DOCSLIB.ORG

© in This Web Service Cambridge University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
© in This Web Service Cambridge University Cambridge University Press 978-1-107-09388-1 - Literature, Ethics, and Decolonization in Postwar France: The Politics of Disengagement Daniel Just Index More information Index Adereth, Maxwell, 189n.15 “Le point sur Robbe-Grillet?”, 190n.23 Adler, Laure, 188n.7 “Literal Literature”, 176n.34 Adorno, Theodor, 126, 153, 189n.14, 193n.1 “Of What Use is an Intellectual?”, 174n.3 Agamben, Giorgio, 188n.33 “The Last Word on Robbe-Grillet?”, 177n.38 Alazet, Bernard, 192n.21 “The Photographic Message”, 176n.23 Algeria, 4, 17, 89–90, 93–95, 116, 123, 129, 165, “The Third Meaning”, 176n.24 172n.6, 183n.5, 184n.18, 185n.33, 185n.30, Camera Lucida, 176n.25 190n.22, 195n.30 literature and action, 9–12 Camus’s representation of, 80–82, 85–92, myth, 6 105–107 Mythologies, 31, 43, 73, 172n.9, 175n.16, 177n.39 Algerian War, 72, 77–79, 85, 89, 97–99, 112–113, on film and photography, 34 115–116, 130, 135–137, 185n.33, 190n.27 on Flaubert, 27–31, 41 and international politics, 84–85 on Mallarmé, 41–42 and literature, 79 on Robbe-Grillet, 39–40 Duras’s journalism on, 124–125 on Sartre, 166 intellectuals and the Algerian War, 4–5, 84–85, on The Stranger, 31–34 123–124, 126–127, 129, 137–138, 164–165 political position, 7 opposition to, 68–69, 84 Writing Degree Zero, 11, 17, 24–44, 50, 53, 55, Algiers, 79–80, 82 58, 65, 77, 125, 160, 174n.1, 179n.18, 194n.16, Alleg, Henri 195n.34 The Question, 84 Bataille, Georges, 9, 47–48, 60, 65, 72, 76–78, Althusser, Louis, 70 141, 164, 177, 179, 182 Antelme, Robert, 78, 84, 127–128, 183n.37, 182n.36 Inner Experience, 60, 78, 179 Apter, Emily, 184n.18 Literature and Evil, 173n.20, 182n.29 Arabs, 86–87, 89–91, 106, 110 The Accursed Share, 191n.14 Aron, Raymond, 4, 11, 82, 171n.5, 183n.5 Battle of Algiers, 8 Augustine, St. Beckett, Samuel, 35–36, 38, 146–147, 158–159, Confessions, 100 176n.29, 182n.35, 194n.13 Austin, J. L., 1 Benjamin, Walter, 79, 183n.1 Berbers, 87, 91 Bakhtin, Mikhail, 57, 162 Bersani, Leo, 18, 29, 53, 71, 130, 141, 161, 174n.37, Balzac, Honoré de, 29 174n.36, 175n.9, 175n.8, 176n.28, 176n.26, Barthes, Roland, 2–3, 5, 15, 17–20, 47, 59, 71, 178n.14, 190n.25, 194n.20 76–78, 80, 93, 95, 114, 128–129, 134, 137, 141, on Beckett, 35–36 150–152, 158, 160, 162–165, 168–170, 171n.3, Bersani, Leo and Dutoit, Ulysse, 35–37, 158, 182n.35 176n.31, 176n.30, 176n.27, 194n.12 “Dare to Be Lazy”, 160–161, 194n.19, 194n.18, Bident, Christophe, 178n.11, 179n.2 194n.17 Bildungsroman, 175n.14 “Flaubert and the Sentence”, 175n.12 Blanchot, Maurice, 2–3, 15, 17–21, 33, 80, 84, “La Peste. Annales d’une épidémie ou roman 92–93, 95, 101, 104, 114, 127–128, 134–135, de la solitude?”, 190n.23 137, 150–151, 160, 162–165, 168–170 212 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-09388-1 - Literature, Ethics, and Decolonization in Postwar France: The Politics of Disengagement Daniel Just Index More information Index 213 “By the Power of Refusal”, 136, 191n.4 on Writing Degree Zero, 50 “Communication”, 77, 182n.34 political position, 7 “Destroy”, 140, 191n.13 récit, 45–59, 61, 76, 152, 157–159 “Forgetting, Unreason”, 159, 180n.14, 194n.15 The Book to Come, 179n.17 “From Lautréamont to Miller”, 178n.13 The Infinite Conversation, 180n.5 “Idle Speech”, 48–50, 158, 178n.8, 194n.11 The Last Man, 11, 21, 61–78, 93, 96, 125, 128, “Literature and the Right to Death”, 68 140, 180n.4 “Literature One More Time”, 54, 178n.16 The Madness of the Day, 179n.21 “Maurice Blanchot to Jean-Paul Sartre”, The Space of Literature, 68, 161, 194n.21 180n.20 The Writing of the Disaster, 183n.37 “Mystery in Literature”, 52–53, 178n.13 Booth, Wayne, 33, 114, 162–163, 176n.20, 188n.34, “On One Approach to Communism”, 195n.26 182n.31 Boumaza, Bachir “Pre-texte: Pour l’amitié”, 180n.11 The Gangrene, 84 “Refusal”, 68, 136, 191n.3 Bourdieu, Pierre, 4, 9, 110, 173n.19, 187n.26 “The Clarity of the Novel”, 176n.35, 182n.35 Bousquet, Joë, 51, 53 “The Detour Toward Simplicity”, 100–101, Brée, Germaine, 186n.4 186n.8 “The Disappearance of Literature”, 141, 192n.17 Cahiers du Cinéma, 134, 138, 140, 142, 165 “The Fall: The Flight”, 98–99, 186n.6 Caillois, Roger, 69, 180n.12 “The Gravity of the Project”, 181n.21, 181n.22 Camus, Albert, 2–4, 15, 17–19, 21–22, 28, 37–38, “The Igitur Experience”, 70–72, 180n.13 127, 133–134, 137, 150, 152, 155, 158, 160, 162, “The Indestructible”, 182n.36 164, 168–170, 195n.30 “The Limit-Experience”, 183n.38 “Algeria 1958”, 184n.18, 187n.18 “The Myth of Mallarmé”, 51, 70, 178n.13, “Appeal for a Civilian Truce in Algeria”, 178n.6 184n.12 “The Narrative Voice”, 50, 178n.10 “Avant-propos à ‘La Maison du Peuple’ de “The Pain of Dialogue”, 57, 179n.22, 182n.35 Louis Guilloux”, 186n.7 “The Paradox of Aytré”, 51–52, 54, 58, “Letter to an Algerian Militant”, 184n.15 178n.13 “Lettre d’Albert Camus à René Char, 18 mars “The Passion of Indifference”, 74, 180n.17 1959”, 183n.4 “The Power and the Glory”, 168, 197n.43, “Nobel Banquet Speech”, 168, 197n.41 197n.42 “Preface to Algerian Reports”, 195n.29 “The Relation of the Third Kind”, 161–162, “Preface to Lyrical and Critical Essays”, 195n.24 184n.13 “The Search for Point Zero”, 50, 178n.11, “Terrorism and Repression”, 108 182n.33, 182n.32 “Terrorisme et répression”, 187n.21 “The Secret Law of the Récit”, 177n.2 “The Adulterous Woman, The”, 106 “The Silence of Mallarmé”, 70, 178n.6 “The Artist and His Time”, 186n.5, 195n.30 “The Song of the Sirens”, 45–47, 50, 54–57, “The Growing Stone”, 106 158, 179n.19 “The Guest”, 85, 89, 104–105, 107–112, 128 “The Work and the Errant Word”, 182n.29 “The Renegade”, 186n.13 “Translated From...”, 53–54, 178n.13 “The Silent Men”, 112 “Where Now? Who Now”, 182n.35 Algerian Reports, 87, 165 and Levinas, 182n.28 and Sartre, 14–15, 83, 93, 112–114, 164–165 and Sartre, 73–75, 158–159 Carnets II, 184n.14 literature and action, 9–12 Carnets III, 183n.10, 184n.20 on Duras, 57 Exile and the Kingdom, 11, 21, 86, 90, 98, on Hemingway, 53–54 104–107, 109, 112, 114, 124–125, 186n.14 on Mallarmé, 48, 51, 70–72 literature and action, 9–12 on Melville, 55–56 Neither Victims Nor Executioners, 83, 183n.6 on Proust, 55–56 political position, 7 on The Fall, 98–99 Reflections on the Guillotine, 111 on The Talker, 48–50 The Fall, 21, 84, 93, 98–106, 108, 111, 113–114, on The Voyeur, 39 122, 124–125, 186n.13, 186n.10, 186n.4 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-09388-1 - Literature, Ethics, and Decolonization in Postwar France: The Politics of Disengagement Daniel Just Index More information 214 Index Camus, Albert (cont.) Dib, Mohammed, 190n.22 The First Man, 11, 