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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love
Artist Song Title N/A Swedish National Anthem 411 Dumb 702 I Still Love You 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 Party People (Friday Night) 911 Private Number 911 The Journey 911 More Than A Woman 1927 Compulsory Hero 1927 If I Could 1927 That's When I Think Of You Ariana Grande Dangerous Woman "Weird Al" Yankovic Ebay "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Eat It "Weird Al" Yankovic White & Nerdy *NSYNC Bye Bye Bye *NSYNC (God Must Have Spent) A Little More Time On You *NSYNC I'll Never Stop *NSYNC It's Gonna Be Me *NSYNC No Strings Attached *NSYNC Pop *NSYNC Tearin' Up My Heart *NSYNC That's When I'll Stop Loving You *NSYNC This I Promise You *NSYNC You Drive Me Crazy *NSYNC I Want You Back *NSYNC Feat. Nelly Girlfriend £1 Fish Man One Pound Fish 101 Dalmations Cruella DeVil 10cc Donna 10cc Dreadlock Holiday 10cc I'm Mandy 10cc I'm Not In Love 10cc Rubber Bullets 10cc The Things We Do For Love 10cc Wall Street Shuffle 10cc Don't Turn Me Away 10cc Feel The Love 10cc Food For Thought 10cc Good Morning Judge 10cc Life Is A Minestrone 10cc One Two Five 10cc People In Love 10cc Silly Love 10cc Woman In Love 1910 Fruitgum Co. Simon Says 1999 Man United Squad Lift It High (All About Belief) 2 Evisa Oh La La La 2 Pac Feat. Dr. Dre California Love 2 Unlimited No Limit 21st Century Girls 21st Century Girls 2nd Baptist Church (Lauren James Camey) Rise Up 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
CCM-Summer 2016.Pdf
Classical Reflection By Chantelle Constable Identical mirror twins Hannah and conjunction with the EP, which is Naomi Moxon grew up singing titled "The Night Before Christmas." nursery rhymes and listening to "Our video was really something Emmanuel & ourselves had been Vivaldi and Shania Twain in the car. talking about since we left The Voice. "We remember singing along... it was We had so many lovely comments probably quite embarrassing!" Now, about the song so we felt we really at the ages of 20, they are veterans of wanted to give back something to popular television talent show The those who support us!" Voice, and have just released their The girls' love of singing was instilled first Christmas EP. "We love from an early age. "Since the moment everything about Christmas... we could talk our mum would sing probably our favourite things are: with us for about an hour every Getting up early on Christmas morning. It was never about being perfect but just having fun!" Classical morning, dinner, wrapping everyone’s crossover seems to have also been an presents, and having family board instinctive choice, with the freedom it games." offers in its blend of styles and relaxing mood that appeals to a wide A video for "The Living Years," audience, even those who primarily featuring The Voice co-competitor listen to other genres. In choosing Emmanuel Nwamadi, was released in songs for their repertoire, melody enjoy everything!" takes top priority. The twins love As expected, the girls' voices are both "emotional songs," and love having soprano, and nearly identical to the audiences leave their concerts feeling point that they will often tradeoff "uplifted and happy." between the high and low harmonies within the same song ("It seems very "We always feel really honored when confusing but it happens naturally"). -
Losing £200K a Month
• • BEST STUDENT NEWSPAPER 2009 EEDS • Guardian Student Newspaper of the Year been repeatedly warned about rhc high levels nf drug usage at the premises, but despite this the ~ituatiun had not improved. Losing £200k a month P opular Leeds club venue ergeant Robert Fullilo,7 e, Victoria works has its license [ lead of Leeds Dismct f le continued: "11Kn: had been something d1e~ took into account: uspended after concerns Licensing Office, said: "We fear EXCLUSIVE sysremncic prohlems w1rh.111 the "'t es of course, one problem is from police over the levels of that before too lung there will ' ' . department that have been there of cow· ·e that we han: to ask is drugs use on i ts premises. be a drugs fatality. for a long time. TlllS was 11ot wh; the, didn't see this leHI nf Police told a licensing sub "I laving been given a clear through anything under hand, it is dctic1ts coming? committee on \\"ednesday warning in June/July 2009 that ~irnpl)' bow Biological Sacnce is "\'Chy were their budgets tundcd. approved a ye, r earlier? \'Chj, w11en 