Chamber Music for Wind

Total Page:16

File Type:pdf, Size:1020Kb

Chamber Music for Wind UT ORPHEUS EDIZIONI Chamber Music Complete Catalogue January 2021 www.utorpheus.com CONTENTS Chamber Music for Strings Quintets with Harp ..........................12 Trios ............................................. 3 Sextets .........................................13 Trios with Piano ............................... 3 Septets ........................................13 Trios with Harpsichord ....................... 3 Nonets .........................................13 Trios with Harp ................................ 4 3 or more Instruments with Continuo .....14 Trios with Guitar .............................. 4 Other Ensembles .............................14 Trio Sonatas .................................... 5 Chamber Music for Mixed Ensembles Quartets ���������������������������������������� 6 Trios ............................................15 Quartets with Piano .......................... 7 Trios with Piano ..............................15 Quartets with Guitar ......................... 7 Trios with Harpsichord ......................16 Quintets ........................................ 7 Trios with Harp ...............................16 Quintets with Piano ��������������������������� 7 Trios with Guitar .............................16 Quintets with Harp ........................... 7 Trio Sonatas ...................................18 Quintets with Guitar.......................... 8 Quartets ���������������������������������������18 Sextets .......................................... 8 Quartets with Piano .........................18 3 or more Instruments with Continuo ...... 9 Quartets with Harpsichord .................19 Other Ensembles .............................. 9 Quartets with Harp ..........................19 Quintets .......................................19 Chamber Music for Wind Quintets with Piano ��������������������������19 Trios ............................................10 Quintets with Harp ..........................20 Trios with Piano ..............................10 Sextets with Piano ...........................20 Trios with Harp ...............................10 Septets ........................................20 Trios with Guitar .............................10 3 or more Instruments with Continuo .....20 Trio Sonatas ...................................10 Early Music ad libitum Instrumental Quartets ���������������������������������������11 Ensemble ......................................22 Quintets .......................................12 Other Ensembles .............................23 UT ORPHEUS EDIZIONI Piazza di Porta Ravegnana 1 I-40126 Bologna (Italy) Tel. +39 051226468 Fax +39 051263720 www.utorpheus.com [email protected] Prices are subject to change without notice. Errors excepted. CAT 15 Printed in Italy 1/2021 CHAMBER MUSIC Trios with Piano BEETHOVEN, LUDWIG VAN (1770-1827) FOR STRINGS Trio Op. 63 for Violin, Violoncello and Piano (De Col) HS 227 – Score and Parts – € 30,95 Trios CLEMENTI, MUZIO (1752-1832) BOCCHERINI, LUIGI (1743-1805) Sonata Op. 27 No. 1 in F Major for Violin, 6 Trios Op. 1 (G 77-82) for 2 Violins and Violoncello and Piano (M. Sala) Violoncello. Critical Edition (Rasch) HS 153 – Score and Parts – € 17,95 [Opera Omnia - Vol. XXVII.I] Sonata Op. 28 No. 2 in E flat Major for BCE 5 – € 189,00 Violin, Violoncello and Piano (M. Sala) 6 Trios Op. 1 (G 77-82) for 2 Violins and HS 154 – Score and Parts – € 17,95 Violoncello (Rasch) 3 Sonatas Op. 22 for Piano (Harpsichord), Vol. 1: Trios Nos. 1-3 Flute (Violin) and Violoncello (L. Sala) PEB 25A – Score – € 18,95 MC 27 – Score and Parts – € 36,95 PEB 25B – Set of Parts – € 16,95 3 Sonatas Op. 27 for Piano (Harpsichord), Vol. 2: Trios Nos. 4-6 Violin and Violoncello (M. Sala) PEB 26A – Score – € 18,95 MC 30 – Score and Parts – € 39,95 PEB 26B – Set of Parts – € 16,95 3 Sonatas Op. 28 for Piano (Harpsichord), CARESANA, CRISTOFORO (ca.1640-1709) Violin and Violoncello (M. Sala) MC 31 – Score and Parts – € 42,95 8 three-part Ricercares for 2 Violins and Viola (Bornstein) 3 Sonatas Op. 29 for Piano (Harpsichord), HS 91 – Score and Parts – € 18,95 Violin (Flute) and Violoncello (Illiano) MC 32 – Score and Parts – € 32,95 CATTANEO, GIACOMO (17th-18th century) 12 Sonatas from “Trattenimenti armonici DUSSEK, JAN LADISLAV (1760-1812) da camera”. Opera prima (Modena 1700) Sonata Op. 37 for Harp (Piano), Violin and for 2 Violins and Violoncello (Harpsichord) Violoncello (Pasetti) (Continuo) (Corini) MAG 164 – Score and Parts – € 18,95 CSS 54 – Score and Parts – € 28,95 MIRTO, GIORGIO (*1972) CHITI, GIROLAMO (1679-1759) Piano Trio for Violin, Violoncello and Piano 8 Ricercares for 2 Violins and Violoncello (2008) (Bornstein) XXS 87 – Score and Parts – € 30,95 HS 92 – Score and Parts – € 19,95 MIRTO, GIORGIO (*1972) Trios with Harpsichord Oil on Canvas for String Trio (2009) XXS 76 – Score and Parts – € 27,95 CLEMENTI, MUZIO (1752-1832) NATALE, POMPEO (17th century-after 1681) 3 Sonatas Op. 22 for Piano (Harpsichord), Flute (Violin) and Violoncello (L. Sala) Clizia, Dynamene, Erato. 3 Sonatinas (Roma 1681) for 2 Violins and Violoncello MC 27 – Score and Parts – € 36,95 (Bornstein) 3 Sonatas Op. 27 for Piano (Harpsichord), HS 56 – Score and Parts – € 14,95 Violin and Violoncello (M. Sala) MC 30 – Score and Parts – € 39,95 PUGNI, CESARE (1802-1870) 3 Sonatas Op. 28 for Piano (Harpsichord), Terzettino for 2 Violins and Viola (Corini) Violin and Violoncello (M. Sala) ACC 48 – Score and Parts – € 19,95 MC 31 – Score and Parts – € 42,95 4 CHAMBER MUSIC FOR STRINGS Trios with Harp MEYER, PHILIPPE-JACQUES (half 18th century-1820) BACKOFEN, HEINRICH (1768-1839) 8 Divertimenti Op. 6 for Harp, Violin and Concertante Op. 7/8 for Harp, Basset- Basso (Harpsichord or Violoncello) (Pasetti) horn (or Viola) and Violoncello ad libitum (Pasetti) MAG 191 – Score and Parts – € 25,95 MAG 192 – Score and Parts – € 23,95 NADERMAN, FRANÇOIS-JOSEPH (ca.1772- DUSSEK, JAN LADISLAV (1760-1812) 1835) Sonata Op. 34 No. 1 for Harp, Violin and Violoncello (Pasetti) Sonata Op. 11 for Harp, Violin and MAG 162 – Score and Parts – € 20,95 Violoncello (Pasetti) Sonata Op. 34 No. 2 for Harp, Violin and MAG 200 – Score and Parts – € 26,95 Violoncello (Pasetti) MAG 163 – Score and Parts – € 17,95 Trio Op. 14 for Harp, Violin and Sonata Op. 37 for Harp (Piano), Violin and Violoncello (Pasetti) Violoncello (Pasetti) MAG 231 – Score and Parts – € 27,95 MAG 164 – Score and Parts – € 18,95 FERRARI, JACOPO GOTIFREDO (ca.1759- RAGUÉ, LOUIS-CHARLES (before 1760-after 1842) 1793) Sonata Op. 18 No. 1 for Arpa, Violin and Violoncello (Pasetti) Trio for Harp, Violin and Violoncello MAG 71 – Score and Parts – € 18,95 (Pasetti) Sonata Op. 18 No. 2 for Arpa, Violin and MAG 187 – € 19,95 Violoncello (Pasetti) MAG 72 – Score and Parts – € 21,95 STEIBELT, DANIEL (1765-1823) Sonata Op. 18 No. 3 for Arpa, Violin and Violoncello (Pasetti) Sonata I for Harp with Violin and MAG 73 – Score and Parts – € 21,95 Violoncello ad libitum (Pasetti) KRUMPHOLTZ, JOHANN BAPTIST (1742- MAG 128 – Score and Parts – € 16,95 1790) Sonata II for Harp with Violin and Sonata Op. 12 No. 1 for Harp (with Violin Violoncello ad libitum (Pasetti) and Violoncello