Modern Languages and Literatures
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Reflections and Observations on Peru's Past and Present Ernesto Silva Kennesaw State University, [email protected]
Journal of Global Initiatives: Policy, Pedagogy, Perspective Volume 7 Number 2 Pervuvian Trajectories of Sociocultural Article 13 Transformation December 2013 Epilogue: Reflections and Observations on Peru's Past and Present Ernesto Silva Kennesaw State University, [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/jgi Part of the International and Area Studies Commons, and the Social and Cultural Anthropology Commons This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Silva, Ernesto (2013) "Epilogue: Reflections and Observations on Peru's Past and Present," Journal of Global Initiatives: Policy, Pedagogy, Perspective: Vol. 7 : No. 2 , Article 13. Available at: https://digitalcommons.kennesaw.edu/jgi/vol7/iss2/13 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Journal of Global Initiatives: Policy, Pedagogy, Perspective by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Emesto Silva Journal of Global Initiatives Volume 7, umber 2, 2012, pp. l83-197 Epilogue: Reflections and Observations on Peru's Past and Present Ernesto Silva 1 The aim of this essay is to provide a panoramic socio-historical overview of Peru by focusing on two periods: before and after independence from Spain. The approach emphasizes two cultural phenomena: how the indigenous peo ple related to the Conquistadors in forging a new society, as well as how im migration, particularly to Lima, has shaped contemporary Peru. This contribu tion also aims at providing a bibliographical resource to those who would like to conduct research on Peru. -
Press Release a Tribute To... Award to German Director Tom Tykwer One
Press Release A Tribute to... Award to German Director Tom Tykwer One of Europe’s Most Versatile Directors August 24, 2012 This year’s A Tribute to... award goes to author, director and producer Tom Tykwer. This is the first time that a German filmmaker has ever received one of the Zurich Film Festival’s honorary awards. Tykwer will collect his award in person during the Award Night at the Zurich Opera House. The ZFF will screen his most important films in a retrospective held at the Filmpodium. The ZFF is delighted that one of Europe’s most versatile directors is coming to Zurich. “Tom Tykwer has ensured that German film has once more gained in renown, significance and innovation, both on a national and international level,” said the festival management. Born 1965 in Wuppertal, Tom Tykwer shot his first feature DEADLY MARIA in 1993. He founded the X Filme Creative Pool in 1994 together with Stefan Arndt and the directors Wolfgang Becker and Dani Levy. It is currently one of Germany’s most successful production and distribution companies. RUN LOLA RUN Tykwer’s second cinema feature WINTER SLEEPERS (1997) was screened in competition at the Locarno Film Festival. RUN LOLA RUN followed in 1998, with Franka Potente and Moritz Bleibtreu finding themselves as the protagonists in a huge international success. The film won numerous awards, including the Deutscher Filmpreis in Gold for best directing. Next came THE PRINCESS AND THE WARRIOR (2000), also with Frank Potente, followed by Tykwer’s fist English language production HEAVEN (2002), which is based on a screenplay by the Polish director Krzysztof Kieslowski and stars Cate Blanchett and Giovanni Ribisi. -
3. IRAN Christian Kracht, 1979 (2001) Popkultur Und Fundamentalismus I
3. IRAN Christian Kracht, 1979 (2001) Popkultur und Fundamentalismus I Den Titel seines Romans hat Christian Kracht gut gewählt. Das Jahr 1979 mar- kiert einen Umschwung in der Wahrnehmung des Orients durch den Westen. Zafer Şenocak, ein Grenzgänger zwischen den Kulturen, schreibt dazu: Bis 1979 – dem Jahr der islamischen Revolution im Iran – spielte der Islam auf der Weltbühne keine politisch herausragende Rolle. Er war bestenfalls tiefenpsycholo- gisch wirksam, als hemmender Faktor bei Modernisierungsbestrebungen in den muslimischen Ländern, im Zuge der Säkularisierung der Gesellschaft, beiseite ge- schoben von der westlich orientierten Elite dieser Länder. In Europa wurden die Gesichter des Islam zu Ornamenten einer sich nach Abwechslung und Fremde seh- nenden Zivilisation. Das Fremde im Islam war Identitätsspender, Kulminations- punkt von Distanzierung und Anziehung zugleich.1 Im Iran kündigten sich 1975 die ersten Unruhen an, als Schah Pahlavi das beste- hende Zweiparteiensystem