Political Ideologies an Introduction Sixth Edition SIXTH EDITION POLITICAL IDEOLOGIES an Introduction ANDREW HEYWOOD
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Post-Postfeminism?: New Feminist Visibilities in Postfeminist Times
FEMINIST MEDIA STUDIES, 2016 VOL. 16, NO. 4, 610–630 http://dx.doi.org/10.1080/14680777.2016.1193293 Post-postfeminism?: new feminist visibilities in postfeminist times Rosalind Gill Department of Sociology, City University, London, UK ABSTRACT KEYWORDS This article contributes to debates about the value and utility Postfeminism; neoliberalism; of the notion of postfeminism for a seemingly “new” moment feminism; media magazines marked by a resurgence of interest in feminism in the media and among young women. The paper reviews current understandings of postfeminism and criticisms of the term’s failure to speak to or connect with contemporary feminism. It offers a defence of the continued importance of a critical notion of postfeminism, used as an analytical category to capture a distinctive contradictory-but- patterned sensibility intimately connected to neoliberalism. The paper raises questions about the meaning of the apparent new visibility of feminism and highlights the multiplicity of different feminisms currently circulating in mainstream media culture—which exist in tension with each other. I argue for the importance of being able to “think together” the rise of popular feminism alongside and in tandem with intensified misogyny. I further show how a postfeminist sensibility informs even those media productions that ostensibly celebrate the new feminism. Ultimately, the paper argues that claims that we have moved “beyond” postfeminism are (sadly) premature, and the notion still has much to offer feminist cultural critics. Introduction: feminism, postfeminism and generation On October 2, 2015 the London Evening Standard (ES) published its first glossy magazine of the new academic year. With a striking red, white, and black cover design it showed model Neelam Gill in a bright red coat, upon which the words “NEW (GEN) FEM” were superimposed in bold. -
Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory
Journal of Feminist Scholarship Volume 4 Issue 4 Spring 2013 Article 5 Spring 2013 Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory Susan Archer Mann University of New Orleans Follow this and additional works at: https://digitalcommons.uri.edu/jfs Part of the Feminist, Gender, and Sexuality Studies Commons, Law and Gender Commons, and the Women's History Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Mann, Susan A.. 2018. "Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory." Journal of Feminist Scholarship 4 (Spring): 54-73. https://digitalcommons.uri.edu/jfs/vol4/iss4/5 This Viewpoint is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Feminist Scholarship by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory Cover Page Footnote The author wishes to thank Oxford University Press for giving her permission to draw from Chapters 1, 5, 6, 7, and the Conclusion of Doing Feminist Theory: From Modernity to Postmodernity (2012). This viewpoint is available in Journal of Feminist Scholarship: https://digitalcommons.uri.edu/jfs/vol4/iss4/5 Mann: Third Wave Feminism's Unhappy Marriage VIEWPOINT Third Wave Feminism’s Unhappy Marriage of Poststructuralism and Intersectionality Theory Susan Archer Mann, University of New Orleans Abstract: This article first traces the history of unhappy marriages of disparate theoretical perspectives in US feminism. In recent decades, US third-wave authors have arranged their own unhappy marriage in that their major publications reflect an attempt to wed poststructuralism with intersectionality theory. -
Feminist Perspectives on Curating
Feminist perspectives on curating Book or Report Section Published Version Richter, D. (2016) Feminist perspectives on curating. In: Richter, D., Krasny, E. and Perry, L. (eds.) Curating in Feminist Thought. On-Curating, Zurich, pp. 64-76. ISBN 9781532873386 Available at http://centaur.reading.ac.uk/74722/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://www.on-curating.org/issue-29.html#.Wm8P9a5l-Uk Publisher: On-Curating All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online ONN CURATING.org Issue 29 / May 2016 Notes on Curating, freely distributed, non-commercial Curating in Feminist Thought WWithith CContributionsontributions bbyy NNanneanne BBuurmanuurman LLauraaura CastagniniCastagnini SSusanneusanne ClausenClausen LLinaina DzuverovicDzuverovic VVictoriaictoria HorneHorne AAmeliamelia JJonesones EElkelke KKrasnyrasny KKirstenirsten LLloydloyd MMichaelaichaela MMeliánelián GGabrielleabrielle MMoseroser HHeikeeike MMunderunder LLaraara PPerryerry HHelenaelena RReckitteckitt MMauraaura RReillyeilly IIrenerene RevellRevell JJennyenny RichardsRichards DDorotheeorothee RichterRichter HHilaryilary RRobinsonobinson SStellatella RRolligollig JJulianeuliane SaupeSaupe SSigridigrid SSchadechade CCatherineatherine SSpencerpencer Szuper Gallery, I will survive, film still, single-channel video, 7:55 min. Contents 02 82 Editorial It’s Time for Action! Elke Krasny, Lara Perry, Dorothee Richter Heike Munder 05 91 Feminist Subjects versus Feminist Effects: Public Service Announcement: The Curating of Feminist Art On the Viewer’s Rolein Curatorial Production (or is it the Feminist Curating of Art?) Lara Perry Amelia Jones 96 22 Curatorial Materialism. -