68, 79–96, 98, 105–106, Diên Biên Phu (Vietnam), 6 111–114, 125, 152, 183n.3, 187n.16 Dine, Philip, 6, 172n.10 The Plague, 112, 129, 187n.29 Djebar, Assia, 190n.22 The Rebel, 83–84, 98–99, 103, 186n.13, 186n.5, Domenach, Jean-Marie, 73 186n.2 Doubrovsky, Serge, 80, 183n.2 The Stranger, 25–26, 31–34, 87, 98, 111–112, Duras, Marguerite, 2–3, 15, 17–19, 22–23, 84, 158, 175n.17, 187n.28 160, 162, 164–166, 168–170, 182n.35 The Wrong Side and the Right Side, 85 “20 May 1968”, 136–137, 191n.5 Carroll, David, 87, 89, 109, 184n.16, 187n.25 “Destruction and Language”, 134–136, 138–142, Caruth, Cathy, 128, 189n.21 191n.1, 195n.31 Cayrol, Jean, 33 “In the Gardens of Israel”, 192n.27 Cazalis, Henri, 71 “Non-Work”, 195n.32 Char, René, 81 “Paris, August Six”, 124–125, 189n.11 Cléder, Jean, 192n.21 “Racism in Paris”, 124–125, 189n.10 Clément, René, 138 “The Path of Joyful Despair”, 191n.9, 195n.33 Coleman, Peter, 171n.5 “The Two Ghettos”, 124–125, 189n.13, 189n.12 collaboration (with Nazism), 103, 120, 123 “Un acte contre tout pouvoir”, 191n.10 College of Sociology, 69 Abahn Sabana David, 191n.11 colonial (colony, precolonial, postcolonial), 3, 22, Agatha, 143, 192n.20 58, 92, 106, 109, 124, 130, 138, 172n.13, Algerian War, 123–125 176n.37, 185n.30, 189n.15, 190n.22 Aurélia Steiner, 142 colonialism (colonization), 4, 21, 40, 58, 94, 103, Destroy, She Said, 134, 138–142, 145, 149 109, 123–124, 132, 136, 176n.37 feminism, 192n.18 colonized, 107, 109, 185n.32, 189n.15 Hiroshima Mon Amour, 11, 22–23, 115–136, 149, colonizer (colon, colonist), 89, 106–107, 109, 127, 152, 188n.2 187n.24 India Song, 142, 144 Combat, 83 L’homme atlantique, 192n.24 Communards, 157 Les Parleuses, 192n.18 Communism, 4, 7, 70, 77, 127–128, 138, 153 literature and action, 9–12 Connelly, Matthew, 6, 172n.12 Moderato Cantabile, 116, 123 Constable, E. L., 112, 187n.27 political position, 7, 138 Corsica, 124 Savannah Bay, 143 Critchley, Simon, 166, 196n.35 The Atlantic Man, 143, 147 Crouzet, Michel, 4, 171n.4 The Lover, 143 Crowley, Martin, 120, 182n.36, 183n.8, 188n.4, The Malady of Death, 143–144, 148, 192n.28, 189n.19 192n.26, 192n.19 The Man Sitting in the Corridor, 143, 148, Davies, Paul, 182n.28 192n.25 Davis, Colin, 89, 102, 107, 184n.22, 186n.12, The Truck, 142 187n.20 The Viaducts of Seine-et-Oise, 116 Davis, Howard, 8, 173n.17 Writing, 193n.30 de Beauvoir, Simone, 13, 83, 93 Dutoit, Ulysse, 190n.25, 194n.20 Hard Times, 180n.18, 183n.7 on Sartre, 74 Egypt, 6 The Ethics of Ambiguity, 173n.26 Ekman, Paul, 97 de Chalonge, Florence, 192n.21 Eskin, Michael, 95, 185n.35 de Gaulle, Charles, 111, 123–124, 136–137, 189n.15 de Laclos, Pierre Choderlos, 162 Fanon, Frantz, 7, 126, 185n.32 de Man, Paul, 2, 17, 66, 171n.2, 174n.34, 180n.8 Fascism, 6, 153, 193n.1 decolonization, 21, 23, 40, 72, 78, 135, 138, 172n.14 Faulkner, William, 53, 155, 185n.30 Derrida, Jacques, 88, 161, 179n.21, 184n.19, Felman, Shoshana, 101–102, 122, 186n.9 187n.19, 195n.22 Feraoun,
Load more

Recommended publications
  • Simone De Beauvoir and the Politics of Privilege
