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Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
IFPI Digital Music Report 2010 Music How, When, Where You Want It Contents
IFPI Digital Music Report 2010 Music how, when, where you want it Contents 3. Introduction 4. Executive Summary: Music – Pathfinder In The Creative Industries’ Revolution 8. The Diversification Of Business Models 10. Digital Music Sales Around The World 12. In Profile: Pioneers Of Digital Music 18. Competing In A Rigged Market – The Problem Of Illegal File-Sharing 20. ‘Climate Change’ For All Creative Industries 24. Graduated Response – A Proportionate, Preventative Solution 28. The World Of Legal Music Services 30. Consumer Education – Lessons Learned Music How, When, Where You Want It – But Not Without Addressing Piracy By John Kennedy, Chairman & Chief Executive, IFPI This is the seventh IFPI Digital Music in new artists, we have to tackle mass legislation to curb illegal file-sharing. Report. If you compare it to the first piracy. Second, we are progressing towards Another clear change is within the music report published in 2004, you can an effective response. The progress is sector itself. It was, until recently, rare see a transformation in a business agonisingly slow for an industry which does for artists to engage in a public debate which has worked with the advance not have a lot of time to play with – but it is about piracy or admit it damages them. of technology, listened to the consumer progress nonetheless. In September 2009, the mood changed. and responded by licensing its music Lily Allen spoke out about the impact of in new formats and channels. On page 20 of the Report, Stephen illegal file-sharing on young artists’ careers. Garrett, head of the production company When she was attacked by an abusive In 2009 globally, for the first time, more Kudos, refers to a “climate change” in online mob, others came to her support. -
Report-On-Japan.Pdf
Contents 1. Executive Summary p. 4 2. An Introduction to the Music Market p. 6 3. The Entertainment Environment p. 7 (I)TV p. 8 (II) Radio p. 9 (III) Mobile p. 10 (IV) Online p. 12 (V) Print p. 13 (VI) Record Labels p. 14 (VII) Music Publishing p. 15 (VIII) Local Talent p. 16 (IX) Clubs and Dance p. 17 (X) Live Performance p. 18 4. The Digital Landscape p. 21 Mobile Music p. 22 Internet Music Downloads p. 24 Digital Music Services p. 26 5. Market Entry Recommendations p. 26 6. Appendices p. 28 Top 10 Selling Domestic Albums in 2011 p. 28 Top 10 Selling International Albums in 2011 p. 28 Market Statistics p. 28 Music-related Trade Bodies and Associations p. 29 2 CONFIDENTIALITY NOTICE & DISCLAIMER This document was prepared for internal use by Canadian Government and CAAMA members plus Canadian Music Week attendees only and is not for forwarding or distribution to any third party. It may not be posted on any website. All details referenced are the latest available to us at the time of writing, and all information utilized is believed to be accurate and reliable at the time of submission. However, Swat Enterprises Pte. Ltd. accepts no liability whatsoever for any loss or damage resulting from errors, inaccuracies or omissions 3 1. Executive Summary Japan, an archipelago of 6,852 islands with 47 prefectures, has the world’s tenth largest population with over 127 million people. Its area of 377,873 km2 is close to that of Germany and Switzerland. The greater Tokyo area is the largest metropolis in the world with a population of around 36 million, more than the entire population of Canada. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Music History Lecture Notes Modern Rock 1960 - Today
Music History Lecture Notes Modern Rock 1960 - Today This presentation is intended for the use of current students in Mr. Duckworth’s Music History course as a study aid. Any other use is strictly forbidden. Copyright, Ryan Duckworth 2010 Images used for educational purposes under the TEACH Act (Technology, Education and Copyright Harmonization Act of 2002). All copyrights belong to their respective copyright holders, • Rock’s classic act The Beatles • 1957 John Lennon meets Paul McCartney, asks Paul to join his band - The Quarry Men • George Harrison joins at end of year - Johnny and the Moondogs The Beatles • New drummer Pete Best - The Silver Beetles • Ringo Star joins - The Beatles • June 6, 1962 - audition for producer George Martin • April 10, 1970 - McCartney announces the group has disbanded Beatles, Popularity and Drugs • Crowds would drown of the band at concerts • Dylan turned the Beatles on to marijuana • Lennon “discovers” acid when a friend spikes his drink • Drugs actively shaped their music – alcohol & speed - 1964 – marijuana - 1966 – acid - Sgt. Pepper and Magical Mystery tour – heroin in last years Beatles and the Recording Process • First studio band – used cutting-edge technology – recordings difficult or impossible to reproduce live • Use of over-dubbing • Gave credibility to rock albums (v. singles) • Incredible musical evolution – “no group changed so much in so short a time” - Campbell Four Phases of the Beatles • Beatlemania - 1962-1964 • Dylan inspired seriousness - 1965-1966 • Psychedelia - 1966-1967 • Return to roots - 1968-1970 Beatlemania • September 1962 – “Love me Do” • 1964 - “Ticket to Ride” • October 1963 – I Want To Hold your Hand • Best example • “Yesterday” written Jan. -
