DECEMBER 2011 LIST See Inside for Valid Dates
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Transmissões Antena 2
Maio 20 TRANSMISSÕES ANTENA 2 CONCERTOS ANTENA 2 DIA 6 19h00 Liceu Camões, Lisboa * José Soares (sax). João Grilo (pn) DIA 18 19h00 MNAA, Lisboa Lançamento do CD - Sons da Minha Terra * Pedro Emanuel Pereira (pn) TEATRO SEM FIOS DIA 5 19h00 A Reviravolta de Almeida Faria Maio 20 1 Sexta ●00H00 | RAÍZES Inês Almeida ●01H00 | MÚSICA HOJE Miso Music Portugal Uma emissão dedicada à divulgação de edições recentes de música electroacústica do compositor João Castro Pinto. Música Hoje apresentará Hiante, uma edição em livro-CD de poesia electroacústica com ilustrações, poemas e voz de Sofia A. Carvalho, ao lado de música e ilustrações de João Castro Pinto, publicado pela Grimaces Éditions (Suíça). Neste programa ouviremos ainda outras criações deste compositor editadas recentemente, incluindo obras do seu novo trabalho monográfico de soundscape composition intitulado The No Land Soundscape, uma edição em formato duplo (cassette e download digital) pela editora Australiana Hemisphäre ○02H00 | JAZZ A 2 João Moreira dos Santos / Maria Alexandra Corvela / Luís Caetano / Produção: Cristina do Carmo ●03H04 | ARGONAUTA Jorge Carnaxide Comunicações Globais II ●04H00 | A RONDA DA NOITE Luís Caetano A Vida Breve 04:40 (Luís Caetano) Última Edição 04:45 (Luís Caetano) ●05H00 | NA CORRENTE Pedro Coelho ●06H00 | NOTAS FINAIS João Pedro Wolfgang Amadeus Mozart Concertos p/ dois pianos em mi bemol maior, K.365 e em fá maior, K.242 e Adagio e fuga p/ cordas em dó menor, K.546 * Duo Crommelynck (pn). Orq. de Câmara de Pádua e do Veneto. Dir. Bruno Giuranna ●07H00 -
MALCOLM WILLIAMSON (1931-2003) 1 Overture ‘Santiago De Espada’ (1957) (6’33”) Elevamini – Symphony No
SRCD.281 STEREO ADD MALCOLM WILLIAMSON (1931-2003) 1 Overture ‘Santiago de Espada’ (1957) (6’33”) Elevamini – Symphony No. 1 (1957) (29’49”) 2 1st movement: Lento (13’27”) Malcolm 3 2nd movement: Allegretto (5’45”) 4 3rd movement: Lento assai - Allegro (10’37”) Sinfonia Concertante for three tumpets, piano and strings (1958/61) * (18’46”) Williamson 5 1st movement: 'Gloria in excelsis Deo' (5’17”) 6 2nd movement: ‘Salve Regina’ (5’16”) 7 3rd movement: ‘Gloria Patri’ (8’13”) Piano Sonata No. 2 (1957 rev.1971) ** (17’28”) Overture ‘Santiago de Espada ’ 8 1st movement: Quasi lento (6’35”) 9 - 2nd movement: Poco adagio (7’19”) Elevamini – Symphony No. 1 10 3rd movement: Allegro assai (3’34”) Sinfonia Concertante (72’43”) * Martin Jones, piano Piano Sonata No. 2 ** Malcolm Williamson, piano Royal Liverpool Philharmonic Orchestra Martin Jones conducted by Malcolm Williamson Sir Charles Groves Royal Liverpool The above individual timings will normally each include two pauses. One before the beginning of each movement or work, and one after the end. ൿ 1976 ** ൿ 1972 The copyright in these sound recordings is owned by Lyrita Recorded Edition, England Philharmonic Orchestra This compilation and digital remastering ൿ 2007 Lyrita Recorded Edition, England © 2007 Lyrita Recorded Edition, England. Made in the UK Sir Charles Groves LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita by Wyastone Estate Ltd, PO Box 87, Monmouth, NP25 3WX, UK hough Malcolm Williamson lived in London for fifty years, many of the titles central movement, in A flat; it was conceived as a set of variations on a theme related T and first performance venues of his works confirm that he was at heart an to the first movement, but in simpler and less astringent language. -
Britten100launched in San Francisco Included in This Issue: Celebrations for Britten’S Centenary in 2013 Include Performances in 140 Cities Around the World
