LIST of WORKS in the EXHIBITION Dance of Hands

LIST OF WORKS IN THE EXHIBITION

Dance of Hands. Tilly Losch and Hedy Pfundmayr in Photographs 1920─1935

November 14, 2014–February 15, 2015 Rupertinum

Works are listed in alphabetical order according to artist’s names and in chronological order. Works indicated in italics are authorized titles, otherwise a descriptive title is used. Height proceeds width proceeds depth.

Anonymous

Salzburg Festival 1926, 1926 Film, 16mm (black and white, silent) transferred to digital video disc 14:25 min.

This film is stored at Bundesarchiv-Filmarchiv Berlin

Friedrich Wilhelm Murnau

Nosferatu—A Symphony of Horror, 1922

Max Schreck as Nosferatu Frame enlargement Silver gelatin print (vintage print) 6.8 x 9 cm

Austrian Film Museum, Vienna

Friedrich Wilhelm Murnau

Nosferatu—A Symphony of Horror, 1922

Wolfgang Heinz as Nosferatu and Max Schreck as Maat Film still Silver gelatin print (vintage print) 10.2 x 12.4 cm

Robert Wiene

The Hands of Orlac, 1924

Conrad Veidt as Paul Orlac and Alexandra Sorina as Yvonne Orlac Film still Silver gelatin print (vintage print) 21.1 x 27 cm

Robert Wiene

Conrad Veidt as Paul Orlac and Fritz Kortner as Nera Film still

1/21 Dance of Hands_List of works

Silver gelatin print (vintage print) 21.3 x 27.4 cm

Robert Wiene

Conrad Veidt as Paul Orlac Silver gelatin print Photo: 17,6 x 23,6 cm

Theatermuseum, Vienna

Gustav Ucicky

Pratermizzi, 1926

Hedy Pfundmayr as double of the dancer Valette Film still Silver gelatin print 19.4 x 13.9 cm

Photoinstitut Bonartes

Gustav Ucicky

Pratermizzi, 1926

Hedy Pfundmayr as double of the dancer Valette Film still Silver gelatin print 13 x 17,7 cm

Hedy Pfundmayr in breeches role, and Tilly Losch as ballerina in their parody Wein, Weib und Gesang (wine, woman and song) by Johann Strauss with Hermann und Hans Thimig in the Theater in der Josefstadt, New Year’s Eve show in 1926 (again staged at the dance evening 1927 at the Salzburg Festival) Silver gelatin print 16.8 x 12.4 cm

Tilly Losch and Hedy Pfundmayr in Ladies Boxing Match with Adolf Nemeth, actor at the Vienna State Opera as referee, Great Circus Celebration of the Vienna stage artists, Renz Circus, 1926 Silver gelatin print 13.7 x 8.8 cm

Lebendiges Tanzarchiv Vienna / Andrea Amort Tilly Losch, ca. 1927 Silver gelatin print

11.3 x 17.8 cm Theatermuseum, Vienna

Hedy Pfundmayr’s palm (from the palmist Madame de Rogalla), ca. 1928 Silver gelatin print 11.6 x 8.4 cm

Health exhibition in London (pulse beats), ca. 1930 Silver gelatin print 21.6 x 15.5 cm

IMAGNO/Christian Brandstätter Collection

Tilly Losch as nun in The Miracle, directed by Max Reinhardt, 1932 Silver gelatin print 22.7 x 16.4 cm

Berühmte Tänzerinnen, 1933

(Famous Dancers) Album dance, Berlin-Pankow (Garbáty Cigarettenfabrik) Silver gelatin prints Album 30 x 21.5 cm

University of Salzburg, Derra de Moroda Dance Archives

Palmist with mask, ca. 1935 Silver gelatin print 17.6 x 12.4 cm

Tilly Losch with her bust by Ferridah Forbes, ca. 1935 Silver gelatin print 19.4 x 14.5 cm

Tilly Losch with her bust by Ferridah Forbes, ca. 1935 Silver gelatin print 18.2 x 21 cm

Hand and portrait studies, ca. 1925 7 silver gelatin glass diapositives Each 9 x 12 cm