Lady Gaga (Ladygaga) on Twitter
Home Connect Discover Lady Gaga Follow @ladygaga 1,507 TWEETS mother mons†er New York, NY · http://www.ladygaga.com 138,647 FOLLOWING 25,415,133 FOLLOWERS Tweets Tweet to Lady Gaga 5h Lady Gaga @ladygaga Exciting news little monsters! I've played my new record for my label and will be announcing my new Album Title in September! X Tweets Expand Following Followers 19h Favorites Lady Gaga @ladygaga Lists Goodnight little monsters pic.twitter.com/UV1caQvY View photo Recent images 7 Jun Lady Gaga @ladygaga Somebooody got to hear all my new music last night.......*cough cough* @ladystarlightny..feel free to heckle her Expand Similar to Lady Gaga Verizon Wireless USA @Ver… Promoted · Follow Justin Timberlake @jtimberl… 7 Jun Follow Lady Gaga @ladygaga Holllllly muthhhheeeerr! New Zealand get ready I'm feeling Demi Moore @justdemi particularly pumped tonight!! Follow Expand © 2012 Twitter About Help Terms Privacy 6 Jun Blog Status Apps Resources Jobs Lady Gaga @ladygaga Advertisers Businesses Media Developers is there something wrong with weird. @ibra_Gaga ( khaki cargos might slightly upset me) Expand 6 Jun Ibra sihombing @ibra_Gaga The awkward moment when Lady Gaga thinks you dress weird. Retweeted by Lady Gaga Expand 6 Jun Lady Gaga @ladygaga @tarasavelo and @ladystarlightny said my Twitter photo looks like I'm asking my Dad for money. Ahhh!ahahahaha #OnlyFriendsWillSayTheTruth Expand 6 Jun Lady Gaga @ladygaga @ladystarlightny is here! We're having a blast. Wait till you see her amazing show! Expand 5 Jun Lady Gaga @ladygaga I hope lil monsters know me and Tara are just joking! We love eachother and like to laugh! We love you! You make us have fun! Expand 5 Jun Lady Gaga @ladygaga @tarasavelo That Tea was spilled. -
Development of the Country Music Radio Format
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/developmentofcouOOstoc THE DEVELOPMENT OF THE COUNTRY MUSIC RADIO FORMAT by RICHARD PRICE STOCKDELL B.S., Northwest Missouri State University, 1973 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Radio and Television Department of Journalism and Mass Communication KANSAS STATE UNIVERSITY Manhattan,;tan, Kansas 1979 Approved by: Major Professor 31 TABLE OF CONTENTS Chapter One . INTRODUCTION 1 A Search of the Literature and the Contribution of this Thesis 2 Methodology » 5 Two . EARLY COUNTRY MUSIC ON RADIO 10 Barn Dances 12 National Barn Dance 13 The Grand Ole Opry 16 The WWVA Jamboree 19 Renf ro Valley Barn Dance 21 Other Barn Dances 22 Refinement of the Music and the Medium 25 Country Music on Records 25 Music Licensing 27 Country Music on Radio 28 Population Migration 29 Country Radio and the War 29 The Disc Jockey 31 Radio Formats Rather Than Programs 32 Three. THE BIRTH OF A FORMAT 34 Why Country Music? 35 Country Disc Jockeys Unite 37 The All-Country Radio Station Ifl David Pinkston and KDAV 47 The Day Country Music Nearly Died 50 Programming the Early Country Stations 55 The Country Music Association 59 ii iii Four. THE ACCEPTANCE AND SUCCESS OF THE FORMAT 63 Refinement of the Format 63 The Marriage of Country and Top /*0 66 Adoption of the Modern Country Format 71 Explosion of the Format „ 76 Advertiser Resistance 78 Bucking the Resistance 81 Audience Loyalty 86 The Final Step 87 Five. -
Radio Stations
Andrea Ayers, Sales Manager – [email protected] WVLK-AM 590 News-Talk 590/WVLK AM – 97.3 FM Covering the state of Kentucky border to border with the state’s most well- known talk show hosts and the area's largest news department, combined with world-wide resources...when news breaks out, we break in, instantly. Plus, if news affects your life, we'll be talking about it to you on the station potentially millions of Kentuckians depend on. Demos: Adults 35+, Men 35-64. K 92.9 The NEW Country Leader K 92.9 is Lexington's #1 station for country music with more than 50 minutes of music each hour, and 93 minute long stretches of music twice a day each weekday 92.9 reaches more Kentucky counties than any other Lexington radio station. Demos: Adults 25-54, Women 25-44. WXZZ-FM 103.3 THE Rock Station Lexington’s Pure Rock station! Join Twitch & Mary Jane in the Mornings, Music in the Middays and Monkey Boy on your ride home. Hits from the 70’s, 80’s, 90’s and today. All the pure rock artists like Creed, Aerosmith, Guns and Roses, Led Zeppelin and Linkin Park. Demos: Men 18-34, Adults 18-49, Men 21-54. HOT 102 WLTO-FM 102.5 HOT AC Lexington’s HOTTEST place for All the Hits! Join Lexington’s only Live Local Hit station with Afternoons with Patrick on your drive home. Hot 102 plays all of the hits and more than any other contemporary hit station in Lexington. -
Stingray Radio Cultural Diversity Plan 2019 Annual Report
