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2019 Duración: 78 Min Dirección: Andrés Di Tella Guión: Andrés Di Tella Producción: Gema Films Sonido: Mercedes Gaviria

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2019 Duración: 78 Min Dirección: Andrés Di Tella Guión: Andrés Di Tella Producción: Gema Films Sonido: Mercedes Gaviria uN nU!vO cI"e eS pO#iB$e ed ito rialrial editorialito d e s&PtIMaEdICi%N Las primeras personas que leyeron estas líneas fueron mis compañeros con los que hicimos esta séptima edición del festival que este catálogo presenta. El grupo crece cada vez más y entre quienes hemos continuado este proceso interminable de organizar edición tras edición seguimos aprendiendo juntos. Personalmente esta edición se la dedico a ellas y ellos, pero grupalmente se la dedicamos a ustedes, que nos regalan el invalorable sentido de hacer un evento que intervenga la esfera pública con tantas buenas intenciones como ganas de retarlos cinematográ!camente. Un festival de cine contemporáneo hecho en el Perú, pero también un festival de cine peruano: nuevo, arriesga- do, que late y abre nuevas posibilidades narrativas. Ahora estamos tan contentos como aliviados. Gracias a un premio multianu- al del Ministerio de Cultura del Perú hemos asegurado nuestra continuidad hasta el 2021 y prometemos seguir haciendo Transcinema hasta que el cine más audaz y libre sea visto entre nosotros como de rebelde rutina. Sí, un nuevo cine es posible. Otro agradecimiento enorme al Centro Cultural de España en Lima que se ofreció a alojarnos como sede principal y espacio cotidiano para convivir y crear. También a la sala elgalpon.transcinema donde están todos invitados a construir comunidad cinematográ!ca barrial (Pueblo Libre) a partir de estos días. Y el Centro Cultural PUCP, la Casa de la Literatura Peruana, el Espacio Fundación Telefónica Lima y la sala Ventana Indiscreta Cinearte ULima que nos quieren tanto como nosotros los necesitamos a ellos. Gracias, siempre. Con una suma de cariños y nostalgia, esta edición la ofrendamos a la memo- ria del gran Luis Ospina, leyenda del cine latinoamericano, quien nos iluminó con su presencia en nuestra tercera edición a propósito de una retrospectiva a su trascendente obra. Una luz que durará hasta lo que dure nuestra cine!lia en esta tierra. Y por supuesto, abrazos para el pueblo boliviano que recibe golpes reaccion- arios de odio revestido de misticismo y al chileno que resiste y contragolpea con entereza. Ganará el pueblo, pero ojalá que pronto. Cariños desde el país del cine. John Campos Gomez DI#e:o Gr;fI4o: AN. l8c7a EsC0bE'o AS/sT!nC/a 'e DiS!:o + DI3eC4i*n: CO6mU"iT1 m.nA5eR: JO(n CaM)oS G*mE+ BE.tR/z CeR3*n PR0dU4cI*n GeN!rA$: T<cN/cA + SuB,7tU$oS: MO3eL$a MoR!t ME$iS#a ZaP.tA AS/sT!nC/a 'e DiR!cC/*n: cO0rD/nA'oR. D! AD3iA"a OcH0a jU3aD=s / I"vI,aD=s: vE3*nI4a 37oS CO0rD/nA4i*n 'e )rO'uC4i*n: equipoFA2iO$a AlI.gA PR0gR.mA4i*n: AN/mA4i*n 1 v7dE0s: JO(n CaM)oS G*mE+ PA8lO PE3eY3a DA"iE$a DeL5aD0 V/tE3i PR!nS.: MO3eL$a MoR!t 3 P8nT0s 4oM8nI4aC/*n CO0rD/nA'oR TR.nS$aB: EN4aR5aD0s 'e #eD!: AL!jA"dR0 s6aL$ PA8lO PE3eY3a AL0nZ0 o3dA1a PR0dU4cI*n TrA"sL.b: RO6iN. b3aN MA2eL dE$ r7o ApO"tE PA$oM. I2eR/cO aD3iA"a 0cH0a FO,o 1 v7dE0 D8rA"tE eL bE$eM2a 3oM!rO fE#tI9aL: pA8lO cO3rE. WH/tE BE.r StU'iO maRIeL mEDiC FU"dA'oR!s: JO(n CaM)oS G*mE+, DiA"a CaS,rO- m.uR/cI0 g0dO1 Y PA2lO SA"tU3. apertura apertura apertura apertura FICHA TÉCNICA FICCIÓN PRIVADA País: Argentina