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Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support. -
Rlchard Watson Gilder: a Study of a Notable American Editor
Rlchard watson Gilder: A Study of a Notable American Editor by Flora Aki:ns B. s., Kansas State Tenahers College, Emporia, 1921 Gubmitted to the Department of English and the Faculty of the Graduate School of the Univer- siLy of Kansas in partial ful- fillment of the requirements for the degree of Llaster 0£ Arts. Approved by: May 8, 1929. I PREFACE Since the work of Richard ~atson Gilder was :Cinished nearly twenty years ago and no complete study of r it has been made.., it has seemed worth while to give atten- tlon to his aor1tribution to 11merican life and literaturel) t'i th thut. end ln v1ev1 tti.e following paper has been prepal"ed. The biography or this notable American editor ls based 011. brief accounts of Gllder's 11.fe as found in various magazine articles, in Appleton's pyclo~odia of_ymerican }3iosr.a2lly, and Gilder"s journal, an infomal sketch of his e~rly life uritten for his children. His journal wao begm1 April 7, 1909, and added to from time to time. It was found amoll8 his papers and uaa publlshed in 1916 as the first ch~ptera o:f the book, Letters o.f Richard \.''atson Gilder, whieh was edited by his daughter, Rosamond Gilder. Gilder's informal let~ers and hls daughter's comments .found in this boolt th.('IOW into clear perspective Gilder's life, t;;is uork, and his personality.. The book, Remembe:red Yestcrdu~s, v1:ritten by Hobert Underwood Johnson, who .for thirty-slx years t9as associated ,'1ith Gilder in his editoriu1 and public ~ork, gives many interesting facts about Gilder as an edl tor and a public benefactor. -
Chapter 3: the Patrician Response
3 The Patrician Response On the north side of Washington Square, on the square itself and on streets adjacent to lower Fifth Avenue, were the homes of the upper- class Villagers. These patricians were Protestants of Dutch, English, and French stock, some of them heirs to old wealth and to the handsome resi- dences that their parents or grandparents had built before the Civil War. Culturally, religiously, and politically, the north Village gentry had little in common with most of their near neighbors, the working-class and immi- grant Villagers who lived south and west of the square. Italian immigrants and Irish Americans worshipped at Catholic churches, while the gentry at- tended Sunday services at Protestant edifices along lower Fifth Avenue, elite congregations such as the First Presbyterian Church and the Episcopal Church of the Ascension. Irish, Italian, and African American Villagers gathered to drink and socialize in the numerous working-class saloons of the west and south Village, while the Protestant elite socialized in the ele- gant drawing rooms of their homes. These cultural and class contrasts were reflected in political rivalries, especially between the Irish Villagers loyal to the Democratic machine and the patrician Villagers who deeply distrusted Tammany rule. Again and again the Village gentry, whether they were Re- publicans, Independents, or Democrats, organized to challenge Tammany’s control of the city. By the turn of the twentieth century, the future of this upper-class north 77 78 chapter three Village enclave seemed increasingly uncertain. Tenementhousing and Ital- ian immigrants were invading the Village from the south, and commercial buildings were encroaching on the square from the east. -
The Life and Letters of John Hay
mmmmmm LIBRARY OF CONGRESS DDOmVTflTbl e > - ,r_ - , C> I .0 1 .Oo^ r A^^"^^.. ^>, '>, .0 .. ^:'b. ^„ aX- ^' ''^. '^ '' *.•--- -- .vV' -~f'^^^\ '^•<^ ^^.^^ - % S^ %. oN' .0- ^^' ^, ^^ .-^^ o^^.v ^/^ v^^ ^ -0- 'O ^-^ - A. ./> : .^'--^ -•>, .cr -0' .^ A-". Z^. .^N^ . 'oo^ vO o. ^^^/-T o5 -^ c>. /• V - ^. A <> S^ ''^.. -i. A O, 'A 'A "c. A^' -^^ V^ '-'o ^ " f. > o.'?- ' '' A- ^-^ A. ./> vA <^- c^ ^ -"syK^^ '/: o- .\\' •>A. 0',A .A < A' i^illiam Koscoc Cljaprr THE LIFE AND LETTERS OF JOHN HAY. a vols. Illustrated. LIFE AND TIMES OF CAVOUR. 