A Boy and His God: the Promise of Masculinity in Captain Marvel
A Boy and His God: The Promise of Masculinity in Captain Marvel Ryan Johnson, University of Texas at Dallas Abstract It would be hard to deny that comics and the superheroes that populate them have Film and popular culture critic Bob been a major cultural force in the eight Chipman has argued that, during the Golden decades since their premiere. For those who Age of comics, one of the primary draws for study such movements in popular culture, many readers was the relationship between one of the primary issues has been why the adult-male hero and his young sidekick. comic books in particular succeeded so well. Many boys, left without present fathers Superman first debuted in Action Comics #1 during the 1930s and ‘40s, found ersatz in 1938, and in less than five years he and masculine role-models in the superheroes of his ilk were starring in radio, film, and the day, particularly those who mentored a enough individual titles to flood the market young sidekick, as with Batman and Robin. and reach millions of readers. What was it While Chipman’s theory accurately explains that allowed the superhero to rise so high one strong appeal of comics characters such and so quickly? Numerous scholars and as Batman, Superman, or Captain America creators such as Brad Wright, Grant to young boys, it does not account for the Morrison, James Gilbert, and many others interest in one of the most dominant figures have pointed to the identification of the of the Golden Age: Captain Marvel. reader with the superhero and/or his (or, The best-selling comics star for a rarely, her) alter-ego.
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