ad libitum) (De Rossi) MAG 41 – Score and Parts – € 21,95 MAG 129 – Score and Parts – € 18,95 Sonata Op. 12 No. 2 for Harp (with Violin for Harp with Violin and and Violoncello ad libitum) (De Rossi) Sonata III MAG 42 – Score and Parts – € 21,95 Violoncello ad libitum (Pasetti) Sonata Op. 12 No. 3 for Harp (with Violin MAG 130 – Score and Parts – € 17,95 and Violoncello ad libitum) (De Rossi) MAG 43 – Score and Parts – € 20,95 Sonata Op. 12 No. 4 for Harp (with Violin Trios with Guitar and Violoncello ad libitum) (De Rossi) MAG 44 – Score and Parts – € 21,95 CAPPELLO, FLAVIO (*1954) MARIN, MARIE-MARTIN (1766-1849?) Fables and Stories. 5 Easy Pieces for 2 Trios on themes by Mozart for Harp, Flute, Violin (Viola) and Guitar Violin and Violoncello (Pasetti) MAG 185 – € 21,95 CH 201 – Score and Parts – € 21,95 CHAMBER MUSIC FOR STRINGS 5 MOLITOR, SIMON (1766-1848) Trio Op. 6 for Violin (Flute), Viola and Guitar (Schiavina) CH 79 – Score and Parts – € 28,95 PAGANINI, NICCOLÒ (1782-1840) Terzetto M.S. 69 for Violin, Violoncello and Guitar (Rizza) CH 146 – Score and Parts – € 28,95 Trio Sonatas CATTANEO, GIACOMO (17th-18th century) 12 Sonatas from “Trattenimenti armonici DVOŘÁK, ANTONÍN (1841-1904) da camera”. Opera prima (Modena 1700) for 2 Violins and Violoncello (Harpsichord) Humoreske Op. 101 No. 7 for Flute (Continuo) (Corini) (Violin), Viola and Guitar (Rizza) CSS 54 – Score and Parts – € 28,95 CH 340 – Score and Parts – € 13,95 CAZZATI, MAURIZIO (1616-1678) Capriccio sopra sette note for 2 Violins (2 Descant Recorders) and Continuo (Bornstein, Corini) CSS 9 – Score and Parts – € 19,95 GRAUN, JOHANN GOTTLIEB (1702 or 1703- 1771) Trio in G Major (Berlin c.1750) for 2 Viols and Continuo (Biordi, Ghielmi) CSS 52 – Score and Parts – € 18,95 MUSSI, GIULIO (16th-17th century) La Bandina, La Meduna. 2 Instrumental Canzonas (Venezia 1620) for 2 Viols (2 Violoncellos) and Continuo (Bornstein, Corini) FAURÉ, GABRIEL (1845-1924) HS 34 – Score and Parts – € 12,95 Pavane Op. 50 for Flute (Violin), La Brunetta, La Pedana. 2 Instrumental Viola and Guitar (Rizza) Canzonas (Venezia 1620) for Violin, CH 341 – Score and Parts – € 15,95 Violoncello and Continuo (Bornstein, Corini) GLASS, LOUIS (1864-1936) HS 33 – Score and Parts – € 12,95 Trio Op. 76 for Violin, Viola and Guitar La Fanzaga, L’Astea, L’Amaltea. 3 (Rizza) Instrumental Canzonas (Venezia 1620) CH 263 – Score and Parts – € 22,95 for
Recommended publications
  • Transmissões Antena 2
    Maio 20 TRANSMISSÕES ANTENA 2 CONCERTOS ANTENA 2 DIA 6 19h00 Liceu Camões, Lisboa * José Soares (sax). João Grilo (pn) DIA 18 19h00 MNAA, Lisboa Lançamento do CD - Sons da Minha Terra * Pedro Emanuel Pereira (pn) TEATRO SEM FIOS DIA 5 19h00 A Reviravolta de Almeida Faria Maio 20 1 Sexta ●00H00 | RAÍZES Inês Almeida ●01H00 | MÚSICA HOJE Miso Music Portugal Uma emissão dedicada à divulgação de edições recentes de música electroacústica do compositor João Castro Pinto. Música Hoje apresentará Hiante, uma edição em livro-CD de poesia electroacústica com ilustrações, poemas e voz de Sofia A. Carvalho, ao lado de música e ilustrações de João Castro Pinto, publicado pela Grimaces Éditions (Suíça). Neste programa ouviremos ainda outras criações deste compositor editadas recentemente, incluindo obras do seu novo trabalho monográfico de soundscape composition intitulado The No Land Soundscape, uma edição em formato duplo (cassette e download digital) pela editora Australiana Hemisphäre ○02H00 | JAZZ A 2 João Moreira dos Santos / Maria Alexandra Corvela / Luís Caetano / Produção: Cristina do Carmo ●03H04 | ARGONAUTA Jorge Carnaxide Comunicações Globais II ●04H00 | A RONDA DA NOITE Luís Caetano A Vida Breve 04:40 (Luís Caetano) Última Edição 04:45 (Luís Caetano) ●05H00 | NA CORRENTE Pedro Coelho ●06H00 | NOTAS FINAIS João Pedro Wolfgang Amadeus Mozart Concertos p/ dois pianos em mi bemol maior, K.365 e em fá maior, K.242 e Adagio e fuga p/ cordas em dó menor, K.546 * Duo Crommelynck (pn). Orq. de Câmara de Pádua e do Veneto. Dir. Bruno Giuranna ●07H00
