the convergence of popular revolution with art in revolt. In this century avant-garde artistic movements took up the banner of revolution consciously and enduringly. The political career of André Breton and the sur- realists began with their manifestoes against the Moroccan war (the ‘Riff’ war) in 1925 and persisted through to the Manifesto of the 121, which Breton signed in 1960, shortly before his death, denouncing the Algerian war and justifying resistance. In May 1968 the same emblematic role was enacted once again by the militants of the Situationist International. The SI was founded in 1957, at Cosio d’Arroscia in northern Italy, principally out of the union of two prior avant-garde groups, the Movement for an Imaginist Bauhaus (Asger Jorn, Pinot Gallizio and others) and the Lettrist International (led by Guy Debord).1 The Movement for an Imaginist Bauhaus itself originated from splits in the post-war Cobra group of artists, which Jorn had helped found, and the SI was 67 soon joined by another key Cobra artist, Constant. The ancestry of both Cobra and Lettrism can be traced back to the international Surrealist movement, whose break-up after the war led to a proliferation of new splinter groups and an accompanying surge of new experimentation and position-taking.2 The SI brought together again many of the dispersed threads which signalled the decay and eventual decomposition of surrealism.