DOCSLIB.ORG

2008 Creative Industries in Berlin

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2008 Creative Industries in Berlin Development and Potential ndustries in Berlin 2008 I Creative 2008 CREATIVE INDUSTRIES IN BERLIN Development and Potential European Union Co-financed by the European Regional Development Fund 2008 CREATIVE INDUSTRIES IN BERLIN Development and Potential Content Preface 1 Introduction 4 1.1 Terms and terminology policy 4 1.2 Creative industries and cultural policies 6 1.3 The complexity of an enabling industry 9 1.4 Education and training in the creative professions 11 1.5 Internationality 14 1.6 Creative industries as a policy field since 2004 15 1.7 Creative industries as a challenge for public policy 20 2 Economic significance of the creative industries for Berlin 22 2.1 Overview 22 2.2 Print media and publishing 28 2.3 Software development/games/telecommunications services 34 2.4 Advertising 39 2.5 Film, television and radio 44 2.6 Art market 51 2.7 Music industry 57 2.8 Architecture 63 2.9 Design industry 67 2.10 Performing arts 73 2.11 Women in the creative industries 77 2.12 Creative Industries in the context of promoting culture 80 3 Income dynamics and forms of work in Berlin‘s cultural and creative professions 86 3.1 Introduction 86 3.2 Supporting data and approach 89 3.3 Results 92 4 Urban development and the cultural and creative Industries 102 4.1 Introduction to the spatial dimension 102 4.2 Basis of data and methods 104 4.3 Locating creative enterprises 107 4.4 Interpretation of business distribution throughout urban space 113 4.5 Creative industries accelerate urban transformation processes 127 5 The most spheres of activity for creative industries 130 5.1 Integration and clustering 130 5.2 Sponsorship and financing 131 5.3 International networks 133 5.4 Accomodation for the cultural and creative industries 134 5.5 Sales increases 135 5.6 Digitalisation 136 5.7 Education and coaching 137 5.8 Platforms for design and fashion 138 5.9 Urban development and creative spaces 138 5.10 Outlook 144 Appendix 146 Imprint Vorwort Berlin, nearly 20 years after reunification, is people from all over Europe and the world once again a respected and treasured loca- come to Berlin to embrace new perspectives tion for the cultural and creative industries. and developments, enriching the city‘s crea- In re-attaining this status, the city has tap- tive potential with their ideas. Berlin relies on ped into its old strengths, some of which date this stream of talent; however, the city in turn back decades. At the same time, while preser- also cultivates many creative minds. ving the special potentials it has engendered, in part due to the profound changes that The following cultural industries report dis- have occurred since 1989, Berlin is poised to penses with the prejudice that culture is develop new qualities. Like other metropoles, merely a “weak location factor“, a cherry on Berlin is benefiting from the growing recog- the cake that is expendable if necessary. Cul- nition of the economic importance of art and ture is the basis for the development of the culture, fashion and media, communication creative ideas that kindle all value creation and creativity. and that literally provide the initial “content“ for fascinating, new technological possibili- Indeed, it is impossible to overlook the crea- ties. To prosper creativity needs the city, the tive industries‘ strategic contribution to the urban milieu. This creative industries report innovative capability of commercial areas: is the first to investigate how urban develop- where art and culture flourish, media and ment influences the spatial unfolding of crea- communications also thrive. Whether adverti- tive industries, and thereby how creative mili- sing, architecture, fashion and design studios eus reproduce themselves within the city. or music, the creative industries feed off one another. The barriers between once separate Creativity needs the city – not the establis- fields are now often difficult to detect. Mo- hed and saturated city, but rather the city of ving at the borders, forward-looking compa- niches and breaches, the dialogue