    [Show full text]
  • Programmbuch Festtage Alte Musik Basel
    Basel, 23. bis 31. August 2013 Programmbuch Festtage Alte Musik Basel Wege zum Barock – Tradition und Avantgarde um 1600 www.festtage-basel.ch Titel: Pieter Lastman (1583–1633), David im Tempel, 1618, signiert und datiert, Holz, 1 79 cm x 117 cm, Herzog Anton Ulrich-Museum, Braunschweig Zum Geleit Mit der grössten Freude stelle ich der zweiten Edition der Festtage Alte Musik Basel diesen Gruss voran! Die Freude betrifft zuerst die Tatsache, dass die «Kulturstadt Basel» mit sol- chen Ereignissen eine «Fes- tivalstadt» par excellence ist, in der ein hervorragen- des Potenzial an Kreativität herrscht. Grund zur Freu- de ist auch die Bereiche- rung des grossen Gebiets Abdruck mit Quellenangabe erwünscht der Alten Musik, die seit © 2013 Paul Sachers Zeiten einen Verein zur Förderung Basler Absolventen Schwerpunkt des hiesigen auf dem Gebiet der Alten Musik Musiklebens darstellt. Aber Dornacherstrasse 161 A, CH-4053 Basel auch das Auftreten vieler Telefon +41 (0)61 361 03 54 berühmter europäischer En- CH17 0840 1016 1968 0160 3 sembles in Basel, die ohne dieses Festival hier nicht [email protected] zu hören wären, ist sehr lo- www.festtage-basel.ch benswert. Besonders erfreu- Redaktion: Jörg Fiedler, Peter Reidemeister lich ist aber das klare Profil Satz, Gestaltung: Buser, Kommunikation GmbH, Basel des Programms, das höchste Dr. Guy Morin, Regierungspräsident Druck: Druckerei Dietrich AG, Basel Qualität mit der Förderung des Kantons Basel-Stadt des Basler Nachwuchses verbindet: Wer in dieser Stadt Festtage Basel seine Ausbildung durchlaufen und diesem hohen Stan- Geschäftsleitung: Renato D. Pessi Künstlerische Leitung: Peter Reidemeister dard standgehalten hat, der hat es auch verdient, dass er hier mit Engagements zu solchen Ereignissen wei- Preis: 10 Franken terhin Unterstützung erfährt.
    [Show full text]
  • Catalogo 2015
    Catalogo 2015 ISTITUTO ITALIANO PER LA STORIA DELLA MUSICA VIA VITTORIA , 6 - 00187 - ROMA (RM) TEL ./F AX (+39) 06.36000146 - WWW.IISM .IT EDIZIONI MUSICALI | MUSICAL EDITIONS Canti Liturgici Ebraici di rito spagnolo del Tempio di Roma Canti Liturgici Ebraici di rito spagnolo del Tempio di Roma , a cura di E. Piattelli e P. Troìa, 2003, 33,80 € pp. 154 Codici Musicali Trentini del Quattrocento a cura di M. Gozzi I. Sequenze , a cura di M. Gozzi, 2012, pp. 360 26,00 € II. I Kyrie di Tr93 , a cura di Antonio Chemotti, 2014, pp. 240 26,00 € Per il piano editoriale: www.iism.it Luigi Boccherini (1743-1805) Prezzo della serie completa: 340,60 € I. Quintetti Op. 10 (da 1 a 6), a cura di P. Carmirelli, 1970, pp. 196 33,80 € II. Quintetti Op. 11 (da 7 a 12), a cura di P. Carmirelli, 1970, pp. 205 33,80 € III. Quintetti Op. 13 (da 13 a 18), a cura di P. Carmirelli, 1972, pp. 178 33,80 € IV. Quintetti Op. 18 (da 19 a 24), a cura di P. Carmirelli, 1972, pp. 201 33,80 € V. Quintetti Op. 20 (da 25 a 30), a cura di P. Carmirelli, 1974, pp. 179 33,80 € VI. Quintetti Op. 25 (da 31 a 36), a cura di P. Carmirelli, 1975, pp. 178 33,80 € VII. Quintetti Op. 27 (da 37 a 42), a cura di P. Carmirelli, 1976, pp. 93 33,80 € VIII. Quintetti Op. 28 (da 43 a 48), a cura di P. Carmirelli, 1977, pp. 215 33,80 € IX.