Mainstream Feminism
Feminist movements and ideologies This collection of feminist buttons from a women's museum shows some messages from feminist movements. A variety of movements of feminist ideology have developed over the years. They vary in goals, strategies, and affiliations. They often overlap, and some feminists identify themselves with several branches of feminist thought. Groupings Judith Lorber distinguishes between three broad kinds of feminist discourses: gender reform feminisms, gender resistant feminisms, and gender revolution feminisms. In her typology, gender reform feminisms are rooted in the political philosophy of liberalism with its emphasis on individual rights. Gender resistant feminisms focus on specific behaviors and group dynamics through which women are kept in a subordinate position, even in subcultures which claim to support gender equality. Gender revolution feminisms seek to disrupt the social order through deconstructing its concepts and categories and analyzing the cultural reproduction of inequalities.[1] Movements and ideologies Mainstream feminism … "Mainstream feminism" as a general term identifies feminist ideologies and movements which do not fall into either the socialist or radical feminist camps. The mainstream feminist movement traditionally focused on political and legal reform, and has its roots in first- wave feminism and in the historical liberal feminism of the 19th and early- 20th centuries. In 2017, Angela Davis referred to mainstream feminism as "bourgeois feminism".[2] The term is today often used by essayists[3] and cultural analysts[4] in reference to a movement made palatable to a general audience by celebrity supporters like Taylor Swift.[5] Mainstream feminism is often derisively referred to as "white feminism,"[6] a term implying that mainstream feminists don't fight for intersectionality with race, class, and sexuality. -
Post-Feminism’, History, Narrative
Looking Back: ‘Post-Feminism’, History, Narrative University of Warwick 20-21 September 2012 Convenor Dr Katherine Angel (University of Warwick) Kindly supported by the Wellcome Trust and Warwick Centre for the History of Medicine’s Strategic Award Looking Back: ‘Post-Feminism’, History, Narrative University of Warwick 20-21 September 2012 IAS, Millburn House Contents Page Conference Logistics 3 Conference Information 4 Provisional Programme 5 Abstracts: Dr Adrian Bingham 6 Impossible to Shift? Feminism and the ‘Page 3 Girl’ Dr Laura King 6 Fathers as Feminists: Fatherhood and (Post) Feminism in Britain Professor Barbara Marshall 7 Post-Feminism, Post-Ageing, and Bodies-in-Time Dr Jonathan Dean 7 Resistance and Hope in the ‘Cultural Space of Post-Feminism’ Dr Laura Schwartz ‘Standing in the Shadow of Your Sister: Reflections on a new generation of feminism’ 7 Professor Kathy Davis Wetlands: Postfeminist Sexuality and the Illusion of Empowerment 7 Ms Allie Carr How Do I Look? 8 2 Looking Back: ‘Post-Feminism’, History, Narrative Organised by the Centre for the History of Medicine - University of Warwick Venue Institute of Advanced Studies, Millburn House, University of Warwick Millburn House is located two buildings along from University House in the University of Warwick Science Park – it is marked as building 42 on the main campus map (the building is in the top right hand corner of the map). This can be downloaded at: http://www2.warwick.ac.uk/about/visiting/maps/campusmap/ Please note that the building numbers on printed versions of the map may be different. Once you arrive at Millburn, use the front entrance shown on the photo and take the staircase opposite you as you enter. -
Introduction 1 Theorizing Women's Singleness: Postfeminism
Notes Introduction 1. See Ringrose and Walkerdine’s work on how the boundaries of femininity are policed, constituting some subject positions – those against which normative femininity comes to be defined – ‘uninhabitable’ (2008, p. 234). 1 Theorizing Women’s Singleness: Postfeminism, Neoliberalism, and the Politics of Popular Culture 1. Lewis and Moon (1997) have observed that women’s singleness is at once glamorized and stigmatized, however I suggest, and explore how, this is a particular feature of postfeminist media culture. 2. As Jill Reynolds argues, ‘the cultural context today incorporates new repre- sentations of singleness while continuing to draw on older, more devalued notions that being single is a problem for women: generally to be resolved through commitment to a heterosexual relationship’ (2008, p. 2). 3. In early feminist studies of how women were represented in the media, the ‘images of women’ style criticism dominated, arguing that women were mis- represented in and through the mainstream media and that such ‘negative’ rep- resentations had deleterious effects on the women who consumed them. This is a position that has been thoroughly critiqued and replaced by more nuanced approaches to both signification and consumption. See Walters’ chapter ‘From Images of Women to Woman as Image’ for a rehearsal of these debates (1995). 4. For example, in her critical text Postfeminisms, Ann Brooks (1997) conceptual- izes it in terms of the intersections of feminism, poststructuralism, postmod- ernism, and postcolonialism. Others have theorized it primarily as a popular manifestation which effectively represents an updated form of antifeminism (Faludi, 1991; Walters, 1995; Kim, 2001). 5. The idea that postfeminism is itself constituted by contradiction, ‘the product of competing discourses and interests’ (Genz & Brabon, 2009, p. -