Año de producción: 2019 Duración: 78 min Dirección: Andrés Di Tella Guión: Andrés Di Tella Producción: Gema Films Sonido: Mercedes Gaviria SINOPSIS Un actor y una actriz leen durante varios días y noches, en un hotel de provincias, la correspondencia entre Torcuato y Kamala, los padres del director de la película. Mientras tanto, el director arma con sus hijos el rompecabezas de la memoria familiar, una historia privada del siglo veinte. transandina transandina transandina transandina transandina transandina JURADOS/TRANSANDINA AFFONSO UCHÔA !CINEASTA BRASILEÑO" Es un realizador basado en Contagem, Brasil. Su ópera prima MULHER À TARDE (2010) se proyectó en Mostra de Tiradentes, Semana dos Realizadores entre otros festivales en Brasil. También dirigió A VIZINHANÇA DO TIGRE (2014), ganadora del premio mayor del Mostra de Tiradentes.Es el co-director de ARÁBIA (2017), que estrenó en el Tiger’s Competition en el Festival Internacional de Rotterdam y recibió varios premios en festivales como Indielisboa (Portugal), Golden Apricot (Armenia), BAFICI (Argentina),y Brasilia (Brasil). La película fue proyectada en más de 60 festivales alrededor del mundo. SETE ANOS EM MAIO (2019) es su más reciente película. Tuvo su estreno en Visions du réel (Suiza, 2019) y fue laureada en las ediciones de ese mismo año de Indielisboa y Filmadrid (España). EDWARD DE YBARRA !GESTOR CULTURAL PERUANO" Cineasta, artista visual, gestor cultural, programador, investigador y docente. Miembro fundador y actual presidente de Asociación Cultural Bulla. Director de "Corriente: Encuentro Latinoamericano de Cine de No Ficción". Director y programador del cineclub itinerante “Cine Aullador”. Director del archivo !ílmico y audiovisual del cineasta arequipeño José Antonio Portugal. Es miembro del equipo que administra el sitio web y archivo digital www."lmovisor.org y miembro fundador e integrante del equipo de trabajo del proyecto "Red de Archivos Fílmicos del Sur Peruano". Desde el presente año colabora también con el equipo de trabajo del Festival Asimtria. VANESA FERNÁNDEZ GUERRA !ACADÉMICA ESPAÑOLA" Doctora en Comunicación Audiovisual y profesora de la UPV/EHU. Es coordinadora del proyecto multidisciplinar “Territorios y Fronteras. Research on Documentary Filmmaking” que se centra en el cine documental contem- poráneo español invitando a reconocidos directores, académicos y críticos cinematográ"cos de primer orden y propiciando un encuentro de debate y re#exión. Ha colaborado en ZINEBI como miembro del comité de selección de los cortometrajes y programando en la competencia de largometrajes ZIFF- Zinebi First Film y en el ciclo Beautiful DOCS. Dentro del festival, también ha programado varios ciclos: “Trabajar. Luchar. Resisir” (ZINEBI 58), “Zinergentziak15” (ZINEBI 57) y “Zinergentziak14” (ZINEBI 56). FICHA TÉCNICA COMPAÑÍA País: Bolivia Año de producción: 2019 Duración: 60 min Dirección: Miguel Hilari Producción: Miguel Hilari Fotografía: Miguel Hilari Sonido: Eduardo Chavez (mezcla) Edición: Miguel Hilari, Gilmar Gonzales, Joaquín Tapia SINOPSIS Saliendo de la ciudad, un viaje.En un pueblo andino se toca música en honor a los difuntos. Aparecen recuerdos e imágenes, viajes de ida y de vuelta. Urbano es bautizado. FICHA TÉCNICA PIROTÉCNIA País: Colombia Año de producción: 2019 Duración: 83 min Dirección: Federico Atehortúa Guión: Federico Atehortúa, Jerónimo Atehortúa, Sonia Ariza, Verónica Balduzzi Producción: Jerónimo Atehortúa