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The Conservation Biology of Tortoises
The Conservation Biology of Tortoises Edited by Ian R. Swingland and Michael W. Klemens IUCN/SSC Tortoise and Freshwater Turtle Specialist Group and The Durrell Institute of Conservation and Ecology Occasional Papers of the IUCN Species Survival Commission (SSC) No. 5 IUCN—The World Conservation Union IUCN Species Survival Commission Role of the SSC 3. To cooperate with the World Conservation Monitoring Centre (WCMC) The Species Survival Commission (SSC) is IUCN's primary source of the in developing and evaluating a data base on the status of and trade in wild scientific and technical information required for the maintenance of biological flora and fauna, and to provide policy guidance to WCMC. diversity through the conservation of endangered and vulnerable species of 4. To provide advice, information, and expertise to the Secretariat of the fauna and flora, whilst recommending and promoting measures for their con- Convention on International Trade in Endangered Species of Wild Fauna servation, and for the management of other species of conservation concern. and Flora (CITES) and other international agreements affecting conser- Its objective is to mobilize action to prevent the extinction of species, sub- vation of species or biological diversity. species, and discrete populations of fauna and flora, thereby not only maintain- 5. To carry out specific tasks on behalf of the Union, including: ing biological diversity but improving the status of endangered and vulnerable species. • coordination of a programme of activities for the conservation of biological diversity within the framework of the IUCN Conserva- tion Programme. Objectives of the SSC • promotion of the maintenance of biological diversity by monitor- 1. -
12 the Glass Menagerie and the Transformation of the Subject Granger Babcock
Fall 1999 12 The Glass Menagerie and the Transformation of the Subject Granger Babcock In his Memoirs, Tennessee Williams describes a luncheon with Leonard Bernstein shortly after the New York opening of The Glass Menagerie in 1945. "One day," he writes, "Leonard Bernstein and I were both invited to lunch by a pair of very effete American queens. Bernstein was hard on them and I was embarrassed by the way he insulted them." According to Williams, Bernstein told the men that "'When the Revolution comes ... you will be stood up against a wall and shot.'" Unlike the homophobic Bernstein, Williams says he was "not interested in shooting piss-elegant queens or anyone else": "I am only interested in the discovery of a new social system."1 What seems to concern Williams most about Bernstein's remark is his desire to eradicate a masculinity that opposed the normative American model. Williams, I suspect, wanted Bernstein's identifications to be less fixated on what Williams calls "organized society" and more sympathetic to the "wild gestures" of the marginal culture. For Williams, the anarchy represented by the queens' lunch- time performance is desirable, is art, because it resists the conservatism and conformity Williams associated with the hegemonic version of American masculinity. Williams makes his position clearer in the introduction to 27 Wagons Full of Cotton: Art is only anarchy in juxtaposition with organized society. It runs counter to the sort of orderliness on which organized society apparently must be based. It is a benevolent anarchy: it must be that and if it is true art, it is. -
Giant Pacific Octopus (Enteroctopus Dofleini) Care Manual
Giant Pacific Octopus Insert Photo within this space (Enteroctopus dofleini) Care Manual CREATED BY AZA Aquatic Invertebrate Taxonomic Advisory Group IN ASSOCIATION WITH AZA Animal Welfare Committee Giant Pacific Octopus (Enteroctopus dofleini) Care Manual Giant Pacific Octopus (Enteroctopus dofleini) Care Manual Published by the Association of Zoos and Aquariums in association with the AZA Animal Welfare Committee Formal Citation: AZA Aquatic Invertebrate Taxon Advisory Group (AITAG) (2014). Giant Pacific Octopus (Enteroctopus dofleini) Care Manual. Association of Zoos and Aquariums, Silver Spring, MD. Original Completion Date: September 2014 Dedication: This work is dedicated to the memory of Roland C. Anderson, who passed away suddenly before its completion. No one person is more responsible for advancing and elevating the state of husbandry of this species, and we hope his lifelong body of work will inspire the next generation of aquarists towards the same ideals. Authors and Significant Contributors: Barrett L. Christie, The Dallas Zoo and Children’s Aquarium at Fair Park, AITAG Steering Committee Alan Peters, Smithsonian Institution, National Zoological Park, AITAG Steering Committee Gregory J. Barord, City University of New York, AITAG Advisor Mark J. Rehling, Cleveland Metroparks Zoo Roland C. Anderson, PhD Reviewers: Mike Brittsan, Columbus Zoo and Aquarium Paula Carlson, Dallas World Aquarium Marie Collins, Sea Life Aquarium Carlsbad David DeNardo, New York Aquarium Joshua Frey Sr., Downtown Aquarium Houston Jay Hemdal, Toledo -
