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49 Exposition Napoléon N'est Plus #49 8 2 7 14 Dossier Actualités Saison musicale Coulisses Exposition Parcours Deux Des mystères Napoléon contemporain compositeurs révélés ? n’est plus Napoléon ? en résidence Le Musée enquête… jan. -- juin 2021 Encore ! 2 ACTUALITÉS Couverture : De Rossi d’après Horace Vernet (1789-1863). Napoléon sortant de son tombeau, 1869. Micromosaïque d’émaux © Paris, musée de l’Armée, Dist. RMN-Grand Palais / Émilie Cambier Kapwani Kiwanga, Nations, Snake Gully, 1802 [Nations, La Ravine à couleuvres, 1802], 2018, coll. part. © Adagp, Paris, 2020 / Photo Aurélien Mole Courtesy Galerie Poggi, Paris Napoléon ? Encore ! Un parcours contemporain En écho aux commémorations du bicentenaire de la mort de l’Empereur, le Musée propose, pour la première fois de son histoire, un parcours d’art contemporain aux Invalides. La présentation de commandes originales ou d’œuvres Emmanuel de Las Cases, 8 janvier 1816) et dont on a pu existantes confiées à des artistes, soit de renom, soit émergents, dire qu’il avait construit une « épopée faite pour l’image et français et étrangers, évoquera la figure de Napoléon, par l’image. » (Jean Tulard, préface, in cat. expo. Napoléon, ainsi que l’empreinte de son action sur le monde actuel. images de légende, Épinal, Musée de l’image, p. 13). Des œuvres d’art du XXIe siècle, réalisées par des artistes Pendant deux siècles, la figure de Napoléon a dominé l’histoire issus de contextes et de pays très différents, seront ainsi européenne, mais aussi la perception générale que les peuples montrées dans les salles napoléoniennes du musée de l’Armée, pouvaient se faire de cette dernière, non seulement en France comme des intrus ou des partenaires parmi les objets et les mais aussi dans le reste du monde. Génie pour les uns, ogre images de la geste héroïque qui y est contée, ainsi que dans pour les autres, Napoléon, que l’on privilégie la personnalité divers lieux de l’Hôtel national des Invalides, qui est, depuis du général Bonaparte ou celle de l’empereur Napoléon Ier, 1840 et le retour en France des cendres de l’Empereur, le a été le sujet et l’objet de centaines de milliers d’images, haut lieu de sa mémoire et d’un culte toujours vivant. d’œuvres d’art, de livres puis de films, souvent engagés, qui ont durablement marqué l’histoire de l’art et de la culture. Les Certaines préexistent à cette exposition, d’autres ont fait transformations sociales et politiques ont peut-être amoindri l’objet de commandes spécifiques, sans prescription ni de sa place explicite dans la pensée contemporaine, mais celle-ci sujet ni de point de vue. Deux grandes commandes ont reste vive parce que, au-delà de tout jugement de valeur, été passées à Pascal Convert et à Ange Leccia : le premier il a façonné un monde dont nous sommes, consciemment interviendra dans le Dôme, en relation directe avec le ou non, positivement ou négativement, les héritiers. tombeau de l’Empereur, en proposant une œuvre centrée sur le squelette de Marengo, cheval mythique saisi par les Cette exposition sera l’occasion de comprendre et de voir ce troupes anglaises à Waterloo ; le second proposera une que les artistes d’aujourd’hui peuvent faire de cet héritage et installation filmique monumentale dans le Réfectoire de cette personnalité en tout point exceptionnels, avec une Vauban, fondée sur des images rapportées de Sainte-Hélène. distance sans doute plus grande que celle des générations précédentes, mais avec une acuité peut être redoublée – Choisies dans le cadre d’un dialogue serré avec les artistes, chaque génération produisant ses propres conceptions et les autres œuvres présenteront soit un rapport direct avec ses propres images de celui qui déclarait « l’imagination l’iconographie de Bonaparte (Laurent Grasso, Hervé Ingrand, gouverne le monde » (Napoléon, Mémorial de Sainte-Hélène, Peter Saul, Julian Schnabel, Georges Tony Stoll, Yan Pei-Ming) Commissariat Éric de Chassey, directeur de l’Institut Julien Voinot, chargé de collections, national d’histoire de l’Art (INHA) département XIXe siècle et Symbolique au musée de l’Armée 3 Pavel Pepperstein, Napoleon in Moscow, 2017 © Courtesy Pavel Pepperstein, Iragui gallery, Galerie Odile Ouizeman Yan Pei-Ming, L’Empereur Napoléon Ier se couronnant lui-même, 2017 © Yan Pei-Ming / ADAGP, Paris, 2020 / Photo Todd-White Art Photography / Courtesy Massimo De Carlo, Milan/London/Hong Kong et avec les événements napoléoniens (Fabrice Une longue jetée en bois, flottant sur une eau Hyber, Kapwani Kiwanga, Alexander Kluge, sombre, entourée de rochers et d’arbres nus, Yan Morvan, Pavel Pepperstein), soit un pourra évoquer à la fois le champ de bataille rapport plus oblique à la figure napoléonienne ou tout simplement une promenade sous une et à son héritage (Adel Abdessemed, Marina nuit étoilée. En focalisant sa mise en scène sur Abramovic, Art & Language, Stéphane l’expérience du spectateur, l’artiste choisit de ne Calais, Hélène Delprat, Damien Deroubaix, pas