Global Iconic Events

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Global Iconic Events Global Iconic Events: How News Stories Travel Through Time, Space and Media Julia Sonnevend Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Julia Sonnevend All Rights Reserved ABSTRACT Global Iconic Events: How News Stories Travel Through Time, Space and Media Julia Sonnevend This dissertation examines how a news event may become a global social myth. In order to track this voyage from the particular to the universal, I developed a theoretical concept of “global iconic events.” I define global iconic events as news events that are covered extensively and remembered ritually by international media. I suggest five narrative aspects to consider in connection with them: (1) their narrative prerequisites; (2) their elevated and interpretative story; (3) their condensation into a simple phrase, a short narrative, and a recognizable visual scene; (4) their competing stories; and (5) their ability to travel across multiple media platforms and changing social and political contexts. I perform textual analysis on media representations from four distinct national contexts (West German, East German, Hungarian, and American) to examine two case studies. With the help of the central case study, the “fall of the Berlin Wall,” I exhibit the successful social construction of a global iconic event. The second case study, the 1956 Hungarian revolution, illuminates some factors, in particular local counter-narration, incoherent and contextual international representation, forgetting, and marginality of the event’s location, as instrumental in the failure of an event to become a global iconic event. While the East German border opening on November 9, 1989 was unintentional, confusing, and messy, its global message is not about “luck” or “accident” in history. Incarnated as a global iconic event, the fall of the Berlin Wall has come to communicate the momentary power that the otherwise hopelessly vulnerable individual can have. The event’s elevated and interpretative story, condensed into a simple phrase, a short narrative and a recognizable visual scene, provides global civil society with a contemporary social myth. Through recycling, reenactment, possession, memorialization and other embodiments, the event’s simple and universal story continues to travel successfully through time, space, and media, inspiring people in various parts of the world. In conclusion, I emphasize that when we examine the social construction of global iconic events, the stakes are high. I hope that this piece of academic writing will help us understand how powerful stories of events might shape the lives of those generations who come after us all over the world. Because in the end, after common currencies, military alliances, and international courts have failed, stories may well be all we have left to bring hope and unity. Table of Contents Introduction......................................................................................................................... 2 Chapter 1. Theoretical Framework: From Media Events to Global Iconic Events ............ 8 PART I: Constructing Global Iconic Events: The Case of the Fall of the Berlin Wall Chapter 2. Narrative Prerequisites of the Story of the Fall of the Berlin Wall................. 38 Chapter 3. “The Gates of the Wall Are Wide Open”: The Elevated and Interpretative West German Story of the Fall of the Berlin Wall ........................................................... 72 Chapter 4. “Wall and Barbed Wire Do Not Divide Anymore”: Condensation into a Simple Phrase, a Short Narrative and a Recognizable Visual Scene................................ 96 Chapter 5. Passport, Visa, and Stamp: The East German Story of November 9, 1989.. 115 Chapter 6. The Berlin Twitter Wall: How the Story of the Fall of the Berlin Wall Travels Through Time, Space, and Media................................................................................... 127 PART II: Deconstructing Global Iconic Events: The Case of the 1956 Hungarian Revolution Chapter 7. Narrative Prerequisites of the Story of the 1956 Hungarian Revolution ...... 165 Chapter 8. The “Hungarian Freedom Fighter” as Man of the Year: Condensation into a Simple Phrase, a Short Narrative and a Recognizable Visual Scene.............................. 171 Chapter 9. “We Greet You In the Name of the Hungarian Freedom Fighters”: The American Elevated and Interpretative Story of the 1956 Hungarian Revolution........... 177 Chapter 10. Why Did the Story of the 1956 Hungarian Revolution Not Travel Through Time, Space, and Media?................................................................................................ 