    [Show full text]
  • Nach Konzertreihe Für Alte Musik
    Nach Konzertreihe klang für Alte Musik Dieses Konzert wird ab 20.03 Uhr im Programm von Deutschlandfunk Kultur live und bundes- weit gesendet. 1. März 2019, 20.00 Uhr Bitte schalten Sie die Handys aus. Botticellisaal der Gemäldegalerie der Staatlichen Museen zu Berlin bundesweit und werbefrei UKW, DAB+, Kabel, Satellit, Online, App deutschlandfunkkultur.de Programm ‚seltzam art, verkärth, auf frembd manier‘* Klingende Allegorien zwischen Andrea Mantegna und Giovanni Bellini Der Körper der Maria Magdalena und der Jungfrau Maria Der Körper des Heiligen Sebastian Gaudeamus omnes O sancte Sebastiane Alexander Agricola O beate Sebastiane Madre che festi colui che te fece Guillaume Du Fay Innocentius Dammonis O beate Sebastiane veröffentlicht in Petrucci, Laude Libro Primo, Venedig 1508 Johannes Martini Text: Leonardo Giustiniani O beate Sebastiane Madre che festi colui che te fece Gaspar van Weerbeke anonym, Johannes Martini, Johannes Ghiselin, Jean Japart, Heinrich Isaac und Crispinus van Stappen Lauda Kontrafaktur über J’ay pris amours Der Körper Christi O Diva Stella Inkarnation anonym, John Bedyngham Refove unice Lauda-Kontrafaktur über O rosa bella Guillaume Du Fay Vergine bella che del sol vestita Kontrafaktur des Chansons Par le regart Guillaume Du Fay Text: Notker Balbulus Text: Francesco Petrarca Cum jubili d’amore Vergine bella che del sol vestita Innocentius Dammonis Bartolomeo Tromboncino veröffentlicht in Petrucci, Laude Libro Primo, Venedig 1508 Text: Francesco Petrarca Text: Leonardo Giustiniani Passion Der todgeweihte Körper Moderation und Gespräch mit Anima benedeta Dulces exuviae (Didos Lamento) Michael Eissenhauer, Generaldirektor anonym Johannes Ghiselin, Alexander Agricola der Staatlichen Museen zu Berlin: Venedig, Biblioteca nazionale marciana, Ms. ital. IX, 145; 7554 Olaf Wilhelmer Text: Vergil, Aeneid (Buch IV, 651–660) O vos homines qui transite in pena Morte che fay Pere Oriola Heinrich Isaac Zusammenstellung eines Karfreitag-Respronsoriums, Ms.
    [Show full text]
  • Recorder Reporter
    Recorder Reporter Newsletter of two chapters of the American Recorder Society (ARS), Chicago Chapter & the West Suburban Early Music Society April 2017 Volume 58, Number 8 Chicago Chapter News will start with an hour or two of work on how, where, and Dennis Sherman gallantly directed the March 19 why to articulate with recorder, and then move into the meeting of the Chicago Chapter as a competitive event. workshop theme, “Bad Boys.” The fee will be $65 for members and $75 for non-members. Lunch is on your The members who attended cast a wistful ear toward own, but several restaurants are in walking distance. Byron Colby Barn in Grayslake, where the Chicago Recorder Quartet, Lisette Kielson, Patrick O’Malley, Covenant Presbyterian Church is at 2012 West Dickens Laura Osterlund, and Mirja Lorenz, were performing. Or in the Bucktown neighborhood of Chicago, near Damen maybe they thought about playing in or attending a and Armitage and near exit 47 on the Kennedy. Street concert also on that Sunday afternoon, March 19, at the parking is available, and a lot behind the church on Music Institute of Chicago, “Sing and We Play It,” that Charleston may have spaces. The church is also easily celebrated the 30th anniversary of the MIC Chorale. The accessible by public transportation. Take the Blue line concert also featured their viol da gamba ensemble and elevated train to either Damen or Western Avenue and members of the MIC Recorder Orchestra. walk (www.transitchicago.com), or take either the #49 Western Avenue Bus or the #50 Damen Avenue bus.
