Ambler Theater

Total Page:16

File Type:pdf, Size:1020Kb

Ambler Theater Ambler Theater Previews5 9 A MARCH - MAY 2007 Charlton Heston and Janet Leigh in TOUCH OF EVIL TOUCH Charlton Heston and Janet Leigh in INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLER T HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. ADMISSION When will films play? Main Attractions General ............................................................$8.00 Film Booking. Our main films play week-to-week from Friday Members .........................................................$4.50 through Thursday. Every Monday we determine what new films Support the Ambler Theater. Seniors (62+) will start on Friday, what current films will end on Thursday, Children under 18 and and what current films will continue through Friday for another Please help us raise the remaining $50,000 Students w/valid I.D. .....................................$6.00 week. All films are subject to this week-to-week decision-mak- needed to meet our capital campaign goal. Matinee (before 5:30 pm) ...............................$6.00 ing process. We try to play all of our Main Attractions films as Wed Early Matinee (before 2:30 pm) ...............$5.00 soon as possible. (For more info on the business of booking It’s been over a year since we kicked off our capital campaign by relighting our Affiliated Theaters Members* ...........................$5.50 films and why some films play longer or sooner than others, neon tower. Today the campaign is almost complete. In order to finish, though, *Affiliated Theaters Members visit our website.) we need your help in raising the final $50,000. We are happy to announce that the Ambler Theater, the County When Will a Film’s Run Start? YOUR GIFT WILL BE DOUBLED BY A MATCHING GRANT Theater, and the Bryn Mawr Film Institute have reciprocal After we decide on Monday (Tuesday at the latest) what new The Theater has received a $500,000 matching state challenge grant. admission benefits. Your membership will allow you $5.50 films will start on Friday, we immediately let you know on our $50,000 more is needed to secure the match of this grant. Act now to help admission at the other theaters. (You must present your member- website and on our hotline. the Theater and to support the Borough’s continued revitalization. Your gift will ship card to obtain this discount.) be doubled! We’ll send you an email message every Tuesday as to what Please take a moment to consider making an entry level gift ($10-$200), or Be a Member is coming and going on Friday. (Sign up by emailing us at gifting a seat in the main auditorium ($500), or a sidewalk star ($5,000), or Become a member of the nonprofit Ambler Theater and show your [email protected].) a naming opportunity (beginning at $7,500). Every dollar counts. Your gift will support for good films and a cultural landmark. See back panel for If there is a particular film that you don’t want to miss, call make this project a reality. a membership form. our box office (215/793-4970), and leave your name and IMPROVING YOUR THEATER EXPERIENCE Policies telephone number and the particular film that you want to see Here are a few of the planned improvements: A new 280-Seat Auditorium with Children under 6 – Children under age 6 will not be admitted to (on the answering machine is ok). We’ll put that on our “Film original 1928 ornaments and details restored; an expanded projection booth our “Regular Films.” However, all age children are welcome to our Call List,” and then we’ll call you on the right Monday and tell to service the new auditorium; and a new Concession Stand. These renova- tions will: double our capacity to over 500 seats; increase the number of special “Kids Films” series. you that your film is starting that Friday. (Two requests: please weekly feature films and special programs; provide more space for community leave a telephone number where you have an answering ma- Late Arrivals – The Theater reserves the right to stop selling tickets events; and create a perfect setting for special meetings. chine, and please don’t request every film on the flyer.) (and/or seating patrons) after a film has started. THANKS TO EVERYONE WHO HAS HELPED And When Will a Film’s Run End? Outside Food and Drink – Patrons are not permitted to bring out- There are so many people to thank for making this possible: our members, side food and drink into the theater. This decision happens by the same process – we decide on friends, local companies and foundations. We particularly acknowledge the Make a gift Monday which films will end on Thursday. Again, we immedi- extraordinary generosity of our federal, state, county and borough public The Ambler Theater has wheelchair accessible auditoriums officials. We