Private Collection

Twin Augusta‘s handmouldings, ca. 1930 Four moulages from the teaching collection of the Department of Anthropology at the University of Vienna Produced according Alphons Poller’s casting technique Synthetic resin moulages on wood, varnished Each 14.8 x 25 x 5 cm

Department of Anthropology at the University of Vienna

Photos of monozygotic twin sisters’ hands, ca. 1930 Presentation board from the study collection of the Department of Anthropology at the University of Vienna Photo taken by the anthropological working group led by Josef Weninger 2 black-and-white photographs on cardboard Photos: each 17.7 x 12.8 cm Cardboard: 25.3 x 39.3 cm

Department of Anthropology at the University of Vienna

Norman Bel Geddes

1893 Adrian, USA – 1958 New York, USA

Miss Tilly Losch in her Dance of the Hands, ca. 1928

Film, 16mm (black and white, silent) transferred to digital video disc 5 min.

The Edith Lutyens and Norman Bel Geddes Foundation, Inc. Harry Ransom Center, The University of Texas at Austin

Arthur Benda

1885 Berlin, Germany – 1969 Vienna, Austria Gertraude Braun, 1932 Silver gelatin print 29.4 x 18.7 cm

FOTOGRAFIS Bank Austria Collection—Permanent loan to the Museum der Moderne Salzburg FF 96_1-8_4

Photo Ellinger

A. v. Blum as Witch Ho in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s)

24 x 18.2 cm Archive of the Salzburg Festival The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 View of the stage Silver gelatin print (print 1980s) 18,3 x 23.9 cm

Archive of the Salzburg Festival The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 View of the stage Silver gelatin print (print 1980s) 18.3 x 24.3 cm

Archive of the Salzburg Festival Ernst Matray as Wizard Wu and A. v. Blum as Witch Ho in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s) 23.7 x 17.5 cm

Archive of the Salzburg Festival Ernst Matray as Wizard Wu in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print(print 1980s) 22 x 16.1 cm

Archive of the Salzburg Festival Maria Solveg as Game Master, Katta Sterna as Princess Sing-ling, A. v. Blum as Witch Ho and Tilly Losch as Princess Fa-yen in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s) 23.5 x 17.3 cm

Archiv der Salzburger Festspiele

Tilly Losch as Princess Fay-yen in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s) Photo: 24 x 18.2 cm

Archive of the Salzburg Festival Tilly Losch as Princess Fay-yen, Ernst Matray as Wizard Wu, Katta Sterna as Princess Sing-ling in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s) 17.3 x 23.6 cm

Archive of the Salzburg Festival

Harald Kreutzberg as Forest Spirit in Midsummer Night’s Dream by William Shakespeare, Salzburg Festival 1927 Silver gelatin print (print 1980s) 17.7 x 12.2 cm

Archive of the Salzburg Festival Harald Kreutzberg as Puck in Midsummer Night’s Dream by William Shakespeare, Salzburg Festival 1927 Silver gelatin print (print 1980s) 17.4 x 12 cm

Archive of the Salzburg Festival Tilly Losch as first elf in Midsummer Night’s Dream by William Shakespeare, Salzburg Festival 1927, later print 1980s Silver gelatin print (print 1980s) 16.6 x 15.2 cm

Archive of the Salzburg Festival Tilly Losch as first elf in Midsummer Night’s Dream by William Shakespeare, Salzburg Festival 1927 Silver gelatin print (print 1980s) 17.7 x 12.8 cm

Archive of the Salzburg Festival Tilly Losch (front, in white dress) with Max Reinhardt a. o. at a rehearsal in Schloss Leopoldskron, Salzburg Festival 1927 Silver gelatin print (print 1980s) 17.5 x 23 cm

Archive of the Salzburg Festival Hedy Pfundmayr and Andrei Jerschik in Orfeo ed Euridice by Christoph Willibald Gluck in a choreography by Margarete Wallmann, 1936 Silver gelatin print 22.8 x 28.6 cm

Pepa Feldscharek

active ca. 1920—ca. 1933 Worker’s hands/hand study, 1930 Silver gelatin print 11 x 16.9 cm

Max Fenichel

1885 Tarnow, Poland – 1942 Litzmannstadt, Poland

Aus der Ballettschule der Wiener Staatsoper: Solotänzerin Tilly Losch, 1926

(From the ballet school of the Vienna State Opera: Prima ballerina Tilly Losch) Silver gelatin print 14.8 x 9.8 cm