    [Show full text]
  • Music from the French Tradition
    OLD DOMINION UNIVERSITY Department of Music Collegium Musicum & Madrigal Singers Bianca Hall, director Music from the French tradition Wilson G. Chandler Recital Hall The F. Ludwig Diehn Center for the Performing Arts November 6, 2018 7:30 PM Program Je sey bien dire Josquin Desprez (c.1450-1521) Pour passer temps/Plus ne chasceray Jean Japart (fl. 1576-1581) Soubz ce tumbel Pierre de la Rue? (c. 1452-1518) La, la maistre Pierre Clemens non Papa (c. 1510-c. 1555) Une fillete bien gorriere non Papa Fantasie XXXII à 4 Eustache du Caurroy (1549-1609) Fantasie XXXI à 4 Pavanne. Est il conclud Claude Gervaise (1540-1583) Galliarde. Est il conclud 2 Bransles doubles Michael Praetorius (1571-1621) Belle qui tiens ma vie Thoinot Arbeau (1519-1595) Galliarde. Puis que vivre en servitude Pierre Phalèse (1510-1573) Tant que vivray Claudin de Sermisy (1495-1562) Benedic anima mea Sermisy Je n’ay point plus Nous sommes de l’ordre de Saint Babouyn Loyset Compère (1440-1518) La la la je ne l’ose dire Pierre Certon (c. 1515-1572) Translations Belle qui tiens ma vie (Thoinot Arbeau) Belle, qui tiens ma vie captive dans tes yeux, Beauty, you who hold my life captive in your eyes, Qui m'a l'âme ravie d'un souriz gracieux, Who make my soul glad with a gracious smile, Viens tôt me secourir, ou me faudra mourir. Come soon rescue me, or I shall die. Benedic anima mea (Sermisy) Benedic, anima mea, Domino, et omnia quae Praise the Lord, O my soul: and all that is intra me sunt nomini sancto ejus.
    [Show full text]
  • Jan Pıeterszoon Sweelınck´In Toccata´Larının Klasik Gitar Ile Icra
    Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü Piyano Anasanat Dalı JAN PIETERSZOON SWEELINCK´İN TOCCATA´LARININ KLASİK GİTAR İLE İCRA EDİLEBİLMESİ ÜZERİNE BİR ARAŞTIRMA Kerim Özcan DAL N11230441 Yüksek Lisans Tezi Ankara, 2014 i JAN PIETERSZOON SWEELINCK´İN TOCCATA´LARININ KLASİK GİTAR İLE İCRA EDİLEBİLMESİ ÜZERİNE BİR ARAŞTIRMA Kerim Özcan DAL N11230441 Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü Piyano Anasanat Dalı Yüksek Lisans Tezi Ankara, 2014 iv ÖZET DAL, Kerim Özcan. Jan Pieterszoon Sweelinck’in Toccataları’nın Klasik Gitar ile İcra Edilebilmesine Yönelik Bir Araştırma, Yüksek Lisans Tezi, Ankara, 2014. Jan Pieterszoon Sweelinck’in Toccataları’nın Klasik Gitar ile İcra Edilebilmesi bu araştırmanın temelini oluşturmaktadır. “Giriş” kısmında bulgulara yön verecek şekilde bazı tanımlar yapılacak, çeşitli kavramlar açıklığa kavuşturulacak ve problem durumuna değinilecektir. “Yöntem” kısmında araştırmada hangi yöntemlerle kaynak tarandığı ve bulgulara ulaşıldığı açıklanacaktır. Ardından “Bulgular ve Yorumlar” kısmında araştırmanın problem durumuna yönelik bulgular elde edilecek ve bunlar yorumlanacaktır. Son olarak araştırmanın “Sonuç ve Öneriler” kısmında, elde edilen bulgular ışığında ulaşılan sonuçlara yer verilerek öneriler getirilecektir. Anahtar Sözcükler Jan Pieterszoon Sweelinck, Toccata, İki gitar, Klasik gitar v ABSTRACT DAL, Kerim Özcan. A Research About Performing Jan Pieterszoon Sweelinck’s Toccatas on Classcical Guitar, Master´s Thesis, Ankara, 2014. The aim of this work is to perform toccatas written for organ by the Renaissance period composer Jan Pieterszoon Sweelinck. In the first part, there will be definitions and well-substantiated explanations to cast more light on the findings. The second part will cover the methods of scanning sources to reach findings of the research. The third part will include the findings with their interpretation. Finally, there will be results about the findings obtained, along with suggestions that made in the conclusion of this research.