look forward to formally acknowledging ALL of our donors after on-line: ately let you know on our website, on our hotline, and in our and restrooms, and is equipped with hearing enhancement we open our newly restored 280 seat main auditorium later this year. AmblerTheater.org weekly email messages. devices. Please see the theater manager when you arrive. Make Sure That We Have Your Email Address Mail check to Give us Feedback We can keep you up-to-date on all our events and scheduling Ambler Theater Your film experience is the most important thing to us, so we wel- Construction Update P.O. Box 676 come your feedback. Please let us know what we can do better. Call via our weekly email notices. Visit our website to sign up, and Architectural design work by JK Roeller, Architects has been completed. The then stay plugged into our latest programming news. Ambler, PA 19002 (215) 345-7855, or email us at [email protected] project went out to bid to numerous local firms, with four detailed proposals submitted. The Board has chosen E. Allen Reeves of Abington, PA as general Special Programs Questions? Ambler Theater contractor. Work, assuming that the final campaign funds are raised, will start Call our business office: Our Special Programs are scheduled for specific dates and in the spring and be completed by Labor Day. 108 East Butler Ave, Ambler, PA 19002 215-348-1878 times, which are listed in this PREVIEWS brochure. Check our 215-345-7855 HOTLINE website and hotline for any additions or changes. 215-348-1878 Administrative Office Gifts are tax-deductible to the extent allowed by law. For more information call: AmblerTheater.org Jim Sanders at 215-348-1878 or email [email protected] MAIN ATTRACTIONS MAIN ATTRACTIONS The Namesake Black Book Amazing Grace India/USA – 2 hr 2 min – Mira Nair Netherlands – 2 hr 24 min Great Britain – 1 hr 51 min Mostly in English Paul Verhoeven Michael Apted Breaking and Entering Angel-A Venus From acclaimed Indian director Mira With subtitles AMAZING GRACE is a historical drama Nair, THE NAMESAKE is a thoughtful film about activist William Wilberforce’s Great Britain – 1 hr 59 min France – 1 hr 31 min – Luc Besson Great Britain – 1 hr 34 min Eclectic Dutch director Paul Verhoeven about family, love, and self-discovery. ongoing battle to abolish the slave Anthony Minghella With subtitles Roger Michell returns to his native country to make his It’s about two generations of an Indian- trade in the early nineteenth century. Jude Law plays a well-to-do architect A morality tale that is alternately humorous This charming British comedy revolves first Dutch film in over twenty years. It’s a American family – the parents who Spanning more than twenty years and whose London offices are burglarized, and brooding, ANGEL-A tells the story of around two seasoned actors whose lives WWII resistance thriller in which a young moved from Calcutta to the U.S., and seamlessly alternating between various sending him on an ill-advised mission Andre, a former con artist whose past are thrown into chaos when a young Jewish woman does whatever it takes their son who struggles to reconcile points in the tale’s chronology, this to discover the culprit. Juliette Binoche catches up with him. It’s sort of a hip woman comes to visit. Peter O’Toole, still to survive the Nazi occupation. This his American identity with his cultural stimulating film features exceptional and Robin Wright Penn give superb update of It’s a Wonderful Life. Shot in charismatic and silver-tongued, scores suspenseful historical drama is powerful heritage. This fine film is an affectionate performances from Ioan Gruffudd, Albert supporting performances in this sharply lush black and white and set in Paris, this a bull’s-eye with his funny (and randy) and deeply moving. and touching portrait of one family’s Finney, and Michael Gambon. observed film about contemporary life film marks acclaimed French director Luc lead performance. Wry British humor and journey to a new life. and love. Besson’s return to top form. keenly observed human behavior make this funny and touching film a small gem. Paris Je T’Aime The Lives of Others After the Wedding France – 1 hr 50 min – various directors Germany – 2 hr 17 min Denmark – 1 hr 59 min – Susanne Bier Featuring vignettes from twenty world Florian Henckel von Donnersmarck With subtitles Miss Potter The Italian Little Children directors, PARIS JE T’AIME is a series of With subtitles A powerful drama, AFTER THE WEDDING Great Britain – 1 hr 32 min Russia – 1 hr 39 min – Andrei Kravchuk USA – 2 hr 17 min – Todd Field short cinematic love letters addressed This psychologically charged German is about a Danish man who is Chris Noonan With subtitles This powerful, wryly funny, and piercingly to Paris.
Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • The Long Goodbye I 1973 Directed by Robert Altman
    TCM BREAKFAST CLUB SCREENING The Long Goodbye I 1973 Directed by Robert Altman With characteristic fearlessness, director Robert Altman dared to offend the purists with his 1970s interpretation of the Raymond Chandler classic The Long Goodbye (1973). It turned out to be a triumph for both him and its star, Elliott Gould. TCM writer David Humphrey assesses the film and describes it as a fine tribute to Altman, who died on November 20 at the age of 81. Raymond Chandler devotees were perhaps entitled to feel screen, and plainly gave priority to injecting comedy into the nervous at the news that Elliot Gould had been cast as Philip persona of Chandler’s sardonic, hardbitten private detective. For Marlowe in the 1973 movie The Long Goodbye. Bogart may have Brackett it was a return to familiar territory, as he had co-written been dead for 16 years, but many believed – and still do – that the script for Chandler‘s The Big Sleep (1946) with Bogie as his Marlowe was the definitive one. Anyone else taking the role Marlowe, 27 years earlier. The tale is satisfyingly labyrinthine in of the LA gumshoe would be like Rumpole without Leo McKern, the Chandler tradition: chain-smoking private eye Marlowe they reasoned, or Flash Gordon without Buster Crabbe. They had drives a friend from Los Angeles South to the Tijuana border and not banked on two crucial components: Robert Altman being in on returning finds his apartment swarming with LAPD’s finest, the director’s chair, and Gould on the top of his not who duly announce that he’s under arrest for abetting the inconsiderable form.
    [Show full text]
  • Lost Prince Pack Latest
    Miranda Richardson Miranda Richardson Miranda Richardson portrays Queen Mary, the Stranger,The Crying Game, Enchanted April, Damage, emotionally repressed mother of Prince John.A Empire Of The Sun,The Apostle and Spider (Official fundamentally inhibited character, she is a loving Selection, Cannes 2002), as well as the mother but has great difficulty communicating with unforgettable Queenie in the BBC’s Blackadder. She her son. says:“Mary had an absolute belief in the idea of duty. She thought that her husband’s word was the The actress, one of Britain’s most gifted screen law and believed in the divine right of kings. performers, immersed herself in research for the Although that view seems old-fashioned to us now, role and emerged with a clearer, more sympathetic she thought it could not be questioned. Ultimately, I idea about this often-maligned monarch. think this film understands Mary. It portrays her most sympathetically.” ‘’When people hear I’m playing Mary, they say, ‘Wasn’t she a dragon?’ But I’ve learnt from my For all that, Mary’s rigid adherence to the research that she wasn’t just a crabby old bag. She Edwardian code of ethics created a barrier may never have laughed in public, but that was between her and her independent-minded son, because she was shy. She felt she wasn’t able to Johnnie.“She loved him as fully as she could,” express her emotions in public.” Richardson reflects.“She knew that he was a free spirit who was able to be himself. Mary could never Miranda has gained a towering reputation for a be herself because she was always so serious, number of films, including Tom And Viv, Dance With A dedicated, dutiful and aware of her destiny.
    [Show full text]
  • DVD Movie List by Genre – Dec 2020
    Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S.
    [Show full text]
  • International Casting Directors Network Index
    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
    [Show full text]
  • The Only Defense Is Excess: Translating and Surpassing Hollywood’S Conventions to Establish a Relevant Mexican Cinema”*
    ANAGRAMAS - UNIVERSIDAD DE MEDELLIN “The Only Defense is Excess: Translating and Surpassing Hollywood’s Conventions to Establish a Relevant Mexican Cinema”* Paula Barreiro Posada** Recibido: 27 de enero de 2011 Aprobado: 4 de marzo de 2011 Abstract Mexico is one of the countries which has adapted American cinematographic genres with success and productivity. This country has seen in Hollywood an effective structure for approaching the audience. With the purpose of approaching national and international audiences, Meximo has not only adopted some of Hollywood cinematographic genres, but it has also combined them with Mexican genres such as “Cabaretera” in order to reflect its social context and national identity. The Melodrama and the Film Noir were two of the Hollywood genres which exercised a stronger influence on the Golden Age of Mexican Cinema. Influence of these genres is specifically evident in style and narrative of the film Aventurera (1949). This film shows the links between Hollywood and Mexican cinema, displaying how some Hollywood conventions were translated and reformed in order to create its own Mexican Cinema. Most countries intending to create their own cinema have to face Hollywood influence. This industry has always been seen as a leading industry in technology, innovation, and economic capacity, and as the Nemesis of local cinema. This case study on Aventurera shows that Mexican cinema reached progress until exceeding conventions of cinematographic genres taken from Hollywood, creating stories which went beyond the local interest. Key words: cinematographic genres, melodrama, film noir, Mexican cinema, cabaretera. * La presente investigación fue desarrollada como tesis de grado para la maestría en Media Arts que completé en el 2010 en la Universidad de Arizona, Estados Unidos.