of cultures, nies and exciting cultural projects are taking the excitement of change. Berlin affords all shape. this, which is why it holds such fascination. Culture and creativity are highly significant location and economic factors. The numbers of people working in this area is rising con- tinually. Young and mostly highly qualified Klaus Wowereit Ingeborg Junge-Reyer Harald Wolf Mayor of Berlin Senator for Senator for Economics, Urban Development Technology and Women’s Issues This report provides information on the cre- from politics, research bodies, networks and ative industries in the federal state of Berlin enterprises in the six regions of Amsterdam, and on their development since 2000. Cur- Berlin, Copenhagen, Dublin, Paris and Bucha- rent results of policies by the state agencies rest. The aim of the project is to improve the are presented, problems are analysed, best knowledge transfer and research & develop- practices are illustrated and future areas of ment activities in the field of new media in activity are specified. order to strengthen the innovation capacity and future competitiveness of the partnering In this regard, Berlin makes an important con- cities. tribution to the discussion and on-going work in two European projects: CREATIVE METRO- Only since the fall of the Berlin Wall just 20 POLES and REDICT, two interregional net- years ago can Berlin again assume the role works funded by the European Commission. that large cities typically play in internatio- nal collaborations. The networking of Berlin CREATIVE METROPOLES – Public Policies and with other urban and cross-regional commer- Instruments in Support of Creative Industries cial centres and the evolution of a decidedly (INTERREG IVC) links together 11 large Euro- international orientation require time. Both pean cities. The core metropoles are the capi- projects show that Berlin has since become an tals of the Baltic nations, cities that for years accepted partner in international and cross- have worked in close collaboration on various regional cooperation. projects. This network is being expanded to include the cities of Amsterdam, Barcelona CREATIVE METROPOLES and REDICT both and Birmingham. The collective goal is the es- address Berlin’s strengths: the creative indus- tablishment of a well-functioning, focussed, tries and digital technologies. The collabora- flexible and efficient public support system tive projects developed in Berlin by regional for the creative industries in the participating institutions and companies help to develop cities in order to stimulate the growth and new solutions to economic and social challen- development of the creative sector. ges. REDICT – Regional economic development We are similar enough to learn from each by ICT/New media clusters (FP7, Regions of other and we are different enough that it Knowledge) brings together 18 partners makes sense. Klaus Wowereit Ingeborg Junge-Reyer Harald Wolf Ingrid Walther Mayor of Berlin Senator for Senator for Economics, Head of Division Communication, Urban Development Technology and Women’s Issues Media, Creative Industries 1 Introduction Cultural products such as concerts, books, from a social, infrastructural and urban de- exhibitions, newspapers, films, matches and velopment perspective. art objects, all make up important compo- nents of people‘s everyday lives. As a rule, it The cultural and creative industries are dis- is only somewhat relevant to the consumer tinguished by a high percentage of female whether these products are provided by a employees. The present report examines commercial enterprise, a community organi- in particular the standards of both gender sation or by a state-supported cultural ser- mainstreaming and gender-equitable lan- vice. guage. As far as is possible, this text will em- ploy gender-neutral phrasing, dual-gender This report concerns itself with all cultural- usage as well as combined-gender formu- ly oriented industries and explores, as tho- lations (i.e. he/she). However, especially in roughly as is possible, the entire value chain chapters 2 and 3, the use of gender-equi- of creative efforts from production to distri- table