DEPARTMENT OF & DANCE presents

AN SPECIAL PERFORMANCE

“Powerfully acted and gorgeously sung [...] ” "Orpheus X [...] is stark and striking." - Variety - Globe

video by directed by music and text by Denise Marika Robert Woodruff Rinde Eckert 2007 Pulitzer Prize Finalist

MAIN THEATRE February 16, 2008 8pm Photo: Andrew Brilliant Deisgn: Maish Simon

This performance runs 1 hour and 35 minutes. There will be no intermission. Audio, video or photographic recording of this performance is strictly prohibited by law. Please take a moment before the performance begins to note the exits nearest your seat. Please turn off the ringers on your cell phones and pagers. Food and drink are not permitted inside the theatre. Thank you for your cooperation. music and text video director Rinde Denise Robert Eckert Marika Woodruff set costumes lighting David Zinn David Christopher Denise Marika Zinn Akerlind sound stage manager David Amy Remedios James

CAST THE BAND Orpheus Rinde Eckert percussion Timothy Feeney Eurydice Suzan Hanson piano, guitar Jeff Lieberman John/Persephone John Kelly bass Blake Newman viola Wendy Richman Photo: Andrew Brilliant dramaturge Ryan McKittrick associate production manager Christopher Viklund voice and speech Nancy Houfek stage supervisor Joseph Stoltman production sound engineer Darby Smotherman assistant stage supervisor Jeremie Lozier company manager Tracy Keene assistant directors Caroline Steinbeis, Meiyin Wang master electrician Derek L. Wiles assistant dramaturge Shari Perkins lighting asisstant Kenneth Helvig assistant voice and speech Chris Lang technical director Steven Setterlun

Original Funding for Orpheus X was provided by: Meet the Composer/USA National Endowment for the Arts The /Multi-Arts Production Fund The Harold and Mimi Steinberg Charitable Trust Michael Jacobson

Special Thanks: Joy Hurd, Brent Harris, Alyce Dissette, Evan Ziporyn, Ellen McLaughlin, Emily Otto, Desta and Erik Marika-Rich

CAST The A . R . T. operates under an agreement between the League of ResidentTheatres and A c t o r s ’ Equity Association, the union of Professional Actors andStage Managers in the United States. The director of this production is a member of the Society of Stage Directors and Choreographers, Inc., and most of the designers are members of United Scenic Artists, both independent labor unions. The A . R . T. is also a constituent member of Theatre Communications Group (TCG), the national service organization for the American not-for-profit theatre. Supporting administrative and technical staff are represented by the Harvard Union of Clerical and Technical Wo r k e r s / A F S C M E (*) Members of Actors’Equity Association, the Union of Professional Actors and Stage Managers in the United States.(*) Members of A c t o r s ’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. A c t o r s ’Equity A s s o c i a t i o n (AEA), founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. A E A is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. w w w. a c t o r s e q u i t y. o r g. CAST

Rinde Eckert...... ORPHEUS/MUSIC & TEXT

Renowned as a composer, writer, director, singer, actor and movement artist, Rinde Eckert conceives and writes music and libretto and performs his own full-length works that tour extensively in the US and across Europe. Other works include: Horizon (premiered New York, June 2007); And God Created Great Whales (premiered New York, May 2000, winning the Obie Award); Four Songs Lost in a Wall; and The Gardening of Thomas D, which premiered in Europe at the Maubeuge Festival in 1994. Eckert has worked extensively as a writer and composer for the Margaret Jenkins Dance Company. He was the librettist/performer for the Slow Fire with composer Paul Dresher and Ravenshead with composer Steven Mackey. As a writer of instrumental music, his chamber works have been performed in Portland, Boston and New York. He has recorded three CDs of songs: Finding My Way Home, Do the Day Over and Story In, Story Out. In 2005 he received the Marc Blitzstein Memorial Award from the American Academy of Arts and Letters. He became finalist for the 2007 Pulitzer Prize in Drama with Orpheus X.