    Simone de Beauvoir and the Politics of Privilege SONIA KRUKS How should socially privileged white feminists (and others) address their privilege? Often, individuals are urged to overcome their own personal racism through a politics of self-transformation. The paper argues that this strategy may be problematic, since it rests on an over-autonomous conception of the self. The paper turns to Simone de Beauvoir for an alternative account of the selh as “situated,” and explores what this means for a politics ofprivilege. In 1955, Simone de Beauvoir published a collection of essays entitled Privil&es. She wrote in the Preface that one question linked all her essays together: how may the privileged think about their situation? They cannot think about it honestly and without self-delusion, she says. For, “to justify the possession of particular advantages in the mode of the universal is not an easy undertaking,” and it results in a mode of thought marked by the kinds of obfuscation and self- deception that Beauvoir (along with Jean-Paul Sartre) calls “bad faith” (1955, 7). Beauvoir’s main concern in her book was with how ruling-class privilege is masked, or rationalized, in thought. However, her critique also resonates strongly with recent feminist critiques of the self-deceptions inherent in mas- culine, white-race, and other forms of privilege, as well as with the dilemmas of privileged would-be progressives’ more generally. In this paper I turn to Simone de Beauvoir to help think about ‘privilege’ as it is conceived in feminist theory and politics today, and particularly as it poses a predicament for those who enjoy significant social privilege while also being committed to fighting it.
    [Show full text]
  • The Declaration of the 121 Robert Barrat
    92 THE DECLARATION OF THE 121 ROBERT BARRAT An editor of the Left-wing Catholic periodical l Temoinage Chretien1 EARLY in September, the large Paris dailies received in their post a four-page statement, printed on fine paper, and headed 'Declaration on the Right to Disobedience in the Algerian War.'* The statement was signed by 121 personalities from the academic world, literature and the arts, among them writers like Jean-Paul Sartre, Andre Breton, Simone de Beauvoir, Vercors, Arthur Adamou, Marguerite Duras and Jean-Louis Bory; film-makers and actors like Alain Resnais, Alain Cuny, Roger Blin, Simone Signoret; university professors Theodore Monod, Andre Mandouze, P. Vidal-Naquet, Michel Leiris; painters like Pignon, Masson, Marc Saint-Saens, Lapoujade; and musicians like Pierre Boulez. My own name was there, and those of other, more significant figures. The Left intelligentsia was publishing its attitude to the Algerian War. And this attitude was candidly subversive. The Algerian War, the manifesto argued, is senseless. It is not a national war, as the Algerian army in no way threatens the conquest of France. It is neither a civil war nor a war of con­ quest, since it has been recognized that the Algerian people have the right of self-determination. At first presented to the public as a police action, it has tended more and more to become an operation of the army, which seeks to secure caste interests, which has made an institution of torture in Algeria and has taken up a position of open or latent revolt against democratic insti­ tutions. In these circumstances it is reasonable that many French­ men should come to question the validity of their traditional duties; either by refusing to take up arms against the Algerian people, or by bringing help and protection to the Algerians who are being oppressed in the name of the French people.