Boosey & Hawkes Music Publishers Limited October 2012 2012/3 Holloway Britten100launched in San Francisco Included in this issue: Celebrations for Britten’s centenary in 2013 include performances in 140 cities around the world. Robin Holloway travels to Turnage San Francisco on Interview about new works: Highlights in Aldeburgh, where Britten lived including three by the Berliner Philharmoniker 10 January for the world Cello Concerto and Speranza and worked most of his life, include and Simon Rattle. A series of events at premiere of his new performances of Peter Grimes on the beach Carnegie Hall in New York will be announced Debussy song and six new works specially commissioned in early 2013. orchestrations for by the Britten-Pears Foundation and Royal soprano Renée Fleming. New books for the centenary include Paul Philharmonic Society. A week-long festival in Michael Tilson Thomas Kildea’s Benjamin Britten - the first major Glasgow sees Scotland’s four leading Photo: Charlie Troman conducts the San biography for twenty years (Penguin’s Allen orchestras and ensembles come together Francisco Symphony in ten settings of Paul Lane), a collection of rare images from The in April 2013. Verlaine’s poetry, which Holloway has titled Red House archive entitled Britten in Pictures, C’est l’extase after one of the chosen songs. Britten’s global appeal is demonstrated with and the sixth and final volume of Letters from Orchestra and conductor have long territorial premieres of his operas staged in a Life (Boydell & Brewer). BBC Radio and championed Holloway’s music, Brazil, Chile, China, Israel, Russia, Turkey, Television honours Britten with a year-long commissioning a sequence of works Japan and New Zealand. -
Programmbuch Festtage Alte Musik Basel
Basel, 23. bis 31. August 2013 Programmbuch Festtage Alte Musik Basel Wege zum Barock – Tradition und Avantgarde um 1600 www.festtage-basel.ch Titel: Pieter Lastman (1583–1633), David im Tempel, 1618, signiert und datiert, Holz, 1 79 cm x 117 cm, Herzog Anton Ulrich-Museum, Braunschweig Zum Geleit Mit der grössten Freude stelle ich der zweiten Edition der Festtage Alte Musik Basel diesen Gruss voran! Die Freude betrifft zuerst die Tatsache, dass die «Kulturstadt Basel» mit sol- chen Ereignissen eine «Fes- tivalstadt» par excellence ist, in der ein hervorragen- des Potenzial an Kreativität herrscht. Grund zur Freu- de ist auch die Bereiche- rung des grossen Gebiets Abdruck mit Quellenangabe erwünscht der Alten Musik, die seit © 2013 Paul Sachers Zeiten einen Verein zur Förderung Basler Absolventen Schwerpunkt des hiesigen auf dem Gebiet der Alten Musik Musiklebens darstellt. Aber Dornacherstrasse 161 A, CH-4053 Basel auch das Auftreten vieler Telefon +41 (0)61 361 03 54 berühmter europäischer En- CH17 0840 1016 1968 0160 3 sembles in Basel, die ohne dieses Festival hier nicht [email protected] zu hören wären, ist sehr lo- www.festtage-basel.ch benswert. Besonders erfreu- Redaktion: Jörg Fiedler, Peter Reidemeister lich ist aber das klare Profil Satz, Gestaltung: Buser, Kommunikation GmbH, Basel des Programms, das höchste Dr. Guy Morin, Regierungspräsident Druck: Druckerei Dietrich AG, Basel Qualität mit der Förderung des Kantons Basel-Stadt des Basler Nachwuchses verbindet: Wer in dieser Stadt Festtage Basel seine Ausbildung durchlaufen und diesem hohen Stan- Geschäftsleitung: Renato D. Pessi Künstlerische Leitung: Peter Reidemeister dard standgehalten hat, der hat es auch verdient, dass er hier mit Engagements zu solchen Ereignissen wei- Preis: 10 Franken terhin Unterstützung erfährt. -
Catalogo 2015
Catalogo 2015 ISTITUTO ITALIANO PER LA STORIA DELLA MUSICA VIA VITTORIA , 6 - 00187 - ROMA (RM) TEL ./F AX (+39) 06.36000146 - WWW.IISM .IT EDIZIONI MUSICALI | MUSICAL EDITIONS Canti Liturgici Ebraici di rito spagnolo del Tempio di Roma Canti Liturgici Ebraici di rito spagnolo del Tempio di Roma , a cura di E. Piattelli e P. Troìa, 2003, 33,80 € pp. 154 Codici Musicali Trentini del Quattrocento a cura di M. Gozzi I. Sequenze , a cura di M. Gozzi, 2012, pp. 360 26,00 € II. I Kyrie di Tr93 , a cura di Antonio Chemotti, 2014, pp. 240 26,00 € Per il piano editoriale: www.iism.it Luigi Boccherini (1743-1805) Prezzo della serie completa: 340,60 € I. Quintetti Op. 10 (da 1 a 6), a cura di P. Carmirelli, 1970, pp. 196 33,80 € II. Quintetti Op. 11 (da 7 a 12), a cura di P. Carmirelli, 1970, pp. 205 33,80 € III. Quintetti Op. 13 (da 13 a 18), a cura di P. Carmirelli, 1972, pp. 178 33,80 € IV. Quintetti Op. 18 (da 19 a 24), a cura di P. Carmirelli, 1972, pp. 201 33,80 € V. Quintetti Op. 20 (da 25 a 30), a cura di P. Carmirelli, 1974, pp. 179 33,80 € VI. Quintetti Op. 25 (da 31 a 36), a cura di P. Carmirelli, 1975, pp. 178 33,80 € VII. Quintetti Op. 27 (da 37 a 42), a cura di P. Carmirelli, 1976, pp. 93 33,80 € VIII. Quintetti Op. 28 (da 43 a 48), a cura di P. Carmirelli, 1977, pp. 215 33,80 € IX. -