Suzan Hanson...... EURYDICE

Suzan Hanson is a versatile performer who combines a career in , theater and music-theater. For the A.R.T Hanson has created several roles, including Eurydice in Orpheus X, Hanako in ’s The Sound of a Voice and Madeline in The Fall of the House of Usher. Recent credits elsewhere include Brunnhilde in Siegfried and Götterdämmerung (Dove Version) for Opera Theatre Pittsburgh and Long Beach Opera. Hanson has also performed lead roles for numerous theater companies and opera houses including; Arizona Opera, Denver Center Theatre, Old Globe Theatre, Maggio Musicale Fiorentino, Teatro Real Madrid, New Israeli Opera and Spoleto Festivals in the US and Italy. On the National Tour of Master Class, Suzan played Sharon opposite Faye Dunaway's Maria Callas. Hanson's recordings include The Tender Land, Coyote Tales and John Cage’s Europera 3.

John Kelly...... JOHN/PERSEPHONE

John Kelly is a performance artist who also works as writer, director, choreographer and visual artist. Acting credits for the A.R.T. include Orpheus X and Dido, Queen of Carthage (Cupid; 2005 Elliot Norton Award, Outstanding Actor Large Ensemble).

Credits elsewhere include: James Joyce’s The Dead and Art Speigleman’s Drawn To Death. Kelly has created over 30 solo and group performance works for which he has received two Bessie Awards, two Obie Awards, the American Choreographer Award, a Guggenheim Fellowship and the 2001 CalArts Alpert Award in Dance/Performance. He has also collaborated with Laurie Anderson (Life on a String) and his Joni Mitchell homage, Paved Paradise, was the opening act for Natalie Merchant’s Ophelia tour. He was a 2004/05 Fellow at the Radcliffe Institute for Advanced Study, and his autobiography John Kelly was published in 2001. CREATIVECREATIVE TEAMTEAM

Robert Woodruff...... DIRECTOR

Robert Woodruff has directed over fifty theatrical productions performed in Lincoln Centre, The New York Shakespeare Festival, The Guthrie Theater, the Mark Taper Forum and the Goodman Theatre. Most recent works include Racine’s Britannicus at the A.R.T. (2007 Elliot Norton Award for Best Director/Production) and Appomattox, an opera by Philip Glass. His work with Rinde Eckert includes Orpheus X (runner-up for this year’s Pulitzer Prize) and Highway Ulysses, a music theatre contemporary rendering of Homer’s The Odyssey. He premiered Sam Shepard’s Buried Child (Pulitzer Prize), True West, and Curse of the Starving Class. Woodruff was Artistic Director of the A.R.T. until June 2007, where he produced 35 productions with artists from 12 countries.

Denise Marika...... VIDEO ARTIST/SET DESIGNER

Denise Marika has exhibited her work in galleries and museums across the US and abroad. Her one-person shows have exhibited at the Museum of Modern Art, Massachusetts Museum of Contemporary Arts, Worcester Art Museum and the Demarco. Her video installations are in permanent collections at the Rose Art Museum, the DeCordova Museum and the Frederick R Weisman Art Foundation. She is a faculty member at the Massachusetts College of Art in the Studio for Interrelated Media and received her Master of Fine Arts from the University of California, Los Angeles.

David Zinn...... SET & COSTUME DESIGNER

David Zinn has designed sets and costumes for many A.R.T. productions including Island of Slaves, Orpheus X, Olly’s Prison and Highway Ulysses. Other recent works include: costumes for Xanadu (Broadway); sets for The Taming of the Shrew (Dallas Theatre Centre); costumes for Ellen McLaughlin’s adaptation of Oedipus (The Guthrie Theatre); costumes for the world premiere of The Greater God (Glimmerglass Opera); sets and costumes for Handel’s Orlando ( Opera); The Cunning Little Vixen (Lyric Opera of Chicago) and Don Giovanni (Santa Fe Opera).

Christopher Akerlind...... LIGHTING DESIGNER

Christopher Akerlind’s lighting design for the A.R.T. includes Britannicus, Island of Slaves, Orpheus X, Olly’s Prison, Oedipus and Uncle Vanya. Other recent productions include; The Barber of Seville (Metropolitan Opera), Martha Clarke’s Belle Epoch (Lincoln Centre Theatre) and Anne Bogart’s A Midsummer Night’s Dream. Akerlind was resident Lighting Designer at the Opera Theatre of Saint Louis for 12 years. He is the recipient of an Obie Award for Sustained Excellence in Lighting Design, the Michael Merritt Award for Design and Collaboration and numerous nominations for the Drama Desk, Lucile Lortel, Outer Critics Circle and Tony Awards. CREATIVE TEAM CONTINUED David Remedios...... SOUND DESIGNER David Remedios has worked on 37 productions for the A.R.T.; including No Man’s Land, Britannicus, Island of Slaves, Orpheus X, No Exit, Olly’s Prison, Dido, Queen of Carthage, Absolution, Othello and Man and Superman. Other credits included The Scottish Play (La Jolla Playhouse), Leap (Cincinnati Playhouse), Dressed Up! Wigged Out! (original music and sound, Boston Playwrights Theatre) and Nocturne (New York Theatre Workshop). He won the 2001 Elliot Norton Award (Mother Courage and Her Children) and was nominated for IRNE Awards for the A.R.T.’s Oedipus, Snow in June, and Highway Ulysses.