    [Show full text]
  • Extreme Leadership Leaders, Teams and Situations Outside the Norm
    JOBNAME: Giannantonio PAGE: 3 SESS: 3 OUTPUT: Wed Oct 30 14:53:29 2013 Extreme Leadership Leaders, Teams and Situations Outside the Norm Edited by Cristina M. Giannantonio Amy E. Hurley-Hanson Associate Professors of Management, George L. Argyros School of Business and Economics, Chapman University, USA NEW HORIZONS IN LEADERSHIP STUDIES Edward Elgar Cheltenham, UK + Northampton, MA, USA Columns Design XML Ltd / Job: Giannantonio-New_Horizons_in_Leadership_Studies / Division: prelims /Pg. Position: 1 / Date: 30/10 JOBNAME: Giannantonio PAGE: 4 SESS: 3 OUTPUT: Wed Oct 30 14:53:29 2013 © Cristina M. Giannantonio andAmy E. Hurley-Hanson 2013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical or photocopying, recording, or otherwise without the prior permission of the publisher. Published by Edward Elgar Publishing Limited The Lypiatts 15 Lansdown Road Cheltenham Glos GL50 2JA UK Edward Elgar Publishing, Inc. William Pratt House 9 Dewey Court Northampton Massachusetts 01060 USA A catalogue record for this book is available from the British Library Library of Congress Control Number: 2013946802 This book is available electronically in the ElgarOnline.com Business Subject Collection, E-ISBN 978 1 78100 212 4 ISBN 978 1 78100 211 7 (cased) Typeset by Columns Design XML Ltd, Reading Printed and bound in Great Britain by T.J. International Ltd, Padstow Columns Design XML Ltd / Job: Giannantonio-New_Horizons_in_Leadership_Studies / Division: prelims /Pg. Position: 2 / Date: 30/10 JOBNAME: Giannantonio PAGE: 1 SESS: 5 OUTPUT: Wed Oct 30 14:57:46 2013 14. Extreme leadership as creative leadership: reflections on Francis Ford Coppola in The Godfather Charalampos Mainemelis and Olga Epitropaki INTRODUCTION How do extreme leadership situations arise? According to one view, they are triggered by environmental factors that have nothing or little to do with the leader.
    [Show full text]
  • Contemporary Films Related to Content in a Course on Death And
    Contemporary Films Related to Content in a Course on Death and Grief Barbara Head, PhD, CHPN, ACSW, FPCN University of Louisville, Kent School of Social Work [email protected] Title Year Leading Actor(s) Brief Synopsis Related Course Content Amour 2012 Jean-Louis Trintignant An elderly, loving couPle struggles to Grief and loss in later life (French) Emmanuelle Riva maintain their indePendence after the Euthanasia wife suffers a Paralyzing stroke. Caregiver stress Anticipatory grief A Single Man 2009 Colin Firth A gay university Professor struggles Disenfranchised grief Julianne Moore with his grief after the sudden death of Suicide risk in bereavement his partner. Story is set in the early Historical/cultural imPacts on grief and 1960’s. loss Beyond Belief 2007 Susan Retik Two women (both Pregnant at the time) Meaning reconstruction (Documentary) Patti Quigley who lost their husbands on 911 find Resiliency meaning in their loss. Sudden, traumatic loss The Descendants 2011 George Clooney A family struggles with the imPending Children and grief Beau Bridges death and infidelity of the mother/wife Disenfranchised grief who is rendered brain dead after a Families and grief boating accident. Discontinuation of life suPPort 50/50 2011 JosePh Gordon-Levitt A young radio journalist faces treatment Counseling the seriously ill Patient Seth Rogan for a serious malignancy with a 50/50 Professional boundaries chance of survival. Grief and loss related to serious illness in a young person Social suPPort during illness Grace is Gone 2007 John Cusack The father of two young daughters Families and grief reacts to the news of the death of his Sudden, traumatic loss wife who was killed during a tour of duty Stages and tasks of grieving in Iraq.
