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Annual Report for the Year 2019-20
CIRCUIT HOUSE AT RUPA Completed during 2019-20 ARUNACHAL BHAWAN, MOHANBARI Completed during 2019-20 GOVERNMENT OF ARUNACHAL PRADESH PUBLIC WORKS DEPARTMENT ITANAGAR ANNUAL REPORT 2019-20 Visitor seating facility at Multipurpose Cultural Hall, Namsai Preface This Annual Report of the Public Works Department is prepared in the office of the Chief Engineer (SID&P) by compiling the achievements under the different zone during a financial year. The main objectives are to document and highlight the achievement of the department in execution of infrastructure as construction agency of the Gov- ernment. This process of publication of Annual Report is a legacy carried over from the process of submitting Annual Administrative Report during the time of CPWD in the State. During the year 2017-18, the achievements in construction of infrastructure under PWD were collected and the first edition of the annual report was published. The Annual Report 2017-18 & 2018-19 was circulated to all stake holders and made available in the official website www.arunachalpwd.org. The Annual Report 2018-19 was rated and ready reference source for important achieve- ments of PWD during 2018-19 and references for guidelines of CSS schemes being executed by PWD. In addition, while circulating the Annual Report 2018-19, it was requested that henceforth, the Annual Report shall be made an annual affair and to make it more befitting document for highlighting the achievements in each year, it was -re quested that the information may be submitted in time and as per the prescribed format, after the compilation of the financial and physical account of each preceding year. -
Look Through the Heart Teahouse”
ShinKanAn Teahouse – The “Look Through the Heart Teahouse” 1. Introduction: History and Name • Our Teahouse in unique on the Central Coast. It is a traditional structure, using mostly Japanese joinery instead of nails, traditional tatami mats and hand-made paper sliding doors. Additionally, it is perhaps the only traditional Japanese Teahouse between the Greater Los Angeles area and the San Francisco peninsula, and the only one in California using California natives in an intentional Japanese style. • It was originally built in Kyoto during the postwar period: a wooden plaque on the wall near the entry doors commemorates the architect and the date: 1949. The Teahouse was a gift from the President of the Nippon Oil Company to a local resident, Mr. H. Royce Greatwood, as an expression of appreciation for his assistance after the war. It was shipped in wooden boxes, each piece numbered, and reassembled in Mr. Greatwood’s Hope Ranch lemon orchard in the early 1950’s. This teahouse is evidence of the tremendous efforts that were made to renew the ties of friendship between former wartime adversaries. • The rich cultural tradition of Cha-do, The Way of Tea, graces this teahouse. In 2000, it was given the name ShinKanAn , meaning “Look Through the Heart” by the 15th Grandmaster of the Urasenke Tea school, an unusual event. • The name was generously given in honor of Heartie Anne Look, a teacher of flower arrangement and Japanese culture for many years in the Santa Barbara community. This teahouse is being used and maintained in a manner authentic to the tradition of Cha-do. -
Based on the Most Classic Cocktails, but with an Asian Twist, These Cocktails Have Been Created by Roji for Anyone Who Follows the Path of Roji