auflöste und nur noch seine sogenannte Erneuerungs- partei zuließ.2 Oppositionsgruppen gab es aber nach wie vor, und die andauernde 01Zafer Şenocak, War Hitler Araber? IrreFührungen an den Rand Europas (Berlin: Babel, 1994). Die fiktionale Literatur, die sich aus iranischer Sicht mit der Revolution von 1979 und ihren Folgen beschäftigt, ist umfangreich. Zwei Titel seien genannt, weil sie von iranischen Autorinnen stam- men, die für ein westliches Publikum schreiben. Beide lehren inzwischen in den USA als Hoch- schulprofessorinnen: Azar Nafisi, Reading Lolita in Tehran: A Memoir in Books (New York: Ran- dom House, 2003) und Fatemeh Keshavarz, Jasmine and Stars: Reading More than Lolita in Tehran (Chapel Hill: University of North Carolina Press, 2007). Letzteres Buch versteht sich als Kritik an ersterem: Keshavarz wirft Nafisi eine Simplifizierung im Sinne des Opfer-Täter- Schemas und Reduktionismus vor. -
Course Outline
Prof. Fatima Naqvi German 01:470:360:01; cross-listed with 01:175:377:01 (Core approval only for 470:360:01!) Fall 2018 Tu 2nd + 3rd Period (9:50-12:30), Scott Hall 114 [email protected] Office hour: Tu 1:10-2:30, New Academic Building or by appointment, Rm. 4130 (4th Floor) Classics of German Cinema: From Haunted Screen to Hyperreality Description: This course introduces students to canonical films of the Weimar, Nazi, post-war and post-wall period. In exploring issues of class, gender, nation, and conflict by means of close analysis, the course seeks to sensitize students to the cultural context of these films and the changing socio-political and historical climates in which they arose. Special attention will be paid to the issue of film style. We will also reflect on what constitutes the “canon” when discussing films, especially those of recent vintage. Directors include Robert Wiene, F.W. Murnau, Fritz Lang, Lotte Reiniger, Leni Riefenstahl, Alexander Kluge, Volker Schlöndorff, Werner Herzog, Wim Wenders, Rainer Werner Fassbinder, Andreas Dresen, Christian Petzold, Jessica Hausner, Michael Haneke, Angela Schanelec, Barbara Albert. The films are available at the Douglass Media Center for viewing. Taught in English. Required Texts: Anton Kaes, M ISBN-13: 978-0851703701 Recommended Texts (on reserve at Alexander Library): Timothy Corrigan, A Short Guide to Writing about Film Rob Burns (ed.), German Cultural Studies Lotte Eisner, The Haunted Screen Sigmund Freud, Writings on Art and Literature Siegfried Kracauer, From Caligari to Hitler Anton Kaes, Shell Shock Cinema: Weimar Cinema and the Wounds of War Noah Isenberg, Weimar Cinema Gerd Gemünden, Continental Strangers Gerd Gemünden, A Foreign Affair: Billy Wilder’s American Films Sabine Hake, German National Cinema Béla Balász, Early Film Theory Siegfried Kracauer, The Mass Ornament Brad Prager, The Cinema of Werner Herzog Eric Ames, Ferocious Reality: Documentary according to Werner Herzog Eric Ames, Werner Herzog: Interviews N. -
KNIGHT Wake Forest University
Forbidden Fruit Civil Savagery in Christian Kracht’s Imperium “Ich war ein guter Gefangener. Ich habe nie Menschenfleisch gegessen.” I was a good prisoner. I never ate human flesh. These final words of Christian Kracht’s second novel, 1979, represent the last shred of dignity retained by the German protagonist, who is starving to death in a Chinese prison camp in the title year. Over and over, Kracht shows us a snapshot of what happens to the over-civilized individual when civilization breaks down. Faserland’s nameless narrator stands at the water’s edge, preparing to drown rather than live with his guilt and frustration; even the portrait of Kracht on the cover of his edited volume Mesopotamia depicts Kracht himself in a darkened wilderness, wearing a polo shirt and carrying an AK-47. In each of these moments, raw nature inspires the human capacity for violence and self-destruction as a sort of ironic antidote to the decadence and vacuity of a society in decline. Kracht’s latest novel, Imperium, further explicates this moment of annihilation. The story follows the fin-de-siècle adventures of real-life eccentric August Engelhardt, a Nuremberger who wears his hair long, promotes nudism, and sets off for the German colony of New Guinea in hopes of founding a cult of sun-worshippers and cocovores (i.e., people who subsist primarily on coconuts). Engelhardt establishes a coconut plantation near the small town of Herbertshöhe, where he attempts to practice his beliefs in the company of a series of companions of varying worth and, finally, in complete solitude. -