language might hinder the clarity and bution. Particular attention will be given to readability of the text. Therefore, when re- creators and artists. The cultural and crea- ferring to personnel in these chapters, mas- tive industries are considered not only from culine- or combined-gender designations the standpoint of economics, labour-mar- are predominantly used. ket policy and cultural significance, but also 1.1 Terms and Terminology Policy To date, there exists no authoritative defini- In 2008, the Conference of Economic Minis- tion at the European or international levels ters of the German Federal States incorpora- for the term “Kulturwirtschaft“. The desi- ted official statistics to agree upon a national- gnation “kulturwirtschaft“ is principally and ly standardised and potentially Europe-wide commonly used in Germany while in the An- acceptable definition of creative industries. If glo-American realm the term “creative indus- this term is adopted, German economic and tries“ is used, for the purposes of reaching a employment statistics will become compara- broader cultural understanding. ble for the first time. As agreed upon by the states and as applied in this report, the de- finition of the terms “cultural and creative industries“ will correspond to the definition understood in the final report of the Commit- tee of
Load more

Recommended publications
  • S:\Aybplan\Bpläne\01-0008Ba\ Ib\01
    R N s o o t s s r v . e K t R a r 1 n l . 3 o 1 K 1 J 203 e l 1 i 3 o t s s 1194 l i 5 St.Adelbert- 1 e A n Abzeichnung h 0 a e 54 - Übersichtskartei 1:10e 000 n c n 21 Bebauungsplan 1-8Ba s 1 a 3 1 2 kirche h Garnisons- 4 e t 2 2 K 7 3 2 0 t h 0 6 Koppen- i l 12 3 r l 1 6 2 6 . Kita m e . 4 . A 5 a friedhof 6 2 199 80 H 20 r 1 2 a 5 Spielpl. u - r l t 0 e s m 1 g 44 r Franz-Mett- S 6 t Volkshochschule u 9 . 9 S 1 2 b 5 r platz 9 r 4 1 4 s 5 u noch nicht rechtsverbindlich 0 Sporthalle t . 2 t 1 r t . g s A r r 7 . e 50 6 M Standes- t Spiel- S für die Grundstücke r t 8 J u r r . r l s tr Theaterhaus 1 o 2 ac t14 r t . s 1 1 . r k A plätze 3 st 8 34 21 - s amt I e 3 a s Sozio-kult. 11 k 3 Sportplatz c 0 . 5 58 Sporthalle c r - 1 Spiel- h S 6 1 1 Zentrum 5 1 ü t r S 5 i te 2 o 4 3 m i T t 4 G 0 n 1 R s r 2 - 7 .
    [Show full text]
  • Programm 2018 Herzlich Willkommen Zum Tag Der Offenen
    Herzlich willkommen zum Tag der offenen Tür Programm 2018 Liebe Besucherinnen und Besucher, liebe Kolleginnen und Kollegen! Ich freue mich, die Tradition weiter zu führen und Sie sehr herzlich auf dem Gelände der Direktion 2 und unserer Ausbildungsstätte Ruh- leben, zum Tag der offenen Tür 2018, bei der Polizei Berlin begrüßen zu dürfen. Als verlässlicher Partner für Ihre Sicherheit stellen wir uns jeden Tag gerne unserer Verantwortung. Welche Aufgaben sich uns dabei stel- len und mit welchen Mitteln und Partnern wir sie lösen, präsentieren wir Ihnen in acht Themenparks. Erleben Sie, mit welchen unterschiedlichen Einsatzmitteln und Ausrüstungen die Polizei ihre vielfältigen Aufgaben bewältigt, lassen Sie sich rund um Ihre Sicherheit beraten, testen Sie sich und Ihre Fähigkeiten in Sachen Straßenverkehr oder infor- mieren Sie sich über die Arbeit und die Technik Ihrer Polizei. Für die jungen Besucherinnen und Besucher, die sich für den Beruf der Polizistin oder des Poli- zisten interessieren, bietet der heutige Tag eine gute Gelegenheit, mehr über unsere Ausbildung zu erfahren. Die Kolleginnen und Kollegen beraten Sie gerne umfassend über die vielfältigen Möglichkeiten dieses Berufs. Anschließend können Sie Ihre Fitness auf dem Hindernisparcours für das Einstellungsverfahren testen. Zahlreiche Helferinnen und Helfer haben den Tag der offenen Tür mit viel Fleiß, vielen guten Einfällen und großem Engagement geplant und vorbereitet. Dafür möchte ich Ihnen ganz herz- lich danken. Ihnen, liebe Besucherinnen und Besucher, wünsche ich einen fröhlichen, erlebnis- und erinne- rungsreichen Tag bei und mit „Ihrer“ Polizei Berlin. Erleben Sie, genießen Sie, staunen Sie oder denken Sie einfach ein wenig über Ihre eigenen Sicherheitsvorkehrungen nach – wir würden uns freuen, wenn Sie uns teilhaben lassen an Ihren Eindrücken von unserer Veranstaltung.