Discography Percy Grainger Compiled by Barry Peter Ould Mainly Piano
Discography Percy Grainger compiled by Barry Peter Ould mainly piano Percy Grainger (Percy Grainger, piano) – includes: PRELUDE AND FUGUE IN A MINOR (Bach); TOCCATA AND FUGUE IN D MINOR (Bach); FANTASY AND FUGUE IN G MINOR (Bach); SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); ETUDE IN B MINOR op. 25/10 (Chopin); SONATA NO.3 IN B MINOR op. 58 (Chopin). Biddulph Recordings LHW 010 (12 tracks – Total Time: 76:08) Percy Grainger (Percy Grainger, piano) – includes: SONATA NO.2 IN G MINOR op.22 (Schumann); ROMANCE IN F-SHARP op. 28/2 (Schumann); WARUM? (from op. 12) (Schumann); ETUDES SYMPHONIQUES (op. 13) (Schumann); WALTZ IN A-FLAT op. 39/15 (Brahms); SONATA NO.3 IN F MINOR op. 5 (Brahms). Biddulph Recordings LHW 008 (25 tracks – Total Time: 69:27) Percy Grainger plays (Percy Grainger, piano) – includes: TOCCATA & FUGUE IN D MINOR (Bach); PRELUDE & FUGUE IN A MINOR (Bach); FANTASIA & FUGUE IN G MINOR (Bach); ICH RUF ZU DIR (Bach arr. Busoni); SONATA NO.2 IN G MINOR op. 22 (Schumann); ETUDE IN B MINOR op. 25/10 (Chopin); ETUDE IN C MINOR op. 25/12 (Chopin); WEDDING DAY AT TROLDHAUGEN (Grieg); POUR LE PIANO [Toccata only](Debussy) (Grainger talks on Pagodes, Estampes [Pagodes only]); GOLLIWOG'S CAKEWALK (Debussy); MOLLY ON THE SHORE. Pavilion Records PEARL GEMM CD 9957 (19 tracks – Total Time: 78:30) Percy Grainger plays – Volume II (Percy Grainger, piano) – includes: PIANO SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); PIANO SONATA NO.1 IN B MINOR op. 58 (Chopin); ETUDES SYMPHONIQUES op. -
Mengjiao Yan Phd Thesis.Pdf
The University of Sheffield Stravinsky’s piano works from three distinct periods: aspects of performance and latitude of interpretation Mengjiao Yan A thesis submitted for the degree of Doctor of Philosophy Department of Music The University of Sheffield Jessop Building, Sheffield, S3 7RD, UK September 2019 1 Abstract This research project focuses on the piano works of Igor Stravinsky. This performance- orientated approach and analysis aims to offer useful insights into how to interpret and make informed decisions regarding his piano music. The focus is on three piano works: Piano Sonata in F-Sharp Minor (1904), Serenade in A (1925), Movements for Piano and Orchestra (1958–59). It identifies the key factors which influenced his works and his compositional process. The aims are to provide an informed approach to his piano works, which are generally considered difficult and challenging pieces to perform convincingly. In this way, it is possible to offer insights which could help performers fully understand his works and apply this knowledge to performance. The study also explores aspects of latitude in interpreting his works and how to approach the notated scores. The methods used in the study include document analysis, analysis of music score, recording and interview data. The interview participants were carefully selected professional pianists who are considered experts in their field and, therefore, authorities on Stravinsky's piano works. The findings of the results reveal the complex and multi-faceted nature of Stravinsky’s piano music. The research highlights both the intrinsic differences in the stylistic features of the three pieces, as well as similarities and differences regarding Stravinsky’s compositional approach. -
OCTOBER 2008 LIST See Inside for Valid Dates