    [Show full text]
  • “Amazing Grace” Starring Ioan Gruffudd, Albert Finney, & Michael
    “Amazing Grace” starring Ioan Gruffudd, Albert Finney, & Michael Gambon, 2006, PG, 118 minutes Major Themes: Slavery Freedom Perseverance & Faith Justice & Reform Politics Interesting info: Tagline – Every song has its story. Every generation has its hero. William Wilberforce (1759 – 1833) was a very gifted statesman, a social reformer, a philanthropist and an evangelical Christian. As well as working to bring about the end of the slave trade, and then to abolish slavery itself, he was concerned about mistreatment of animals (he was a founder member of the Society for the Prevention of Cruelty to Animals, later to become the RSPCA), education, the social impact of heavy gin drinking, and the need for missionaries in various parts of the world, including India and Africa (he was a founder of the Church Missionary Society and the British and Foreign Bible Society). Amazing Grace is the most honored and recorded song of all time. Amazon.com lists some 2000 currently available recordings of Amazing Grace. Nothing else comes remotely close. It crosses all lines—from classical to country, from rock to traditional folk. It is permanently ingrained in the culture. No other song has enjoyed such diverse rendering. He headed the parliamentary campaign against the British slave trade for 26 years until the passage of the Slave Trade Act 1807, when Parliament passed a bill to abolish the slave trade. (The film’s release is a way of marking the bicentennial of that event.) Some years later, just three days before Wilberforce’s death, slavery itself was completely abolished in Britain. Part of his epitaph in Westminster Abbey reads: In the prosecution of these objects he relied, not in vain, on God.
    [Show full text]
  • The Honorable Mentions Movies- LIST 1
    The Honorable mentions Movies- LIST 1: 1. A Dog's Life by Charlie Chaplin (1918) 2. Gone with the Wind Victor Fleming, George Cukor, Sam Wood (1940) 3. Sunset Boulevard by Billy Wilder (1950) 4. On the Waterfront by Elia Kazan (1954) 5. Through the Glass Darkly by Ingmar Bergman (1961) 6. La Notte by Michelangelo Antonioni (1961) 7. An Autumn Afternoon by Yasujirō Ozu (1962) 8. From Russia with Love by Terence Young (1963) 9. Shadows of Forgotten Ancestors by Sergei Parajanov (1965) 10. Stolen Kisses by François Truffaut (1968) 11. The Godfather Part II by Francis Ford Coppola (1974) 12. The Mirror by Andrei Tarkovsky (1975) 13. 1900 by Bernardo Bertolucci (1976) 14. Sophie's Choice by Alan J. Pakula (1982) 15. Nostalghia by Andrei Tarkovsky (1983) 16. Paris, Texas by Wim Wenders (1984) 17. The Color Purple by Steven Spielberg (1985) 18. The Last Emperor by Bernardo Bertolucci (1987) 19. Where Is the Friend's Home? by Abbas Kiarostami (1987) 20. My Neighbor Totoro by Hayao Miyazaki (1988) 21. The Sheltering Sky by Bernardo Bertolucci (1990) 22. The Decalogue by Krzysztof Kieślowski (1990) 23. The Silence of the Lambs by Jonathan Demme (1991) 24. Three Colors: Red by Krzysztof Kieślowski (1994) 25. Legends of the Fall by Edward Zwick (1994) 26. The English Patient by Anthony Minghella (1996) 27. Lost highway by David Lynch (1997) 28. Life Is Beautiful by Roberto Benigni (1997) 29. Magnolia by Paul Thomas Anderson (1999) 30. Malèna by Giuseppe Tornatore (2000) 31. Gladiator by Ridley Scott (2000) 32. The Lord of the Rings: The Fellowship of the Ring by Peter Jackson (2001) 33.