1 ovember 18 that the nightclub, police were di satisfied with the The scboul did well in their we ha\·e been telling d1em for vears located 111 } lolbeck, should not way customers were being In an exclusive interview with recen L Research l\s. essmem that their strucmre is un ·ustainablc, open for business am1d fears supervi ed and the likelihood of L eeds Student Professor Steven Exercise (RAE), a mechanism that have the) been per iscing with that that the level of drug use on the a drug death or serious injur) at Homans, D ean of the faculty, assesses the qualil'\ or research 1n structure:' \X 'e ha"e been saying for premises wpuld inevicabl} lead the ire, the same situation wa.~ answered fears over the curreht Uruversmcs and co1le~cs in the l I'-, years that thL, eraration of teaching to the death of a partygoer. -
End of Year Charts: 2010
End Of Year Charts: 2010 Chart Page(s) Top 200 Singles .. .. .. .. .. 2 - 5 Top 200 Albums .. .. .. .. .. 6 - 9 Top 200 Compilation Albums .. .. .. 10 - 13 All rights reserved. No portion of this publication may be reproduced, stored in a retrieval system, posted on an Internet/Intranet web site or forum, forwarded by email, or otherwise transmitted in any form or by any means, electronic, mechanical, photocopying, recording without prior written permission of UKChartsPlus Published by: UKChartsPlus e-mail: [email protected] http://www.UKChartsPlus.co.uk - 1 - Symbols: Platinum (600,000) Gold (400,000) Silver (200,000) 12” Vinyl only 2010 7” Vinyl only Download only Entry Date 2010 2009 2008 2007 Title - Artist Label (Cat. No.) (w/e) High Wks 1 -- -- -- LOVE THE WAY YOU LIE - Eminem featuring Rihanna Interscope (2748233) 03/07/2010 2 28 2 -- -- -- WHEN WE COLLIDE - Matt Cardle Syco (88697837092) 25/12/2010 13 3 3 -- -- -- JUST THE WAY YOU ARE (AMAZING) - Bruno Mars Elektra ( USAT21001269) 02/10/2010 12 15 4 -- -- -- ONLY GIRL (IN THE WORLD) - Rihanna Def Jam (2755511) 06/11/2010 12 10 5 -- -- -- OMG - Usher featuring will.i.am LaFace ( USLF20900103) 03/04/2010 1 41 6 -- -- -- FIREFLIES - Owl City Island ( USUM70916628) 16/01/2010 13 51 7 -- -- -- AIRPLANES - B.o.B featuring Hayley Williams Atlantic (AT0353CD) 12/06/2010 1 31 8 -- -- -- CALIFORNIA GURLS - Katy Perry featuring Snoop Dogg Virgin (VSCDT2013) 03/07/2010 12 28 WE NO SPEAK AMERICANO - Yolanda Be Cool vs D Cup 9 -- -- -- 17/07/2010 1 26 All Around The World/Universal -
IFPI Digital Music Report 2010 Music How, When, Where You Want It Contents
IFPI Digital Music Report 2010 Music how, when, where you want it Contents 3. Introduction 4. Executive Summary: Music – Pathfinder In The Creative Industries’ Revolution 8. The Diversification Of Business Models 10. Digital Music Sales Around The World 12. In Profile: Pioneers Of Digital Music 18. Competing In A Rigged Market – The Problem Of Illegal File-Sharing 20. ‘Climate Change’ For All Creative Industries 24. Graduated Response – A Proportionate, Preventative Solution 28. The World Of Legal Music Services 30. Consumer Education – Lessons Learned Music How, When, Where You Want It – But Not Without Addressing Piracy By John Kennedy, Chairman & Chief Executive, IFPI This is the seventh IFPI Digital Music in new artists, we have to tackle mass legislation to curb illegal file-sharing. Report. If you compare it to the first piracy. Second, we are progressing towards Another clear change is within the music report published in 2004, you can an effective response. The progress is sector itself. It was, until recently, rare see a transformation in a business agonisingly slow for an industry which does for artists to engage in a public debate which has worked with the advance not have a lot of time to play with – but it is about piracy or admit it damages them. of technology, listened to the consumer progress nonetheless. In September 2009, the mood changed. and responded by licensing its music Lily Allen spoke out about the impact of in new formats and channels. On page 20 of the Report, Stephen illegal file-sharing on young artists’ careers. Garrett, head of the production company When she was attacked by an abusive In 2009 globally, for the first time, more Kudos, refers to a “climate change” in online mob, others came to her support. -
The X Factor and Media Concepts