    [Show full text]
  • Stadtumbaugebiet Spandauer Vorstadt Bezirk Mitte
    Stadtumbaugebiet Spandauer Vorstadt Kinderbeteiligung in der Kita Kleine Auguststraße © Brigitte Gehrke Ansprechpartner: Ergebnis Senatsverwaltung für Um die großen Herausforderungen der Gebietsentwicklung in der Spandau- Stadtentwicklung und Wohnen er Vorstadt meistern zu können, profitierte das Gebiet von drei Program- Referat IV B Soziale Stadt, Stadtumbau, men der Städtebauförderung: Es war als Sanierungsgebiet, als Gebiet des Zukunftsinitiative Stadtteil Städtebaulichen Denkmalschutzes und als Stadtumbaugebiet ausgewiesen. Birgit Hunkenschroer IV B 46 Durch diesen gezielten Mitteleinsatz wurde nicht nur die bauliche Erneue- Telefon (030) 90139 4866 rung der privaten und öffentlichen Gebäude gemeistert und damit bezahl- Stadtumbau [email protected] barer Wohnraum gesichert. Es konnte gleichzeitig dem hohem Umnut- zungs- und Veränderungsdruck mit sinnvollen Investitionen in die soziale Bezirksamt Mitte von Berlin Infrastruktur und qualitätsvollen öffentlichen Raum begegnet werden. FB Stadtplanung Für die Konkretisierung der Pläne und die Auswahl geeigneter Maßnahmen Wolf-Dieter Blankenburg Stadt 1 513 zur Gebietsentwicklung wurde die Bewohnerschaft, örtliche Gewerbetrei- Telefon (030) 9018 45721 bende und Hauseigentümer beteiligt. [email protected] Durch die Förderung ist die Spandauer Vorstadt bis heute für alle Bewoh- nergruppen mit ihren unterschiedlichen Bedürfnissen, insbesondere jedoch für Haushalte mit Kindern, attraktiv geblieben. Stadtumbaugebiet Spandauer Vorstadt Ein deutliches
    [Show full text]
  • 13 • 2/2020 • 13
    Aisthesis Pratiche, linguaggi e saperi dell'estetico Aisthesis Reading Philosophy Through Archives and Manuscripts 13 • 2/2020 edited by Fabrizio Desideri Benedetta Zaccarello 13 • 2/2020 FIRENZE ISSN 2035-8466 PRESSUNIVERSITY www.fupress.net FUP di libro pagata - Piego Tassa Italiane spa - Poste 072/DCB/FI1/VF del 31.03.2005 n. Aut. Aisthesis Pratiche, linguaggi e saperi dell'estetico Reading Philosophy Through Archives and Manuscripts Edited by Fabrizio Desideri, Benedetta Zaccarello Vol 13, No 2 (2020) Firenze University Press Published with the financial support of C.E.F.R.E.S. (Centre Français d’Etudes en Sciences Sociales, Prague, U.S.R. 3138 C.N.R.S./M.E.A.E.) and the Department of Lettere e Filosofia of the University of Florence. Firenze University Press Aisthesis www.fupress.com/aisthesis What can we learn from philosophical manuscripts and archives? Citation: B. Zaccarello (2020) What can we learn from philosophical manu- scripts and archives?. Aisthesis 13(2): 3-8. doi: 10.13128/Aisthesis-12379 Benedetta Zaccarello Copyright: © 2020 B. Zaccarello. This is Senior researcher at C.N.R.S., Institut des Textes et Manuscrits Modernes (I.T.E.M., an open access, peer-reviewed article UMR 8132, C.N.R.S./E.N.S., Paris) published by Firenze University Press E-mail: [email protected] (http://www.fupress.com/aisthesis) and distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distri- bution, and reproduction in any medi- um, provided the original author and Manuscripts became more accessible items only in very recent source are credited.
    [Show full text]
  • Women in Police Services Eu 2012
    WOMEN IN POLICE SERVICES IN THE EU FACTS AND FIGURES - 2012 © 2013 Institut for Public Security of Catalonia Ctra. C-17 Barcelona-Ripoll, km 13,5 08100 - Mollet del Vallès www.gencat.cat/interior/ispc Editor: Lola Vallès [email protected] Design: Conxita Gandia February 2013 Women in police services in the EU 2012 Summary Introduction.......................................................................................................................... 5 The researchers................................................................................................................. 7 Acknowledgements............................................................................................................ 7 The questionnaire .............................................................................................................. 9 Austria ................................................................................................................................ 11 Belgium .............................................................................................................................. 13 Cyprus ................................................................................................................................ 15 Denmark ............................................................................................................................. 17 England and Wales............................................................................................................ 19 Estonia...............................................................................................................................
