SHAZAM/Captain Marvel

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SHAZAM/Captain Marvel Shazam/Captain Marvel is just a regular guy, but when he says “SHAZAM” he activates his powers. When he was a young boy named Billy Batson walked into a cave with the statues of Greek gods a wizard in the cave ulters SHAZMA and gives him all the powers. His costume contains gold boots, red jumpsuit with gold lightning bolt, gold and white cape, and gold rim on the cape. The history about the costumes of the DC Comics comic books is that to save money they only used blue, yellow, red, and black. Then they got money and started using a wide variety of colors. Like most superheroes he doesn’t have a huge weakness, but one of weaknesses is if his enemy tricks him into saying SHAZAM, he turns back to normal and they have a chance of beating him. Captain Marvel’s enemy is Black Adam. His costume is the same as Captain Marvel, but the red is black and the cape is black and gold. Black Adam reminds me of something related to science because of Black as in Black matter and Adam as in atoms. His superpowers include speed, flight, power wisdom, and invulnerability. These powers are useful for combat with anyone. They also help with Mary Marvel and Marvel Jr. My opinion of Captain Marvel is that he is a goofy superhero, but can fight crime when needed too. My dad told me about Captain Marvel and he said that he was interesting, but not the comic for him. .

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ROY THOMAS Chapter Four
Captain Marvel Jr. TM & © DC Comics DC © & TM Jr. Marvel Captain Introduction by ROY THOMAS Chapter Four Little Boy Blue Ed Herron had come to Fawcett with a successful track record of writing Explosive is the best way to describe this iconic, colorful cover (on opposite page) by and creating comic book characters that had gone on to greater popularity, Mac Raboy, whose renditions of a teen-age super-hero with a realistic physique was noth- including work on the earliest stories of Timely’s colorful Captain America— ing less than perfect. Captain Marvel Jr. #4, (Feb. 19, 1943). Inset bottom is Raboy’s first and his kid sidekick Bucky. It was during the fall of 1941 that Herron came cover for Fawcett and the first of the CMJr origin trilogy, Master Comics #21 (Dec. 1941). Below up with the idea of a new addition to the Fawcett family. With Captain is a vignette derived from Raboy’s cover art for Captain Marvel Jr. #26 (Jan. 1, 1945). Marvel sales increasing dramatically since his debut in February 1940, Fawcett management figured a teenage version of the “Big Red Cheese” would only increase their profits. Herron liked Raboy’s art very much, and wanted a more illustrative style for the new addition, as opposed to the C. C. Beck or Pete Costanza simplified approach on Captain Marvel. The new boy-hero was ably dubbed Captain Marvel Jr., and it was Mac Raboy who was given the job of visualizing him for the very first time. Jr.’s basic attire was blue, with a red cape.
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