Love it or loathe it, The X Factor is a modern media phenomenon. In an In the UK (at least) the show broadcasts discussion shows after the main age of fragmented niche audiences, The X Factor’s success cannot be programme (ITV 2 – The Xtra Factor), it becomes a talking point in overlooked. Coronation Street, which used to unite the population in tabloid newspapers and magazines and uses Y ouTube, its own website and consensus viewing, considers it a success if a special episode attracts 13 other emedia technology to provide clips and additional information to its million viewers – 5-6 million is a more realistic weekly target which is a internet audience. The show generates two singles which are available as sharp decrease on its 80s heyday of upwards of 25 million. The recent downloads or physical purchases during its run or just after - a charity prime ministerial debates managed to average out at approximately 9.5 single performed by all the finalists and the winner’s single. Both of which million viewers for the first debate and it was noted that ‘only soaps, can usually be expected to sell far more units than a non-X Factor release. reality shows such as Britain's Got Talent and major live sporting events Fans of the show can relive their favourite moments on DVD, gain further attract these sort of figures on a regular basis nowadays, with the insight from X Factor books and play the X Factor games as well as fragmentation of viewing across hundreds of digital channels’ (The purchase a whole array of merchandise items. -
Hamburgs Top-821-Hitliste
Hamburgs Top‐821‐Hitliste Rang Wird wann gespielt? Name des Songs Interpret 821 2010‐04‐03 04:00:00 EVERYBODY (BACKSTREET'S BACK) BACKSTREET BOYS 820 2010‐04‐03 04:03:41 GET MY PARTY ON SHAGGY 819 2010‐04‐03 04:07:08 EIN EHRENWERTES HAUS UDO JÜRGENS 818 2010‐04‐03 04:10:34 BOAT ON THE RIVER STYX 817 2010‐04‐03 04:13:41 OBSESSION AVENTURA 816 2010‐04‐03 04:27:15 MANEATER DARYL HALL & JOHN OATES 815 2010‐04‐03 04:31:22 IN MY ARMS KYLIE MINOGUE 814 2010‐04‐03 04:34:52 AN ANGEL KELLY FAMILY 813 2010‐04‐03 04:38:34 HIER KOMMT DIE MAUS STEFAN RAAB 812 2010‐04‐03 04:41:47 WHEN DOVES CRY PRINCE 811 2010‐04‐03 04:45:34 TI AMO HOWARD CARPENDALE 810 2010‐04‐03 04:49:29 UNDER THE SURFACE MARIT LARSEN 809 2010‐04‐03 04:53:33 WE ARE THE PEOPLE EMPIRE OF THE SUN 808 2010‐04‐03 04:57:26 MICHAELA BATA ILLC 807 2010‐04‐03 05:00:29 I NEED LOVE L.L. COOL J. 806 2010‐04‐03 05:03:23 I DON'T WANT TO MISS A THING AEROSMITH 805 2010‐04‐03 05:07:09 FIGHTER CHRISTINA AGUILERA 804 2010‐04‐03 05:11:14 LEBT DENN DR ALTE HOLZMICHEL NOCH...? DE RANDFICHTEN 803 2010‐04‐03 05:14:37 WHO WANTS TO LIVE FOREVER QUEEN 802 2010‐04‐03 05:18:50 THE WAY I ARE TIMBALAND FEAT. KERI HILSON 801 2010‐04‐03 05:21:39 FLASH FOR FANTASY BILLY IDOL 800 2010‐04‐03 05:35:38 GIRLFRIEND AVRIL LAVIGNE 799 2010‐04‐03 05:39:12 BETTER IN TIME LEONA LEWIS 798 2010‐04‐03 05:42:55 MANOS AL AIRE NELLY FURTADO 797 2010‐04‐03 05:46:14 NEMO NIGHTWISH 796 2010‐04‐03 05:50:19 LAUDATO SI MICKIE KRAUSE 795 2010‐04‐03 05:53:39 JUST SAY YES SNOW PATROL 794 2010‐04‐03 05:57:41 LEFT OUTSIDE ALONE ANASTACIA 793 -
Summer 07 Bill Forum
autumn & winter 2019 Box office: 01642 552663 www.forumtheatrebillingham.co.uk WEDNESDAY 4TH & THURSDAY 5TH SEPTEMBER Join Igglepiggle, Upsy Daisy, Makka Pakka and friends are In the Night Garden Live for a brand new show on their first ever UK theatre tour in 2019! You’ll see all your favourite characters beautifully brought to life with full-size costumes, magical puppets, and enchanting music. The show lasts just under an hour and it’s a completely new production for the very first In the Night Garden Live UK theatre tour. Now in its 10th year, In the Night Garden Live is one of the UK’s favourite family events. Over 1-million people have seen it so far and it gets 4.8 out of 5 stars based on 12,844 parents’ reviews. There are other shows for young children, but as The Independent wrote,“there’s nothing quite like In the Night Garden Live.” Pip-pip, onk-onk! Don’t miss it, book now before it’s too late! WED 1.00PM & 4.00PM, THUR 10.AM & 1.00PM. ALL SEATS £17.00 UNDER-16 £15 FRIDAY 6TH SEPTEMBER BACK BY HUGE POPULAR DEMAND! Some Guys Have All The Luck is a fantastic theatrical production celebrating the career of one of rocks greatest icons, Rod Stewart – from street busker through to international superstar! Paul Metcalfe delivers an authentic and charismatic performance assuming the persona of this legendary singer-songwriter and performer right down to the last detail – from the distinctive vocals to the swaggering showmanship and sheer fun that have made Rod Stewart one of the most loved performers of all time.