    [Show full text]
  • German History Reflected
    The Detlev Rohwedder Building German history reflected GFE = 1/2 Formathöhe The Detlev Rohwedder Building German history reflected Contents 3 Introduction 44 Reunification and Change 46 The euphoria of unity 4 The Reich Aviation Ministry 48 A tainted place 50 The Treuhandanstalt 6 Inception 53 The architecture of reunification 10 The nerve centre of power 56 In conversation with 14 Courage to resist: the Rote Kapelle Hans-Michael Meyer-Sebastian 18 Architecture under the Nazis 58 The Federal Ministry of Finance 22 The House of Ministries 60 A living place today 24 The changing face of a colossus 64 Experiencing and creating history 28 The government clashes with the people 66 How do you feel about working in this building? 32 Socialist aspirations meet social reality 69 A stroll along Wilhelmstrasse 34 Isolation and separation 36 Escape from the state 38 New paths and a dead-end 72 Chronicle of the Detlev Rohwedder Building 40 Architecture after the war – 77 Further reading a building is transformed 79 Imprint 42 In conversation with Jürgen Dröse 2 Contents Introduction The Detlev Rohwedder Building, home to Germany’s the House of Ministries, foreshadowing the country- Federal Ministry of Finance since 1999, bears wide uprising on 17 June. Eight years later, the Berlin witness to the upheavals of recent German history Wall began to cast its shadow just a few steps away. like almost no other structure. After reunification, the Treuhandanstalt, the body Constructed as the Reich Aviation Ministry, the charged with the GDR’s financial liquidation, moved vast site was the nerve centre of power under into the building.
    [Show full text]
  • Das MIZ-Babelsberg, Vernetzt Mit Vielen Partnern, Einen Herausragenden Beitrag.‹
    Das Medieninnovationszentrum Babelsberg (MIZ) ist eine Institution der Medienanstalt Berlin-Brandenburg (mabb). Die mabb ist eine unabhängige Anstalt des öffentlichen Rechts, finanziert durch Rundfunkbeiträge. RETHINKING Broadcasting JAHRESBERICHT 2013-2015 ›Sandra Weiß und das Team des MIZ-Babelsberg haben alle Zweifel verstummen lassen, ob Berlin-Brandenburg eine solche Einrichtung und ein solches Gebäude braucht. Der Public Service des Rundfunks, dem die mabb dient, kann in der digitalen Zukunft nur bestehen, wenn er neu definiert wird. Dazu leistet das MIZ-Babelsberg, vernetzt mit vielen Partnern, einen herausragenden Beitrag.‹ DR. HANS HEGE Direktor der Medienanstalt Berlin-Brandenburg (mabb) Inhalt 8 DAS MIZ-BABELSBERG 10 RETHINKING BROADCASTING 12 VERANSTALTUNGEN 14 DER BEIRAT 20 DAS GEBÄUDE 26 RÄUME & NUTZUNG 28 FÖRDERUNG 30 PROGRAMME DER INNOVATIONSFÖRDERUNG 30 Innovationsförderung für Medienprofis, Studierende & Start-ups 31 Innovationsförderung mit Projektpartner für JournalistInnen & interdisziplinäre Teams 32 PROJEKTE DER INNOVATIONSFÖRDERUNG 34 Preise & Auszeichnungen 36 Yallah Deutschland 37 VR-A100 38 SCAPE 39 4531km.eu 40 Interactive Cloud Director 41 Radiorollenspiel 42 atterwasch. Eine Scroll-Doku 43 Thopia App Generator 44 Timetraveler 45 CATCH 46 RentsWatch 47 Holodeck Now! 48 Shelfd 49 Luminoise 50 wEYE 51 refer 52 LOKKR 53 Scope Player 54 ARD-Kurznachrichtenzentrale 55 dbate 56 Lobbyradar 57 CrowdStory 58 Klick. Klick. Star! 60 BILDUNG 64 DAS CROSSMEDIALE STUFENPROGRAMM 67 COACHINGS FÜR FÖRDERPROJEKTE 68 RUBIES IN