Inf26erev 2011 Code of Conduct Zoos+Aquaria IAS FINAL
Strasbourg, 8 October 2012 T-PVS/Inf (2011) 26 revised [Inf26erev_2011.doc] CONVENTION ON THE CONSERVATION OF EUROPEAN WILDLIFE AND NATURAL HABITATS Standing Committee 32nd meeting Strasbourg, 27-30 November 2012 __________ EUROPEAN CODE OF CONDUCT ON ZOOLOGICAL GARDENS AND AQUARIA AND INVASIVE ALIEN SPECIES Code, rationale and supporting information - FINAL VERSION – (October 2012) Report prepared by Mr Riccardo Scalera, Mr Piero Genovesi, Mr Danny de man, Mr Bjarne Klausen, Ms Lesley Dickie This document will not be distributed at the meeting. Please bring this copy. Ce document ne sera plus distribué en réunion. Prière de vous munir de cet exemplaire. T-PVS/Inf (2011) 26 rev. - 2 – INDEX 1. INTRODUCTION ...........................................................................................................................3 1.1 Why a Code of Conduct ? ......................................................................................................4 2. SCOPE AND AIM ..........................................................................................................................6 3. BACKGROUND .............................................................................................................................7 3.1 The History of Zoological Gardens and Aquaria.....................................................................7 3.2 Zoological Gardens and Aquaria as pathways for IAS............................................................7 3.2.1 IAS originating from zoological gardens and aquaria ....................................................8 -
The Glass Menagerie by TENNESSEE WILLIAMS Directed by JOSEPH HAJ PLAY GUIDE Inside
Wurtele Thrust Stage / Sept 14 – Oct 27, 2019 The Glass Menagerie by TENNESSEE WILLIAMS directed by JOSEPH HAJ PLAY GUIDE Inside THE PLAY Synopsis, Setting and Characters • 4 Responses to The Glass Menagerie • 5 THE PLAYWRIGHT About Tennessee Williams • 8 Tom Is Tom • 11 In Williams’ Own Words • 13 Responses to Williams • 15 CULTURAL CONTEXT St. Louis, Missouri • 18 "The Play Is Memory" • 21 People, Places and Things in the Play • 23 ADDITIONAL INFORMATION For Further Reading and Understanding • 26 Guthrie Theater Play Guide Copyright 2019 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Graves CONTRIBUTOR Carla Steen EDITOR Johanna Buch Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 All rights reserved. With the exception of classroom use by ADMINISTRATION 612.225.6000 teachers and individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic BOX OFFICE 612.377.2224 or 1.877.44.STAGE (toll-free) or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in guthrietheater.org • Joseph Haj, artistic director writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie Theater receives support from the National The Guthrie creates transformative theater experiences that ignite the imagination, Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation stir the heart, open the mind and build community through the illumination of our by the Minnesota State Legislature. The Minnesota State Arts common humanity. -
Menagerie to Me / My Neighbor Be”: Exotic Animals and American Conscience, 1840-1900
“MENAGERIE TO ME / MY NEIGHBOR BE”: EXOTIC ANIMALS AND AMERICAN CONSCIENCE, 1840-1900 Leslie Jane McAbee A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2018 Approved by: Eliza Richards Timothy Marr Matthew Taylor Ruth Salvaggio Jane Thrailkill © 2018 Leslie Jane McAbee ALL RIGHTS RESERVED ii ABSTRACT Leslie McAbee: “Menagerie to me / My Neighbor be”: Exotic Animals and American Conscience, 1840-1900 (Under the direction of Eliza Richards) Throughout the nineteenth century, large numbers of living “exotic” animals—elephants, lions, and tigers—circulated throughout the U.S. in traveling menageries, circuses, and later zoos as staples of popular entertainment and natural history education. In “Menagerie to me / My Neighbor be,” I study literary representations of these displaced and sensationalized animals, offering a new contribution to Americanist animal studies in literary scholarship, which has largely attended to the cultural impact of domesticated and native creatures. The field has not yet adequately addressed the influence that representations of foreign animals had on socio-cultural discourses, such as domesticity, social reform, and white supremacy. I examine how writers enlist exoticized animals to variously advance and disrupt the human-centered foundations of hierarchical thinking that underpinned nineteenth-century tenets of civilization, particularly the belief that Western culture acts as a progressive force in a comparatively barbaric world. Both well studied and lesser-known authors, however, find “exotic” animal figures to be wily for two seemingly contradictory reasons. -
A Feminist Menagerie AAM.Pdf
This is a repository copy of a feminist menagerie. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/115973/ Version: Accepted Version Article: Giraud, EHS, Hollin, G orcid.org/0000-0003-4348-8272, Potts, T et al. (1 more author) (2018) a feminist menagerie. Feminist Review, 118 (1). pp. 61-79. ISSN 0141-7789 https://doi.org/10.1057/s41305-018-0103-1 (c) The Feminist Review Collective 2018. This is a post-peer-review, pre-copyedit version of an article published in Feminist Review. The definitive publisher-authenticated version; Giraud, EHS, Hollin, G , Potts, T et al. (2018) a feminist menagerie. Feminist Review, 118 (1). pp. 61-79. is available online at: https://doi.org/10.1057/s41305-018-0103-1 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Forthcoming in Feminist Review A Feminist Menagerie Eva Giraud Greg Hollin Tracey Potts Isla Forsyth Abstract: This paper appraises the role of critical-feminist figurations within the environmental humanities, focusing on the capacity of figures to produce situated environmental knowledges and pose site-specific ethical obligations. -
Zoological Gardens and Aquaria and Invasive Alien Species
Invasive alien species (IAS) have been identified as one of the most important direct drivers of biodiversity loss and change in ecosys- tem services. Many international policy instruments, legislation, ZOOLOGICAL guidelines and technical tools have been developed to address this threat. However, European policies require supplementary vol- untary measures to address key pathways of IAS introduction into GARDENS the region. This is why the Council of Europe, basing its work on the Bern Convention and with the technical support of the Inter- AND AQUARIA national Union for Conservation of Nature (IUCN) Invasive Species Specialist Group, has drafted a series of voluntary instruments (codes of conduct and guidelines) covering a number of industries AND INVASIVE and activities potentially responsible for the introduction of alien species. The development of these instruments can play an important role in building awareness among the relevant sectors of society. ALIEN SPECIES Wild flora and fauna play an essential role in maintaining bio- logical balance and providing ecosystem services which contribute to human welfare. Loss of biodiversity, how- ever, is already undermining efforts to improve economic, social and environmental well-being in Europe and world- wide, with visible consequences on people’s quality of life. The Bern Convention, Europe’s treaty on nature conservation, works for the preservation of most of our natural heritage and promotes participation and representation in the environmental debate. More information is available at www.coe.int/bernconvention. 217115 PREMS ENG The Council of Europe is the continent’s leading human rights organisation. It comprises 47 member states, 28 of which are members of the European Union. -
Feasibility Study for a Wisconsin Public Aquarium
FEASIBILITY STUDY FOR A WISCONSIN PUBLIC AQUARIUM By Randall M. Korb A Project submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE College of Natural Resources UNIVERSITY OF WISCONSIN Stevens Point, Wisconsin December, 1988 APPROVED BY THE GRADUATE COHHIITEE OF: 1 ! / Dr. ichael P. Gross, Committee Chairman Professor of Environmental Education and Interpretation College of Natural Resources Dr. James W. Hardin Professor of Wildlife Dr. Garry N. Kopf ssociate Professor Biology ACKNOWLEDGEMENTS I dedicate this work to the memory of my parents who by their examples taught me what is true and right. I express my deep gratitude to those people without whom this study would not have been possible: To my advisory committee members James Hardin, Garry Knopf and Fred Copes for their encouragement and timely suggestions; to Phil Cochran for his inspiration and friendship and to Michael Gross for his understanding and guidance. To Chuck and Juel Krueger for their generosity, and especially, to Karen for her support, patience and love. iii TABLE OF CONTEHTS ACKNOWLEDGEMENTS ................................................. iii LIST OF TABLES • • • • • . • • • • . • . • . • • . • . • • . vi LIST OF FIGURES .••••.••••...••........•..•....•......••.......... viii CHAPTER I. INTRODUCTION •••••••.••••••••••.•.••••••••••••.••••••••••••• 1 Goals and Objectives 5 Need for a Public Aquarium in Wisconsin ••••••••••••••••• 6 II. AQUARIUM INFORMATION ••••••••••••••••••••••••••••••••••••••• 18 Overview of Major North American -
