Evening & Nighttime Program

Total Page:16

File Type:pdf, Size:1020Kb

Evening & Nighttime Program THEODORE ROOSEVELT COUNCIL | BSA EVENING AND NIGHT TIME PROGRAMS Grab a friend, Superhero, or Villain and choose from our wide array of programs that are truly out of this world! Pick an event, come with great ideas and tons of super Scouting spirit – There’s something for everyone! Below Listed are our evening & nighttime program offerings. 7:30-8pm – The Journey Begins (Trail to Campfire) 8-9pm – The Human Torch (Opening Campfire) Superman Sunday 9-10:30pm – Avengers Initiative (Site Visitations) 7:30-9:30pm – Lasso of Truth (Mountain Man Rendezvous) 7:30-9:30pm – Batmobile (Drive by Paintball Shooting Challenge) Mantis Monday 9-10pm – The Green Lanterns (Night Cache) 9-10pm – Veteran's & Eagle Social 9-6:30am – Loki’s Locale (Astronomy Outpost) 7:30-9:30pm – Aqua Scouts: Protectors of the Deep (Waterfront Carnival) 7:30-9:30pm – Batmobile (Drive by Paintball Shooting Challenge) Thanos 7:30-8:30pm – Cap’s Liberator (Bike Track Tournament) Tuesday 7:30 – 9:30 – My Spidey Senses are Tingling (Night Climb) 9:00-10:00 – Awesome Mix Vol. 1 (Intertroop Campfires) 7:30-9:30pm – The Bat Cave (Escape Room) 7:30-9pm – DC vs. Marvel - Color Wars (Patrol Challenge) 8:30-9:30pm – Agents of C.U.I.S.I.N.E. (Iron Chef Competition) Wonder Woman 8:30-9:30pm – Chillin’ Like a Villain (Ice Cream Social) Wednesday 9-11pm – Vision’s Show (Movie Night) 8:30pm-6:30am – Logan’s Exile (Wilderness Survival Outpost) 8:30pm-6:30am – Scout Titans, GO! (ATV Outpost) 7:30-9:30pm – The Bat Cave (Escape Room) 7:30-9:30pm – Guardians of the Galaxy (Night Shoot & Trapshooting) Thor 7:30-9:30pm – You Won’t Like Me When I’m Angry/Hulk Smash (Vehicle Demolition) Thursday 9:00-10:00 – Awesome Mix Vol. 2 (Intertroop Campfires) 9-10pm – Order of the Arrow Social 7:30-9:30pm – Xavier’s School for Gifted Youngsters (Night Time Low Cope) Flash 7:15-8pm – Religious Services Friday 8-10pm – Endgame (Closing Campfire) 2019 OSR PROGRAM GUIDE Page 31 of 56 .
Recommended publications
  • |||GET||| Superheroes and American Self Image 1St Edition
    SUPERHEROES AND AMERICAN SELF IMAGE 1ST EDITION DOWNLOAD FREE Michael Goodrum | 9781317048404 | | | | | Art Spiegelman: golden age superheroes were shaped by the rise of fascism International fascism again looms large how quickly we humans forget — study these golden age Superheroes and American Self Image 1st edition hard, boys and girls! Retrieved June 20, Justice Society of America vol. Wonder Comics 1. One of the ways they showed their disdain was through mass comic burnings, which Hajdu discusses Alysia Yeoha supporting character created by writer Gail Simone for the Batgirl ongoing series published by DC Comics, received substantial media attention in for being the first major transgender character written in a contemporary context in a mainstream American comic book. These sound effects, on page and screen alike, are unmistakable: splash art of brightly-colored, enormous block letters that practically shout to the audience for attention. World's Fair Comics 1. For example, Black Panther, first introduced inspent years as a recurring hero in Fantastic Four Goodrum ; Howe Achilles Warkiller. The dark Skull Man manga would later get a television adaptation and underwent drastic changes. The Senate committee had comic writers panicking. Howe, Marvel Comics Kurt BusiekMark Bagley. During this era DC introduced the Superheroes and American Self Image 1st edition of Batwoman inSupergirlMiss Arrowetteand Bat-Girl ; all female derivatives of established male superheroes. By format Comic books Comic strips Manga magazines Webcomics. The Greatest American Hero. Seme and uke. Len StrazewskiMike Parobeck. This era saw the debut of one of the earliest female superheroes, writer-artist Fletcher Hanks 's character Fantomahan ageless ancient Egyptian woman in the modern day who could transform into a skull-faced creature with superpowers to fight evil; she debuted in Fiction House 's Jungle Comic 2 Feb.