Aus der Ballettschule der Wiener Staatsoper: Solotänzerin Tilly Losch, 1926

(From the ballet school of the Vienna State Opera: Prima ballerina Hedy Pfundmayr) Silver gelatin print 14.7 x 9.7 cm

Aus der Ballettschule der Wiener Staatsoper: Die Solotänzerinnen Tilly Losch und Hedy Pfundmayr, 1926

(From the ballet school of the Vienna State Opera: The prima ballerinas Tilly Losch and Hedy Pfundmayr) Silver gelatin print 12.7 x 8.2 cm

Trude Fleischmann

1895 Vienna, Austria – 1990 Brewster, USA The writer Karl Kraus’ right hand, ca. 1925 Silver gelatin print, toned, on postcard cardboard 11.6 x 8.4 cm

Fotomuseum WestLicht, Vienna

Tilly Losch as Princess Tea Blossom in Schlagobers (whipped cream) by Richard Strauss, 1924 Silver gelatin print 22.2 x 12 cm

Hedy Pfundmayr with bat headdress, ca. 1925 Inscription: “There is nothing better than Pessl’s beauty cream” Silver gelatin print 22.6 x 14.5 cm

Tilly Losch in a lace dress, ca. 1927 Silver gelatin print 20 x 16.7 cm

Tilly Losch, ca. 1927 Silver gelatin print 22 x 12.8 cm

The writer Karl Kraus, 1930 Silver gelatin print 21.4 x 17 cm

Tilly Losch-James, ca. 1932

Silver gelatin print 8.4 x 10.8 cm

Tilly Losch-James, 1933

Tilly Losch, 1933 Silver gelatin print, toned, on cardboard 22 x 16.3 cm

The actress Helene Thimig, 1936 Silver gelatin print 25.2 x 23.2 cm

Oskar Kokoschka, 1939 Silver gelatin print 35.2 x 24.5 cm

Trude Geiringer

1890 Vienna, Austria – 1981 Larchmont, USA

Dora Horovitz

1897 Vienna, Austria – 1978 San José, USA Harald Kreutzberg, ca. 1925 Silver gelatin print, toned 19.6 x 14.1 cm

Hand study, ca. 1927 Silver gelatin print 12.8 x 16 cm

Hand study Hedy Pfundmayr, ca. 1927 Silver gelatin print 14.9 x 14.9 cm

Hand study Hedy Pfundmayr, ca. 1927 Silver gelatin print 11. 2 x 19.3 cm

Horst von Harbou

1879 Hutta, Posen (now Poland) – 1953 Potsdam-Babelsberg, Germany Fritz Lang

Metropolis, 1927

Brigitte Helm as Maria/Machine-Human Film still Silver gelatin print (Vintage print) 21.4 x 27.5 cm

Fritz Lang

Metropolis, 1927

Brigitte Helm as Maria/Machine-Human Film still

Silver gelatin print, hand colored, on nitro-diapositive 21.3 x 27.5 cm

E.O. Hoppé

1878 Munich, Germany – 1972 London, Great Britain Tilly Losch, 1928 Silver gelatin print 25.3 x 19 cm

Tilly Losch, 1928 Silver gelatin print 25.8 x 19.4 cm

Tilly Losch, 1928 Silver gelatin print 23.6 x 19.4 cm

Max Jaffé

1845 Schwerin, Germany – 1939 Vienna, Austria

Mensch und Schicksal, 1925

(Man and fate)

In: Fritz Karpfen, Gustinus Ambrosi Album, Vienna 1923.

Collotype Sheet: 46.8 x 32.7 cm Image: 28.3 x 22.8 cm

Arm study, 1925 Collotype

Sheet: 46.8 x 32.7 cm Image: 15.2 x 22.8 cm

Die Erschaffung Adams, 1925

(Creation of Adam)

Collotype Sheet: 46.8 x 32.7 cm Image: 18 x 16.9 cm

Dora Kallmus (Madame d’Ora)

1881 Vienna, Austria – 1963 Frohnleiten, Austria Hedy Pfundmayr in Salome’s Dance by Richard Strauss, 1922 Silver gelatin print 21.4 x 14.2 cm

Mary Wigman and dancers, 1924 Silver gelatin print 15 x 21.6 cm

Mary Wigman and dancers, 1924 Silver gelatin print 16 x 19.2 cm

Harald Kreutzberg with Yvonne Georgi, ca. 1924 Silver gelatin print 17 x 20.1 cm

Museum der Moderne Salzburg F 1118

Steffi Dubec’s hands, 1949 Silver gelatin print 30.2 x 26.5 cm

Grete Kolliner

1892 Vienna, Austria – 1933 Vienna, Austria Hedy Pfundmayr, ca. 1928 Silver gelatin print

15.2 x 22.5 cm Photoinstitut Bonartes

Hedy Pfundmayr, ca. 1928 Silver gelatin print 22.6 x 16.5 cm

Hedy Pfundmayr, ca. 1928 Silver gelatin print 22.4 x 16.4 cm

Mila Cirul and Hedy Pfundmayr in Olympics Together in costumes by Georg Kirsta, 1928 Silver gelatin print 10.2 x 7.8 cm

Hedy Pfundmayr in Spanish Suite by Manuel de Falla, in a costume by Georg Kirsta, 1928 Silver gelatin print 22.6 x 16.5 cm

Handwoven bag in the style of the Austrian Werkbund, ca. 1930 Silver gelatin print 22.9 x 17.2 cm

Otto Werberg in The Demon by Paul Hindemith, with a mask by Richard Teschner, 1930 Silver gelatin print 22.6 x 16.9 cm

Manon Chaufour and Otto Werberg in Kakteen (cacti), 1930 Silver gelatin print 22.6 x 16.1 cm

Rudolf Koppitz

1884 Schreiberseifen/Skrbovice, Silesia (now Czech Republic) – 1936 Perchtoldsdorf, Austria Eva Maria Deinhardt, ca. 1912 Bromoil print 17.5 x 22.7 cm

Male portrait, before 1914 Bromoil print 38.5 x 34.3 cm

Tilly Losch as Almée in Pascha and Almée, 1925 Bromoil print 39 x 16 cm

Hedy Pfundmayr as Girl from Palestine in a costume by Georg Kirsta, ca. 1928 Silver gelatin print 22.5 x 17.1 cm

Hedy Pfundmayr as Potiphar’s wife in The Legend of Joseph by Richard Strauss, ca. 1928 Silver gelatin print 22.7 x 16.7 cm

Manon Chaufour, Lilly Calderon-Spitz, Otto Werberg and Hedy Pfundmayr in Jazz Movements by Georges Antheil, ca. 1928

Hedy Pfundmayr with menorah, 1928 Silver gelatin print 29.9 x 19.9 cm

Hedy Pfundmayr with Elektra-mask by Richard Teschner, 1930 Silver gelatin print 23.5 x 15.3 cm

Hedy Pfundmayr with Elektra-mask by Richard Teschner, ca. 1930 Silver gelatin print 23 x 10.7 cm

Hedy Pfundmayr with Elektra-mask by Richard Teschner, ca. 1930 Silver gelatin print 17.6 x 17.4 cm

Marketing campaign for the pain reliever Togal (with the hands of his wife Anna and his daughter Lisl), ca. 1930 Silver gelatin print 21 x 16 cm

Atelier Koppitz

Hand study, ca. 1925 Silver gelatin print 11.2 x 13.2 cm

Oczlon Collection

Portrait study, ca. 1925 Silver gelatin print 26.5 x 23 cm

Oczlon Collection

Portrait Josef Pécsi, n. d. Bromoil transfer print 23 x 16.4 cm

Oczlon Collection

Germaine Krull

1897 Posen-Wilda, Prussia (now Poland) – 1985 Wetzlar, Germany Freya (Lady reading palms), ca. 1930 Silver gelatin print 16.6 x 22.6 cm

Franz Löwy

1883 Osterau, Moravia (now Czech Republic) – 1949 probably Rio de Janeiro, Brazil Role portrait Hedy Pfundmayr, ca. 1920 Silver gelatin print 20.6 x 13.7 cm

Hans Malek

Life data unknown Praying hands, ca. 1930 Silver gelatin print 19.5 x 16.9 cm

IMAGNO/Christian Collection

Atelier Manassé

1922—1938 Vienna, Austria

Die schwarze Hand, ca. 1930

(The black hand) Silver gelatin print 22.7 x 13.3 cm

Albert Renger-Patzsch

1877 Würzburg, Germany – 1966 Warnel, Germany

Handstudie

(Hand study) Reproduction of a photograph In: Rudolf Bach, Das Mary Wigman-Werk, Dresden 1933. 18.3 x 25.8 cm

Residenz Atelier (Albin Kobé)

1884 Klagenfurt, Austria – 1963 Vienna, Austria Curt Hagen as Ascetic, 1928 Silver gelatin print 19 x 15.5 cm

Atelier Robertson (Hans Robertson)

1883 Hamburg, Germany – 1950 Vangede, Denmark Harald Kreutzberg in Irre Gestalten, 1928 Silver gelatin print (original print, multiple exposure) 29.2 x 20.8 cm

Staatliche Museen zu Berlin, Kunstbibliothek

Harald Kreutzberg, 1929

Silver gelatin print (original print, triple exposure) 21.5 x 27.5 cm

Staatliche Museen zu Berlin, Kunstbibliothek

Charlotte Rudolph

1896 Dresden, Germany – 1983 Hamburg, Germany

Arm- und Handstudien

(Arm studies, hand studies) Reproduction of two photographs In: Rudolf Bach, Das Mary Wigman-Werk, Dresden 1933. Sheet: 18.3 x 25.8 cm

Franz Xaver Setzer

1886 Vienna, Austria – 1939 Vienna, Austria Robert Wiene

The Cabinet of Dr. Caligari, 1920

Conrad Veidt as Cesare Silver gelatin print 20,8 x 15.4 cm

IMAGNO/Photo archive Setzer-Tschiedel

Robert Wiene

The Cabinet of Dr. Caligari, 1920

Conrad Veidt as Cesare Silver gelatin print 22.2 x 15.8 cm

Studio album, page Toni Birkmeyer, 1922 8 silver gelatin prints, mounted on cardboard Photos from 6.8 x 7.5 to 12 x 7.5 cm Cardboard: 30 x 39 cm

IMAGNO/ Photoarchiv Setzer-Tschiedel

Studio album, page Scheherazade, 1922 6 silver gelatin prints, mounted on cardboard Each 11.5 x 7.5 cm Cardboard: 30 x 39 cm

Studio album, page Toni Birkmeyer, 1922 8 silver gelatin prints, mounted on cardboard Photos from 10.6 x 8 cm to 11 x 7.5 cm Cardboard: 30 x 39 cm

Toni Birkmeyer as “negro slave” and Hedy Pfundmayr as the Sultan’s favorite in Scheherazade by Nikolai Rimski-Korsakov, 1922 Silver gelatin print 16,8 x 20,6 cm

Tilly Losch in Straußwalzer in a dress by the Wiener Werkstätte, ca. 1928 Silver gelatin print 21.2 x 15.4 cm

Eugenie Losch, Tilly Losch’s mother, ca. 1925 Silver gelatin print 21.6 x 15.5 cm

Toni Birkmeyer as Joseph in The Legend of Joseph by Richard Strauss, 1924 Silver gelatin print 21.3 x 15.6 cm

Stella F. Simon

1878 Charleston, USA – 1973 San Francisco, USA

Hands. The Life and Love of a Gentle Sex, 1929

Film (black and white, sound) transferred to digital video disc 13 min. Director: Miklós Bándy, Music: Marc Blitzstein

Courtesy of "Unseen Cinema: Early American Avant-Garde Film, 1894–1941" sponsored by Anthology Film Archives, New York and Deutsches Filmmuseum, Frankfurt am Main.

Otto Skall

1884 Prague, Bohemia (now Czech Republic) – ca. 1942 (murdered by the National Socialists) The left hand twice, ca. 1920 Silver gelatin print

14.8 x 14.2 cm IMAGNO/Christian Brandstätter Collection

Anton Josef Trčka

1893 Vienna, Austria – 1940 Vienna, Austria Egon Schiele, 1914 Later pigment print, 1980s Sheet: 31.9 x 23.1 cm Image: 12.9 x 8 cm

Private Collection