    [Show full text]
  • The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason Timothy Scott Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1424 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE FRENCH REVOLUTION IN THE FRENCH-ALGERIAN WAR (1954-1962): HISTORICAL ANALOGY AND THE LIMITS OF FRENCH HISTORICAL REASON By Timothy Scott Johnson A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 TIMOTHY SCOTT JOHNSON All Rights Reserved ii The French Revolution in the French-Algerian War (1954-1962): Historical Analogy and the Limits of French Historical Reason by Timothy Scott Johnson This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Richard Wolin, Distinguished Professor of History, The Graduate Center, CUNY _______________________ _______________________________________________ Date Chair of Examining Committee _______________________
    [Show full text]
  • Jean-Paul Sartre and the Algerian Revolution: 1954-1962
    https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] JEAN-PAUL SARTRE AND THE ALGERIAN REVOLUTION: 1954-1962 BY ABDELMADJID AMRANI B.A. ALGIERS UNIVERSITY, (1981) M. LiTT. GLASGOW UNIVERSITY, (1985) A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, PH.D. DEPARTMENT OF MODERN HISTORY FACULTY OF ARTS UNIVERSITY OF GLASGOW FEBRUARY 1990 i ProQuest Number: 10970983 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10970983 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author.
    [Show full text]
  • ON COLONIAL NOSTALGIA CASE STUDY: ALGERIA Ms
    International Journal of History and Philosophical Research Vol.6, No.1, pp.13-20, March 2018 ___Published by European Centre for Research Training and Development UK (www.eajournals.org) ON COLONIAL NOSTALGIA CASE STUDY: ALGERIA Ms. Ouarda Larbi Youcef University Abd El Hamid Ibn Badis, Faculty of Foreign Languages, Department of English, Mostaganem, Algeria ABSTRACT: The colonization of Algeria lasted for one hundred thirty-two years. The war that broke up on November 1, 1954, cost much blood, 1.5 million people killed. At this juncture, the colonized regarded Western colonialism, in general, French one, in particular as a system with undeniable damaging effects. In these recent years, however, there has been much talk in progress, both in the settler country and in the formerly colonized. This talk is about a presumed positive role. In other words, a new political discourse and a new literature aiming at justifying and sanctifying the role and the impact of colonialism is coming to the fore. The colonists, having never given up yearning for Paradise Lost, are seeing to rehabilitate what they consider a distorted image of colonialism. Their main argument is grounded in the fact that it had unquestionably been beneficial not only to them but also to the natives. In short, the argument lies in that the civilizing mission proved a success. Likewise, in Algeria, a population, mainly young, born after independence, and which can only guess the far reaching consequences of such a system, is led to think that its embrace would have enabled it not to miss the rendez-vous with modernity.
    [Show full text]
  • Jean~Paul Sartre: a Portrait
    Peter H. Thomas JEAN~PAUL SARTRE: A PORTRAIT IT WAS IN THE FALL oF 1955 when I saw Sartre for the first time. He was to give at the University of Paris a public lecture on some philosophical aspect of the problem of Time. The event was to begin at eight in the evening. I had arrived at a quarter to eight and found several halls and staircases packed with hundreds of people waiting to be admitted to the lecture room. When the waiting crowd continued to increase, a university official came to announce that the lecture was to be held in another, larger auditorium, which happened to be in a different part of the building. Everybody rushed there with much energy and excitement and formed another queue in front of the newly indi~ cated door. During the next fifteen minutes the pressure of the crowd behind me increased with their number and impatience, and some people began to find it difficult to breathe. The shorter ones, wedged in the throng, started to wince and to moan, but at last the Amphitheatre Richelieu was opened and what had now become an aggressive mob surged through the bottlenecks of the doors with all outward signs of riot and violence. I remember a kind little South American lady, with whom I had exchanged a few friendly words some minutes earlier, breaking out in hysterical screams over the loss of her black velvet hat, which had disappeared in the shuffle and was soon trampled by hundreds of feet. All the available seats of the spacious wood-panelled audi­ torium were occupied in a few minutes, except those reserved by gallant blades to be offered to prospective female acquaintances whom they succeeded in recruiting on this occasion.
