SHOWCASESHOWCASE #4! July 2006
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
The Complete Peanuts Volume I by Charles M. Schulz
NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class. -
Oktober 1968 CM # 005 (20 Seiten) Autor: Arnold Drake, Zeichner: Don Heck, Inker: John Tartaglione Hit Comics Nr. 203 , 1970 Rä
CAPTAIN MARVEL Checkliste (klassische Deutsche Ausgaben 1967-1977) Marvel Super-Heroes (Vol. 1) # 12-13 Oktober 1968 (Dezember 1967 - März 1968) CM # 005“The Mark Of The Metazoid!” (20 Seiten) Captain Marvel (Vol. 1) # 1-14 Autor: Arnold Drake, Zeichner: Don Heck, (Mai 1968 - Juli 1969) Inker: John Tartaglione Hit Comics Nr. 203 Dezember 1967 „Der Angriff des Metazoids“, 1970 MSH # 12“The Coming Of Captain Marvel!” (15 Seiten) Autor: Stan Lee, Zeichner: Gene Colan, Inker: Frank Giacoia Rächer Nr. 12-15„Das Los des Metazoiden!“ , (keine deutsche Veröffentlichung) Dezember 1974-März 1975 Übersetzung: Hartmut Huff, März 1968 Lettering: C. Raschke/U. Mordek/ MSH # 13“Where Stalks The Sentry!” (20 Seiten) M. Gerson/U. Mordek Autor: Roy Thomas, Zeichner: Gene Colan, Inker: Paul Reinman November 1968 (keine deutsche Veröffentlichung) CM # 006“In The Path Of Solam!” (20 Seiten) Autor: Arnold Drake, Zeichner: Don Heck, Mai 1968 Inker: John Tartaglione CM # 001“Out Of The Holocaust - - A Hero!” (21 Seiten) Hit Comics Nr. 203 Autor: Roy Thomas, Zeichner: Gene Colan, „Die Macht des Solams“, 1970 Inker: Vince Colletta Hit Comics Nr. 121 Rächer Nr. 16-18„Auf Solams Spur!“ , „Ein Sieger ohnegleichen“, 1969 April-Juni 1975 Übersetzung: Hartmut Huff, Rächer Nr. 1-3„Der Kampf der Titanen!“ , Lettering: Marlies Gerson, Januar-März 1974 Ursula Mordek (Rächer 16) Lettering: Ursula Mordek (nur Seite 1-7) (Originalseite 15 fehlt) Juli 1968 CM # 002 “From The Void Of Space Comes-- The Super Skrull!” (20 Seiten) Autor: Roy Thomas, Zeichner: Gene Colan, Inker: Vince Colletta Hit Comics Nr. 121 „Der Angriff des Super-Skrull“, 1969 Rächer Nr. -
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JACK KIRBY COLLECTOR THIRTY-NINE $9 95 IN THE US . c n I , s r e t c a r a h C l e v r a M 3 0 0 2 © & M T t l o B k c a l B FAN FAVORITES! THE NEW COPYRIGHTS: Angry Charlie, Batman, Ben Boxer, Big Barda, Darkseid, Dr. Fate, Green Lantern, RETROSPECTIVE . .68 Guardian, Joker, Justice League of America, Kalibak, Kamandi, Lightray, Losers, Manhunter, (the real Silver Surfer—Jack’s, that is) New Gods, Newsboy Legion, OMAC, Orion, Super Powers, Superman, True Divorce, Wonder Woman COLLECTOR COMMENTS . .78 TM & ©2003 DC Comics • 2001 characters, (some very artful letters on #37-38) Ardina, Blastaar, Bucky, Captain America, Dr. Doom, Fantastic Four (Mr. Fantastic, Human #39, FALL 2003 Collector PARTING SHOT . .80 Torch, Thing, Invisible Girl), Frightful Four (Medusa, Wizard, Sandman, Trapster), Galactus, (we’ve got a Thing for you) Gargoyle, hercules, Hulk, Ikaris, Inhumans (Black OPENING SHOT . .2 KIRBY OBSCURA . .21 Bolt, Crystal, Lockjaw, Gorgon, Medusa, Karnak, C Front cover inks: MIKE ALLRED (where the editor lists his favorite things) (Barry Forshaw has more rare Kirby stuff) Triton, Maximus), Iron Man, Leader, Loki, Machine Front cover colors: LAURA ALLRED Man, Nick Fury, Rawhide Kid, Rick Jones, o Sentinels, Sgt. Fury, Shalla Bal, Silver Surfer, Sub- UNDER THE COVERS . .3 GALLERY (GUEST EDITED!) . .22 Back cover inks: P. CRAIG RUSSELL Mariner, Thor, Two-Gun Kid, Tyrannus, Watcher, (Jerry Boyd asks nearly everyone what (congrats Chris Beneke!) Back cover colors: TOM ZIUKO Wyatt Wingfoot, X-Men (Angel, Cyclops, Beast, n their fave Kirby cover is) Iceman, Marvel Girl) TM & ©2003 Marvel Photocopies of Jack’s uninked pencils from Characters, Inc. -
The Fiddler Crab Claw-Waving Display