2 vols. Illustrated. ITALICA Studies in Italian Life and Letters. A SHORT HISTORY OF VENICE. THE DAWN OF ITALIAN INDEPENDENCE: Italy from the Congress of Vienna, 1S14, to the Fall of Venice, 1840. In the series on Conti- nental Historj'. With maps. 2 vols. THRONE-WIAKERS. Papers on Bi.smarck, Na- poleon III., Kossuth, Garibaldi, etc. POEMS. NEW AND OLD. HOUGHTON MIFFLIN COMPANY Boston and New Yohk THE LIFE AND LETTERS OF JOHN HAY IN TWO VOLUMES VOLUME I ^^uU^^i^xnJi cry^ir/ A/J -/^fle/ai/i t^Y-too^a/i^^^^ y€€'i^f/y fL^ytir^,r THE LIFE AND LETTERS OF JOHN HAY BY WILLIAM ROSCOE THAYER VOLUME I BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY COPYRIGHT, 1908, BY CLARA S. HAY COPYRIGHT, 1914 AND I9IS, BY HARPER & BROTHERS COPYRIGHT, 1915, BY WILLIAM ROSCOE THAYER ALL RIGHTS RESERVED Pubh'slieJ October iqi^ THIRTEENTH IMPRESSION, DECEMBER, 1915 TO HELEN HAY WHITNEY ALICE HAY WADSWORTH AND CLARENCE LEONARD HAY CHILDREN OF JOHN HAY THE AUTHOR DEDICATES THIS BIOGRAPHY PREFACE IN order that readers may not be disappointed in their expectations, let me say at the outset that this is a personal biography and not a political his- tory. -
From Chaucer to Trevisa Exploring Language Using the Oxford English Dictionary
From Chaucer to Trevisa Exploring Language Using The Oxford English Dictionary BA Thesis English Language and Culture Utrecht University Name: Tamara Peeters Student number: 3007480 Supervisor: dr. A. Auer Second Reader: dr. M. P. J. Cole Completed on: 28 June 2012 Table of Contents Chapter 1 Introduction ....................................................................................... 2 Chapter 2 Method ........................................................................................... 6 Chapter 3 Limitations of The Oxford English Dictionary ............................. 9 3.1 The Origin of The Oxford English Dictionary ........................................ 9 3.2 Dating ................................................................................................... 13 Chapter 4 Word Classes – Results and Discussion ...................................... 16 4.1 Data Analysis ....................................................................................... 16 4.2 Language Impact .................................................................................. 20 Chapter 5 Sources – Results and Discussion ............................................... 23 5.1 Data Analysis ....................................................................................... 23 5.2 Major Contributors ............................................................................... 24 5.2.1 Geoffrey Chaucer .................................................................................................................... 25 5.2.2 -
Abraham Lincoln the Face of a War
SPRING 2009 AbrAhAm LincoLn THE FACE of A WAR Smithsonian Institution WWW.SMITHSONIANEDUCATION.ORG NATIONAL STANDARDS IllUSTRATIONS CREDITS The lessons in this issue address NCSS National Cover: Library of Congress. Inside cover: Green Stephen Binns, writer; Michelle Knovic Smith, History Standards for the Civil War and NAEA Bay and De Pere Antiquarian Society and the publications director; Darren Milligan, art standards for reflecting upon and assessing Neville Public Museum of Brown County. Page 1: director; Candra Flanagan, education consultant; works of visual art. National Portrait Gallery, Smithsonian Institution. Design Army, designer Page 2: National Museum of American History. STATE STANDARDS Page 3: Library of Congress. Pages 6–7 (clockwise ACKNOWleDGMENTS See how the lesson correlates to standards in from top): Lithograph and photograph details, Thanks to Rebecca Kasemeyer, David Ward, and your state by visiting smithsonianeducation. National Portrait Gallery; print, National Museum Briana Zavadil White of the National Portrait org/educators. of American History; broadside and detail of Gallery, and Harry Rubenstein of the National Second Inauguration photograph, Library of Museum of American History. Smithsonian in Your Classroom is produced by the Congress. Page 11: Library of Congress. Page Smithsonian Center for Education and Museum 13: National Portrait Gallery, Alan and Lois Fern Studies. Teachers may duplicate the materials Acquisition Fund. Back cover: Detail of portrait cE oF A WAr for educational purposes. by William Willard, National Portrait Gallery, gift of Mr. and Mrs. David A. Morse. C ONTENTS BACKGROUND 1 LessON 1 3 TeACHING MATERIAls 4–9 BACKGROUND 10 LessON 2 12 ON THE LIFE-MASK OF AbRAHAM LINCOLN This bronze doth keep the very form and mold Of our great martyr’s face. -