    [Show full text]
  • Winter 2014 V Ol
    winter 2014 ol. LV, No. 4 • www.americanrecorder.org V Published by the American Recorder Society, Editor’s ______Note ______ ______ ______ ______ Volume LV, Number 4 Winter 2014 Features ver my last couple of decades, as ARS Executive Director and then AR edi- Playing for Keeps: tor,O I’ve penned pieces mentioning research Alzheimer’s can’t rob musician of her talent . 11 that links musical activity with improved brain function in advancing years .Thus I By Rebecca Hutchinson was intrigued to learn of a short DVD about 6 Buna Fletcher and how her Alz heimer’s is Departments held at bay when she plays the recorder . After discovering that Buna’s longtime Advertiser Index . 40 neighbor was writer Rebecca Hutchinson, it became possible to expand a simple Compact Disc Reviews . 25 announcement of a DVD’s availability into Kathryn Bennets and Peter Bowman explore a full-length article (page 11) . It’s personal— the Antarctic and other places about Buna and her faithful friend Doortje Shover —yet research-based . It is of interest Chapters, Consorts & Recorder Orchestras . 38 10 to all of us who hope not to die young! More 2014 birthdays I want to offer my thanks to those responsible for my receiving the Presidential Education . 23 Special Honor Award—not only the ARS Gustavo de Francisco continues his series on tuning Board, who awarded it to me, but also many Music Reviews . 29 people worldwide who are willing to give of themselves to help the ARS and AR .The Music of the 18th century and beyond solitary nature of my work as AR editor President’s Message .
    [Show full text]
  • Altijd Over De Liefde Amaryllis Dieltiens - Sopraan Brisk Recorder Quartet Amsterdam: Marjan Banis, Susanna Borsch, Bert Honig En Alide Verheij - Blokfluiten
    Altijd over de liefde Amaryllis Dieltiens - sopraan Brisk Recorder Quartet Amsterdam: Marjan Banis, Susanna Borsch, Bert Honig en Alide Verheij - blokfluiten Liefde als leidraad Jean Japart (eind 15e eeuw) J’ay pris amours a ma devise Johannes Ghiselin (fl. 1491-1507) J’ay pris amours a ma devise Bartolomeo Tromboncino (1470-1535) Ostinato vo seguire Verlangen & Geluk Andrea Gabrieli (c.1510-1586) Io mi son giovinetta Luca Marenzio (1553/54-1599) Mi fa lasso languire John Bennet (c.1570-na 1614) Venus’ birds Richard Nicholson (c.1570-1639) Joan, quoth John William Byrd (1538-1623) Galiard Max Knigge (1984) Ochtendbede Aardse liefde Clemens non Papa (c.1510-155) Entre vous filles Andrea Gabrieli (c.1510-1586) Canzon Francesa deta Frais & Gaillard Hans Koolmees (1959) Love Song - Tierelantijntje Pauze Hemelse liefde Roland de Lassus (1532-1594) Tota pulchra es amica mea Hans Koolmees Love Song-Visioen Verdriet Claudin de Sermisy (1490-1562) Dont vient cela Tielman Susato (c.1500-1561/64) Basse dance Dont vient cela Hans Leo Hassler (1564-1612) Ach, weh des Leiden Vergankelijkheid & Afscheid Thomas Simpson (1582-c.1630) Bonny sweet Robin Cecyl Sharp (1859-1924) O waly, waly en Benjamin Britten (1913-1976) Walter Stuhlmacher (1961) Abschied Met dank aan Stichting Pianissimo, de Kattendijke/Drucker Stichting en de P.W. Janssen’s Friesche Stichting Toelichting Liefde als leidraad Het programma begint met twee instrumentale versies van een zeer populair lied uit de renaissance, J’ay pris amours a ma devise. “Ik heb de liefde tot mijn devies gekozen” is het openingsmotto. Er bestaan talloze versies van dit lied.