    [Show full text]
  • The Situationist International
    Peter Wollen The Situationist International De Sade liberated from the Bastille in 1789, Baudelaire on the barricades in 1848, Courbet tearing down the Vendôme Column in 1870—French political history is distinguished by a series of glorious and legendary moments which serve to celebrate the convergence of popular revolution with art in revolt. In this century avant-garde artistic movements took up the banner of revolution consciously and enduringly. The political career of André Breton and the sur- realists began with their manifestoes against the Moroccan war (the ‘Riff’ war) in 1925 and persisted through to the Manifesto of the 121, which Breton signed in 1960, shortly before his death, denouncing the Algerian war and justifying resistance. In May 1968 the same emblematic role was enacted once again by the militants of the Situationist International. The SI was founded in 1957, at Cosio d’Arroscia in northern Italy, principally out of the union of two prior avant-garde groups, the Movement for an Imaginist Bauhaus (Asger Jorn, Pinot Gallizio and others) and the Lettrist International (led by Guy Debord).1 The Movement for an Imaginist Bauhaus itself originated from splits in the post-war Cobra group of artists, which Jorn had helped found, and the SI was 67 soon joined by another key Cobra artist, Constant. The ancestry of both Cobra and Lettrism can be traced back to the international Surrealist movement, whose break-up after the war led to a proliferation of new splinter groups and an accompanying surge of new experimentation and position-taking.2 The SI brought together again many of the dispersed threads which signalled the decay and eventual decomposition of surrealism.
    [Show full text]
  • Master Thesis
    MASTER THESIS Titel der Master Thesis / Title of the Master‘s Thesis „France’s Postcolonial Malaise: The Discourse in the French Public Sphere on the French Army’s Use of Torture During the Algerian War (1954 – 1962) and its Impact on French Society“ verfasst von / submitted by Lucas Palm, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2017 / Vienna 2017 Studienkennzahl lt. Studienblatt / A 992 884 Postgraduate programme code as it appears on the student record sheet: Universitätslehrgang lt. Studienblatt / Human Rights Postgraduate programme as it appears on the student record sheet: Betreut von / Supervisor: Dr. Vedran Dzihic ACKNOWLEDGEMENTS An intense and so meticulously tailored Master program like the Vienna Master of Arts in Human Rights takes its value not least from the close and productive relation between its staff and its students. It seems thus indispensable for me to express my gratitude towards Prof. Manfred Nowak, the Scientific Director, for giving us nothing less than the most inspiring lectures of my academic life; Georges Younes, the Program Manager, for his precious counselling on several matters and his approachability; Sabine Mann, the Program Coordinator, for her countless quick replies on my countless urgent emails; Marijana Grandits, the Godmother of this Master, for organizing the unforgettable study trip to Kosovo and for her support in getting my internship at the European Parliament; and Anouk Siedler, the Program Assistant, for her support before – and during –, the chairing of the Model UN. Furthermore, I am particularly thankful to Dr. Vedran Dzihic for his stimulating lectures and his supervision of this thesis, during which I received not only the necessary amount of ‘freedom of thought’, but also concise inputs, which made the writing process of this thesis all the more enriching.
    [Show full text]
  • Algeria, Vietnam, Iraq and the Conscience of the Intellectual
    Volume 4 | Issue 2 | Article ID 1995 | Feb 16, 2006 The Asia-Pacific Journal | Japan Focus Algeria, Vietnam, Iraq and the Conscience of the Intellectual Lawrence S. Wittner Algeria, Vietnam, Iraq and the Conscience ideas in some fashion, often applying ideas in of the Intellectual an ethical way that may question the legitimacy of the established authorities." Thus, "a By Lawrence S. Wittner significant percentage of the professoriate and some journalists" can be classified as intellectuals, as can "a substantial portion of "History," the French philosopher Julien Benda the artistic community . who theorize in print once remarked, "is made from shreds of justice about their creativity." In his view, "there was, that the intellectual has torn from theand perhaps remains, a symbiotic relationship politician." This contention may overestimate between the intellectual and engagement," a the power of the former and underestimate the French term meaning "critical dissent." power of the latter. But it does point to a tension between intellectuals and government Schalk argues convincingly that there were officials that has existed at crucial historical remarkable similarities between the Algerian junctures--for example, in late nineteenth and Vietnam wars. These include: the use of century France (where the term "intellectual torture; the looming precedent of the was first coined in connection with the Dreyfus Nuremberg trials; anti-colonial revolt; the affair) and in the late twentieth century Soviet undermining of democracy; the murky style
    [Show full text]
  • To Download the PDF File
    Abstract An Opposition in Search of Itself: Modern French Cinema and the Algerian War This dissertation provides a sustained analysis of the politics of French cinema in the 1950s and 1960s from the socio-historical perspective of the Franco-Algerian War. By combining close visual analysis of the Left Bank Group’s cinema, discourse analysis of contemporaneous film theoretical debates, and archival research of images from the popular press, I demonstrate how the Franco-Algerian War played a key role in shaping the cinematic representation of French modernization. Although it has been widely assumed that France’s “police operation” in Algeria between 1954 and 1962 was absent from French screens due to severe censorship restrictions, I explore how filmmakers including Alain Resnais, Agnès Varda, and Chris Marker mobilize imagery and discourses unique to the war in order to critique the disciplinary nature of their own “modern society.” In its focus on colonialism, my dissertation challenges the dominant narrative of this influential period in film history as a monolithic New Wave movement reducible to the films of an inner-circle of auteurs and their writings in Cahiers du cinéma. I return to the journal Positif’s under-theorized criticism to illuminate how film culture in France functioned as a heterogeneous field of debate, in which political divisions were largely determined in relation to the question of colonialism’s relationship to modernization. The 1950s mark the flourishing of Les Trente Glorieuses in France, a period of economic acceleration, which contemporary media ii representation often cast in the ambience of science fiction. As the specificities of France’s “dirty war” in Algeria permeated the mainland, however, the frontier dividing the two became increasingly precarious.