OCTOBER 2008 LIST See inside for valid dates Dear Customer Another bumper list for you, not long after the previous one it seems, or are we just getting older…? After last month’s double list, we have again been beavering away to come up with a large selection of price reductions (see page 13 onwards) along with more outstanding new releases and box sets. In particular, see the new Rene Pape Arias & Pollini’s Chopin on DG, Janine Jansen’s Tchaikovsky on Decca, Joyce Didonato’s Handel Arias on EMI, and lots of good things on Hyperion, Chandos & Harmonia Mundi. There is another chance to obtain some little recorded Vaughan Williams on the Albion label, this time his songs for mixed chorus (page 6). The ‘back catalogue box set at minimal price’ sequence continues with Messiaen on DG, Puccini on Decca, Rostropovich, Messiaen & Cziffra on EMI, Bernstein, Ormandy & Puccini on SonyBMG and Handel & Berlioz on Warner Classics. All nicely packaged and great value. This month’s price bargains on mainstream labels include Box sets, Triples, GROCs, Historical sets & DVDs all from EMI, the SDG, Halle, Nimbus & Prima Voce labels, not forgetting the whole Arthaus, Christopher Nupen & Tony Palmer DVD catalogues. We hope that all adds up to there being something for everyone, whatever your taste. We look forward to supplying your requirements. Best wishes to you all. Mark, Richard & Mike DON’T FORGET - UK Carriage is FREE over £30 ALLEGRO (Christopher Nupen) DVDs at a reduced price Normally NOW! A09 CND Ashkenazy Master Musician Barenboim;Perlman;Rotterdam -
Chamber Music for Wind
UT ORPHEUS EDIZIONI Chamber Music Complete Catalogue January 2021 www.utorpheus.com CONTENTS Chamber Music for Strings Quintets with Harp ..........................12 Trios ............................................. 3 Sextets .........................................13 Trios with Piano ............................... 3 Septets ........................................13 Trios with Harpsichord ....................... 3 Nonets .........................................13 Trios with Harp ................................ 4 3 or more Instruments with Continuo .....14 Trios with Guitar .............................. 4 Other Ensembles .............................14 Trio Sonatas .................................... 5 Chamber Music for Mixed Ensembles Quartets ���������������������������������������� 6 Trios ............................................15 Quartets with Piano .......................... 7 Trios with Piano ..............................15 Quartets with Guitar ......................... 7 Trios with Harpsichord ......................16 Quintets ........................................ 7 Trios with Harp ...............................16 Quintets with Piano ��������������������������� 7 Trios with Guitar .............................16 Quintets with Harp ........................... 7 Trio Sonatas ...................................18 Quintets with Guitar.......................... 8 Quartets ���������������������������������������18 Sextets .......................................... 8 Quartets with Piano .........................18 3 -
Nach Konzertreihe Für Alte Musik
Nach Konzertreihe klang für Alte Musik Dieses Konzert wird ab 20.03 Uhr im Programm von Deutschlandfunk Kultur live und bundes- weit gesendet. 1. März 2019, 20.00 Uhr Bitte schalten Sie die Handys aus. Botticellisaal der Gemäldegalerie der Staatlichen Museen zu Berlin bundesweit und werbefrei UKW, DAB+, Kabel, Satellit, Online, App deutschlandfunkkultur.de Programm ‚seltzam art, verkärth, auf frembd manier‘* Klingende Allegorien zwischen Andrea Mantegna und Giovanni Bellini Der Körper der Maria Magdalena und der Jungfrau Maria Der Körper des Heiligen Sebastian Gaudeamus omnes O sancte Sebastiane Alexander Agricola O beate Sebastiane Madre che festi colui che te fece Guillaume Du Fay Innocentius Dammonis O beate Sebastiane veröffentlicht in Petrucci, Laude Libro Primo, Venedig 1508 Johannes Martini Text: Leonardo Giustiniani O beate Sebastiane Madre che festi colui che te fece Gaspar van Weerbeke anonym, Johannes Martini, Johannes Ghiselin, Jean Japart, Heinrich Isaac und Crispinus van Stappen Lauda Kontrafaktur über J’ay pris