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Intensive English in Quebec: Popular Attitudes and News Media Debates
Intensive English in Quebec: popular attitudes and news media debates by Mirian Olívia da Silva Perez Department of Integrated Studies in Education Faculty of Education, McGill University, Montreal April, 2013 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts © Mirian Olívia da Silva Perez, 2013 1 Abstract In the province of Quebec, Canada, linguistic issues are often covered by the French- language news media in a way that vilifies the English language and victimizes the French language. This author considers it necessary that the French-speaking population understand that English instruction need not harm students’ school performance in any subject, including French. Individuals need to have access to accurate and diversified information about research on second language instruction. The thesis research reported here investigated how three French-language newspapers in Quebec (Le Devoir and La Presse, from Montreal, and Le Soleil, from Quebec City) framed the debate about the Ministère de l’Éducation, Loisir et Sports’s (MELS) announcement of their intention to implement a mandatory intensive English program policy in all Quebec schools (Grade Six) between July 2010 and July 2012. The theoretical framework for this study was frame analysis (Entman, 1993; Goffman, 1974; Hallahan, 2008; McCombs, 2004; Pan, 2008; Scheufele, 2008).The study investigated how positive or gain frames contrast with negative or loss frames, with details of how the publications under study chose to position themselves on the issue. In total, 60 newspaper articles (news, editorials, op-eds and letters) containing the key words ‘anglais intensif’ [‘intensive English’] were studied. -
Reference Guide This List Is for Your Reference Only
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA ACT OF THE HEART BLACKBIRD 1970 / Director-Writer: Paul Almond / 103 min / 2012 / Director-Writer: Jason Buxton / 103 min / English / PG English / 14A A deeply religious woman’s piety is tested when a Sean (Connor Jessup), a socially isolated and bullied teenage charismatic Augustinian monk becomes the guest conductor goth, is falsely accused of plotting a school shooting and in her church choir. Starring Geneviève Bujold and Donald struggles against a justice system that is stacked against him. Sutherland. BLACK COP ADORATION ADORATION 2017 / Director-Writer: Cory Bowles / 91 min / English / 14A 2008 / Director-Writer: Atom Egoyan / 100 min / English / 14A A black police officer is pushed to the edge, taking his For his French assignment, a high school student weaves frustrations out on the privileged community he’s sworn to his family history into a news story involving terrorism and protect. The film won 10 awards at film festivals around the invites an Internet audience in on the resulting controversy. world, and the John Dunning Discovery Award at the CSAs. With Scott Speedman, Arsinée Khanjian and Rachel Blanchard. CAST NO SHADOW 2014 / Director: Christian Sparkes / Writer: Joel Thomas ANGELIQUE’S ISLE Hynes / 85 min / English / PG 2018 / Directors: Michelle Derosier (Anishinaabe), Marie- In rural Newfoundland, 13-year-old Jude Traynor (Percy BEEBA BOYS Hélène Cousineau / Writer: James R. -
Masarykova Univerzita V Brně
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Pravoslava Morávková Quebec Society in the Works of Three Quebec Film Directors Bachelor’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Dr. 2010 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank doc. PhDr. Tomáš Pospíšil, Dr. for his support and valuable advice. Table of Contents 1. Introduction ................................................................................................................. 6 2. Quebec Society from the Beginning of the 20th Century Up to Now ......................... 7 2. 1 Quebec Society and Its Transformation ................................................................. 7 3. Development of Quebec Cinema before and after the 1960s ................................... 13 3. 1 Quebec Cinema before the 1960s ........................................................................ 13 3. 2 Foundation of the National Film Board of Canada .............................................. 14 3. 3 Quebec Cinema after the 1960s ........................................................................... 16 3. 4 New Generation of Filmmakers in Quebec ......................................................... 17 3. 5 Résumé ................................................................................................................. 19 4. Claude Jutra and -
DP LCEA VA.Pdf