196 Chapter 11. “Counterrevolutionaries”: The Hungarian Counter-narrative of the 1956 Revolution....................................................................................................................... 201 Conclusion ...................................................................................................................... 218 Research Design: My Travel Through Time, Space, and Media.................................... 229 Bibliography ................................................................................................................... 241 i List of Figures Figure 1: One of the two remaining command posts in Berlin, located at Kieler Eck, surrounded by pink and white residential buildings. Figure 2: Brunnenstrasse and Bernauer Strasse corner in Berlin Mitte. Figure 3: Sculpture at Brunnenstrasse 142 Berlin by Michael Bauer, Florian Bauer and Edward Anders. Figure 4: “Kampfgruppen am Brandenburger Tor 1961.” Figure 5: “GDR border guards remove the body of Peter Fechter (1944 - 1962) after he was shot trying to cross the Berlin Wall to West Germany, 18th August 1962.” Figure 6: Window of Remembrance at the Berlin Wall Memorial. Figure 7: “Dismantling of the Iron Curtain in Hungary.” Figure 8: “East-German refugees show their passports to news reporters as they leave Prague on October 4, 1989.” Figure 9: “International Press Center at Mohrenstrasse, East Berlin, November 9, 1989.” Figure 10: “Robin Lautenbach with passers-by at Invalidenstrasse,” Tagesthemen, November 9, 1989 (NDR) Figure 11: “The SED Opens Borders to the West: Nobody Will Be Prevented from Departure,” front page of Die Welt, November 10, 1989. Figure 12a: “The German People Are the Happiest in the World,” front page of Die Welt, November 11, 1989 [left side]. Figure 12b: “The German People Are the Happiest in the World,” front page of Die Welt, November 11, 1989 [right side]. Figure 13: “The GDR Opens Its Borders to the Federal Republic,” front page of Frankfurter Allgemeine Zeitung, November 10, 1989. Figure 14: “Wall and Barbed Wire Do Not Divide Anymore,” front page of Frankfurter Allgemeine Zeitung, November 11, 1989. Figure 15: “The GDR Cracks the Wall,” front page of Süddeutsche Zeitung on November 11, 1989. Figure 16: “Done! The Wall Is Open,” front page of Bild, November 10, 1989. Figure 17: Front page image of Bild, November 11, 1989. ii Figure 18: Hanns Joachim Friedrichs in Tagesthemen (NDR), November 10, 1989. Figure 19: Volker Jelaffle in Heute (ZDF), November 10, 1989. Figure 20: “Crossing the border with a Trabi: Manuela and Klaus left everything behind – today it’s possible to return,” Bild, November 10, 1989. Figure 21: “Two members of the People’s Police motionlessly observe the happenings: West Berliner crowds greet the visitors from East Berlin creating a thick corridor and waving the German flag,” Bild, November 11, 1989. Figure 22: “The mule says to the Trabi: if you are a car, I am a horse,” Thomas Mauz, Bild, November 11, 1989, p. 8. Figure 23: “Sarah – The Open Wall Baby,” Bild, November 13, 1989, p. 3. Figure 24: “Long Lines in Front of Banks – Money Became Scarce,” Bild, November 13, 1989, p. 5. Figure 25a: “Reformer Modrow announces dialogue about the opening of the Brandenburg Gate,” front page of Berliner Morgenpost, November 14, 1989. Figure 25b: “Berlin Revives: The Entire City Awaits – When Does the Gate Open?” Berliner Morgenpost, November 14, 1989, p. 5. Figure 26: “Images That Move the United States: NBC Correspondent Garrick Utley Reports Directly from the Brandenburg Gate,” Die Welt, November 14, 1989, p. 3. Figure 27: “Brandenburg Gate – The Most Interesting Spot On Our Planet,” Bild, November 17, 1989, p. 3. Figure 28: “Berlin Waited for the Opening of the Brandenburg Gate,” front page of Berliner Morgenpost, November 15, 1989. Figure 29: “Brandenburg Gate – Opens Today? Berliners Waited Entire Night,” front page of Bild, November 15, 1989. Figure 30: “The Brandenburg Gate: Landmark of Berlin and Highly Symbolic Monument For Two Hundred Years of German History,” Süddeutsche Zeitung, November 16, 1989, p. 13. Figure 31: “Rejoicing on the day after. Willy Brandt next to Mayor Walter Momper, in front of the Brandenburg Gate,” Die Zeit, November 17, 1989, p. 6. Figure 32: “Berlin’s Nicest Gift. The Brandenburg Gate on the East Side Just Before 3PM Yesterday Afternoon: Thousands Awaited the Moment of Opening,” Berliner Morgenpost, December 23, 1989, p. 3. Figure 33: “The Brandenburg Gate is Open. Entire Berlin Celebrates. Kohl: We Want Peace, We Want Freedom. Modrow Also Commemorates the Victims of the Wall,” front page of Die Welt, December 23, 1989. iii Figure 34: “Kennedy with Brandt in Berlin,” front page of Berliner Morgenpost, November 29, 1989. Figure 35: Frankfurter
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