German Studies Association Newsletter ______
______________________________________________________________________________ German Studies Association Newsletter __________________________________________________________________ Volume XLIV Number 1 Spring 2019 German Studies Association Newsletter Volume XLIV Number 1 Spring 2019 __________________________________________________________________________ Table of Contents Letter from the President ............................................................................................................... 2 Letter from the Executive Director ................................................................................................. 5 Conference Details .......................................................................................................................... 8 Conference Highlights ..................................................................................................................... 9 Election Results Announced ......................................................................................................... 14 A List of Dissertations in German Studies, 2017-19 ..................................................................... 16 Letter from the President Dear members and friends of the GSA, To many of us, “the GSA” refers principally to a conference that convenes annually in late September or early October in one city or another, and which provides opportunities to share ongoing work, to network with old and new friends and colleagues. And it is all of that, for sure: a forum for -
View to Avoid Glare
WILKES, ARTIS, HEDRICK & LANE CHARTERED CABLE ADDRESS: WILAN TELECOPIER: 202-457-7814 ATTORNEYS AT LAW 1666 STREET, K N. W. 8 BETHESDA METRO CENTER SUITE 1100 BETHESDA, MARYLAND 20814-51320 WRITER'S DIRECT DIAL, 11320 RANDOM HILLS ROAD WASHINGTON,D.C.20006-2866 SUITE 600 FAIRFAX, VIRGINIA 22000-6042 (202) 457-7800 November 13, 1991 BY HAND Madeliene Robinson Acting Director Office of Zoning District Building, Room 11 1350 Pennsylvania Avenue, N.W. Washington, D.C. 20004 - Re: IMF Phase III PUD z.c. Case No. 91-7M Dear Ms. Robinson: Enclosed please find the following documents and exhibits to be filed in the above-referenced matter: 1. Lighting Analysis. 2. Landscape Site Plan Modification. 3. Visitors' Center memorandum and Calendars of Events for 1990 and 1991. 4. Memorandum on meeting with community representatives. Ten copies are provided for the Zoning Commission members and staff. In addition, copies are being delivered by hand to all of the parties and the Office of Planning. Please call me if you have any questions. Sincerely, cc: Office of Planning 1.' { • . I.''l i·i~,~ All Parties \ . \ \ D lONING COMMISSION \ . CASE No. __ '7 l -1 IV\ . ZONING-- COMMISSIONe il, OHiBIT No, _!jfe.District of Columbia CASE-.......___ NO.91-7 __ .,__ EXHIBIT NO.96 The Kling-Lindquist Partnership, Inc. MEMORANDUM MEMO TO: D.C. Zoning Commission FROM: Kenneth E. Yarnell, IALD Lighting Engineer The Kling-Lindquist Partnership DATE: November 8, 1991 REFERENCE: Z.C. Case No. 91-7M Phase III PUD for The International Monetary Fund - Lighting Analysis We were asked to analyze the lighting proposed for the Phase III modifications in response to questions of adequacy of light levels and safety. -
The 12Th Annual Jerusalem Pitch Point
The 12th Annual Jerusalem Pitch Point 01. pitchpoint past projects Saving Neta Youth Fill the Void Tikkun In Between Scaffolding That Lovely Girl Zero Motivation Policeman .02 03. SCHEDULE INDUSTRY DAYS EVENTS 2017 SUNDAY, JULY 16th reading of a trade publication from the recent Marché du Film in Cannes, and the large variety of advertising contained within. 10:00-12:15 Are there absolute rules to be followed or mistakes to be avoided? How does one stand out from Pitch Point Production Competition the crowd? How can design allow a project to reach or create an audience without betraying Open to the general public its artistic spirit and creative integrity? Theater 4, Jerusalem Cinematheque 16:00-17:30 13:00-18:45 Based on a True Story – A Documentary Panel Industry Panels Finding a new subject for a documentary film can be very exciting. But after the precious Open to the general public story is found, how do you tell it? Sinai Abt (Kan - Israeli Public Broadcasting Corporation), Theater 4, Jerusalem Cinematheque Joëlle Alexis (Film Editor), Osnat Trabelsi (Israeli Documentary Filmmakers Forum) and Maya Zinshtein (Forever Pure) discuss the ups and downs of “writing” reality, from the blank page to the editing bay. Moderated by Osnat Trabelsi 13:00-14:30 One Film, Many Platforms - A Distribution Panel 17:45-18:45 The “Digital Revolution” has had an effect on every aspect of our lives, including our industry. Jerusalem Through the Director’s Viewfinder - The Quarters Panel Alongside groundbreaking advances in filmmaking, film distribution is in the midst of a digital Four acclaimed international directors – Todd Solondz (Happiness), Anna Muylaert (The Second transformation. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Influencias Identitarias En La Producción De Tres Artistas
