MAIN THEATRE February 16, 2008 8Pm Photo: Andrew Brilliant Deisgn: Maish Simon
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DEPARTMENT OF THEATRE & DANCE presents AN SPECIAL PERFORMANCE “Powerfully acted and gorgeously sung [...] ” "Orpheus X [...] is stark and striking." - Variety - Boston Globe video by directed by music and text by Denise Marika Robert Woodruff Rinde Eckert 2007 Pulitzer Prize Finalist MAIN THEATRE February 16, 2008 8pm Photo: Andrew Brilliant Deisgn: Maish Simon This performance runs 1 hour and 35 minutes. There will be no intermission. Audio, video or photographic recording of this performance is strictly prohibited by law. Please take a moment before the performance begins to note the exits nearest your seat. Please turn off the ringers on your cell phones and pagers. Food and drink are not permitted inside the theatre. Thank you for your cooperation. music and text video director Rinde Denise Robert Eckert Marika Woodruff set costumes lighting David Zinn David Christopher Denise Marika Zinn Akerlind sound stage manager David Amy Remedios James CAST THE BAND Orpheus Rinde Eckert percussion Timothy Feeney Eurydice Suzan Hanson piano, guitar Jeff Lieberman John/Persephone John Kelly bass Blake Newman viola Wendy Richman Photo: Andrew Brilliant dramaturge Ryan McKittrick associate production manager Christopher Viklund voice and speech Nancy Houfek stage supervisor Joseph Stoltman production sound engineer Darby Smotherman assistant stage supervisor Jeremie Lozier company manager Tracy Keene assistant directors Caroline Steinbeis, Meiyin Wang master electrician Derek L. Wiles assistant dramaturge Shari Perkins lighting asisstant Kenneth Helvig assistant voice and speech Chris Lang technical director Steven Setterlun Original Funding for Orpheus X was provided by: Meet the Composer/USA National Endowment for the Arts The Rockefeller Foundation/Multi-Arts Production Fund The Harold and Mimi Steinberg Charitable Trust Michael Jacobson Special Thanks: Joy Hurd, Brent Harris, Alyce Dissette, Evan Ziporyn, Ellen McLaughlin, Emily Otto, Desta and Erik Marika-Rich CAST The A . R . T. operates under an agreement between the League of ResidentTheatres and A c t o r s ’ Equity Association, the union of Professional Actors andStage Managers in the United States. The director of this production is a member of the Society of Stage Directors and Choreographers, Inc., and most of the designers are members of United Scenic Artists, both independent labor unions. The A . R . T. is also a constituent member of Theatre Communications Group (TCG), the national service organization for the American not-for-profit theatre. Supporting administrative and technical staff are represented by the Harvard Union of Clerical and Technical Wo r k e r s / A F S C M E (*) Members of Actors’Equity Association, the Union of Professional Actors and Stage Managers in the United States.(*) Members of A c t o r s ’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. A c t o r s ’Equity A s s o c i a t i o n (AEA), founded in 1913, represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. A E A is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. w w w. a c t o r s e q u i t y. o r g. CAST Rinde Eckert.....................................ORPHEUS/MUSIC & TEXT Renowned as a composer, writer, director, singer, actor and movement artist, Rinde Eckert conceives and writes music and libretto and performs his own full-length works that tour extensively in the US and across Europe. Other works include: Horizon (premiered New York, June 2007); And God Created Great Whales (premiered New York, May 2000, winning the Obie Award); Four Songs Lost in a Wall; and The Gardening of Thomas D, which premiered in Europe at the Maubeuge Festival in 1994. Eckert has worked extensively as a writer and composer for the Margaret Jenkins Dance Company. He was the librettist/performer for the operas Slow Fire with composer Paul Dresher and Ravenshead with composer Steven Mackey. As a writer of instrumental music, his chamber works have been performed in Portland, Boston and New York. He has recorded three CDs of songs: Finding My Way Home, Do the Day Over and Story In, Story Out. In 2005 he received the Marc Blitzstein Memorial Award from the American Academy of Arts and Letters. He became finalist for the 2007 Pulitzer Prize in Drama with Orpheus X. Suzan Hanson...............................................EURYDICE Suzan Hanson is a versatile performer who combines a career in opera, theater and music-theater. For the A.R.T Hanson has created several roles, including Eurydice in Orpheus X, Hanako in Philip Glass’s The Sound of a Voice and Madeline in The Fall of the House of Usher. Recent credits elsewhere include Brunnhilde in Siegfried and Götterdämmerung (Dove Version) for Opera Theatre Pittsburgh and Long Beach Opera. Hanson has also performed lead roles for numerous theater companies and opera houses including; Arizona Opera, Denver Center Theatre, Old Globe