Three Waves of Feminism
01-Krolokke-4666.qxd 6/10/2005 2:21 PM Page 1 1 Three Waves of Feminism From Suffragettes to Grrls e now ask our readers to join us in an exploration of the history of W feminism or, rather, feminisms: How have they evolved in time and space? How have they framed feminist communication scholarship in terms of what we see as a significant interplay between theory and politics? And how have they raised questions of gender, power, and communication? We shall focus our journey on the modern feminist waves from the 19th to the 21st century and underscore continuities as well as disruptions. Our starting point is what most feminist scholars consider the “first wave.” First-wave feminism arose in the context of industrial society and liberal politics but is connected to both the liberal women’s rights movement and early socialist feminism in the late 19th and early 20th century in the United States and Europe. Concerned with access and equal opportunities for women, the first wave continued to influence feminism in both Western and Eastern societies throughout the 20th century. We then move on to the sec- ond wave of feminism, which emerged in the 1960s to 1970s in postwar Western welfare societies, when other “oppressed” groups such as Blacks and homosexuals were being defined and the New Left was on the rise. Second-wave feminism is closely linked to the radical voices of women’s empowerment and differential rights and, during the 1980s to 1990s, also to a crucial differentiation of second-wave feminism itself, initiated by women of color and third-world women. -
Analyzing Postfeminist Themes in Girls' Magazines
Media and Communication (ISSN: 2183–2439) 2021, Volume 9, Issue 2, Pages 27–38 DOI: 10.17645/mac.v9i2.3757 Article What a Girl Wants, What a Girl Needs: Analyzing Postfeminist Themes in Girls’ Magazines Marieke Boschma 1 and Serena Daalmans 1,2,* 1 Department of Communication Science, Radboud University, 6500HE Nijmegen, The Netherlands; E-Mails: [email protected] (M.B.), [email protected] (S.D.) 2 Behavioral Science Institute, Radboud University, 6500HE Nijmegen, The Netherlands * Corresponding author Submitted: 19 October 2020 | Accepted: 22 December 2020 | Published: 23 March 2021 Abstract Girls’ magazines play an important role in the maintenance of gender perceptions and the creation of gender by young girls. Due to a recent resurgence within public discussion and mediated content of feminist, postfeminist, and antifeminist repertoires, centered on what femininity entails, young girls are growing up in an environment in which conflicting mes- sages are communicated about their gender. To assess, which shared norms and values related to gender are articulated in girl culture and to what extent these post/anti/feminist repertoires are prevalent in the conceptualization of girlhood, it is important to analyze magazines as vehicles of this culture. The current study analyzes if and how contemporary post- feminist thought is articulated in popular girl’s magazines. To reach this goal, we conducted a thematic analysis of three popular Dutch teenage girls’ magazines (N = 27, from 2018), Fashionchick, Cosmogirl, and Girlz. The results revealed that the magazines incorporate feminist, antifeminist, and as a result, postfeminist discourse in their content. The themes in which these repertoires are articulated are centered around: the body, sex, male–female relationships, female empower- ment, and self-reflexivity. -
Derridean Deconstruction and Feminism
DERRIDEAN DECONSTRUCTION AND FEMINISM: Exploring Aporias in Feminist Theory and Practice Pam Papadelos Thesis Submitted for the Degree of Doctor of Philosophy in the Discipline of Gender, Work and Social Inquiry Adelaide University December 2006 Contents ABSTRACT..............................................................................................................III DECLARATION .....................................................................................................IV ACKNOWLEDGEMENTS ......................................................................................V INTRODUCTION ..................................................................................................... 1 THESIS STRUCTURE AND OVERVIEW......................................................................... 5 CHAPTER 1: LAYING THE FOUNDATIONS – FEMINISM AND DECONSTRUCTION ............................................................................................... 8 INTRODUCTION ......................................................................................................... 8 FEMINIST CRITIQUES OF PHILOSOPHY..................................................................... 10 Is Philosophy Inherently Masculine? ................................................................ 11 The Discipline of Philosophy Does Not Acknowledge Feminist Theories......... 13 The Concept of a Feminist Philosopher is Contradictory Given the Basic Premises of Philosophy..................................................................................... -