Amy James...... STAGE MANAGER Amy James has stage managed numerous productions for the A.R.T. including; Britannicus, No Exit, Carmen, Amerika, The Flying Karamazov Brothers, George Gershwin Alone. As Assistant Stage Manager she has worked on Orpheus X, Romeo and Juliet, Three Sisters, Dido, Queen of Carthage, Highway Ulysses and Uncle Vanya, to name but a few.

Jeff Lieberman...... GUITARS/KEYBOARD Jeff Lieberman credits for the A.R.T. include Orpheus X and Oedipus (guitars and keyboard). He performs with the electronic duo gloob(ic) and is a founding member of the fully improvisational quintet Gigawatt. He has performed and recorded with Arnold Dreyblatt and the Orchestra of Excited Strings and Gamelan Galak Tika, touring Bali and performing at Carnegie Hall in 2005. Lieberman is the winner of the Philip Lowe award for creative accomplishments in music.

Timothy Feeney...... PERCUSSION Works with improvising musicians including thereminist James Coleman, cellist/electronic musician Vic Rawlings, tape-deck manipulator Howard Stelzer, saxophonist Jack Wright, and the trio ONDA. Has performed at venues such as Baltimore’s Red Room, Boston's Institute of Contemporary Art, Firehouse 12 in New Haven, the Knitting Factory New York, the Academy of Music, the Gewandhaus in Leipzig, Germany, and been featured on WNYC and WZBC radio broadcasts. Lecturer in music and director of percussion at .

Blake Newman...... BASS Blake Newman has performed with the A.R.T. in Oedipus (bass), Orpheus X (bass). He is the bassist with the Jeff Robinson Trio and has performed with Amiri Baraka, Patricia Smith, Askia Toure and Quincy Troupe. He spent three years with Bruce Katz, performing on tours and festivals in Canada, Europe, the U.S. and the U.K., recording Three Feet off the Ground (2000). He also played with Gamelan Galak Tika, recording Amok (2000) and toured Senegal with Ibrahima Camara and Safal. His latest recording Next On the Mic was released in 2007. Composed score for play As If We Live To Bear No Scars, 2007

Wendy Richman...... VIOLA Wendy Richman has played across the US and Europe and has received particular praise for her "absorbing," "brilliant," "fresh and idiomatic" interpretations of new music (The New York Times, The Washington Post). As a founding member of the International Contemporary Ensemble, she performs regularly in New York and Chicago. She is Assistant Principal Viola of the Portland Symphony Orchestra and plays with the Boston Modern Orchestra Project and Radius Ensemble. Ms. Richman performs and teaches privately at Cornell University. THE ROOTS OF ORPHEUS X BY RYAN MCKITTRICK

While writing Orpheus X, Rinde Eckert drew from a number of literary, poetic, musical, and critical sources. Two of the myths that influenced Orpheus X, the legend of Orpheus and the story of Persephone’s abduction, are described below.

ORPHEUS AND HIS DESCENT INTO THE UNDERWORLD Orpheus was the most famous poet and musician of the ancient world. He played a lyre given to him by Apollo and the sound of his music had the power to enchant wild beasts and move trees and rocks. After assisting the Argonauts in the theft of the Golden Fleece, Orpheus married Eurydice. One day Eurydice met the beekeeper Aristaeus, who tried to rape her. While she was running away from Aristaeus, Eurydice was bitten by a poisonous snake and died from its bite. Bereft and inconsolable, Orpheus descended into the underworld to try to retrieve his beloved wife. As he approached Hades and Persephone (the king and queen of the underworld), Orpheus plucked the strings of his lyre and began to sing a song of lamentation. The underworld was moved to tears. Eurydice was called forth, still limping from her recent wound. Hades and Persephone released Eurydice to Orpheus under just one condition: while walking out of the underworld, Orpheus could not look at Eurydice. Reunited, Orpheus and Eurydice began their ascent. But just as they were nearing the opening of the cave, Orpheus, perhaps fearful that Eurydice would fail him or perhaps because he couldn’t resist taking one quick glimpse, turned around and looked at his wife. As he stretched out his arms to embrace his beloved one last time, Eurydice disappeared into the underworld to die a second death.