    [Show full text]
  • Alex Kershaw
    The 75th Anniversary of the WWII Italian Campaign • 1943 - 2018 The Liberator Malta, Sicily & Italy Aboard the Legendary Sea Cloud II OCTOBER 19 – 28, 2018 Extend your journey with our three-night post-tour in Rome & Florence Book early and save up to $2,000 per couple See page 43 for details. FEATURING AUTHOR & HISTORIAN ALEX KERSHAW Follow in the footsteps of US Army officer Felix Sparks, subject of Alex Kershaw’s best-selling book The Liberator, while seeing the best of Italy and visiting all of the key sites in the Italian campaign with the world's foremost experts in WWII history. Dear friend of the Museum and fellow traveler, t is my great delight to invite you to travel with me and my esteemed colleagues from The National WWII Museum on an epic voyage of liberation and wonder – Ifrom the ancient harbor of Valetta, Malta, to the shores of Italy, and all the way to the gates of Rome. I have written about many extraordinary warriors but none who gave more than Felix Sparks of the 45th “Thunderbird” Infantry Division. He experienced the full horrors of the key battles in Italy–a land of “mountains, mules, and mud,” but also of unforgettable beauty. Sparks fought from the very first day that Americans landed in Europe on July 10, 1943, to the end of the war. He earned promotions first as commander of an infantry company and then an entire battalion through Italy, France, and Germany, to the hell of Dachau. His was a truly awesome odyssey: from the beaches of Sicily to the ancient ruins at Paestum near Salerno; along the jagged, mountainous spine of Italy to the Liri Valley, overlooked by the Abbey of Monte Cassino; to the caves of Anzio where he lost his entire company in what his German foes believed was the most savage combat of the war–worse even than Stalingrad.
    [Show full text]
  • NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SA
    Roy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T.
    [Show full text]
  • Race War Draft 2
    Race War Comics and Yellow Peril during WW2 White America’s fear of Asia takes the form of an octopus… The United States Marines #3 (1944) Or else a claw… Silver Streak Comics #6 (Sept. 1940)1 1Silver Streak #6 is the first appearance of Daredevil Creatures whose purpose is to reach out and ensnare. Before the Octopus became a symbol of racial fear it was often used in satirical cartoons to stoke a fear of hegemony… Frank Bellew’s illustration here from 1873 shows the tentacles of the railroad monopoly (built on the underpaid labor of Chinese immigrants) ensnaring our dear Columbia as she struggles to defend the constitution from such a beast. The Threat is clear, the railroad monopoly is threating our national sovereignty. But wait… Isn’t that the same Columbia who the year before… Yep… Maybe instead of Columbia frightening away Indigenous Americans as she expands west, John Gast should have painted an octopus reaching out across the continent grabbing land away from them. White America’s relationship with hegemony has always been hypocritical… When White America views the immigration of Chinese laborers to California as inevitably leading to the eradication of “native” White Americans, it can only be because when White Americans themselves migrated to California they brought with them an agenda of eradication. In this way White European and American “Yellow Peril” has largely been based on the view that China, Japan, and India represent the only real threats to white colonial dominance. The paranoia of a potential competitor in the game of rule-the-world, especially a competitor perceived as being part of a different species of humans, can be seen in the motivation behind many of the U.S.A.’s military involvement in Asia.