184 Influencias identitarias en la producción de tres artistas peruanas durante el siglo xx y el presente Identity influences of three peruvian artists during xx century and the present Cristina Milagros Vargas Pacheco Universidad de Piura. Perú Resumen: La identidad es un tema de cuestionamiento recurrente, incluso en el arte y, mucho más, en los países con un pasado colonial. En el caso del Perú, este tópico ha aparecido recreado por los artistas desde fines del siglo xix y hasta el presente, inspirándose en diferentes elementos históricos, culturales y nacionales; dejándose influir, además, por las coyunturas vividas. Analizamos en este trabajo el caso de tres artistas peruanas que se interrogaron (e inte- rrogan) sobre ese tema y que lo plasman en su plástica. Tres mujeres que, en diferentes mo- mentos de los siglos xx y xxi, presentan su propia visión de lo peruano o cuestionaron los estereotipos existentes sobre ello: Elena Izcue, Tilsa Tsuchiya y Rustha Luna Pozzi-Escot. Su coincidencia en Francia, en tres momentos distintos, es tomada como pretexto para realizar una mirada en perspectiva de sus lenguajes artísticos, así como brindar un panorama rápido de algunas de las transformaciones y permanencias operadas en el arte producido en el Perú (o por peruanos), así como las diferentes «tonalidades» que puede adquirir el tema identitario, a lo largo del tiempo y de los artistas. Palabras clave: Identidad, arte peruano, siglo xx, E. Izcue, T. Tsuchiya, R. L. Pozzi-Escot. Abstract: Identity is a questioning recurrent topic, even for art and, much more in countries with colonial past. In case of Peru, this topic has turned out to be recreated by artist from end of 19th century and up to the present, inspired in different historical, cultural and national ele- ments, influenced by lived conjunctures. -
Melting Ice and the Paradoxes of Zeno: Didactic Impulses and Aesthetic Distanciation in German Climate Change Fiction
Author: Goodbody, Axel H.; Title: Melting Ice and the Paradoxes of Zeno: Didactic Impulses and Aesthetic Distanciation in German Climate Change Fiction Melting Ice and the Paradoxes of Zeno: Didactic Impulses and Aesthetic Distanciation in German Climate Change Fiction Axel H. Goodbody University of Bath Abstract Although global warming has been a topic of American and British popular fiction since the 1980s, its literary representation has only recently become an object of academic enquiry. Perhaps a score of German novels on the subject have also appeared, and critical analysis of these is now called for. Following a general outline of the socio-political, philosophical, and ethical issues which climate change raises, and of the particular aesthetic challenges which writing about global warming poses, Ilija Trojanow’s EisTau (Melting Ice, 2011) serves as a basis for discussion of the tensions between confessional and didactic impulses on the one hand, and recognition of the need for an aesthetic facilitating detachment on the other. Keywords: climate change, German literature, Ilija Trojanow, EisTau Resumen Aunque el calentamiento global ha aparecido en la literatura popular americana y británica desde los años 80, su representación literaria no se ha converitdo en objeto de investigación académica hasta recientemente. Quizá una veintena de novelas alemanas sobre el tema también han aparecido, requiriendo así un análisis critico. Siguiendo un resumen general de los asuntos socio- políticos, filosóficos y éticos que el cambio climático ha planteado, y de los desafíos estéticos particulares que surgen al escribir sobre el calentamiento global, la novela EisTau (Melting Ice, 2011) de Ilija Trojanow sirve como base para debatir las tensiones entre los impulsos confesionales y didácticos, por un lado, y sobre el reconocimiento de la necesidad de una estética que facilite el desapego, por otro. -
Of Gods and Men
A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may.