The Fiddler Crab Claw-waving Display: An analysis of the structure and function of a movement-based visual signal Martin J. How A thesis submitted for the degree of Doctor of Philosophy from The Australian National University October 2007 i Title page: Photograph of a male Uca mjoebergi in mid-wave. ii Declaration This thesis is an account of research undertaken between March 2004 and September 2007 at the Research School of Biological Sciences, The Australian National University, Canberra, Australia. Except where acknowledged in the customary manner, the material presented in this thesis is, to the best of my knowledge, original and has not been submitted in whole or in part for a degree in any other university. I am the senior author and the principal contributor to all aspects of the co-authored papers within. ……………………………………… Martin J. How iii iv Abstract Communication is an essential component of animal social systems and a diverse suite of signals can be found in the natural environment. An area of animal communication that, for technical reasons, we know very little about is the field of ‘movement-based’ or ‘dynamic’ visual signals. In this thesis, I make use of recent advances in measurement and analysis techniques, including digital video and image motion processing tools, to improve our understanding of how movement-based signals are adjusted according to signalling context. I measured and characterised the flamboyant claw-waving displays of male fiddler crabs (Genus Uca ) and made use of their transparent lifestyle to record the behavioural contexts in which these signals are produced The claw-waving displays of seven Australian species of fiddler crab are compared and contrasted to show that these signals are species-specific, but also vary within and between individuals. -
War Comics from Wikipedia, the Free Encyclopedia
War comics From Wikipedia, the free encyclopedia War comics is a genre of comic books that gained popularity in English-speaking countries following War comics World War II. Contents 1 History 1.1 American war comics 1.2 End of the Silver Age 1.3 British war comics 2 Reprints 3 See also 4 References 5 Further reading 6 External links History American war comics Battlefield Action #67 (March 1981). Cover at by Pat Masulli and Rocco Mastroserio[1] Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre This topic covers comics that fall under the military omnibus titles then popular as a format. Even prior to the fiction genre. U.S. involvement in World War II, comic books such as Publishers Quality Comics Captain America Comics #1 (March 1941) depicted DC Comics superheroes fighting Adolf Hitler and the Nazis. Marvel Comics Golden Age publisher Quality Comics debuted its title Charlton Comics Blackhawk in 1944; the title was published more or less Publications Blackhawk continuously until the mid-1980s. Sgt. Fury and his Howling Commandos In the post-World War II era, comic books devoted Sgt. Rock solely to war stories began appearing, and gained G.I. Combat popularity the United States and Canada through the 1950s and even during the Vietnam War. The titles Commando Comics tended to concentrate on US military depictions, Creators Harvey Kurtzman generally in World War II, the Korean War or the Robert Kanigher Vietnam War. Most publishers produced anthologies; Joe Kubert industry giant DC Comics' war comics included such John Severin long-running titles as All-American Men of War, Our Russ Heath Army at War, Our Fighting Forces, and Star Spangled War Stories. -
Elvis+Uncensored Michel Bulteau/Archive Électrique
Elvis+Uncensored Michel Bulteau/Archive Électrique Actualités/Daniel Azoulay En couverture, Mahogany Brain, n°122 Michel Bulteau, n°47 ACTUALITÉS Daniel Azoulay 8, bd St Marcel 75005 Paris (Uniquement sur rendez-vous) Tél : 06 72 07 91 06 [email protected] Al Feldstein, n°182 Art et livres, documents, iconographie Littérature et avant-gardes Cultures populaires Imageries du Japon RC Paris 453 963 613 Domiciliation bancaire : LCL Paris Austerlitz IBAN : FR74 3000 2004 9400 0043 1123 D84 BIC : CRLYFRPP Conditions conformes aux usages de la librairie ancienne et moderne Prix nets indiqués en euros, port en sus noire sur bristol blanc contenant le texte « Les mots n’ont plus de bouche », titre d’un livre de Michel Bulteau illustré par l’artiste. Vers 1997 (14/21 cm). 350 3/ ADELINE, OPPENHEIM (Meret). Catalepsie, suivi de Hiérophanie. Paris, Electric Press, 1975. In-8 br., couverture prune imprimée, 53 pp., frontispice de Meret Oppenheim, préface de Michel Bulteau. Tirage à 1 000 ex. numérotés. Extrait : « Les gangrènes murales par marbres bleus adhèrent boisées. » 40 4/ Autoportrait sur bristol noir, composé au collage avec des coupures de photographie couleurs rehaussées à la gouache. Signé en bas à droite. Dimensions : 13,5/21 cm (vers 1974). 