THE CENTURY BUILDING, 33 East 17Th Street and 38-46 East 18Th Street, Borough of Manhattan
Landmarks Preservation Commission October 7, 1986; Designation List 186 LP-1539 THE CENTURY BUILDING, 33 East 17th Street and 38-46 East 18th Street, Borough of Manhattan. Built 1880-1881; architect William Schickel. Landmark Site: Borough of Manhattan Tax Map Block 846, Lot 30. On May 14, 1985, the Landmarks Preservation Corrmission held a public hearing on the proposed designation as a Landmark of The Century Building, and the proposed designation of the related Landmark Site (Item No. 5). The hearing had been duly advertised in accordance with the provisions of law. Thirty witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Century Building is a rare surviving Queen Anne style corrmercial building in New York City. Designed by William Schickel and built in 1880- 81, it has been a major presence in Union Square for over a century. Schickel, a German-born architect who practiced in New York, rose to prominence as a leading late-19th century designer of churches and institutional buildings in the United States. He designed the Century Building as a speculative venture for his major clients, the owners of the Arnold Constable department stores. Schickel designed the Century Building in the Queen Anne style, an English import defined by a picturesque use of 17th- and 18th-century motifs. More usually associated in this country with residential architecture, the Queen Anne was also used in commercial buildings, but few of these survive in New York City. -
Walt Whitman Quarterly Review
Walt Whitman Quarterly Review http://ir.uiowa.edu/wwqr Walt Whitman and Bram Stoker: The Lincoln Connection Robert J. Havlik Volume 4, Number 4 (Spring 1987) pps. 9-16 Stable URL: http://ir.uiowa.edu/wwqr/vol4/iss4/3 ISSN 0737-0679 Copyright c 1987 by The University of Iowa. Walt Whitman and Bram Stoker: The Lincoln Connection Robert J. Havlik Abstract Describes the importance of the recent discovery of the University of Notre Dame Stoker/Lincoln manuscript and relates its importance to Stoker’s encounters with Whitman and the evolution of their relationship; suggests that Whitman may have influenced Stoker’s views on Lincoln. W AL T WHITMAN AND BRAM STOKER: THE LINCOLN CONNECTION ROBERT J. HAVLIK BRAM STOKER acknowledged Whitman's early influence in a chapter of his book, Personal Reminiscences ofHenry Irving;l these passages have often been quoted by Whitman scholars in relation to Stoker's early correspondence with Whitman (supporting the publication of Leaves of Grass) and their first meeting in Camden in March 1884. In his chapter, however, Stoker also dis cusses his and Whitman's admiration for Abraham Lincoln, and he alludes to something he calls Whitman's "Message from the Dead." This "message" consisted of a letter from Whitman, along with what are supposedly Whit man's original notes for delivering his lecture on Lincoln at the Chestnut Street Opera House on 14 April 1886, documents Stoker received from Thomas Donaldson, Whitman's friend, in 1894. The recent discovery in the Rare Book Room ofthe University ofNotre Dame library ofStoker's original manuscript for his own lecture on Lincoln2 demonstrates how his and Whit man's mutual respect for Lincoln became the major foundation of their rela tionship. -
Century Magazine Correspondence: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/tf8w1006hh No online items Century Magazine Correspondence: Finding Aid Processed by The Huntington Library staff in May 1956; supplementary encoding and revision supplied by Xiuzhi Zhou and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. Century Magazine mssCM 1-760 1 Correspondence: Finding Aid Overview of the Collection Title: Century Magazine Correspondence Dates (inclusive): 1885-1914 Collection Number: mssCM 1-760 Creator: Century magazine. Extent: 760 pieces in 9 boxes Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: This collection consists mainly of letters written by various contributors to the editors of The Century magazine between 1885 and 1914. The collection also contains numerous editorial memorandums and notes written by Richard Watson Gilder to his editorial assistants chiefly in 1904. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. Preferred Citation [Identification of item]. Century Magazine Correspondence, The Huntington Library, San Marino, California. -