1 The Fall of the American Empire After the decline… the fall. We are all subjects of the American Empire. The moral rot of the Empire has started to infect us. Money’s omnipotence is but one of the symptoms. Will we find antibiotics powerful enough to fight the gangrene? - Denys Arcand Synopsis Pierre-Paul Daoust, 36, an intellectual with a PhD in philosophy is forced to work as a deliveryman to afford a decent living. One day, while delivering a parcel, he gets caught in a hold up gone terribly wrong: two dead and millions in money bags laying on the ground. Pierre-Paul is confronted with a dilemma leave empty handed, or take the money and run? This new Denys Arcand film takes a witty yet touching look at, as only Arcand knows how, the predominance of money in a society where all other values seem to have crumbled. 1 Denys Arcand Director & screenwriter An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. In 2003, he wrote and directed The Barbarian Invasions which was nominated for Best Original Screenplay and won the Oscar for Best Foreign Language Film. In France, it won three César – Best Film, Best Screenplay and Best Director; in Italy, the Donatello for Best Foreign Language Film; at the Cannes Film Festival, the Best Actress and Best Screenplay awards, amongst many. In 1989, Denys Arcand directed the powerful Jesus of Montreal which won the Jury’s Grand Prize and the Ecumenical Prize in Cannes. The film also earned 12 Genie Awards in addition of being nominated for the Oscar in the Best Foreign Language Film category. -
C:\Documents and Settings\Eporlier\Bureau\TRANSIT
C A N D I D A T E S E T C A N D I D A T S P R O C L A M É S É L U S +---------------------------------------------------------------------------------------------------------------------------------------------------------+ | | | | | | | CIRCONSCRIPTION | NOM | APPARTENANCE | PROFESSION | DOMICILE | | | | | | | | ÉLECTORALE | | POLITIQUE | | | | | | | | | +---------------------------------------------------------------------------------------------------------------------------------------------------------+ Abitibi-Est Alexis Wawanoloath P.Q. Val-d'Or Abitibi-Ouest François Gendron * P.Q. La Sarre Acadie Christine St-Pierre P.L.Q./Q.L.P. Outremont Anjou Lise Thériault * P.L.Q./Q.L.P. Anjou Argenteuil David Whissell * P.L.Q./Q.L.P. Brownsburg-Chatham Arthabaska Jean-François Roux A.D.Q./É.M.D. Victoriaville Beauce-Nord Janvier Grondin * A.D.Q./É.M.D. Saint-Jules Beauce-Sud Claude Morin A.D.Q./É.M.D. Québec Beauharnois Serge Deslières * P.Q. Salaberry-de-Valleyfield Bellechasse Jean Domingue A.D.Q./É.M.D. Saint-Romuald Berthier François Benjamin A.D.Q./É.M.D. Mandeville Bertrand Claude Cousineau * P.Q. Ste-Lucie-des-Laurentides Blainville Pierre Gingras A.D.Q./É.M.D. Blainville Bonaventure Nathalie Normandeau * P.L.Q./Q.L.P. Maria Borduas Pierre Curzi P.Q. Saint-Jean-Baptiste Bourassa-Sauvé Line Beauchamp * P.L.Q./Q.L.P. Montréal-Nord Bourget Diane Lemieux * P.Q. Montréal Brome-Missisquoi Pierre Paradis * P.L.Q./Q.L.P. Bedford Chambly Richard Merlini A.D.Q./É.M.D. La Prairie Champlain Pierre Michel Auger A.D.Q./É.M.D. Trois-Rivières Chapleau Benoît Pelletier * P.L.Q./Q.L.P. Gatineau Charlesbourg Catherine Morissette A.D.Q./É.M.D. -
150 Canadian Films
150 CANADIAN FILMS MESSAGE FROM THE PRIME MINISTER OF CANADA Dear Friends: I am delighted to extend my warmest greetings to Canadians on National Canadian Film Day, a Canada 150 Signature Project, presented by REEL CANADA. This one-day event connects Canadians from sea to sea to celebrate the achievements of Canadian filmmakers. The film festival is one of many cultural projects during the Sesquicentennial year that will help build a sense of pride in and attachment to everything our remarkable country represents. National Canadian Film Day focuses on discovery, with opportunities to view culturally diverse Canadian films on television, online and in theatres large and small across the country. I would like to commend REEL CANADA for coordinating this exciting celebration of homegrown film excellence and I encourage everyone to get involved. With so many works to choose from, and an audience eager to explore the best of Canada’s rich film history, National Canadian Film Day is sure to be a resounding success. On behalf of the Government of Canada, I offer my best wishes for an enjoyable and memorable experience. Justin P.J. Trudeau Prime Minister of Canada The Rt. Hon. Justin P.J. Trudeau, P.C., M.P. Prime Minister of Canada MESSAGE FROM THE MINISTER OF CANADIAN HERITAGE As we kick off the 150th anniversary of Confederation, we want to support projects that inspire national pride and strengthen the bonds between citizens from coast to coast to coast. This is why we are pleased to support REEL CANADA and its National Canadian Film Day 150. -
The Convention on the Protection and Promotion of the Diversity of Cultural Expressions Ten Years After: National and International Perspectives