Theatre, Maggio Musicale Fiorentino, Teatro Real Madrid, New Israeli Opera and Spoleto Festivals in the US and Italy. On the National Tour of Master Class, Suzan played Sharon opposite Faye Dunaway's Maria Callas. Hanson's recordings include The Tender Land, Coyote Tales and John Cage’s Europera 3. John Kelly.............................................JOHN/PERSEPHONE John Kelly is a performance artist who also works as writer, director, choreographer and visual artist. Acting credits for the A.R.T. include Orpheus X and Dido, Queen of Carthage (Cupid; 2005 Elliot Norton Award, Outstanding Actor Large Ensemble). Credits elsewhere include: James Joyce’s The Dead and Art Speigleman’s Drawn To Death. Kelly has created over 30 solo and group performance works for which he has received two Bessie Awards, two Obie Awards, the American Choreographer Award, a Guggenheim Fellowship and the 2001 CalArts Alpert Award in Dance/Performance. He has also collaborated with Laurie Anderson (Life on a String) and his Joni Mitchell homage, Paved Paradise, was the opening act for Natalie Merchant’s Ophelia tour. He was a 2004/05 Fellow at the Radcliffe Institute for Advanced Study, and his autobiography John Kelly was published in 2001. CREATIVECREATIVE TEAMTEAM Robert Woodruff.....................................DIRECTOR Robert Woodruff has directed over fifty theatrical productions performed in Lincoln Centre, The New York Shakespeare Festival, The Guthrie Theater, the Mark Taper Forum and the Goodman Theatre. Most recent works include Racine’s Britannicus at the A.R.T. (2007 Elliot Norton Award for Best Director/Production) and Appomattox, an opera by Philip Glass. His work with Rinde Eckert includes Orpheus X (runner-up for this year’s Pulitzer Prize) and Highway Ulysses, a music theatre contemporary rendering of Homer’s The Odyssey. He premiered Sam Shepard’s Buried Child (Pulitzer Prize), True West, and Curse of the Starving Class. Woodruff was Artistic Director of the A.R.T. until June 2007, where he produced 35 productions with artists from 12 countries. Denise Marika...............................................VIDEO ARTIST/SET DESIGNER Denise Marika has exhibited her work in galleries and museums across the US and abroad. Her one-person shows have exhibited at the Museum of Modern Art, Massachusetts Museum of Contemporary Arts, Worcester Art Museum and the Demarco. Her video installations are in permanent collections at the Rose Art Museum, the DeCordova Museum and the Frederick R Weisman Art Foundation. She is a faculty member at the Massachusetts College of Art in the Studio for Interrelated Media and received her Master of Fine Arts from the University of California, Los Angeles. David Zinn.............................................SET & COSTUME DESIGNER David Zinn has designed sets and costumes for many A.R.T. productions including Island of Slaves, Orpheus X, Olly’s Prison and Highway Ulysses. Other recent works include: costumes for Xanadu (Broadway); sets for The Taming of the Shrew (Dallas Theatre Centre); costumes for Ellen McLaughlin’s adaptation of Oedipus (The Guthrie Theatre); costumes for the world premiere of The Greater God (Glimmerglass Opera); sets and costumes for Handel’s Orlando (New York City Opera); The Cunning Little Vixen (Lyric Opera of Chicago) and Don Giovanni (Santa Fe Opera). Christopher Akerlind.............................................LIGHTING DESIGNER Christopher Akerlind’s lighting design for the A.R.T. includes Britannicus, Island of Slaves, Orpheus X, Olly’s Prison, Oedipus and Uncle Vanya. Other recent productions include; The Barber of Seville (Metropolitan Opera), Martha Clarke’s Belle Epoch (Lincoln Centre Theatre) and Anne Bogart’s A Midsummer Night’s Dream. Akerlind was resident Lighting Designer at the Opera Theatre of Saint Louis for 12 years. He is the recipient of an Obie Award for Sustained Excellence in Lighting Design, the Michael Merritt Award for Design and Collaboration and numerous nominations for the Drama Desk, Lucile Lortel, Outer Critics Circle and Tony Awards. CREATIVE TEAM CONTINUED David Remedios.......................................................SOUND DESIGNER David Remedios has worked on 37 productions for the A.R.T.; including No Man’s Land, Britannicus, Island of Slaves, Orpheus X, No Exit, Olly’s Prison, Dido, Queen of Carthage, Absolution, Othello and Man and Superman. Other credits included The Scottish Play (La Jolla Playhouse), Leap (Cincinnati Playhouse), Dressed Up! Wigged Out! (original music and sound, Boston Playwrights Theatre) and Nocturne (New York Theatre Workshop). He won the 2001 Elliot Norton Award (Mother Courage and Her Children) and was nominated for IRNE Awards for the A.R.T.’s Oedipus, Snow in June, and Highway Ulysses. Amy James.......................................................STAGE MANAGER Amy James has stage managed numerous productions for the A.R.T. including; Britannicus, No Exit, Carmen, Amerika, The Flying Karamazov Brothers, George Gershwin Alone.