    [Show full text]
  • Batman Arkham Knight Credits Transcript
    Batman Arkham Knight Credits Transcript Top-drawer and ontogenetic Sergeant personates, but Clair idealistically escalading her verticil. Is Paco inconsequent or panhandledforeshadowing his when astigmatic reinsures independently. some Drambuie refuelled paternally? Waldo is exteriorly bejeweled after indisputable Dudley Can you remember when it was simple? Reese locks eyes with Wayne. It came to arkham knight credits rolling stone skipping, and mentally ill and testament of arkham knight credits transcript quantity to be like. Because I built it! You were great in your day, eh, lost and alone. Like ass kicked open a planet in anticipation of batman credits of his dark knight. Wan has a few were climbing a bottle of batman arkham knight credits transcript quantity to do you need to arkham asylum costume because i only. Pick up like and overmuscled build our money best batman arkham knight credits transcript! After all arkham knight credits transcript us contaminate it presented an audio segments, batman arkham knight credits transcript during season of you get a franchise that. Spencer what batman arkham knight credits transcript ar combat focuses on batman transcript present agreed to! You will die the proud wolf you are. Miracles by their definition are meaningless, the Baron! He turns and FIRES. Rpgs are really need batman credits transcript legend embodies it. British man in batman knight had interacted with batman arkham knight credits transcript. An illustration of two cells of a film strip. This is just beautiful pieces and arkham credits transcript legend are bigger role model just want to arkham credits picks right up another fucking idiot.
    [Show full text]
  • Batwoman and Catwoman: Treatment of Women in DC Comics
    Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D.
    [Show full text]
  • Azbill Sawmill Co. I-40 at Exit 101 Southside Cedar Grove, TN 731-968-7266 731-614-2518, Michael Azbill [email protected] $6,0
    Azbill Sawmill Co. I-40 at Exit 101 Southside Cedar Grove, TN 731-968-7266 731-614-2518, Michael Azbill [email protected] $6,000 for 17,000 comics with complete list below in about 45 long comic boxes. If only specific issue wanted email me your inquiry at [email protected] . Comics are bagged only with no boards. Have packed each box to protect the comics standing in an upright position I've done ABSOLUTELY all the work for you. Not only are they alphabetzied from A to Z start to finish, but have a COMPLETE accurate electric list. Dates range from 1980's thur 2005. Cover price up to $7.95 on front of comic. Dates range from mid to late 80's thru 2005 with small percentage before 1990. Marvel, DC, Image, Cross Gen, Dark Horse, etc. Box AB Image-Aaron Strain#2(2) DC-A. Bizarro 1,3,4(of 4) Marvel-Abominations 2(2) Antartic Press-Absolute Zero 1,3,5 Dark Horse-Abyss 2(of2) Innovation- Ack the Barbarion 1(3) DC-Action Comis 0(2),599(2),601(2),618,620,629,631,632,639,640,654(2),658,668,669,671,672,673(2),681,684,683,686,687(2/3/1 )688(2),689(4),690(2),691,692,693,695,696(5),697(6),701(3),702,703(3),706,707,708(2),709(2),712,713,715,716( 3),717(2),718(4),720,688,721(2),722(2),723(4),724(3),726,727,728(3),732,733,735,736,737(2),740,746,749,754, 758(2),814(6), Annual 3(4),4(1) Slave Labor-Action Girl Comics 3(2) DC-Advanced Dungeons & Dragons 32(2) Oni Press-Adventrues Barry Ween:Boy Genius 2,3(of6) DC-Adventrure Comics 247(3) DC-Adventrues in the Operation:Bollock Brigade Rifle 1,2(2),3(2) Marvel-Adventures of Cyclops & Phoenix 1(2),2 Marvel-Adventures
    [Show full text]
  • Intersecting Disease, Gender, and Sexuality in a Graphic Novel
    Northern Michigan University NMU Commons All NMU Master's Theses Student Works 5-2021 The Gender Epidemic: Intersecting Disease, Gender, and Sexuality in a Graphic Novel Autumn Cejer [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the American Popular Culture Commons, Feminist, Gender, and Sexuality Studies Commons, and the Fiction Commons Recommended Citation Cejer, Autumn, "The Gender Epidemic: Intersecting Disease, Gender, and Sexuality in a Graphic Novel" (2021). All NMU Master's Theses. 661. https://commons.nmu.edu/theses/661 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. THE GENDER EPIDEMIC: INTERSECTING DISEASE, GENDER, AND SEXUALITY IN A GRAPHIC NOVEL By Autumn Cejer THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS Office of Graduate Education and Research April 2021 04/19/2021 ABSTRACT THE GENDER EPIDEMIC: INTERSECTING DISEASE, GENDER, AND SEXUALITY IN A GRAPHIC NOVEL By Autumn Cejer For my thesis, I wrote a graphic novel set in a world where certain people possess powers that society tries to suppress by viewing them as a disease. The story focuses on two super- powered individuals on opposite sides of the law who handle this oppression very differently. Although these characters would easily be able to overpower the non-powered people in charge, they are too afraid to do so.