Orpheus returned to Thrace, where he rejected women and began singing of his love for young men. Outraged by his songs, a mob of Thracian women swarmed upon Orpheus, tore his body apart, and strewed his mangled limbs across a field. The earth wept for Orpheus. Rivers overflowed with their own tears. Birds, beasts, and rocks cried. Orpheus’ head and lyre floated down a stream until they reached the sea and then the coast of Lesbos. His head was enshrined in a cave, where it prophesied for many years. His lyre was placed in heaven as a constellation.

THE ABDUCTION OF PERSEPHONE Persephone was the daughter of Zeus and Demeter, the goddess of agriculture and the harvest. One day, Persephone was picking flowers in a field when Hades, the god of death, emerged out of a hole in the ground on a chariot drawn by black horses and dragged the girl back into the underworld to make her his queen. When Demeter learned that Hades had abducted her daughter, she imposed a permanent winter on earth. Trees stopped yielding fruit, fields stopped producing crops, and Demeter vowed to keep the earth barren until Persephone was restored to her. When the starved human race was on the brink of extinction, Zeus finally told Demeter she could have Persephone back, but only if she had not tasted the food of the dead in the underworld. Because she hadn’t eaten anything since her abduction, Hades was forced to release Persephone. But just as she was leaving, one of Hades’ gardeners swore that he had seen Persephone pick a pomegranate and eat seven of its seeds. Finally, a compromise was reached among the gods. Persephone would spend half the year above ground with her mother, and the other half of the year in the underworld as Hades’queen. Demeter, never completely satisfied with this solution, only allowed crops to grow when her daughter was by her side. As a result, Persephone became associated with spring, regeneration, and rebirth. Persephone and Hades had no children together, as the god of death was unable to produce offspring . A HISTORY OF THE AMERICAN REPERTORY THEATRE

Gideon Lester Robert J. Orchard ACTING ARTISTIC DIRECTOR EXECUTIVE DIRECTOR FOUNDING DIRECTOR/CREATIVE CONSULTANT

The American Repertory Theatre (A.R.T.) occupies a unique place in the American theatre. It is the only professional non-profit theatre in the country that maintains a resident acting company and an international training conservatory, and that operates in association with a major university. Over its twenty-seven year history the A.R.T. has welcomed American and international theatre artists who have enriched the theatrical life of the nation. The theatre has garnered many of the nation’s most distinguished awards, including a Pulitzer Prize, a Tony Award, and a Jujamcyn Award. In December 2002, the A.R.T. was the recipient of the National Theatre Conference’s Outstanding Achievement Award, and in May of 2003 it was named one of the top three in the country by Time magazine. Since 1980 the A.R.T. has performed in eighty-three cities in twenty-two states around the country, and worldwide in twenty-one cities in sixteen countries on four continents. It has presented one hundred and eighty-seven productions, over half of which were premieres of new plays, translations, and adaptations. The A.R.T. was founded in 1980 by Robert Brustein and has been resident for twenty-seven years at ’s Loeb Drama Center. In August 2002 Robert Woodruff became the A.R.T.’s Artistic Director, the second in the theatre’s history. Gideon Lester became Acting Artistic Director in July 2007, joining Executive Director Robert J. Orchard as the theatre’s management team. Mr. Brustein remains with the A.R.T. as Founding Director and Creative Consultant. The A.R.T. is known for its commitment to new American plays and music/theatre explorations; to neglected works of the past; and to established classical texts reinterpreted in refreshing new ways. The A.R.T. is also a training ground for young artists. The theatre’s artistic staff teaches undergraduate classes in acting, directing, dramatic literature, design, and playwriting at Harvard, and in 1987 the A.R.T. founded the Institute for Advanced Theatre Training. In conjunction with the Moscow Art Theatre School, the Institute provides world-class graduate level training in acting, dramaturgy, and special studies. The A.R.T. attempts to establish historical continuity as contemporary artists reinterpret the past, and classical work helps to inform the present. The Company prides itself on being an artistic home for top-level playwrights, actors, directors, designers, technicians and administrators. A full list of participating artists can be found on the A.R.T. web site—www.amrep.org. NEW WORKS The A.R.T.’s American and world premieres include among others, works by Robert Auletta, Edward Bond, Robert Brustein, Don DeLillo, Keith Dewhurst, Humberto Dorado, Christopher Durang, Rinde Eckert, Elizabeth Egloff, Jules Feiffer, Dario Fo, Carlos Fuentes, Larry Gelbart, Philip Glass, Stuart Greenman, William Hauptman, David Henry Hwang, Milan Kundera, Mark Leib, David Lodge, Carol K. Mack, David Mamet, Charles L. Mee, Roger Miller, , Robert Moran, Heiner Müller, Marsha Norman, Han Ong, David Rabe, Franca Rame, Adam Rapp, Keith Reddin, , Paula Vogel, Derek Walcott, Naomi Wallace, and . DIRECTORS

Many of the world’s most gifted directors have staged productions at the A.R.T., including JoAnneAkalaitis, Neil Bartlett, Andrei Belgrader, Anne Bogart, Lee Breuer, Robert Brustein, Chen Shi-Zheng, Liviu Ciulei, Martha Clarke, Ron Daniels, Liz Diamond, Joe Dowling, Michael Engler, Alvin Epstein, Dario Fo, Richard Foreman, Kama Ginkas, David Gordon, Adrian Hall, Richard Jones, Michael Kahn, Jerome Kilty, Krystian Lupa, John Madden, Ola Mafaalani, David Mamet, Des McAnuff, Jonathan Miller, Nicolas Montero, Jerry Mouawad, Tom Moore, François Rochaix, Robert Scanlan, Dominque Serrand, János Szász, Peter Sellars, Andrei Serban, Susan Sontag, Marcus Stern, Slobodan Unkovski, Les Waters, David Wheeler, Frederick Wiseman, Robert Wilson, Mark Wing-Davey, Robert Woodruff, Yuri Yeremin, Francesca Zambello, and Scott Zigler. TOURING A.R.T. productions were included in the First New York International Festival of the Arts, the 1984 Olympic Arts Festival in Los Angeles, the Serious Fun! Festival at ’s Alice Tully Hall, the Next Wave Festival at the Brooklyn Academy of Music, the International Fortnight of Theatre in Quebec; the international festivals in Asti, Avignon, Belgrade, Edinburgh, Haifa, Jerusalem, Ljubljana, Singapore, Taipei, Tel Aviv, and Venice; and at theatres in Amsterdam, Perugia, Rotterdam, and London (where its presentation of Sganarelle was filmed and broadcast by Britain’s Channel 4). In 1986 the A.R.T. presented Robert Wilson’s adaptation of Alcestis at the Festival d’Automne in Paris, where it won the award for Best Foreign Production of the Year, and in 1991 Robert Wilson’s production of When We Dead Awaken was presented at the 21st International Biennale of São Paulo, Brazil. In March 1998, the A.R.T. opened the Chekhov International Theatre Festival in Moscow the first American company to perform at the Chekhov Moscow Art Theatre with The King Stag, Six Characters in Search of an Author , and Joseph Chaikin and Sam Shepard’s When The World Was Green (A Chef’s Fable) . In October 2000 the A.R.T. embarked on a year-long national and international tour of The King Stag, with stops in twenty-seven American cities in fifteen states, ending with a three-week residency at London’s Barbican Centre in the summer of 2001. Most recently, productions of Lysistrata, The Sound of a Voice, The Miser, Lady with a Lapdog, Amerika, No Exit, and Oliver Twist have been presented at theatres throughout the US; the A.R.T. returned to the Edinburgh International Festival two years in a row, with Krystian Lupa’s Three Sisters in 2006, and Robert Woodruff’s Orpheus X in 2007. In February, 2008, Orpheus X will perform at the Hong Kong International Festival of the Arts. FROM THE PRESS “…the nation’s most prestigious resident theatre. One of the top three theatres in the country." – Time Magazine “Theatre that cries out to be seen.” – Boston Globe “Stretching the limits of artistic possibility with an imaginative daring the has few parallels on the contemporary scene.” – Washington Post “One of the most vital influences on the U.S. stage in the last twenty years.” – International Herald Tribune “more concentrated, provocative quality than New York City has delivered all year.” – USA Today COMING SOON