Memorials of Old Suffolk
I \AEMORIALS OF OLD SUFFOLK ISI yiu^ ^ /'^r^ /^ , Digitized by the Internet Archive in 2009 with funding from University of Toronto http://www.archive.org/details/memorialsofoldsuOOreds MEMORIALS OF OLD SUFFOLK EDITED BY VINCENT B. REDSTONE. F.R.HiST.S. (Alexander Medallitt o( the Royal Hul. inK^ 1901.) At'THOB or " Sacia/ L(/* I'm Englmnd during th* Wmrt »f tk* R»ut,- " Th* Gildt »nd CkMHtrUs 0/ Suffolk,' " CiUendar 0/ Bury Wills, iJS5-'535." " Suffolk Shi^Monty, 1639-^," ttc. With many Illustrations ^ i^0-^S is. LONDON BEMROSE & SONS LIMITED, 4 SNOW HILL, E.G. AND DERBY 1908 {All Kifkts Rtterifed] DEDICATED TO THE RIGHT HONOURABLE Sir William Brampton Gurdon K.C.M.G., M.P., L.L. PREFACE SUFFOLK has not yet found an historian. Gage published the only complete history of a Sufifolk Hundred; Suckling's useful volumes lack completeness. There are several manuscript collections towards a History of Suffolk—the labours of Davy, Jermyn, and others. Local historians find these compilations extremely useful ; and, therefore, owing to the mass of material which they contain, all other sources of information are neglected. The Records of Suffolk, by Dr. W. A. Copinger shews what remains to be done. The papers of this volume of the Memorial Series have been selected with the special purpose of bringing to public notice the many deeply interesting memorials of the past which exist throughout the county; and, further, they are published with the view of placing before the notice of local writers the results of original research. For over six hundred years Suffolk stood second only to Middlesex in importance ; it was populous, it abounded in industries and manufactures, and was the home of great statesmen. -
S. Weir Mitchell Collection Ms
S. Weir Mitchell collection Ms. Coll. 413 Finding aid prepared by Amey A. Hutchins. Last updated on July 14, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts April 2002 S. Weir Mitchell collection Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 6 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 S. Weir Mitchell Correspondence........................................................................................................... 9 S. Weir Mitchell Writings (see also Boxes 5-19).................................................................................10 Langdon and Marion Mitchell Correspondence....................................................................................12 -
FROM DARKNESS to LIGHT WRITERS in MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne
Mamoli Zorzi and Manthorne (eds.) FROM DARKNESS TO LIGHT WRITERS IN MUSEUMS 1798-1898 Edited by Rosella Mamoli Zorzi and Katherine Manthorne From Darkness to Light explores from a variety of angles the subject of museum ligh� ng in exhibi� on spaces in America, Japan, and Western Europe throughout the nineteenth and twen� eth centuries. Wri� en by an array of interna� onal experts, these collected essays gather perspec� ves from a diverse range of cultural sensibili� es. From sensi� ve discussions of Tintore� o’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum ligh� ng as part of Japanese ar� s� c self-fashioning, via the story of an epic American pain� ng on tour, museum illumina� on in the work of Henry James, and ligh� ng altera� ons at Chatsworth, this book is a treasure trove of illumina� ng contribu� ons. FROM DARKNESS TO LIGHT FROM DARKNESS TO LIGHT The collec� on is at once a refreshing insight for the enthusias� c museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to WRITERS IN MUSEUMS 1798-1898 proceed in their academic or curatorial work with a more enlightened sense of the lighted space. As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons, together with supplementary digital material, can also be found at www.openbookpublishers.com Cover image: