LIST OF WORKS IN THE EXHIBITION Dance of Hands. Tilly Losch and Hedy Pfundmayr in Photographs 1920 ─1935 November 14, 2014–February 15, 2015 Rupertinum
Works are listed in alphabetical order according to artist’s names and in chronological order. Works indicated in italics are authorized titles, otherwise a descriptive title is used. Height proceeds width proceeds depth.
Anonymous
Salzburg Festival 1926, 1926 Film, 16mm (black and white, silent) transferred to digital video disc 14:25 min.
This film is stored at Bundesarchiv-Filmarchiv Berlin
Friedrich Wilhelm Murnau Nosferatu—A Symphony of Horror , 1922 Max Schreck as Nosferatu Frame enlargement Silver gelatin print (vintage print) 6.8 x 9 cm
Austrian Film Museum, Vienna
Friedrich Wilhelm Murnau Nosferatu—A Symphony of Horror , 1922 Wolfgang Heinz as Nosferatu and Max Schreck as Maat Film still Silver gelatin print (vintage print) 10.2 x 12.4 cm
Austrian Film Museum, Vienna
Robert Wiene The Hands of Orlac , 1924 Conrad Veidt as Paul Orlac and Alexandra Sorina as Yvonne Orlac Film still Silver gelatin print (vintage print) 21.1 x 27 cm
Austrian Film Museum, Vienna
Robert Wiene The Hands of Orlac , 1924 Conrad Veidt as Paul Orlac and Fritz Kortner as Nera Film still
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Silver gelatin print (vintage print) 21.3 x 27.4 cm
Austrian Film Museum, Vienna
Robert Wiene The Hands of Orlac , 1924 Conrad Veidt as Paul Orlac Silver gelatin print Photo: 17,6 x 23,6 cm
Theatermuseum, Vienna
Gustav Ucicky Pratermizzi , 1926 Hedy Pfundmayr as double of the dancer Valette Film still Silver gelatin print 19.4 x 13.9 cm
Photoinstitut Bonartes
Gustav Ucicky Pratermizzi , 1926 Hedy Pfundmayr as double of the dancer Valette Film still Silver gelatin print 13 x 17,7 cm
Photoinstitut Bonartes
Hedy Pfundmayr in breeches role, and Tilly Losch as ballerina in their parody Wein, Weib und Gesang (wine, woman and song) by Johann Strauss with Hermann und Hans Thimig in the Theater in der Josefstadt, New Year’s Eve show in 1926 (again staged at the dance evening 1927 at the Salzburg Festival) Silver gelatin print 16.8 x 12.4 cm
Theatermuseum, Vienna
Tilly Losch and Hedy Pfundmayr in Ladies Boxing Match with Adolf Nemeth, actor at the Vienna State Opera as referee, Great Circus Celebration of the Vienna stage artists, Renz Circus, 1926 Silver gelatin print 13.7 x 8.8 cm
Lebendiges Tanzarchiv Vienna / Andrea Amort
Tilly Losch, ca. 1927 Silver gelatin print
2/21 Dance of Hands_List of works
11.3 x 17.8 cm
Theatermuseum, Vienna
Hedy Pfundmayr’s palm (from the palmist Madame de Rogalla), ca. 1928 Silver gelatin print 11.6 x 8.4 cm
Photoinstitut Bonartes
Health exhibition in London (pulse beats), ca. 1930 Silver gelatin print 21.6 x 15.5 cm
IMAGNO/Christian Brandstätter Collection
Tilly Losch as nun in The Miracle , directed by Max Reinhardt, 1932 Silver gelatin print 22.7 x 16.4 cm
Theatermuseum, Vienna
Berühmte Tänzerinnen , 1933 (Famous Dancers) Album dance, Berlin-Pankow (Garbáty Cigarettenfabrik) Silver gelatin prints Album 30 x 21.5 cm
University of Salzburg, Derra de Moroda Dance Archives
Palmist with mask, ca. 1935 Silver gelatin print 17.6 x 12.4 cm
IMAGNO/Christian Brandstätter Collection
Tilly Losch with her bust by Ferridah Forbes, ca. 1935 Silver gelatin print 19.4 x 14.5 cm
IMAGNO/Christian Brandstätter Collection
Tilly Losch with her bust by Ferridah Forbes, ca. 1935 Silver gelatin print 18.2 x 21 cm
IMAGNO/Christian Brandstätter Collection
3/21 Dance of Hands_List of works
Hand and portrait studies, ca. 1925 7 silver gelatin glass diapositives Each 9 x 12 cm
Private Collection
Twin Augusta‘s handmouldings, ca. 1930 Four moulages from the teaching collection of the Department of Anthropology at the University of Vienna Produced according Alphons Poller’s casting technique Synthetic resin moulages on wood, varnished Each 14.8 x 25 x 5 cm
Department of Anthropology at the University of Vienna
Photos of monozygotic twin sisters’ hands, ca. 1930 Presentation board from the study collection of the Department of Anthropology at the University of Vienna Photo taken by the anthropological working group led by Josef Weninger 2 black-and-white photographs on cardboard Photos: each 17.7 x 12.8 cm Cardboard: 25.3 x 39.3 cm
Department of Anthropology at the University of Vienna
Norman Bel Geddes 1893 Adrian, USA – 1958 New York, USA
Miss Tilly Losch in her Dance of the Hands , ca. 1928 Film, 16mm (black and white, silent) transferred to digital video disc 5 min.
The Edith Lutyens and Norman Bel Geddes Foundation, Inc. Harry Ransom Center, The University of Texas at Austin
Arthur Benda 1885 Berlin, Germany – 1969 Vienna, Austria
Gertraude Braun, 1932 Silver gelatin print 29.4 x 18.7 cm
FOTOGRAFIS Bank Austria Collection—Permanent loan to the Museum der Moderne Salzburg FF 96_1-8_4
Photo Ellinger
A. v. Blum as Witch Ho in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s)
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24 x 18.2 cm
Archive of the Salzburg Festival
The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 View of the stage Silver gelatin print (print 1980s) 18,3 x 23.9 cm
Archive of the Salzburg Festival
The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 View of the stage Silver gelatin print (print 1980s) 18.3 x 24.3 cm
Archive of the Salzburg Festival
Ernst Matray as Wizard Wu and A. v. Blum as Witch Ho in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s) 23.7 x 17.5 cm
Archive of the Salzburg Festival
Ernst Matray as Wizard Wu in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print(print 1980s) 22 x 16.1 cm
Archive of the Salzburg Festival
Maria Solveg as Game Master, Katta Sterna as Princess Sing-ling, A. v. Blum as Witch Ho and Tilly Losch as Princess Fa-yen in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s) 23.5 x 17.3 cm
Archiv der Salzburger Festspiele
Tilly Losch as Princess Fay-yen in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s) Photo: 24 x 18.2 cm
Archive of the Salzburg Festival
Tilly Losch as Princess Fay-yen, Ernst Matray as Wizard Wu, Katta Sterna as Princess Sing-ling in The Green Flute (Wolfgang Amadeus Mozart/Hugo von Hofmannsthal), Salzburg Festival 1925 Silver gelatin print (print 1980s) 17.3 x 23.6 cm
Archive of the Salzburg Festival
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Harald Kreutzberg as Forest Spirit in Midsummer Night’s Dream by William Shakespeare, Salzburg Festival 1927 Silver gelatin print (print 1980s) 17.7 x 12.2 cm
Archive of the Salzburg Festival
Harald Kreutzberg as Puck in Midsummer Night’s Dream by William Shakespeare, Salzburg Festival 1927 Silver gelatin print (print 1980s) 17.4 x 12 cm
Archive of the Salzburg Festival
Tilly Losch as first elf in Midsummer Night’s Dream by William Shakespeare, Salzburg Festival 1927, later print 1980s Silver gelatin print (print 1980s) 16.6 x 15.2 cm
Archive of the Salzburg Festival
Tilly Losch as first elf in Midsummer Night’s Dream by William Shakespeare, Salzburg Festival 1927 Silver gelatin print (print 1980s) 17.7 x 12.8 cm
Archive of the Salzburg Festival
Tilly Losch (front, in white dress) with Max Reinhardt a. o. at a rehearsal in Schloss Leopoldskron, Salzburg Festival 1927 Silver gelatin print (print 1980s) 17.5 x 23 cm
Archive of the Salzburg Festival
Hedy Pfundmayr and Andrei Jerschik in Orfeo ed Euridice by Christoph Willibald Gluck in a choreography by Margarete Wallmann, 1936 Silver gelatin print 22.8 x 28.6 cm
Photoinstitut Bonartes
Pepa Feldscharek active ca. 1920—ca. 1933
Worker’s hands/hand study, 1930 Silver gelatin print 11 x 16.9 cm
IMAGNO/Christian Brandstätter Collection
Max Fenichel 1885 Tarnow, Poland – 1942 Litzmannstadt, Poland
6/21 Dance of Hands_List of works
Aus der Ballettschule der Wiener Staatsoper: Solotänzerin Tilly Losch, 1926 (From the ballet school of the Vienna State Opera: Prima ballerina Tilly Losch ) Silver gelatin print 14.8 x 9.8 cm
Theatermuseum, Vienna
Aus der Ballettschule der Wiener Staatsoper: Solotänzerin Tilly Losch, 1926 (From the ballet school of the Vienna State Opera: Prima ballerina Hedy Pfundmayr) Silver gelatin print 14.7 x 9.7 cm
Theatermuseum, Vienna
Aus der Ballettschule der Wiener Staatsoper: Die Solotänzerinnen Tilly Losch und Hedy Pfundmayr, 1926 (From the ballet school of the Vienna State Opera: The prima ballerinas Tilly Losch and Hedy Pfundmayr) Silver gelatin print 12.7 x 8.2 cm
Theatermuseum, Vienna
Trude Fleischmann 1895 Vienna, Austria – 1990 Brewster, USA
The writer Karl Kraus’ right hand, ca. 1925 Silver gelatin print, toned, on postcard cardboard 11.6 x 8.4 cm
Fotomuseum WestLicht, Vienna
Tilly Losch as Princess Tea Blossom in Schlagobers (whipped cream) by Richard Strauss, 1924 Silver gelatin print 22.2 x 12 cm
Theatermuseum, Vienna
Hedy Pfundmayr with bat headdress, ca. 1925 Inscription: “There is nothing better than Pessl’s beauty cream” Silver gelatin print 22.6 x 14.5 cm
Photoinstitut Bonartes
Tilly Losch in a lace dress, ca. 1927 Silver gelatin print 20 x 16.7 cm
Theatermuseum, Vienna
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Tilly Losch, ca. 1927 Silver gelatin print 22 x 12.8 cm
Theatermuseum, Vienna
The writer Karl Kraus, 1930 Silver gelatin print 21.4 x 17 cm
FOTOGRAFIS Bank Austria Collection—Permanent loan to the Museum der Moderne Salzburg FF 143_1-9_6
Tilly Losch-James , ca. 1932 Silver gelatin print 8.4 x 10.8 cm
Photoinstitut Bonartes
Tilly Losch-James , 1933 Silver gelatin print 11.8 x 8.1 cm
Photoinstitut Bonartes
Tilly Losch-James , 1933 Silver gelatin print 11.2 x 8.2 cm
Photoinstitut Bonartes
Tilly Losch, 1933 Silver gelatin print, toned, on cardboard 22 x 16.3 cm
Fotomuseum WestLicht, Vienna
The actress Helene Thimig, 1936 Silver gelatin print 25.2 x 23.2 cm
FOTOGRAFIS Bank Austria Collection—Permanent loan to the Museum der Moderne Salzburg FF 143_1-9_5
Oskar Kokoschka, 1939 Silver gelatin print 35.2 x 24.5 cm
8/21 Dance of Hands_List of works
FOTOGRAFIS Bank Austria Collection—Permanent loan to the Museum der Moderne Salzburg FF 143_1-9_8
Trude Geiringer 1890 Vienna, Austria – 1981 Larchmont, USA Dora Horovitz 1897 Vienna, Austria – 1978 San José, USA
Harald Kreutzberg, ca. 1925 Silver gelatin print, toned 19.6 x 14.1 cm
Fotomuseum WestLicht, Vienna
Hand study, ca. 1927 Silver gelatin print 12.8 x 16 cm
IMAGNO/Christian Brandstätter Collection
Hand study Hedy Pfundmayr, ca. 1927 Silver gelatin print 14.9 x 14.9 cm
Photoinstitut Bonartes
Hand study Hedy Pfundmayr, ca. 1927 Silver gelatin print 11. 2 x 19.3 cm
Photoinstitut Bonartes
Horst von Harbou 1879 Hutta, Posen (now Poland) – 1953 Potsdam-Babelsberg, Germany
Fritz Lang Metropolis , 1927 Brigitte Helm as Maria/Machine-Human Film still Silver gelatin print (Vintage print) 21.4 x 27.5 cm
Austrian Film Museum, Vienna
Fritz Lang Metropolis , 1927 Brigitte Helm as Maria/Machine-Human Film still
9/21 Dance of Hands_List of works
Silver gelatin print, hand colored, on nitro-diapositive 21.3 x 27.5 cm
Austrian Film Museum, Vienna
E.O. Hoppé 1878 Munich, Germany – 1972 London, Great Britain
Tilly Losch, 1928 Silver gelatin print 25.3 x 19 cm
Theatermuseum, Vienna
Tilly Losch, 1928 Silver gelatin print 25.8 x 19.4 cm
Theatermuseum, Vienna
Tilly Losch, 1928 Silver gelatin print 23.6 x 19.4 cm
Theatermuseum, Vienna
Max Jaffé 1845 Schwerin, Germany – 1939 Vienna, Austria
Mensch und Schicksal , 1925 (Man and fate) In: Fritz Karpfen, Gustinus Ambrosi Album, Vienna 1923. Collotype Sheet: 46.8 x 32.7 cm Image: 28.3 x 22.8 cm
Photoinstitut Bonartes
Arm study, 1925 Collotype In: Fritz Karpfen, Gustinus Ambrosi Album, Vienna 1923. Sheet: 46.8 x 32.7 cm Image: 15.2 x 22.8 cm
Photoinstitut Bonartes
Die Erschaffung Adams, 1925 (Creation of Adam)
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In: Fritz Karpfen, Gustinus Ambrosi Album, Vienna 1923. Collotype Sheet: 46.8 x 32.7 cm Image: 18 x 16.9 cm
Photoinstitut Bonartes
Dora Kallmus (Madame d’Ora) 1881 Vienna, Austria – 1963 Frohnleiten, Austria
Hedy Pfundmayr in Salome’s Dance by Richard Strauss, 1922 Silver gelatin print 21.4 x 14.2 cm
IMAGNO/Christian Brandstätter Collection
Mary Wigman and dancers, 1924 Silver gelatin print 15 x 21.6 cm
IMAGNO/Christian Brandstätter Collection
Mary Wigman and dancers, 1924 Silver gelatin print 16 x 19.2 cm
IMAGNO/Christian Brandstätter Collection
Harald Kreutzberg with Yvonne Georgi, ca. 1924 Silver gelatin print 17 x 20.1 cm
Museum der Moderne Salzburg F 1118
Steffi Dubec’s hands, 1949 Silver gelatin print 30.2 x 26.5 cm
FOTOGRAFIS Bank Austria Collection—Permanent loan to the Museum der Moderne Salzburg FF 114_1-10_6
Grete Kolliner 1892 Vienna, Austria – 1933 Vienna, Austria
Hedy Pfundmayr, ca. 1928 Silver gelatin print
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15.2 x 22.5 cm
Photoinstitut Bonartes
Hedy Pfundmayr, ca. 1928 Silver gelatin print 22.6 x 16.5 cm
Photoinstitut Bonartes
Hedy Pfundmayr, ca. 1928 Silver gelatin print 22.4 x 16.4 cm
Photoinstitut Bonartes
Mila Cirul and Hedy Pfundmayr in Olympics Together in costumes by Georg Kirsta, 1928 Silver gelatin print 10.2 x 7.8 cm
Photoinstitut Bonartes
Mila Cirul and Hedy Pfundmayr in Olympics Together in costumes by Georg Kirsta, 1928 Silver gelatin print 9.9 x 7.6 cm
Photoinstitut Bonartes
Mila Cirul and Hedy Pfundmayr in Olympics Together in costumes by Georg Kirsta, 1928 Silver gelatin print 9.8 x 8.1 cm
Photoinstitut Bonartes
Hedy Pfundmayr in Spanish Suite by Manuel de Falla, in a costume by Georg Kirsta, 1928 Silver gelatin print 22.6 x 16.5 cm
Photoinstitut Bonartes
Handwoven bag in the style of the Austrian Werkbund, ca. 1930 Silver gelatin print 22.9 x 17.2 cm
IMAGNO/Christian Brandstätter Collection
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Otto Werberg in The Demon by Paul Hindemith, with a mask by Richard Teschner, 1930 Silver gelatin print 22.6 x 16.9 cm
Photoinstitut Bonartes
Manon Chaufour and Otto Werberg in Kakteen (cacti), 1930 Silver gelatin print 22.6 x 16.1 cm
Photoinstitut Bonartes
Rudolf Koppitz 1884 Schreiberseifen/Skrbovice, Silesia (now Czech Republic) – 1936 Perchtoldsdorf, Austria
Eva Maria Deinhardt, ca. 1912 Bromoil print 17.5 x 22.7 cm
Photoinstitut Bonartes
Male portrait, before 1914 Bromoil print 38.5 x 34.3 cm
Photoinstitut Bonartes
Tilly Losch as Almée in Pascha and Almée , 1925 Bromoil print 39 x 16 cm
Photoinstitut Bonartes
Hedy Pfundmayr as Girl from Palestine in a costume by Georg Kirsta, ca. 1928 Silver gelatin print 22.5 x 17.1 cm
Photoinstitut Bonartes
Hedy Pfundmayr as Potiphar’s wife in The Legend of Joseph by Richard Strauss, ca. 1928 Silver gelatin print 22.7 x 16.7 cm
Photoinstitut Bonartes
Manon Chaufour, Lilly Calderon-Spitz, Otto Werberg and Hedy Pfundmayr in Jazz Movements by Georges Antheil, ca. 1928
13/21 Dance of Hands_List of works
Silver gelatin print 17.4 x 21.7 cm
Photoinstitut Bonartes
Hedy Pfundmayr with menorah, 1928 Silver gelatin print 29.9 x 19.9 cm
Photoinstitut Bonartes
Hedy Pfundmayr with Elektra-mask by Richard Teschner, 1930 Silver gelatin print 23.5 x 15.3 cm
Photoinstitut Bonartes
Hedy Pfundmayr with Elektra-mask by Richard Teschner, ca. 1930 Silver gelatin print 23 x 10.7 cm
Photoinstitut Bonartes
Hedy Pfundmayr with Elektra-mask by Richard Teschner, ca. 1930 Silver gelatin print 17.6 x 17.4 cm
Photoinstitut Bonartes
Hedy Pfundmayr with Elektra-mask by Richard Teschner, ca. 1930 Silver gelatin print 18.3 x 16.5 cm
Photoinstitut Bonartes
Hedy Pfundmayr with Elektra-mask by Richard Teschner, ca. 1930 Silver gelatin print 16.8 x 15.6 cm
Photoinstitut Bonartes
Marketing campaign for the pain reliever Togal (with the hands of his wife Anna and his daughter Lisl), ca. 1930 Silver gelatin print 21 x 16 cm
Photoinstitut Bonartes
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Atelier Koppitz
Hand study, ca. 1925 Silver gelatin print 11.2 x 13.2 cm
Oczlon Collection
Hand study, ca. 1925 Silver gelatin print 20.5 x 13 cm
Oczlon Collection
Hand study, ca. 1925 Silver gelatin print 20.5 x 13 cm
Oczlon Collection
Portrait study, ca. 1925 Silver gelatin print 26.5 x 23 cm
Oczlon Collection
Portrait Josef Pécsi, n. d. Bromoil transfer print 23 x 16.4 cm
Oczlon Collection
Germaine Krull 1897 Posen-Wilda, Prussia (now Poland) – 1985 Wetzlar, Germany
Freya (Lady reading palms), ca. 1930 Silver gelatin print 16.6 x 22.6 cm
IMAGNO/Christian Brandstätter Collection
Franz Löwy 1883 Osterau, Moravia (now Czech Republic) – 1949 probably Rio de Janeiro, Brazil
Role portrait Hedy Pfundmayr, ca. 1920 Silver gelatin print 20.6 x 13.7 cm
15/21 Dance of Hands_List of works
Photoinstitut Bonartes
Hans Malek Life data unknown
Praying hands, ca. 1930 Silver gelatin print 19.5 x 16.9 cm
IMAGNO/Christian Collection
Atelier Manassé 1922 —1938 Vienna, Austria
Die schwarze Hand, ca. 1930 (The black hand) Silver gelatin print 22.7 x 13.3 cm
Fotomuseum WestLicht, Vienna
Albert Renger-Patzsch 1877 Würzburg, Germany – 1966 Warnel, Germany
Handstudie (Hand study) Reproduction of a photograph In: Rudolf Bach, Das Mary Wigman-Werk , Dresden 1933. 18.3 x 25.8 cm
University of Salzburg, Derra de Moroda Dance Archives
Residenz Atelier (Albin Kobé) 1884 Klagenfurt, Austria – 1963 Vienna, Austria
Curt Hagen as Ascetic, 1928 Silver gelatin print 19 x 15.5 cm
IMAGNO/Christian Brandstätter Collection
Atelier Robertson (Hans Robertson) 1883 Hamburg, Germany – 1950 Vangede, Denmark
Harald Kreutzberg in Irre Gestalten , 1928 Silver gelatin print (original print, multiple exposure) 29.2 x 20.8 cm
Staatliche Museen zu Berlin, Kunstbibliothek
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Harald Kreutzberg , 1929 Silver gelatin print (original print, triple exposure) 21.5 x 27.5 cm
Staatliche Museen zu Berlin, Kunstbibliothek
Charlotte Rudolph 1896 Dresden, Germany – 1983 Hamburg, Germany
Arm- und Handstudien (Arm studies, hand studies ) Reproduction of two photographs In: Rudolf Bach, Das Mary Wigman-Werk, Dresden 1933. Sheet: 18.3 x 25.8 cm
University of Salzburg, Derra de Moroda Dance Archives
Franz Xaver Setzer 1886 Vienna, Austria – 1939 Vienna, Austria
Robert Wiene The Cabinet of Dr. Caligari , 1920 Conrad Veidt as Cesare Silver gelatin print 20,8 x 15.4 cm
IMAGNO/Photo archive Setzer-Tschiedel
Robert Wiene The Cabinet of Dr. Caligari , 1920 Conrad Veidt as Cesare Silver gelatin print 22.2 x 15.8 cm
IMAGNO/Photo archive Setzer-Tschiedel
Studio album, page Toni Birkmeyer, 1922 8 silver gelatin prints, mounted on cardboard Photos from 6.8 x 7.5 to 12 x 7.5 cm Cardboard: 30 x 39 cm
IMAGNO/ Photoarchiv Setzer-Tschiedel
Studio album, page Scheherazade , 1922 6 silver gelatin prints, mounted on cardboard Each 11.5 x 7.5 cm Cardboard: 30 x 39 cm
IMAGNO/Photo archive Setzer-Tschiedel
17/21 Dance of Hands_List of works
Studio album, page Toni Birkmeyer, 1922 8 silver gelatin prints, mounted on cardboard Photos from 10.6 x 8 cm to 11 x 7.5 cm Cardboard: 30 x 39 cm
IMAGNO/Photo archive Setzer-Tschiedel
Toni Birkmeyer as “negro slave” and Hedy Pfundmayr as the Sultan’s favorite in Scheherazade by Nikolai Rimski-Korsakov, 1922 Silver gelatin print 16,8 x 20,6 cm
Photoinstitut Bonartes
Tilly Losch in Straußwalzer in a dress by the Wiener Werkstätte, ca. 1928 Silver gelatin print 21.2 x 15.4 cm
IMAGNO/Photo archive Setzer-Tschiedel
Eugenie Losch, Tilly Losch’s mother, ca. 1925 Silver gelatin print 21.6 x 15.5 cm
IMAGNO/Photo archive Setzer-Tschiedel
Toni Birkmeyer as Joseph in The Legend of Joseph by Richard Strauss, 1924 Silver gelatin print 21.3 x 15.6 cm
Theatermuseum, Vienna
Stella F. Simon 1878 Charleston, USA – 1973 San Francisco, USA
Hands. The Life and Love of a Gentle Sex , 1929 Film (black and white, sound) transferred to digital video disc 13 min. Director: Miklós Bándy, Music: Marc Blitzstein
Courtesy of "Unseen Cinema: Early American Avant-Garde Film, 1894–1941" sponsored by Anthology Film Archives, New York and Deutsches Filmmuseum, Frankfurt am Main.
Otto Skall 1884 Prague, Bohemia (now Czech Republic) – ca. 1942 (murdered by the National Socialists)
The left hand twice, ca. 1920 Silver gelatin print
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14.8 x 14.2 cm
IMAGNO/Christian Brandstätter Collection
Anton Josef Tr čka 1893 Vienna, Austria – 1940 Vienna, Austria
Egon Schiele, 1914 Later pigment print, 1980s Sheet: 31.9 x 23.1 cm Image: 12.9 x 8 cm
Private Collection
Egon Schiele, 1914 Later pigment print, 1980s Sheet: 38 x 28.2 cm Image: 20.4 x 15.6 cm
Private Collection
Egon Schiele (in front of his painting Encounter ), 1914 Later pigment print, 1980s Sheet: 38 x 28.2 cm Image: 21.8 x 17 cm
Private Collection
Self-portrait with bird drawn in, ca. 1924 Silver gelatin print 8.7 x 11.8 cm
Fotomuseum WestLicht, Vienna
Wilhelm Willinger 1879 Budapest, Hungary – 1943 Shanghai, British Empire (now China)
Scene shot of The Alluring Phantom by Franz Salmhofer, 1927 Silver gelatin print 17.4 x 21.4 cm
Lebendiges Tanzarchiv Vienna / Andrea Amort
Scene shot of The Alluring Phantom by Franz Salmhofer, 1927 Silver gelatin print 15.4 x 22.8 cm
Lebendiges Tanzarchiv Vienna / Andrea Amort
19/21 Dance of Hands_List of works
Herta Winkler Life data unknown
Tilly Losch as green snake in Old Wive’s Tales by Maurice Ravel in a costume by Max Snischek, 1923 Silver gelatin print 22.6 x 15 cm
Theatermuseum, Vienna
Paul Wolff 1887 Mühlhausen, Germany – 1951 Frankfurt am Main, Germany
Homemade biscuits: kneading dough, 1930s Silver gelatin print Photo paper: 22.5 x 17.1 cm Photo: 21.8 x 16.4 cm
IMAGNO/Christian Brandstätter Collection
Homemade biscuits: mixing flour and eggs, 1930s Silver gelatin print 22.4 x 16.7 cm
IMAGNO/Christian Brandstätter Collection
Homemade biscuits: cut out figurines, 1930s Silver gelatin print 20 x 16 cm
IMAGNO/Christian Brandstätter Collection
Woman’s neck massage, 1930s Silver gelatin print 22.8 x 16.5 cm
IMAGNO/Christian Brandstätter Collection
Homemade biscuits: Cutting dough, 1930s Silver gelatin print 16.4 x 22.2 cm
IMAGNO/Christian Brandstätter Collection
Books and magazines
Biermann, Aenne. 60 Fotos . Mit Einleitung von Franz Roh „Der literarische Foto-Streit”. Berlin 1930.
Hansen, Fritz. „Hände im photographischen Bilde“, in: Der Photograph, Jg. 34, Nr. 75, Bunzlau 1924.
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Krämer, J. „Ueber die Heranziehung der Hände im Porträt“, in: Der Photograph, Jg. 38, Nr. 57, Bunzlau 1928.
Handstudien von Albert Renger-Patzsch, in: H. Windisch, Hg. Das Deutsche Lichtbild: Jahresschau 1927. Berlin 1927.
Warstat, Willi. „Die Hand im photographischen Bildnis“, in: Photographische Rundschau und Mitteilungen. Zeitschrift für Freunde der Photographie, Jg. 56, Halle (Saale) 1919.
All: Library of Höhere Graphische Bundes-Lehr und Versuchsanstalt—permanent loan to Albertina, Vienna
Mila Cirul – Hedy Pfundmayr, Wien o. J. (1928)
Issberner-Haldane, Ernst. Wissenschaftliche Handlesekunst (Chirosophie): auf Grund gereinigter alter Quellen und 25 jähriger eigener Studien und praktischer Erfahrung im In- und Auslande. 4. stark erweiterte Auflage, Berlin 1928.
Koelsch, Adolf. Hände und was sie sagen . Zürich 1929.
Naval, Margret. Die Hand als Charakterspiegel: Chirologisches Lehrbuch nach modernen physiologischen Prinzipien . Prien 1923.
Schrenck-Notzing, Albert von. Handlesekunst und Wissenschaft. Die Okkulte Welt. Bd. 20. Berlin o. J. (1920).
Voigt, Rudolf. Hände: Eine Sammlung von Handabbildungen großer Toter und Lebender. Mit einer Einführung in die Handkunde. Hamburg 1929.
Wille, Hansjürgen. Harald Kreutzberg – Yvonne Georgi , Leipzig 1930
Wolff, Charlotte. Studies in Hand-Reading . London 1936.
All: Photoinstitut Bonartes
Poller, Alphons. Anleitung zum Abformen am lebenden und toten Menschen, sowie an leblosen Gegenständen. Wien 1929.
Vienna University Library
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