amours Der Körper Christi O Diva Stella Inkarnation anonym, John Bedyngham Refove unice Lauda-Kontrafaktur über O rosa bella Guillaume Du Fay Vergine bella che del sol vestita Kontrafaktur des Chansons Par le regart Guillaume Du Fay Text: Notker Balbulus Text: Francesco Petrarca Cum jubili d’amore Vergine bella che del sol vestita Innocentius Dammonis Bartolomeo Tromboncino veröffentlicht in Petrucci, Laude Libro Primo, Venedig 1508 Text: Francesco Petrarca Text: Leonardo Giustiniani Passion Der todgeweihte Körper Moderation und Gespräch mit Anima benedeta Dulces exuviae (Didos Lamento) Michael Eissenhauer, Generaldirektor anonym Johannes Ghiselin, Alexander Agricola der Staatlichen Museen zu Berlin: Venedig, Biblioteca nazionale marciana, Ms. ital. IX, 145; 7554 Olaf Wilhelmer Text: Vergil, Aeneid (Buch IV, 651–660) O vos homines qui transite in pena Morte che fay Pere Oriola Heinrich Isaac Zusammenstellung eines Karfreitag-Respronsoriums, Ms. -
Recorder Reporter
Recorder Reporter Newsletter of two chapters of the American Recorder Society (ARS), Chicago Chapter & the West Suburban Early Music Society April 2017 Volume 58, Number 8 Chicago Chapter News will start with an hour or two of work on how, where, and Dennis Sherman gallantly directed the March 19 why to articulate with recorder, and then move into the meeting of the Chicago Chapter as a competitive event. workshop theme, “Bad Boys.” The fee will be $65 for members and $75 for non-members. Lunch is on your The members who attended cast a wistful ear toward own, but several restaurants are in walking distance. Byron Colby Barn in Grayslake, where the Chicago Recorder Quartet, Lisette Kielson, Patrick O’Malley, Covenant Presbyterian Church is at 2012 West Dickens Laura Osterlund, and Mirja Lorenz, were performing. Or in the Bucktown neighborhood of Chicago, near Damen maybe they thought about playing in or attending a and Armitage and near exit 47 on the Kennedy. Street concert also on that Sunday afternoon, March 19, at the parking is available, and a lot behind the church on Music Institute of Chicago, “Sing and We Play It,” that Charleston may have spaces. The church is also easily celebrated the 30th anniversary of the MIC Chorale. The accessible by public transportation. Take the Blue line concert also featured their viol da gamba ensemble and elevated train to either Damen or Western Avenue and members of the MIC Recorder Orchestra. walk (www.transitchicago.com), or take either the #49 Western Avenue Bus or the #50 Damen Avenue bus. -
Music from the French Tradition
OLD DOMINION UNIVERSITY Department of Music Collegium Musicum & Madrigal Singers Bianca Hall, director Music from the French tradition Wilson G. Chandler Recital Hall The F. Ludwig Diehn Center for the Performing Arts November 6, 2018 7:30 PM Program Je sey bien dire Josquin Desprez (c.1450-1521) Pour passer temps/Plus ne chasceray Jean Japart (fl. 1576-1581) Soubz ce tumbel Pierre de la Rue? (c. 1452-1518) La, la maistre Pierre Clemens non Papa (c. 1510-c. 1555) Une fillete bien gorriere non Papa Fantasie XXXII à 4 Eustache du Caurroy (1549-1609) Fantasie XXXI à 4 Pavanne. Est il conclud Claude Gervaise (1540-1583) Galliarde. Est il conclud 2 Bransles doubles Michael Praetorius (1571-1621) Belle qui tiens ma vie Thoinot Arbeau (1519-1595) Galliarde. Puis que vivre en servitude Pierre Phalèse (1510-1573) Tant que vivray Claudin de Sermisy (1495-1562) Benedic anima mea Sermisy Je n’ay point plus Nous sommes de l’ordre de Saint Babouyn Loyset Compère (1440-1518) La la la je ne l’ose dire Pierre Certon (c. 1515-1572) Translations Belle qui tiens ma vie (Thoinot Arbeau) Belle, qui tiens ma vie captive dans tes yeux, Beauty, you who hold my life captive in your eyes, Qui m'a l'âme ravie d'un souriz gracieux, Who make my soul glad with a gracious smile, Viens tôt me secourir, ou me faudra mourir. Come soon rescue me, or I shall die. Benedic anima mea (Sermisy) Benedic, anima mea, Domino, et omnia quae Praise the Lord, O my soul: and all that is intra me sunt nomini sancto ejus.