Based on the most classic cocktails, but with an Asian twist, these cocktails have been created by Roji for anyone who follows the path of Roji. Please feel free to order your favorite classic cocktail even if it is not mentioned on this menu. The Nomu 13 Ketel One Vodka, Cointreau, Yuzu, Litchi, Bitters, Egg White Sweet with a Japanese twist Walking To Paradise 14 Johnnie Walker Black Label, Raspberry Liqueur, Lime, Butterscotch, Egg white Keep Walking... Budo 13 Hendrick’s Gin, Cointreau,Grapes, Cucumber, Elderfower, Lime Perfect Start Of Your Wonderful Evening Rojitini 14 Mount Gay Eclipse Rum, Elderfower, Lime Sweet & Classy Mao 15 Mount Gay Eclipse Rum, Zacapa 23 Rum, Lime, Liquor 43, Almond Syrup, Bitters Tiki Style Man with the Red Face 14 Strawberry and basil infused Don Julio Bianco, dry vermouth, lime Spicy challenge My Medicine Penicillin 16 Monkey Shoulder Whiskey, Laphroaig 10, Ginger syrup, Honey syrup, lime Smokey, Spicy A Bitter Berry 14 Tanqueray N°Ten, Campari, Homemade Strawberry Shiso shrub Twist on a Negroni After Dinner Cocktails Smokey ‘Cohiba’ Crusta 15 Zacapa 23, Maraschino liquor, Cherry Brandy, Lime, Smoke It’s Allowed To Smoke Inside... Gentlemen’s Agreement Club 29 Johnnie Walker Blue Label, Px Sherry, Poire Williams Eau de Vie, Bitters The Perfect After Dinner at The Fire Place Lost in Translation 14 Bulleit Rye Whiskey, Fernet Branca, Sugar, Bitters Champagne Cocktails Bellefeur Champagne 14 Roji Champagne, Elderfower ‘Belfeur’ The New Bellini Champagne Russian S. Punch 15 Belvedere Vodka, Raspberry Liqueur, Crème de Cassis Topped With Our Own Roji Champagne... Roji’s Mocktails Bangkok Non-Stop 7 Blue Eyes Tea, Litchi Syrup, Ginger Syrup, Yuzu Juice and Coke. -
The Adi House: Manifestation of Traditional Wisdom ~~R.N
ARUNACHAL A monthly english journal DECEMBER 2018 1 REVIEW The Adi House: Manifestation of Traditional Wisdom ~~R.N. Koley he Adis, the blanket name fulfillment of the basic needs away from it. Even, every Adi Tof some sub-groups are in- and the requirements of com- village depicts a definite pat- habited in Siang Valley the cen- munity members. Traditions tern in housing. Prospect of tral part of Arunachal Pradesh. and socio-cultural heritage are water, sunlight and drainage They are comprising around uniformly inherited by individu- facility of domestic waste to- one fourth of the tribal popula- als and society. wards lower slope at a village tion of this state. They are hav- The traditional house site are always wisely taken ing unique tradition and rich of the Adis are constructed in consideration with utmost cultural heritage of their own. with bamboos, woods, canes, importance. All these tradi- In Arunachal Pradesh every leaves etc. which are found tional mechanism reveal a ethnic community has own ar- abundant in their surround- foresight and scientific think- chitectural design of house as ings. Till today the construction ing as outcome of deep expe- part of their traditional wisdom is made always on community rience based on century old to cope with their ecology. Like- or collective basis to which all behavioral science. Security of wise the Adis have own tradi- the abled body villagers con- the houses is also major con- tional architect in constructing tribute their labour spontane- cern in early days. In a village their houses which are tested ously as part of century old tra- houses are camouflaged with over the time. -
Fact Sheet a Look Inside the Portland Japanese Garden
Fact Sheet A look inside the Portland Japanese Garden Address: Hours: Key Personnel: 611 SW Kingston Ave Summer Public Hours (March 13 - Sept. 30): Stephen Bloom, Chief Executive Officer Portland, Oregon 97208 ● Monday: Noon - 7 p.m. Sadafumi Uchiyama, Garden Curator ● Tuesday - Sunday: 10 a.m. - 7 p.m. Diane Durston, Arlene Schnitzer Curator of Culture, Art & Education Website: japanesegarden.org Cynthia Johnson Haruyama, Deputy Director Phone: 503.223.1321 Winter Public Hours (Oct. 1 - March 12) Cathy Rudd, Board of Trustees President Email: [email protected] ● Monday: Noon - 4 p.m. Dorie Vollum, Board of Trustees President-Elect and Cultural ● Tuesday - Sunday: 10 a.m. - 4 p.m. Crossing Campaign Co-Chair Quick Facts: Pricing: ● Year Established: 1963 Adults: $14.95 ● Total Annual Attendance: 356,000 in 2016 (up 20% from 2015) Seniors (65+): $12.95 ● Total Acreage: 8 public gardens spread over 12 acres College Students (with ID): $11.95 ● Total Volunteer Hours: 7,226 in 2016 Youth (6 - 17): $10.45 ● Total Members: 11,000 Children 5 and under: free ● Total Staff: 83 regular employees, including eight full-time gardeners ● Total Operating Budget: $9.5 million Photos, Videos & Logos: ● Click here for Photos of the Garden in every season ● Click here for Photos of Cultural Programming & Art Exhibitions ● Click here for Videos & B-roll ● Click here for Logos Media Inquiries: Erica Heartquist | [email protected] | 503.542.9339 Page 1 of 3 About the Portland Japanese Garden For more than 50 years, the Portland Japanese Garden has been a haven of serenity and tranquility, nestled in the scenic West Hills of Portland, OR. -
3 T-^A?ISTICS OP’ WEST SIANG DISTRICT 1988-89
GOVT. OF A R U N A C H A L PRADESH wu*H«n* b l o c k : l e 'T’ e 3 T-^a?ISTICS OP’ WEST SIANG DISTRICT 1988-89 PUBLISHED BY: OFFICE OF THE DEPUTY COMMISSIONER ( ECONOMICS AND STATISTICS BRANCH ) WEST SIANG DISTRICT Ar<ONG . 78X OOl ARUNACHAL PRADESH The booklet entitled " Block Level Statis tics of West Siang District 1988-89” is the 4th issue brought out by the Economics and Statistics Branch of office of the Deputy Commissioner/West Siang District Aloneo The Government/.both State and Central have implemented various socio-economic development progr ammes for uplif:: of alround development of concerned block in particular and the District as a whole. xhis booklet will help the Government/the administrators, Research Workers and Sclolars to fo rmulate procrramir.e and Policies and conduct other So- cio-Economics and Socio-cultural studies. I am grateful to the District Statistical O fficer/ and his tram of staffs for the efforts they have taken to publish this booklet and the heads of departm^ent in the District for extension of co-oper- ation r-c;ndered to Statistics Branch in providing in formations relating to tVieir respective departments, I v/iksh the publication all success. O G (T. / V G ( S. Pao ), G Deputy Commissioner , G West Siang District .Along Arunachal Pradesh. ii L a la / I gI NIEPA DC D06127 S 4 l(3 fr 310 ] ( \ j B J ? A/.*,/■ ■y or I N r P. O D U C T I C N * The Block !■ vel Statistics of V'/est Siang District 1988-t3 is the fourth issue of its annual series* * J This PublicatioE is prepared as per ^ directives and guidence of the Director or Economics ■M and Statistics, Govt of ^.runachal Pradesh/ Shillong. -
Dated of Hearing Held on : 8Th Decembe R' 2O2O
ffi' t T{trfl qtl sTfuo-rr ffirtPm -q'la RIGHT TO H INFORMATION UNACHAL PRADESH INFORMATION COMMISSION ITANAGAR BEFORE THE COURT OF DR.JORAM BEGI, STATE CHIEF INFORMATION COMMISSIONER No.APlC-129/2020 Dated, ltanagar the 8th Decembe r,2020 Under Section 19(3) RTI Act, 2005 Appellant Respondent Shri Mikre Taso, Shri Bajum Taba, Upper Colony, Likabali, The PIO-cum-DFO, Lower Siang District, O/o Divisional Forest Officer, Arunachal Pradesh. Vs Likabali, (m) 5s0997s426, Lower Siang District, Arunachal Pradesh. & Shri Karba Riba Dated of hearing held on : 8th Decembe r' 2O2O. ORDER Whereas, an appeal under Section 19(3) of RTI Act, 2005 has been received from Shri & Shri Karba Riba Mikre Taso, Upper Colony, Likabali, Lower Siang District, Arunachal Pradesh, pro-cum-DFo, o/o Divisional Forest for non-furnishing of information, by shri Bajum Taba, the by the Appellants under officer, Likabali, Lower siang District, Arunachal Pradesh, as sought, section 6(1) of RTI Act, 2005 on 2OlO7l2O2O' video audio conference on l-7th Whereas, the l-'t hearing was held through online / pro-cum-DFO, O/o Divisionar