Stingray Radio Cultural Diversity Plan 2019 Annual Report Submitted January 30, 2020 TABLE OF CONTENTS Introduction ........................................................................................................ 3 Corporate Accountability .................................................................................. 4 Stingray Radio Employment Equity Mission Statement ................................. 4 Designation of Senior Executive .................................................................... 4 Stingray Radio’s Cultural Diversity Goals ...................................................... 4 Cultural Diversity Plan ................................................................................... 5 Programming ...................................................................................................... 5 Recruitment, Hiring and Retention ................................................................. 20 Employment Practices ................................................................................. 20 Recruitment ................................................................................................. 20 Hiring ........................................................................................................... 20 Retention and Career Development ............................................................ 21 Stingray Radio Initiatives ............................................................................. 22 Stingray Radio Workforce .......................................................................... -
Identifying Media Logics in the Content and Formats of Radio FIP on Its Digital Platforms
Department of Informatics and Media, Media & Communication Studies, Two year’s master thesis Music radio stations from the “On Air” to the Online: Identifying media logics in the content and formats of Radio FIP on its digital platforms Student: Nicolas Ignatiew Supervisor: Jakob Svensson 1 Abstract: Internet and digital media have profoundly reorganised the radio landscape by giving birth to new formats and patterns of radio listening. Today, traditional radio actors systematically use online platforms to diffuse their programs and communicate with their audience. This master thesis offers a case study and examines how Radio FIP, a French music station of public service, uses its digital devices to diffuse its program and produce content online. On the basis of existing researches on radio and radio diffusion online, and with the help of the concepts of format, media logics and hybrid media system, the author of this paper defines two logics of traditional radio and radio online used as reference in order to analysis the influence of media logics on the station’s material and formats online. Observation of Radio FIP’s website and social media pages on Facebook and Twitter showed a clear influence of radio online logics in the visual and informative extra content, the additional audio offers through online webradio streams, the promotion of non linear and asynchronous formats of radio listening’s and the incorporation of networked media frames. At the same time, logics of traditional radio prove to be also very significant with the pre-eminence and promotion of the station’s on air broadcast on digital devices and the reproduction of traditional radio patterns of temporality, music prescription and vertical communication on social media platforms. -
Taylor Swift Sues
SATURDAY, OCTOBER 31, 2015 Taylor Swift sues radio host for groping op superstar Taylor Swift has demand- that KYGO-FM, a country music station, fired ed a trial of a radio host she accuses of him two days later after Swift’s camp warned Pgroping her, saying she hopes to stand of action unless the station “handled” the up for other women who have been assault- radio host. ed. The singer asked for the trial in a legal Swift, who became a teenage star in coun- counterclaim against David Mueller, who last try music, a year ago released her fifth studio month sued the singer as he charged he was album “1989,” in which she went more fully in wrongly dismissed from his job at a Denver a pop direction. “1989” has been one of the radio station over the June 2013 incident. most successful albums in recent years, rack- In the original lawsuit, Mueller said that ing up the fastest first-week sales in the Swift’s bodyguards and staff “verbally United States since 2002. — AFP abused” him as they accused the radio host of fondling the singer while posing for a picture backstage before her show at a Denver arena. But in the response filed Wednesday in a Singer Justin Bieber on stage during a concert in Oslo. — AFP Denver court, Swift said that Mueller was clearly the culprit and accused him of reach- ing under her skirt and touching her in an “intimate” place. Bieber walks off stage “Ms Swift was forced to begin a several- hour long concert in front of 13,000 fans still distressed that she had been so inappropri- ately touched,” the legal filing said.