250 1 // 2 1/ ACKERMAN (Ralph), PÉLIEU (Claude). 6 x Herbert Huncke. Collage original de Claude Pélieu réalisé à partir d’une superposition de 6 bandes de papier imprimées en noir, représentant l’écrivain Herbert Huncke de ¾ profil, les yeux fermés (photographie de Ralph Ackerman avec étiquette de légende au verso). Laissé pour compte originaire de Chicago, multi-toxicomane sans domicile fixe, cambrioleur, gigolo bisexuel, Herbert Huncke est aussi devenu un personnage du premier roman de William Burroughs (Junkie, 1953) et l’un des protagonistes de Sur la route de Jack Kerouac. -
Eastern Progress Eastern Progress 1965-1966
Eastern Progress Eastern Progress 1965-1966 Eastern Kentucky University Year 1966 Eastern Progress - 22 Apr 1966 Eastern Kentucky University This paper is posted at Encompass. http://encompass.eku.edu/progress 1965-66/26 5«9a NEW CAMPUS HISTORIC GRIPE HAZARD SESSION PAGE 2 PAGE 6 €(XSt€R OQRZSS 'Setting The Pace In ^4 Progressive Era' Friday, April 22, 1966 '» 43rd Year No. 26 Student Publication of Eastern Kentucky University. Richmond (Effective July I) Al Capp Demonstrates Junior-Senior Prom Highlights Wit And Intelligence Crowning Of King, Queen Tonight BARBARA DONNKIX the planning of the dance. This The music at the prom will By Frank Louden guards nnd want to run the in- be provided by Peter Palmer :.tituticn at Berkley they do!" Progress Staff Writer Junior committee Is in cnarge of Program Staff Writer scenery, chaperons, publicity, Voices and Orchestra. The Question: What do you think One of the highlights of the and the coronation of the King group consists of featured male Al Capp. renowned cartoonist- of student opinion? Eastern school year, the Junior- and Queen at the dance. soloist, Clay Randel, a four satirist and creative'artist, de- Answer: "I think students Senior Prom, will take place to- The committee consists of member vocal group, and a monstrated his keen wit and in- should have opinions on whit night in the Student Union Bill McDowell, Clara Black- twelve member orchestra. They telligence Tuesday night before they know most a'oout ---hubcaps Cafeteria. The dance will be- burn, Jerry Mitchell, Phil will play from 9 until 1. a capacity crowd in Hiram and puberty." gin at 9 p.m. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
DC Comics These 103 Comic Book Characters and Titles Make DC Comics a Marvel in the Field
DC Comics These 103 Comic Book Characters and Titles make DC Comics a marvel in the field. E U H S A L F E H T A L D E T C E P X E N U E H T F O S E L A T R U H K H M V Y A Y E D S R E S O L E H T H E P H A N T O M H L I C S K I A T B E G E E I L O N U E I L B R E Z A L B L L E H H P L R M I N Z P N E L R R K B L I T Z K R I E G D E P M U W O A L E A O M E G A M E N I P O E P R A T A T D R O D R X N O U T U A E T E P D N D M D G N K F V T E A T H H E O O A R K S S C C E S R S V M E K C O R T G S B O E A A W L E M S W U N H E C C I R T B K O L S R P E M U O R L D S V R E N P U E L O I O S I N U G I O R L D J L P N B C L L U D A D Y A A R M N W U F N V T I L U C Y A G M N U R H L E O D E N U H R T K I O N S S P A I C Y V Y M F D N E S A S I E S L M B A E R R I T S S T E E M M M A T M G A B S U O E U M T G E R O E K O O D Y B O O C S P E D I T I A A N C C O I B N S M I T T E E W L O U R L N R N I K T N T E N D R I A I Y M R N E G O C A W T A T T E D N E V R O F V A H R I O D M P M A O N K R A N C E B L H P E I A T R E Y T F A S A A F W N A T O R D B E U L H I Y L E K G E N S E O N N N N T E L C N O E N A C R E H C A E R P S O E C R I R I N A I E K A H H N S I D R I I N L S P N I D X T U S B A Y M F A P A O H T M F T U S E A T A N O U T P U W M A T V E S L G R G M R C I I E O R M R N E H T C A I P Y R O S R S M R D M B S U O B O M C D R W S E B A D S H S T T N B R S C I M O C E V I T C E T E D L H R T D C F T M E E S O C E L T O D C N H C S M A R H M F A A E D E A E E G I U H R U M A D A M E X A N A D U S E T C H C A R Q E S C U R U T C T