    [Show full text]
  • Bulletin of the GHI Washington
    Bulletin of the GHI Washington Issue 43 Fall 2008 Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publikationsplattform der Max Weber Stiftung – Stiftung Deutsche Geisteswissenschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. TERRORISM IN GERMANY: THE BAADER-MEINHOF PHENOMENON Lecture delivered at the GHI, June 5, 2008 Stefan Aust Editor-in-Chief, Der Spiegel, 1994–2008 Recently on Route 73 in Germany, between Stade und Cuxhaven, my phone rang. On the other end of the line was Thilo Thielke, SPIEGEL correspondent in Africa. He was calling on his satellite phone from Dar- fur. For two weeks he had been traveling with rebels in the back of a pick-up truck, between machine guns and Kalashnikovs. He took some- thing to read along for the long evenings: Moby Dick. He asked me: “How was that again with the code names? Who was Captain Ahab?” “Andreas Baader, of course,” I said and quoted Gudrun Ensslin from a letter to Ulrike Meinhof: “Ahab makes a great impression on his first appearance in Moby Dick . And if either by birth or by circumstance something pathological was at work deep in his nature, this did not detract from his dramatic character. For tragic greatness always derives from a morbid break with health, you can be sure of that.” “And the others?” the man from Africa asked, “Who was Starbuck?” At that time, that was not a coffee company—also named after Moby Dick—but the code name of Holger Meins.
    [Show full text]
  • Vind Een Veilige Plek Voor
    20 Dagblad De Pers Media Edu-games Spel komt met mazzel in 2009 op de markt Vind een veilige plek voor Wat gebeurt er als twee sterren- stelsels botsen? Dat is het best uit te leggen met een spannende compu- tergame. Mischa de Bruijn ...AMSTERDAM Red de mensheid! Haal alles en ie- dereen weg uit dit deel van de Melk- Johan Cruijff bij Levante. HANS HEUS / HOLLANDSE HOOGTE weg en loods de evacuatievloot door asteroïdegordels, langs exploderende supernova’s, probeer gebruik te ma- Voetbal ken van de slingerkracht van sterren en planeten. En leer tegelijk een hele- boel over het heelal. Heb je iets inge- wikkelds uit te leggen aan een groot Het vorige Cruijff-effect publiek, dan kun je dat het beste doen in een computerspel. Want als de game leuk genoeg is, dan vind je in ‘Andere Tijden’ mensen geheel vrijwillig bereid om zich urenlang intensief met jouw ma- Mediaredactie len, maar nu achter de schermen? terie bezig te houden. Zie dat maar AMSTERDAM In Andere Tijden een reconstructie eens voor elkaar te krijgen met een ... van het Cruijff-effect in 1981. In dat lap tekst. Eigenlijk begint Andere Tijden pas in jaar speelt Cruijff bij het Spaanse Le- Onderzoekers aan de Universiteit mei met een samenwerkingsverband vante, de tweede club van Valencia. Utrecht ontwikkelen een game (zie met Studio Sport. Toen echter vorige ‘Maar hij draaide daar niet lekker’, www.collisiongame.nl) om mensen week bekend werd dat Johan Cruijf zegt toenmalig verdediger Peter Boe- te laten ervaren wat er gebeurt als orde op zaken zou komen stellen in ve.