The Convention on the Protection and Promotion of the Diversity of Cultural Expressions ten years after: national and international perspectives International Conference Laval University, Quebec City, 28-30 May 2015 Thursday, May 28, 2015 12h:15 –1:00PM Welcoming 1:00 – 1:30PM Introduction by Eugénie Brouillet, Dean of the Faculty of Law, Laval University (TBC) Word of welcome Christine Saint-Pierre, Quebec Minister of International Relations and La Francophonie 1:30 – 2:15PM Opening address Ivan Bernier, former associate professor at the Faculty of Law, Laval University –The Convention from yesterday to today Mani Soleymanlou, author and actor – A creator’s perspective 2:15 – 3:00PM The Convention: the perspective of the civil society • Solange Drouin, Vice-President of Public Affairs and Executive Director of ADISQ and Co-Chair of the Coalition for Cultural Diversity • Catherine Mitchell, Association of Canadian Publishers and Co-Chair of the Coalition • Beat Santschi, President of the Swiss Coalition for Cultural Diversity and Vice-President of the European Coalitions for Cultural Diversity (CEDC) 3:00 – 3:15PM Pause 3:15 – 5:15PM Panel 1 – Linkages between the Convention and trade agreements Moderator: Martin Tétu (UQAM, Canada) • WTO and its dispute settlement body: of the need to establish case-law in the cultural sector? Gilbert Gagné, Professor, Politics and International studies, Bishop’s University • Insights from the next generation of researchers: Ivana Otasevic (Laval University, Canada) • International perspective: Culture-trade -
Ice Hockey and Québécois Nationalism
Central European Journal of Canadian Studies Revue d’Etudes Canadiennes en Europe Centrale volume 10/11 (2016) | (11–29) Playing for the “Bleu et Blanc” or for the Habs: Ice Hockey and Québécois Nationalism Jouer pour le « Bleu et Blanc » ou pour les Habs: Hockey et le nationalisme québécois articles — Glen M. E. Duerr articles Abstract In 2005, former Bloc Québécois (BQ) leader Gilles Duceppe called for the creation of inde- pendent ice hockey and soccer teams for Quebec. As the federal representative for the sov- ereigntist movement, Duceppe was mainly trying to make a political statement. However, Duceppe was also trying to cast a vision of a future Quebec wherein its young athletes could aspire to representing Quebec in high-level international tournaments. As a result of situations like this one, the issue of Quebec nationalism, at times, has interlinked with the sport of ice hockey. Prior to the 1995 independence referendum in Quebec, for example, the Toronto Star newspaper compiled a hypothetical list of Quebec national ice hockey team players, including some of the biggest stars in the game at that time, such as Patrick Roy, Mario Lemieux, and Luc Robitaille. This article examines several different facets of the complex nationalist question, including the political uses of the Montreal Canadiens as a vehicle of nationalism, as well as international tournaments designed to give Quebec a place on the world stage. Keywords: Bloc Québécois, hockey, nationalism, sovereignty Résumé En 2005, l’ancien Bloc Québécois (BQ) chef, Gilles Duceppe, a appelé à la création d’équipes de hockey sur glace et de football indépendants pour le Québec. -
The Activity Report of the National Assembly of Québec for 2008-2009
ACTIVITY REPORT of the National Assembly of Québec 2008-2009 www.assnat.qc.ca Cover illustration: Crown of fleurs de lys and acanthus leaves supporting a ring of lights informing the public when the National Assembly is sitting. ACTIVITY REPORT of the National Assembly of Québec 2008-2009 This publication was Supervision Jean Dumas prepared in collaboration Coordination and editing with the senior Noémie Cimon-Mattar management and Drafting committee the personnel of all Noémie Cimon-Mattar Yves Girouard the administrative units Robert Jolicoeur Lucie Laliberté of the National Assembly. Anne-Marie Larochelle Unless otherwise specified, Georges Rousseau the information in this Revision Francine Boivin Lamarche activity report covers Éliane de Nicolini the National Assembly’s Michelle Lavoie activities from April 1, Translation Anglocom 2008 to March 31, 2009. Sylvia Ford Art direction Manon Paré Graphic design Catherine Houle Manon Paré Photography Christian Chevalier, cover and pages 12, 14, 40, 42, 44 to 47, 49 to 52, 54 to 56, 60, 61, 68, 76, 77, and highlights François Asselin, page 76 Noémie Cimon-Mattar, page 76 Daniel Lessard, pages 43 and 68 Debates Broadcasting and Publishing Directorate, page 47 Stéphane Lévesque, page 46 Samuel Pignedoli, page 43 Kevin Thériault, page 43 Roch Théroux, page 48 Marie-Ève Vézina, “ From the 38th to 39th ” highlights Société du 400e anniversaire de Québec, page 50 Cover printing : Imprimerie LithoChic This publication is available on the National Assembly website at www.assnat.qc.ca Legal Deposit -