Forest officer, Likabali, November,2o2o. shri Bajum Taba, the pradesh, and the Appeilants Shri Mikre Taso, & shri Karba Riba, Lower Siang District, Arunachar UpperColony,Likabali,LowerSiangDistrict,ArunachalPradesh,appearedinthehearing shri Mikre Taso informed the Commission that the through video conferencing. The Rpp-ettant information to them. The Appellant informed that pro has furnished incomprete and misreading for the sr.no.v and photographs for building he is satisfied with the information furnished pro and informed the Commission that the information furnished for the sr.no. -
History of Project Vartak
Brig JS Ishar Chief Engineer HISTORY OF PROJECT VARTAK The Beginning 1. During the second meeting of BRDB on 13 May 1960, late Pandit Jawaharlal Nehru, the then Prime Minister directed that the work on the construction of Road Bhalukpong- Tenga should commence on 01 Jun 1960. Accordingly, Project Tusker was raised on 07 May 1960. Thus Project Tusker was the first in Border Roads Organisation to commence road construction activity. 2. Project Tusker was also made responsible for the maintenance of road Missamari- Foothills-Chaku-Tenga, which had been constructed by PWD. Elephant Gate: Entry To Bomdila-Tawang Road 3. Work on the improvement of the Road Bhalukpong-Tenga-Bomdila was continued by 14 BRTF, which was raised in early 1962. The most difficult stretch on this high priority road was between Sessa and Bomdila. The task was completed in 6 months and the road was made trafficable by Oct 1962. Further improvements continued. Shri YB Chavan, the then Defence Minister formally opened the road in Apr 1963. 4. In 1962, a jeepable track Bomdila-Dirang-Sela-Tawang was also attempted. A Signals Task Force was raised for laying of telephone lines for Bomdila-Tawang, North Lakhimpur-Lekhabali-Along, Kimin-Ziro and Along-Daporijo sector. Initial Problems 5. During the initial induction of the Project, there were many teething problems. Maj Gen OM Mani, the first Chief Engineer (then Brigadier) of the Project later recalled:- “The Administrative Offices functioned under the cover of tarpaulins spread over bamboos. The office furniture comprised of a few packing cases and even these were in short supply. -
Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs. -
Teahouse N I T O
n i northwest:scale 1/8" t o b teahouse ea.r.thomson 2002 southeast:scale 1/8" N The Japanese Teahouse : Ritual and Form Buddhism had branched after about 600bc, into several distinct teachings. Of these, A Paper for M.Cohen’s Seminar on Architectural Proportion Mahayana (meaning 'big raft') Buddhism worked its way to Tibet, Mongolia, China, Korea May 2002, UBC | SoA and Japan. Of these five regional variations is the 'intuitive' school of Mayahana - or Zen. Submitted by a.r.thomson Zen (strictly literally!) means, 'meditation that leads to insight'. In order to make some sense of the Teahouse design, and more specifically its mode of Mahakasyapa, apparently, was the only acolyte present at The Flower Sermon, who proportioning, scale and materiality, it is necessary to understand something of the context understood. The Flower Sermon, it is said, was one where, "Standing on a mountain with his out of which the ‘Culture of Tea’, aka. ’Teaism’ first developed. This paper will attempt to disciples around him, Buddha did not on this occasion resort to words. He simply held aloft distill some sense of this ambient culture, and then relate the aesthetic of Zen, to the a golden lotus." (H.Smith, pg 134) components of the Teahouse proper, and finally, conclude with an examination of the proportions used in the Teahouse design. UBC’s Nitobe Teahouse was the primary resource Mahakasyapa was declared the Buddha's successor. 28 patriarchs later, in 520ad, studied, which is unique in that it is a ‘traditional’ structure on foreign soil, and thus Bodhidharma introduced the teaching of Zen to Japan. -