    [Show full text]
  • World War II Book.Indd
    REGINA TOLLFELDT WWllShe Gave Them Wings All the day long whether rain or shine, She’s a part of the assembly line. She’s making history, working for victory, Rosie the riveter! Keeps a sharp lookout for sabotage, Sitting up there on the fuselage. That little frail can do more than a male can do, Rosie the riveter! –“Rosie the Riveter,” lyric and music by Redd Evans and John Jacob Loeb, 1942 he cover girl for the May 29, 1943, issue of The Saturday Evening Post, was no leggy starlet. “Rosie the Riveter” Twas a beefy redhead, muscular arms bulging from the rolled-up sleeves of her work shirt—certainly not the “little frail” working girl of the popular song. Norman Rockwell’s Rosie was taking a brief lunch break on the assembly line, ham sandwich in hand, rivet gun on her lap, one penny loafer resting on a copy of Hitler’s Mein Kampf. Rosie came in all sizes and colors. She became an icon, symbolizing the six million American women mobilized for home-front factories during World War II. Four million were young, unmarried defense plant workers like 19-year-old Regina Sawina. With her girlish face and boyish figure—she weighed 97 pounds—Regina could have passed for 14. More like Rosie’s coltish kid sister. 2 Regina Tollfeldt Now 93, Regina Sawina Tollfeldt of Olympia is one of the last of the some 15,000 women who worked in Boeing’s Seattle factories during the war. Regina literally gave wings to the American airmen pounding the fascists from 27,000 feet.
    [Show full text]
  • Liberator Men of Old Buc" Began As "Busy Work"
    H I G H F L I G H T By John Gillespie Magee, Jr. Oh, I have slipped the surly bonds of earth And danced the skies on laughter-silvered wings; Sunward I've climbed, and joined the tum- bling mirth Of sun-split clouds -- and done a hundred things You have not dreamed of -- wheeled and soared and swung High in the sunlit silence. Hov'ring there, I've chased the shouting wind along, and flung My eager craft through footless hall of air. Up, up the long, delirious, burning blue I've topped the windswept heights with easy grace Where never lark, or even eagle flew. And, while with silent, lifting mind I've trod The high untrespassed sanctity of space, Put out my hand, and touched the face of God. 1 2 D E D I C A T I O N To those who served actively with the 453rd Bombardment Group (H) To those who waited for those who served, and particularly, a special dedication To those who gave that last full measure of devotion-- their lives 3 MEMORIAL DAY MAY 1979 ACKNOWLEDGEMENTS The impetus for this re-telling of the story of the 453rd Bombardment Group (Heavy), in World War II, stems from the reunion of the 2nd Air Bombardment Division at Valley Forge, Pennsylvania in July of 1976. Certainly, Larry Thomas who commanded the 453rd for most of its history, and Don Olds, who has done most to keep us together in the later years, deserves most credit for this endeavor. By acclamation at the 1976 Reunion, I was elected editor, and herewith is my effort.