Diapositive 1
La politique provinciale et fédérale au Québec Publication le samedi 11 juin 2011 3 La présente étude a été réalisée par Internet Les répondants à cette étude ont été sélectionnés auprès de 1 004 personnes de plus de 18 ans, aléatoirement à partir du panel Internet LégerWeb, réparties dans toutes les régions du Québec, du 6 comprenant plus de 350 000 ménages canadiens au 8 juin 2011. selon un procédé de stratification des listes d’invitation assurant la représentativité optimale Les données finales du sondage ont été pondérées des répondants. Les panélistes ont été recrutés selon l’âge, le sexe, la langue maternelle, le degré aléatoirement à partir des enquêtes téléphoniques de scolarité, la composition du foyer (avec ou sans de Léger Marketing. De nombreux contrôles de enfant) et la région, de façon à garantir un qualité assurent la représentativité et la fiabilité des échantillon représentatif de la population sondages Léger Marketing issus de son panel québécoise. d’internautes. Un échantillon probabiliste de 1 004 répondants Dans les tableaux présentés, les données en aurait une marge d’erreur de +/- 3,1% dans 19 caractères gras et rouges signalent une proportion cas sur 20. significativement supérieure à celle des autres répondants. À l’inverse, les données en caractères gras et bleus signalent une proportion significativement inférieure à celle des autres répondants. 1ère Partie : La politique provinciale 6 Les intentions de vote au provincial Le Parti Question – Si des élections PROVINCIALES avaient lieu aujourd’hui, pour quel parti auriez-vous l’intention de Québécois et le voter, serait-ce pour...? Dans le cas où un répondant était sans opinion, la question de relance suivante était posée : Même si votre choix n’est pas encore fait, pour quel parti politique auriez-vous le plus tendance à voter? Parti libéral sont à égalité avec Avant Après Franco- Autres respectivement Intentions de votes au provincial répartition répartition phones langues 30% des (n=1 004) (n=779) (n=627) (n=150) intentions de … Le Parti libéral du Québec 23% 30% 21% 61% votes. -
Le Rôle Du Québec Dans Le Dossier De La Diversité Culturelle : L'affirmation
UNIVERSITÉ DU QUÉBEC À MONTRÉAL LE RÔLE DU QUÉBEC DANS LE DOSSIER DE LA DIVERSITÉ CULTURELLE L'AFFIRMATION INTERNATIONALE D'UNE ENTITÉ FÉDÉRÉE MÉMOIRE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN SCIENCE POLITIQUE PAR BRUNO MALTAIS-PROVENCHER DÉCEMBRE 2011 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans le' respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication oe la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» 11 REMERCIEMENTS Merci à Stéphane Roussel et Stéphane Paquin qui ont codirigé ce mémoire. Merci à Dominique Caouette qui a pris le temps de relire minutieusement la revue de la littérature qui a précédé la rédaction du mémoire. -
Starlight TV Brochure
What is Starlight: The ALA_Pdale_1sheet_M01.qxd:One_Sheet_Mech_Template 7/18/08 4:03 PM Page 1 Canadian Movie Channel? Starlight is a new specialty television channel that will be entirely devoted to Canadian movies, particularly feature films intended for theatrical release. The program schedule for the channel will be 100% Canadian, consisting of Canadian feature films, Canadian feature documentaries, Canadian made-for-TV movies, and programs with or about Canadian filmmakers. All feature films intended for theatrical distribution will be presented On June 1, 2012, an application was filed with the without commercial interruption. Canadian Radio-television and Telecommunications Commission (CRTC) for a new Canadian specialty channel to be called Starlight: The Canadian Movie Channel. How will Starlight Passchendaele be distributed? This brochure describes the channel and why it is so critically needed for the Canadian broadcasting system. The channel will be provided to every subscriber to digital television in English Canada. Cable companies like Rogers or Shaw would distribute the service to all digital subscribers outside Quebec as part of the digital basic service. The direct-to-home satellite providers – Bell TV and Shaw Direct – would distribute the service to all subscribers who subscribe to an English-language or bilingual basic service package. And the retail rate for the service for all subscribers will be no more than three cents a day. Incendies Academy Award Nominee Best Picture Genie SUPPORT FOR CANADIAN FEATURE FILMS FROM OUR BROADCASTING SYSTEM Why should our broadcasting system Is the situation any different in Canada? support Canadian feature films? No. A 2012 study by the Department of Canadian The Broadcasting Act states that the broadcasting system Heritage showed that 89% of Canadians watch films on should provide a wide range of programming that reflects regular television channels and this was the most common Canadian artistic creativity.