    [Show full text]
  • 'As Nobody I Was Sovereign': Reading Derrida Reading Blanchot
    Societies 2013, 3, 43–51; doi:10.3390/soc3010043 OPEN ACCESS societies ISSN 2075-4698 www.mdpi.com/journal/societies Article ‘As Nobody I was Sovereign’: Reading Derrida Reading Blanchot Patrick Hanafin School of Law, Birkbeck, University of London, Malet Street, London WC1E 7HX, UK; E-Mail: [email protected]; Tel.: +44-207-6316517 Received: 1 October 2012; in revised form: 18 December 2012 / Accepted: 20 December 2012 / Published: 4 January 2013 Abstract: In Session 7 (26 February 2003) of The Beast and the Sovereign, Volume II, Jacques Derrida engages again with Maurice Blanchot, two days after the latter’s cremation. This intervention also appears as a post-face to Derrida’s 2003 edition of Parages, his collection of essays devoted to the work of Blanchot. In this article, I examine Derrida’s affinity to the work of Blanchot, as the one whose work ‘stood watch over and around what matters to me, for a long time behind me and forever still before me’ [The Beast and the Sovereign, Volume II, p. 176]. In doing so I look at the manner in which Derrida engaged with Blanchot in his work and how in examining this engagement another reading of sovereignty emerges, one which is not tethered to liberal models of sovereign will but one which eludes biopolitical ordering and may be seen as a form of disappearance. Through a reading of Derrida’s readings of Blanchot’s The Madness of the Day I emphasize the link of this alternative sovereignty to both writing and literature in order to demonstrate how a more radical thinking of sovereignty can be discovered in Derrida’s thought.
    [Show full text]
  • Global Resistance and the Demand for Communism
    Stirling International Journal of Postgraduate Research 1.2 (2013) Global Resistance and the Demand for Communism Mauro Di Lullo1 University of Stirling First of all, an insistent reference to the West and to “Western Civilization”, a theme or lexicon whose careless manipulation has often slid over into rather undemocratic theses, as we know now from experience, especially when it is a question of an authentic “decadence” of the said Western Civilization. As soon as anyone talks about “decadence of Western Civilization,” I am on my guard. We know that this kind of talk can sometimes (not always) lead to restorations or installations of an authoritarian, even totalitarian order.2 Abstract This paper explains and analyses modern neoliberal ideas of freedom and compares them to a Blanchovian understanding of freedom and communism. In modern and neoliberal formulations, freedom is often identified within a persistent form of mastery3. This identification of freedom with mastery, I argue, encourages political and social exploitation, emphasizes the dangerous prerogatives of capitalist authority, and strengthens the extreme resilience of phallogocentric domination. Maurice 1 To my Supervisors Dr. Andrew Hass and Prof. Bill Marshall for all their support, kindness and encouragement. To all the community of students (the Arabic translation of students is Taliban) in the University of Stirling and beyond. May my work be highly controversial, opposed and contentious, but hopefully able to open a debate on antagonism, resistance and refusal in our age of consumerism and apparently triumphant neoliberalism. May my work help and support all the students in Stirling and beyond to rediscover the inner greatness of two “spectres still haunting capitalist world”: rebellion and communism.
    [Show full text]