ABSTRAK Etnik Bajau Merupakan Etnik Kedua Terbesar Di Kota Belud
IKONOGRAFI MOTIF PADA SENJATA TRADISIONAL GAYANG ETNIK BAJAU SAMA DI KOTA BELUD Mohd Farit Azamuddin bin Musa Humin Jusilin Universiti Malaysia Sabah [email protected] ABSTRAK Etnik Bajau merupakan etnik kedua terbesar di Kota Belud. DI daerah ini, sebahagian petaninya menjalankan kegiatan pertanian dan penternakan untuk meneruskan kelangsungan hidup. Bagi kaum lelaki, senjata amat penting dalam kehidupan seharian kerana kegunaannya sebagai alat untuk memburu, bercucuk tanam dan utiliti harian. Jenis senjata yang dihasilkan ialah pida’ (parang pendek), guk (parang), lading (pisau), keris, kagayan (parang panjang), beladau (parang jenis sabit) dan gayang (pedang). Fungsi pida’, guk beladau dan lading lazimnya digunakan untuk aktiviti harian seperti bercucuk tanam dan memburu. Karis, kagayan, dan gayang pula digunakan sebagai alat untuk mempertahankan diri. Setiap senjata memainkan peranan penting dalam kehidupan masyarakat. Walaupun begitu, setiap senjata yang ditempa boleh dimanipulasi sebagai senjata untuk melindungi diri daripada ancaman bahaya terutamanya daripada haiwan buas dan berbisa. Pelbagai jenis motif dan hiasan pada senjata melalui olahan idea yang diambil daripada persekitaran mereka. Tujuan kajian ini dihasilkan adalah untuk meneliti bentuk dan motif pada senjata tradisional dari segi visual dan istilahnya. Kajian lapangan (fieldwork) dijalankan di daerah Kota Belud khususnya di Kampung Siasai Jaya, Kampung Siasai Dundau, Kampung Siasai Kumpang, dan Kampung Tengkurus. Data yang diperolehi adalah berbentuk kualitatif dengan mengaplikasi indikator teori ikonografi daripada Panofsky (1939). Penelitian tentang data kajian melalui tiga peringkat iaitu identifikasi, analisis formalistik dan interpretasi makna. Motif yang dikenal pasti terbahagi kepada dua kategori iaitu bersifat organik dan geometri yang merangkumi motif flora, fauna, dan alam sekitar. Pengkaji juga melakukan pengesahan data bersama beberapa informan. -
Japanese Tea Ceremony: How It Became a Unique Symbol of the Japanese Culture and Shaped the Japanese Aesthetic Views
International J. Soc. Sci. & Education 2021 Vol.11 Issue 1, ISSN: 2223-4934 E and 2227-393X Print Japanese Tea Ceremony: How it became a unique symbol of the Japanese culture and shaped the Japanese aesthetic views Yixiao Zhang Hangzhou No.2 High School of Zhejiang Province, CHINA. [email protected] ABSTRACT In the process of globalization and cultural exchange, Japan has realized a host of astonishing achievements. With its unique cultural identity and aesthetic views, Japan has formed a glamorous yet mysterious image on the world stage. To have a comprehensive understanding of Japanese culture, the study of Japanese tea ceremony could be of great significance. Based on the historical background of Azuchi-Momoyama period, the paper analyzes the approaches Sen no Rikyu used to have the impact. As a result, the impact was not only on the Japanese tea ceremony itself, but also on Japanese culture and society during that period and after.Research shows that Tea-drinking was brought to Japan early in the Nara era, but it was not integrated into Japanese culture until its revival and promotion in the late medieval periods under the impetus of the new social and religious realities of that age. During the Azuchi-momoyama era, the most significant reform took place; 'Wabicha' was perfected by Takeno Jouo and his disciple Sen no Rikyu. From environmental settings to tea sets used in the ritual to the spirit conveyed, Rikyu reregulated almost all aspects of the tea ceremony. He removed the entertaining content of the tea ceremony, and changed a rooted aesthetic view of Japanese people.