Fate and Spinoza Created and Directed by Granada Artist-in-Residence Rinde Eckert February 28 - March 1 & March 6 - 9 Main Theatre

Nights at the Circus Directed by MFA Candidate Patricia Miller March 13 -16 Wyatt Pavilion Theatre

Main Stage Dance/Theatre Festival April 10 - 20 Main Theatre

Back Roads Created and Performed by MFA Candidates Victor Toman and Sara Zimmerman April 24 - 26 Arena Theatre, Wright Hall

TICKETS ON SALES NOW AT MONDAVI CENTER BOX OFFICE (530) 754-2787 or (866) 754-2787 More Information: theatredance.ucdavis.edu NOW PLAYING THEATRE & DANCE DEPARTMENT STAFF PRODUCTION MANAGER………………………………………….....….Darrell F. Winn TECHNICAL DIRECTOR...... Daniel Neeland FACILITY MANAGER/AUDIO SUPERVISOR...... Ned Jacobson PUBLICITY DIRECTOR………….………………………...... ……………...... Janice Bisgaard COSTUME SHOP DIRECTOR….……………………………………....….Roxanne Femling CUTTER/DRAPER, TAILOR…………………………………………...... …...Abel Mercado CUTTER/HAIR SPECIALIST…..………………………………………...... …….Angie Kight SCENE TECHNICIAN/PROPERTIES…..……….....…………………….....…..Byron Rudrow SCENE TECHNICIAN/CHARGE ARTIST……………………………...... …..John Murphy MASTER ELECTRICIAN…..……………………………………………....…Brian Webber COMPUTER TECHNICIAN….………………………………………….....……Huy Tran TECHNICAL THEATRE TEACHING ASSISTANTS...... ……...…Tony Shayne, Zach Cahoon Carrie Mullen COMPANY MANAGER...... J.T. Reese PRODUCTION STAGE MANAGER...... Samuel Shirley ASSOCIATE COMPANY MANAGER..…...... ……………………...... …….Jason Masino SCENE SHOP ASSISTANTS….…………………...... …...James Keith, JT Reece, Kevin Shunta Jennifer McEwen, Samuel Shirley, Robert Aiello, Kevin Ganger SCENIC PAINTER………...…………………....………...... ………………..Christopher Jee PRODUCTION ELECTRICIAN…………...……………...... …………………...Erich Bolton LIGHTING ASSISTANTS...... …...... …...... Pierce Soracco, Mark Ferrando, Daniel Reano-Koven, Robert Quiggle COSTUME SHOP TEACHING ASSISTANT…..…....………...... ……………Wenting Gao STITCHERS...………………...... Jennie Chin, Melissa Castillo, April Genung, Andrea Vanbuskirk STOCK ASSISTANT...………………………………………...... ………Jennifer McEwen WARDROBE ASSISTANT………...….………………………...... ………Samanta Fernandez MAKEUP/HAIR ASSISTANT……..……………….…………………...... ……..Van Pahm HOUSE MANAGERS….………..…………...... Samuel Shirley, Yun Zheng, Jennifer McEwen JT Reece, Joe Ferreira, Jason Masino PUBLICITY ASSISTANT………………...... ……………………...... ………Arielle Rabier WEB DESIGNERS………………………….………...... …...... Nathan Couch, Derek Hunziker GRAPHIC DESIGNERS…….……..…………………...... …….Maish Simon, Danielle Sutton PLAYBILL DESIGN……..…………………...... …...... Maish Simon, Danielle Sutton MANAGEMENT SERVICES OFFICER ..………………...... ……………….Robert Pattison GRADUATE PROGRAM ADMINISTRATOR….....……………...... …………..Victoria Dye ACCOUNT MANAGER………...………………………………...... ……...Emma Katleba BOOKKEEPER…...………………………………………………...... ……Felicia Bradshaw RECEPTIONIST…..……………...... ………………………………...... …Socorro Figueroa Theatre & Dance Department Faculty Sarah Pia Anderson, Larry Bogad, Stuart Carroll, Della Davidson, Rinde Eckert, David Grenke, Jose Gutierrez, Lynette Hunter, John Iacovelli, Melanie Julian, Michele Leavy, Peter Lichtenfels, Dyan McBride, Jade McCutcheon, Maggie Morgan, Tom Munn, Jon Rossini, Barbara Sellers-Young, Peggy Shannon, Darrell Winn