Kellyanne Conway and Postfeminism: 'The Desert of the Real'
Kaleidoscope: A Graduate Journal of Qualitative Communication Research Volume 18 Article 7 2019 Kellyanne Conway and Postfeminism: 'The Desert of the Real' L. Shelley Rawlins Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/kaleidoscope Recommended Citation Rawlins, L. Shelley (2019) "Kellyanne Conway and Postfeminism: 'The Desert of the Real'," Kaleidoscope: A Graduate Journal of Qualitative Communication Research: Vol. 18 , Article 7. Available at: https://opensiuc.lib.siu.edu/kaleidoscope/vol18/iss1/7 This Article is brought to you for free and open access by OpenSIUC. It has been accepted for inclusion in Kaleidoscope: A Graduate Journal of Qualitative Communication Research by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Kellyanne Conway and Postfeminism: 'The Desert of the Real' Cover Page Footnote Acknowledgements: I thank my advisor and friend Dr. Craig Gingrich-Philbrook for his invaluable input on this work. I thank my mother Sandy Rawlins for sharing inspiring conversations with me and for her keen editing eye. I appreciate the reviewers’ helpful feedback and thank Kaleidoscope’s editorial staff, especially Shelby Swafford and Alex Davenport, for facilitating this publication process. L. Shelley Rawlins is a Doctoral Candidate at Southern Illinois University, Carbondale This article is available in Kaleidoscope: A Graduate Journal of Qualitative Communication Research: https://opensiuc.lib.siu.edu/kaleidoscope/vol18/iss1/7 Kellyanne Conway and Postfeminism: ‘The Desert of the Real’ L. Shelley Rawlins Postfeminism is a slippery, contested, ambivalent, and inherently contradictory term – deployed alternately as an “empowering” identity label and critical theoretical lens. -
Third Wave Feminist History and the Politics of Being Visible and Being Real
Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 6-12-2006 Third Wave Feminist History and the Politics of Being Visible and Being Real Robbin Hillary VanNewkirk Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation VanNewkirk, Robbin Hillary, "Third Wave Feminist History and the Politics of Being Visible and Being Real." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/wsi_theses/1 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THIRD WAVE FEMINIST HISTORY AND THE POLITICS OF BEING VISIBLE AND BEING REAL by ROBBIN VANNEWKIRK Under the Direction of Peter Lindsay ABSTRACT This project works to illuminate some of the main theoretical claims that writers of the third wave make in order to understand these claims as rhetorical devices used to make themselves visible and real. Being visible is a common theme in third wave texts and realness is a site that is both contested and embraced. Being Visible and being real work together to situate third wave actors in a U.S. feminist continuum that is sprinkled with contradiction and ambiguity. This thesis will examine the contextual development of third wave feminism, and then using examples of realness and visibility in the three third wave anthologies, Being Real, Third Wave Agenda, and Catching a Wave, this thesis will interrogate at the rhetorical significance of those themes. -
The Girl in the Postfeminist World: Rethinking the Impact of Chick-Lit Fiction
Union College Union | Digital Works Honors Theses Student Work 6-2011 The irG l in the Postfeminist World: Rethinking the Impact of Chick-Lit Fiction Sarah T. O'Connor Union College - Schenectady, NY Follow this and additional works at: https://digitalworks.union.edu/theses Part of the Feminist, Gender, and Sexuality Studies Commons, and the Fiction Commons Recommended Citation O'Connor, Sarah T., "The irlG in the Postfeminist World: Rethinking the Impact of Chick-Lit Fiction" (2011). Honors Theses. 1038. https://digitalworks.union.edu/theses/1038 This Open Access is brought to you for free and open access by the Student Work at Union | Digital Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Union | Digital Works. For more information, please contact [email protected]. Running Title: Chick-Lit Fiction Impact The Girl in the Postfeminist World: Rethinking the Impact of Chick-Lit Fiction By Sarah T. O‘Connor * * * * * * * * * Submitted in partial fulfillment of the requirements for Honors in the Departments of English and Psychology UNION COLLEGE June, 2011 ii ABSTRACT O‘CONNOR, SARAH The Girl in the Postfeminist World: Rethinking the Impact of Popular Chick-lit Fiction. Departments of English and Psychology, June 2011. ADVISORS: Professors Judith Lewin, Claire Bracken, Suzanne Benack This thesis discusses ―chick-lit‖ series in relation to popular culture, adolescent development, and feminist theory. The role of the female in the United States is currently dominated by both neo-liberal and conservative postfeminist ideology. Postfeminism advocates female empowerment via consumption, sexual attractiveness and physical beauty, while at the same time valorizing passive femininity and the roles of wife and mother.