    [Show full text]
  • Amnesty International
    Unknown AssAilAnt InSUffICIEnt InvEStIgAtIon Into ALLEgED ILL-tREAtmEnt By PoLICE In gERmAny Amnesty international is a global movement of 2.8 million supporters, members and activists in more than 150 countries and territories who campaign to end grave abuses of human rights. our vision is for every person to enjoy all the rights enshrined in the Universal declaration of Human rights and other international human rights standards. we are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. Amnesty international publications first published in 2010 by Amnesty international publications international secretariat peter benenson House 1 easton street london wc1X 0dw United kingdom www.amnesty.org © Amnesty international publications 2010 index: eUr 23/002/2010 original language: english printed by Amnesty international, international secretariat, United kingdom All rights reserved. this publication is copyright, but may be reproduced by any method without fee for advocacy, campaigning and teaching purposes, but not for resale. the copyright holders request that all such use be registered with them for impact assessment purposes. for copying in any other circumstances, or for re-use in other publications, or for translation or adaptation, prior written permission must be obtained from the publishers, and a fee may be payable. cover photo : Under a railway bridge in berlin 2010. in similar surroundings, Jm (one of the cases in this report) was apprehended
    [Show full text]
  • Circling Opera in Berlin by Paul Martin Chaikin B.A., Grinnell College
    Circling Opera in Berlin By Paul Martin Chaikin B.A., Grinnell College, 2001 A.M., Brown University, 2004 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in the Department of Music at Brown University Providence, Rhode Island May 2010 This dissertation by Paul Martin Chaikin is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_______________ _________________________________ Rose Rosengard Subotnik, Advisor Recommended to the Graduate Council Date_______________ _________________________________ Jeff Todd Titon, Reader Date_______________ __________________________________ Philip Rosen, Reader Date_______________ __________________________________ Dana Gooley, Reader Approved by the Graduate Council Date_______________ _________________________________ Sheila Bonde, Dean of the Graduate School ii Acknowledgements I would like to thank the Deutsche Akademische Austauch Dienst (DAAD) for funding my fieldwork in Berlin. I am also grateful to the Institut für Musikwissenschaft und Medienwissenschaft at Humboldt-Universität zu Berlin for providing me with an academic affiliation in Germany, and to Prof. Dr. Christian Kaden for sponsoring my research proposal. I am deeply indebted to the Deutsche Staatsoper Unter den Linden for welcoming me into the administrative thicket that sustains operatic culture in Berlin. I am especially grateful to Francis Hüsers, the company’s director of artistic affairs and chief dramaturg, and to Ilse Ungeheuer, the former coordinator of the dramaturgy department. I would also like to thank Ronny Unganz and Sabine Turner for leading me to secret caches of quantitative data. Throughout this entire ordeal, Rose Rosengard Subotnik has been a superlative academic advisor and a thoughtful mentor; my gratitude to her is beyond measure.
    [Show full text]
  • Fallstudien Zur Fernsehberichterstattung Über Den Rechtsextremismus in Deutschland 1998 - 2001
    Fernsehberichterstattung Fernsehberichterstattung über den Rechtsextremismus 23 Hans-Jürgen Weiß, Cornelia Spallek Fallstudien zur Fernsehberichterstattung über den Rechtsextremismus in Deutschland 1998 - 2001 Landesanstalt für Medien Nordrhein-Westfalen (LfR) Zollhof 2 40221 Düsseldorf Postfach 103443 40025 Düsseldorf Telefon 0211/77007-0 Telefax 0211/72 7170 E-Mail [email protected] Internet LfM-Dokumentation http://www.lfm-nrw.de Band 23 Hans-Jürgen Weiß, Cornelia Spallek Fallstudien zur Fernsehberichterstattung über den Rechtsextremismus in Deutschland 1998 - 2001 Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2 40221 Düsseldorf Postfach 10 34 43 40025 Düsseldorf http://www.lfm-nrw.de Impressum Herausgeber: Landesanstalt für Medien Nordrhein-Westfalen (LfM) Bereich Tagungen und Öffentlichkeitsarbeit Zollhof 2, 40221 Düsseldorf Verantwortlich: Dr. Joachim Gerth Redaktion: Antje vom Berg, Dagmar Rose Gestaltung: disegno visuelle kommunikation, Wuppertal Druck: Börje Halm, Wuppertal September 2002 Inhaltsverzeichnis 1. Problemstellung und Zielsetzung der Studie 7 2. Konzeption und Methode der Programmanalysen 13 2.1 Die Konzeption der Basisstudie 14 2.2 Die Methode der Vertiefungsanalyse 15 2.2.1 Die Stichprobe: Fernsehbeiträge zur Rechtsextremismus-Berichterstattung 16 2.2.2 Die Programmanalysen: Konzeption und Instrumente 19 2.3 Zum Aufbau des Untersuchungsberichts 20 3. Sieben Fallstudien zur Fernsehberichterstattung über den Rechtsextremismus in Deutschland 1998 - 2001 22 3.1 Programmstichprobe Frühjahr 1998 22 3.1.1
    [Show full text]