    [Show full text]
  • June 2016 Catalogue Prices Valid Until Wednesday 27�� July 2016 Unless Stated Otherwise
    June 2016 Catalogue Prices valid until Wednesday 27�� July 2016 unless stated otherwise 0115 982 7500 [email protected] 1 Welcome! Dear Customer, Still going strong at the age of 92, conductor Stanislaw Skrowaczewski has long been making his mark as an extremely insightful and convincing interpreter of core classical and romantic repertoire, perhaps especially with his recordings and performances of Bruckner. Many will already know his brilliant cycle of the Symphonies recorded for Oehms (complete label now on offer) and may also remember a wonderful live recording of Symphony no.3 he made with the LPO, released on their own label just over a year ago. June now sees a follow-up to this: a recording of Symphony no.5, recorded in concert in October 2015. We felt it was a very worthy contender for our new ‘Disc of the Month’ slot so is available at a very special price with any order over £50. See below for full details. With the weather being its usual unreliable self, at least we can tell that summer has arrived by the slight slowing- down of top classical recordings being released. Having said that, there are still a few titles to point out deserving special attention: Shostakovich and Nelsons have proved to be a winning combination in the past, so it is great to see DG now issuing his readings of Symphonies 5, 8 & 9; Harnoncourt’s final Beethoven recording was a big seller earlier this year and we now have another chance to hear him, this time in the Missa Solemnis, recorded at Salzburg in 2015; Albion (from the Vaughan Williams Society) offer us a fascinating selection of old Vaughan Williams and Holst recordings, remastered from 78s; Jordi Savall explores the world of Catlonian philospher, Ramon Llull (1232-1315), beautifully presented by Alia Vox; pianist Sarah Beth Briggs gives us the world premiere recording of Hans Gal’s Piano Concerto on Avie (highly recommended); and Opera Rara venture into the works of Leoncavallo with a revival of his 1900 work, Zaza (rev 1919).
    [Show full text]
  • The Windway January 2010 – San Francisco Recorder Society
    The Windway January 2010 – San Francisco Recorder Society Meanwhile, there will be two very interesting IMPORTANT REMINDER workshops in February for your consideration. th Our January 20 meeting will be at Recorder virtuoso, John Tyson, will be here from Christ Church Lutheran. See flyer at Boston, and in conjunction with the East Bay end of this Windway for location Recorder Society, will be presenting “Renaissance Chamber Music for Recorders information. and Viols” in two sessions on February 13. The morning session will focus on the joys of playing from unbarred music (in modern President’s Message notation). In the afternoon, John will introduce us to playing from 15th century notation. If this New Year Greetings to you all! seems like a challenge for you, please don’t be intimidated! John promises that it will be fun and We have a new beginning this month at our new that he will teach the concept progressively. home, Christ Church Lutheran, and hope that Learning to play from original notation is a very many (most?) of you will be there to play under gratifying experience. You may enroll for one or the direction of the fabulous Hanneke van both sessions. The workshop will be held in the Proosdij! If you have any questions about the parish hall of our old home of St. John’s UCC new location, you may contact our secretary, here in San Francisco. Jerry Walker at [email protected], or see the info sheet at the end of this Windway. The second workshop is the SFEMS Medieval & Renaissance collegium, directed by Tom Zajac We are looking for volunteers to play at the CCL (also of Boston, coincidentally!), to be held services as a way to repay the church for the Saturday, February 27 at Zion Lutheran in generous use of their hall for our meetings.
    [Show full text]
  • Editor's Note
    ARNov00up.qxd 11/1/00 10:08 PM Page 1 EDITOR’S ______NOTE ______ ______ ______ ______ Volume XLI, Number 5 November 2000 The initial ARS Newsletter, dated January 20, 1950, was edited by Bernard Krainis. FEATURES He announced: “With this first issue ...the Putting Recorders and Their Players to the Test. 9 American Recorder Society inaugurates a The process of evaluating a recorder can be a policy, long awaited and hopefully dis- trial by fire for the player as well as for the instrument, cussed, of presenting a fairly regular peri- by Dale Taylor odical devoted exclusively to the interests of the growing number of recorder players 6 Remembering Bernard Krainis, 1924-2000 . 14 throughout the United States.” Colleagues and students remember the impact the virtuoso Even in the exact and original use of the had on their lives and on American recorder playing word “hopefully,” not to mention the cau- tious commitment on delivery, it is easy to DEPARTMENTS observe the personal integrity of this pri- Advertiser Index . 40 mordial figure in American recorder play- Book Reviews . 20 ing. Among my many warm memories of Bernie (including an exciting, exacting 9 Chapters & Consorts . 19 workshop with him at New England Con- Classified . 40 servatory and many, many sessions in the Music Reviews. 25 mid-1970s discussing his concern for ARS) On the Cutting Edge. 33 is one afternoon at the exhibition of the Boston Early Music Festival going around Opening Measures . 35 from maker to maker and borrowing re- President’s Message . 3 corders to try out in the sound-proof Q & A .
    [Show full text]