Fotografía: Mauricio Reyes Sonido: Diana Martínez, José Delgadillo Edición: Federico Atehortúa SINOPSIS Un accidente familiar lleva al director de la película a descubrir la extraña relación que existe entre la su madre, los orígenes del cine colombiano y recientes eventos del conflicto armado colombiano. FICHA TÉCNICA LUZ DE AMÉRICA País: Ecuador Año de producción: 2018 Duración: 68 min Dirección: Diego Arteaga Guión: Diego Arteaga Producción: Paula Parrini Fotografía: Diego Arteaga, Lucía Romero, Martín Jaramillo Sonido: Andrés Galarza Mier Edición: Diego Arteaga, Manolo Sarmiento SINOPSIS El documental propone una reflexión sobre la luz y cómo esta influye sobre nuestro entendimiento del mundo y de nosotros mismos; nos lleva a un viaje visual de imágenes, símbolos y teorías #losó#cas, por varias ciudades de américa. FICHA TÉCNICA DIOS País: Chile Año de producción: 2019 Duración: 63 min Dirección: Christopher Murray, Jose#na Buschmann, Israel Pimentel Guión: Israel Pimentel, Jose#na Buschmann, Antonio Luco Producción: Diego Pino Anguita Fotografía: Adolfo Mesías Sonido: Diego Aguilar Edición: Andrea Chignoli, Javiera Velozo SINOPSIS En un país al #n del mundo, aterriza la máxima autoridad de la Iglesia católica. El Papa viene a traer la palabra de Dios, pero Chile lo espera con la crisis religiosa más importante de su historia. FICHA TÉCNICA SIRENA País: Bolivia, Qatar Año de producción: 2019 Duración: 76 min Dirección: Carlos Piñeiro Guión: Juan Pablo Piñeiro, Diego Loayza Producción: Carlos Piñeiro, Juan Pablo Piñeiro Fotografía: Marcelo Villegas Edición: Amanda Santiago SINOPSIS 1984 - Cuatro personas llegan a una isla alejada en busca del cadáver de un amigo desaparecido en el Lago Titicaca, los aymaras que lo encuentran se niegan a devolver el cuerpo porque temen que esto repercuta fatalmente en las cosechas venideras. FICHA TÉCNICA EN EL MURMULLO DEL VIENTO País: Bolivia Año de producción: 2019 Duración: 61 min Dirección: Nina Wara Carrasco Producción: Pedro Lijeron Fotografía: Jessica Villamil, Sergio Bastani Edición: Omar Guzman SINOPSIS Los relatos del padre de Nina, la realizadora; sobre la música del ritual del Tinku en el norte de Potosí en Bolivia. Son la razón por la que ella regresa 25 años después a encontrarse con el lugar idílico de su infancia en medio de las montañas del altiplano. Donde descubre su extranjerismo y una serie de cambios que le hacen darse cuenta que la música es un bálsamo que permite conectarse no sólo con la naturaleza sino con los seres del más allá. FICHA OFICIALSELECCIÓN TÉCNICA PERUANA DIOS ESTÁ LLORANDO País: Perú Año de producción: 2019 Duración: 90 min Dirección: Gustavo Meza Veral Guión: Gustavo Meza Vera Producción: Héctor Meza, Gustavo Meza Fotografía: Gustavo Meza Sonido: Omar Baldeón Edición: Gustavo Meza SINOPSIS En medio del Apocalipsis, un par de niños establecerán contacto con un enigmático artefacto. FICHA TÉCNICA UN FUEGO LEJANO País: Chile Año de producción: 2019 Duración: 65 min Dirección: Diego Soto Guión: Diego Soto Producción: Manuel Vlastelica, Florencia Dupont Fotografía: Manuel Vlastelica Sonido: Gonzalo Puebla Edición: Diego Soto SINOPSIS Vísperas de navidad, ciudad de Rancagua. Una mujer deja su auto abandonado en el estacionamiento de Natacha y Germán, y no vuelve a buscarlo, desatando una serie de conflictos familiares que terminan con un cambio de planes para las #estas.
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