Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Directing violence from "stage to page": revenge tragedies and the early modern dramatic form Robert Leinheiser Vassar College,
[email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Leinheiser, Robert, "Directing violence from "stage to page": revenge tragedies and the early modern dramatic form" (2016). Senior Capstone Projects. Paper 589. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact
[email protected]. VASSAR COLLEGE Directing Violence from “Stage to Page” Revenge Tragedies and the Early Modern Dramatic Form By Rob Leinheiser Advised by Zoltán Márkus, PhD. Vassar College English Department — Fall 2015 Leinheiser 2 Ham. Come on sir. Laer. Haue at you now They catch one anothers Rapiers, and both In scuffling they change Rapiers. are wounded, Leartes falles downe, the King. Part them, they are incens’d Queene falles downe and dies. Ham. Nay come, againe. King Looke to the Queene. Osr. Looke to the Queene there hoa. Queene O the drinke, the drinke, Hamlet, the (Folio 1623, 281) drinke. (Quarto 1 1603, I3V) In his (1625) essay On Revenge, Francis Bacon calls the titular act “a kind of wild justice.” Shakespeare’s first printed edition of Hamlet, the first quarto (Q1), exudes the kind of wild nature of revenge in these three lines of stage directions depicting the climactic battle between Hamlet and Leartes1 — both seeking revenge for their fathers’ deaths.