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Introduction: Georges Sorel’s Study on Vico in French and European Context Somewhere between late nineteenth century critics of bourgeois modernity, such as Friedrich Nietzsche, and exalted twentieth century militarists, such as Ernst Jünger and Benito Mussolini, is to be found Georges Sorel (1847–1922)— at least according to the usual narratives of the period’s intellectual history.The commonly accepted image of Sorel is that of a theorist of violence, a philo- sophical irrationalist, and a precursor of fascism.1 Sorel’s work is taken as the paradigmatic representation of that late nineteenth century “crisis of reason” which anticipated and prepared the way for the tragedies of the first half of the twentieth century.2 It is, however, sufficient to scratch but the surface of this widely accepted image to see how it is disproportionately based on the reading of only one of Sorel’s works, the 1908 Reflections on Violence. 1 See, amongst many such views, above all the works of Zeev Sternhell, such as Zeev Stern- hell, Neither Right nor Left: Fascist Ideology in France, trans. David Maisel, 2nd ed. (Princeton, NJ: Princeton University Press, 1995), 68–81; Zeev Sternhell, Maia Asheri, and Mario Szna- jder, The Birth of Fascist Ideology. From Cultural Rebellion to Political Revolution, trans. David Maisel (Princeton, NJ: Princeton University Press, 1994), 36–91; Jan-Werner Müller, “Myth, Law and Order: Schmitt and Benjamin Read Reflections on Violence,” History of European Ideas 29 (2003): 459–473; George Douglas Howard Cole, A History of Socialist Thought. The Second International 1889–1914, vol. 3 (London: Macmillan, 1956), 382–387.
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