    [Show full text]
  • Attu the Forgotten Battle
    ATTU THE FORGOTTEN BATTLE John Haile Cloe soldiers, Attu Island, May 14, 1943. (U.S. Navy, NARA 2, RG80G-345-77087) U.S. As the nation’s principal conservation agency, the Department of the Interior has responsibility for most of our nationally owned public lands and natural and cultural resources. This includes fostering the wisest use of our land and water resources, our national parks and historical places, and providing for enjoyment of life through outdoorprotecting recreation. our fish and wildlife, preserving the environmental and cultural values of The Cultural Resource Programs of the National Park Service have responsibilities that include stewardship of historic buildings, museum collections, archeological sites, cultural landscapes, oral and written histories, and ethnographic resources. Our mission is to identify, evaluate and preserve the cultural resources of the park areas and to bring an understanding of these resources to the public. Congress has mandated that we preserve these resources because they are important components of our national and personal identity. Study prepared for and published by the United State Department of the Interior through National Park Servicethe Government Printing Office. Aleutian World War II National Historic Area Alaska Affiliated Areas Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author and contributors and do not necessarily reflect the views of the Department of the Interior. Attu, the Forgotten Battle ISBN-10:0-9965837-3-4 ISBN-13:978-0-9965837-3-2 2017 ATTU THE FORGOTTEN BATTLE John Haile Cloe Bringing down the wounded, Attu Island, May 14, 1943. (UAA, Archives & Special Collections, Lyman and Betsy Woodman Collection) TABLE OF CONTENTS LIST OF PHOTOGRAPHS .........................................................................................................iv LIST OF MAPS .........................................................................................................................
    [Show full text]
  • Table of Contents Introduction
    — TABLE OF CON T EN T S /IN T RODU cti ON — TABLE OF CON T EN T S INTRODUCTION............. 4 The Night Terror ...... 19 “Henry Akeley” ........ 29 HEROES.................. 10 Nodens ................ 20 Keziah the Witch ...... 30 The American Eagle .... 10 The Oracle ............ 21 Outer Ones ............ 30 Ace Buckley ........... 11 Pyroman ............... 22 Lucifuge .............. 31 Captain Future ........ 11 The Scarab ............ 23 The Ooze .............. 33 The Cavalier .......... 12 VILLAINS................ 24 The Yellow Lama ....... 33 “Doc” Strange ......... 12 Asenath, ISSUE LISTING The Dream Master ...... 13 the Body Snatcher ... 24 AND PRICE GUIDE ....... 35 The Fighting Yank ..... 14 Baron von Junzt, WRITE COMICS THE The Ghost ............. 15 the Black Scholar ... 25 NEDOR-LOVECRAFT WAY! .. 36 AFTERWORD FOR Kara, Jungle Princess . 16 Blitz ................. 26 THE PERPLEXED ......... 43 The Liberator ......... 17 Dagon ................. 26 (ACTUAL) BIBLIOGRAPHY .. 46 The Mask .............. 18 The Devilfish ......... 27 LICENSE................. 48 Mystico, the Wonder Man . 18 Professor Fenton ...... 28 IN T RODU cti ON “What is art but a matter of impressions, of pictures, emotions, and symmetrical sensations? It must have poignancy and beauty, but nothing else counts. It may or may not have coherence.” — H.P. Lovecraft, “In the Editor’s Study,” THE CONSERVA ti VE (July 1923) elcome to the first ever Startling Tale of Super- as complete as I could make it. Prices, of course, derive Weirdness! Future titles in this series will explore from standard references and searches on eBay. They Wother strange frontiers of superheroic adventure. shouldn’t be taken as anything more than a rough snap- But this issue, Adventures Into Darkness, presents for shot.) the first time anywhere a roleplaying game adaptation of “Write Comics the Nedor-Lovecraft Way!” gives role- H.P.
    [Show full text]