    [Show full text]
  • MEJOR PELICULA 127 HOURS Christian Colson, Danny Boyle
    MEJOR PELICULA 127 HOURS Christian Colson, Danny Boyle, John Smithson BLACK SWAN Mike Medavoy, Arnold Messer, Brian Oliver, Scott Franklin GREENBERG Scott Rudin, Jennifer Jason Leigh THE KIDS ARE ALL RIGHT Gary Gilbert, Jeffrey Levy-Hinte, Celine Rattray, Jordan Horowitz, Daniela Taplin Lundberg, Philippe Hellmann WINTER´S BONE Alix Madigan-Yorkin, Anne Rosellini MEJOR DIRECTOR DARREN ARONOFSKY Black Swan DANNY BOYLE 127 Hours LISA CHODOLENKO The Kids are all right DEBRA GRANIK Winter´s Bone JOHN CAMERON MITCHELL Rabbit Hole MEJOR ÓPERA PRIMA EVERYTHING STRANGE AND NEW Frazer Bradshaw, Laura Techera Francia, A.D Liano GET LOW Aaron Schneider, Dean Zanuck, David Gundlach THE LAST EXORCISM Daniel Stamm, Eric Newman, Eli Roth, Marc Abraham, Thomas A. Bliss NIGHT CATCHES US Tanya Hamilton, Ronald Simons, Sean Costello, Jason Orans TINY FURNITURE Lena Dunham, Kyle Martin, Alicia Van Couvering PREMIO JOHN CASSAVETES DADDY LONGLEGS Josh Safdie, Benny Safdie, Casey Neistat, Tom Scott THE EXPLODING GIRL Bradley Rust Gray, So Yong Kim, Karin Chien, Ben Howe LBS Matthew Bonifacio, Carmine Famiglietti LOVERS OF HATE Bryan Poyser, Megan Gilbride OBSELIDIA Diane Bell, Chris Byrne, Matthew Medlin MEJOR GUIÓN LISA CHOLODENKO, STUART BLUMBERG The Kids are all right DEBRA GRANIK, ANNE ROSELLINI Winter´s Bone NICOLE HOLOFCENER Please Give DAVID LINDSAY-ABAIRE Rabbit Hole TODD SOLONDZ Life during wartime MEJOR GUIÓN DEBUTANTE DIANE BELL Obselidia LENA DUNHAM Tiny Furniture NIK FACKLER Lovely, Still ROBERT GLAUDINI Jack goes boating DANA ADAM SHAPIRO, EVAN M. WIENER Monogamy MEJOR ACTRIZ PROTAGÓNICA ANNETTE BENING The Kids are all right GRETA GERWIG Greenberg NICOLE KIDMAN Rabbit Hole JENNIFER LAWERENCE Winter´s Bone NATALIE PORTMAN Black Swan MICHELLE WILLIAMS Blue Valentine MEJOR ACTOR PROTAGÓNICO RONALD BRONSTEIN Daddy Longlegs AARON ECKHART Rabbit Hole JAMES FRANCO 127 Hours JOHN C.
    [Show full text]
  • ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English
    ALDO SIGNORETTI Hair and Wig Designer Fluent in Italian and English FILM AND TELEVISION THE YOUNG POPE Wig/Hair Designer Wildside, Indigo Film Director: Paolo Sorrentino ZOOLANDER 2 Department Head of Hair / Hair Stylist & Wig Designer Paramount Director: Ben Stiller CAESAR Department Head of Hair and Make-Up Kallope Films Director: Tiago Mesquita Cast: Sean Bean, Isaac Hempstead Wright, Mackenzie Crook THE EARLY YEARS Wig/Hair Designer Indigo Film Director: Paolo Sorrentino Cast: Rachel Weisz, Michael Cane, Jane Fonda HERCULES: THE THRACIAN WARS Wig/Hair Designer Film 44, MGM, Paramount, Radical Pictures Director: Brett Ratner Cast: Dwayne Johnson, Ian Mcshane, John Hurt LA GRANDE BELEZZA (THE GREAT BEAUTY) Wig/Hair Designer Indigo Film, Medusa Film, Babe Film, Pathé Director: Paolo Sorrentino Cast: Toni Servillo, Carlo Verdone, Sabrina Ferilli David di Donatello Award - Won - Best Hair Design/Styling BORGIA (SERIES 1,2 & 3) Co-Designer: Wig/Hair ETIC Films Directors: Philippe Haim, Oliver Hirschbiegel CONAN THE BARBARIAN Wig/Hair Designer Lionsgate Director: Marcus Nispel WE BELIEVED Hair Designer Palomar Director: Mario Martone David di Donatello Award - Won - Best Hair Design/Styling VEDA – ATATÜRK Wig/Hair Designer Kamera Film Director: Zülfü Livaneli IO, DON GIOVANNI Wig/Hair Designer Edelweiss Cinematografica, Lucky Red Director: Carlos Saura IL DIVO Wig/Hair Designer Indigo Film, Lucky Red Director: Paulo Sorrentino Academy Award - Nominee - Best Achievement In Make-Up David di Donatello Award - Best Hair Design/Styling 2061 Wig/Hair
    [Show full text]