imposer une opinion sur la figure historique Edgar Sarin, Assan Smati). Seront ainsi de Napoléon, mais souhaite plutôt parler de Un nouveau interrogés par les arts visuels quelques thèmes l’histoire universelle de la vie et de la mort. fondamentaux d’une histoire désormais directeur nécessairement plurielle, comme le génie, D’autre part, la seconde salle, scénographiée l’exemplarité, la conquête, la virilité, l’insularité, par le collectif d’artistes français La Méduse, au musée de l’Armée la question raciale, l’identité nationale, etc. proposera une installation vidéo monumentale retraçant de façon à la fois spectaculaire et Ce parcours sera ponctué d’œuvres de cinq par petites touches intimes la vie du grand artistes de moins de 30 ans qui ont été invités homme. Des extraits de films où figure de à réaliser une œuvre spécifique grâce au façon charismatique Napoléon seront projetés parrainage des artistes confirmés invités dans sur un long tapis au sol. Divisé en plusieurs l’exposition, dans le cadre d’un soutien à la chapitres, le film fera découvrir, par un savant jeune création, particulièrement touchée par montage, les grandes étapes de sa vie, sans les conséquences de la récente crise sanitaire être totalement chronologique et surtout mondiale. Ces commandes bénéficient du jamais totalement explicite. Il s’agit avant tout soutien du Fonds de dotation Emerige. d’une réflexion sur le cinéma et l’histoire. À partir d’octobre, l’exposition se poursuivra La postérité de Napoléon au XXe siècle, transmise dans les salles d’exposition du Musée, et s’inscrira par le cinéma, sera l’occasion de rendre un dans le prolongement de ces réflexions, plus hommage appuyé aux grands cinéastes qui spécifiquement sur la mort de Napoléon. D’une ont souvent placé l’histoire et le montage part, la première salle sera investie par une cinématographique au cœur de leur œuvre. installation monumentale et immersive de Outre la figure incontournable d’Abel Gance, Le général Henry de Medlege a été l’artiste belge Hans Op de Beeck. Cette œuvre capable d’émerveiller à la fois le grand public et nommé directeur du Musée par la totale, intitulée Ashes to Ashes, figurera un paysage l’avant-garde artistique, planeront sur ce projet ministre des Armées, Florence Parly, le nocturne, invitant le spectateur à ressentir de les ombres de Dziga Vertov, Jean-Luc Godard, 14 août 2020. Il occupait depuis 2018 les façon mélancolique les notions de vide et de perte, Alexander Kluge, Hans-Jürgen Syberberg, fonctions de commandant en second de mais aussi de beauté et de tranquillité consolante. Pere Portabella ou Alexandre Sokourov. l’entraînement et des écoles du combat interarmes (E2CIA) et de général commandant les centres d’entraînement spécialisés. Le général Henry de Medlege aura notamment pour mission de mettre en œuvre le projet ministériel de réaménagement et d’extension des espaces de visite du Musée. Exposition Tous les jours de 10h à 18h, Général Henry de Medlege du 7 mai 2021 au 30 janvier 2022 les mardis en nocturne jusqu’à 21h. © Paris, musée de l’Armée - Émilie Cambier #NapoleonEncore #SaisonNapoleon Accès avec le billet d’entrée au Musée 4 ACTUALITÉS Projection de la scénographie du bivouac © agence Pinta-Helft / agence Violaine et Jérémy Le parcours Napoléon réinventé Les salles Louis XIV - Napoléon du Musée offrent au public une des plus belles collections au monde d’uniformes, d’armes, de pièces d’équipement et d’œuvres d’art relatives à Venez passer l’histoire militaire de la France. On y trouve entre autres de précieux témoignages sur une journée les guerres napoléoniennes et le Premier Empire. Mais face à l’usure du temps et plus de dix ans après la rénovation complète des salles, il était indispensable de mettre à jour avec Napoléon ! la présentation. L’agence d’architecture Helft-Pinta a donc été chargée de réexaminer la présentation de trois espaces particulièrement emblématiques de ces salles. Le superbe plan-relief qui évoque la bataille de Lodi en 1796, commandé en 1802 par Bonaparte et réalisé par Martin Boitard à l’Hôtel des Invalides, dépôt du musée des Plans-Reliefs, méritait une mise en perspective plus flatteuse, mais aussi plus didactique. Outre une nouvelle table et un système d’éclairage plus ergonomique, un dispositif audiovisuel inspiré des technologies de « son © Paris, musée de l’Armée et lumière » sera proposé aux visiteurs qui / Anne-Sylvaine Marre-Noël seront plus particulièrement intéressés à Cassette contenant des renseignements sur les armées enrichir leurs connaissances sur le sujet. Le 9 mai prochain, plongez au autrichiennes © Paris, musée de l’Armée, Dist. RMN-Grand Palais / Christophe Chavan cœur de l’épopée napoléonienne ! Ensuite, la salle actuellement dite du « bivouac », dont les piliers sont le lit de camp de la bataille de Leipzig, la célèbre redingote grise À l’occasion du bicentenaire de la mort et le non moins illustre « petit chapeau », sera entièrement réinventée.
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