Views of Dolphins
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Humandolphin Encounter Spaces: A Qualitative Investigation of the Geographies and Ethics of Swim-with-the-Dolphins Programs Kristin L. Stewart Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES HUMAN–DOLPHIN ENCOUNTER SPACES: A QUALITATIVE INVESTIGATION OF THE GEOGRAPHIES AND ETHICS OF SWIM-WITH-THE-DOLPHINS PROGRAMS By KRISTIN L. STEWART A Dissertation submitted to the Department of Geography in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded Spring Semester, 2006 Copyright © 2006 Kristin L. Stewart All Rights Reserved The members of the Committee approve the dissertation of Kristin L. Stewart defended on March 2, 2006. ________________________________________ J. Anthony Stallins Professor Directing Dissertation ________________________________________ Andrew Opel Outside Committee Member ________________________________________ Janet E. Kodras Committee Member ________________________________________ Barney Warf Committee Member Approved: ________________________________________________ Barney Warf, Chair, Department of Geography The Office of Graduate Studies has verified and approved the above named committee members. ii To Jessica a person, not a thing iii ACKNOWLEDGMENTS I am indebted to all those who supported, encouraged, guided and inspired me during this research project and personal journey. Although I cannot fully express the depth of my gratitude, I would like to share a few words of sincere thanks. First, thank you to the faculty and students in the Department of Geography at Florida State University. I am blessed to have found a home in geography. In particular, I would like to thank my advisor, Tony Stallins, whose encouragement, advice, and creativity allowed me to pursue and complete this project. -
Menagerie Manor
Menagerie Manor GERALD DURRELL ISBN 0-7551-1195-8 Gerald Durrell was born in India in 1925. His family settled on Corfu when he was a boy and he spent his time studying its wildlife. He relates these experiences in the trilogy beginning with My Family and Other Animals, and continuing with Birds, Beasts and Relatives and The Garden of the Gods. He writes with wry humour and great perception about both the humans and the animals he meets. On leaving Corfu, Durrell returned to England to work at Whipsnade Park as a student keeper. His adventures there are told with characteristic energy in Beasts in My Belfry. A few years later, he began organizing his own animal-collecting expeditions. The first, to the Cameroons, was followed by expeditions to Paraguay, Argentina and Sierra Leone. He recounts these experiences in a number of books including The Drunken Forest. He also visited many countries while shooting various television series. In 1959 Durrell realized a lifelong dream when he set up the Jersey Zoological Park, followed a few years later by the Jersey Wildlife Preservation Trust, renamed the Durrell Wildlife Conservation Trust in 1999. Whether in a factual account of an expedition or a work of non-fiction, Durrell's style is exuberant, passionate and acutely observed. Gerald Durrell died in 1995. For Hope and Jimmie in memory of overdrafts, tranquilizers, and revolving creditors CONTENTS Foreword Explanation 1 Menagerie Manor 2 A Porcupine in the Parish 3 The Cold-blooded Cohort 4 Claudius Among the Cloches 5 The Nightingale Touch 6 Love and Marriage 7 A Gorilla in the Guest-room 8 Animals in Trust FOREWORD by Philippa Forrester When I was little, I visited the Jersey Zoo that Gerald Durrell had founded and I wandered around with round eyes fully aware, even then, of the philosophy which had inspired it. -
The Forgotten Aquariums of Boston, Third Revised Edition by Jerry Ryan (1937 - )
THE FORGOTTEN AQUARIUMS OF BOSTON THIRD Revised Edition By Jerry Ryan 2011 Jerry Ryan All rights reserved. Excerpt from “For The Union Dead” from FOR THE UNION DEAD by Robert Lowell. Copyright 1959 by Robert Lowell. Copyright renewed 1987 by Harriet Lowell, Caroline Lowell and Sheridan Lowell. Reprinted by permission of Farrar, Straus and Giroux, LLC. The Forgotten Aquariums of Boston, Third Revised Edition by Jerry Ryan (1937 - ). First Printing June, 2002. ISBN 0-9711999-0-6 (Softcover). 1.Public Aquaria. 2. Aquarium History. 3. Boston Aquarial Gardens. 4. Barnum’s Aquarial Gardens. 5. South Boston Aquarium. 6. P. T. Barnum. 7. James A. Cutting. 8. Henry D. Butler. 9. Aquariums. TABLE OF CONTENTS Preface To The Third Revised Edition by Jeff Ives Page 6 Preface To The Second Edition By Jerry Ryan Page 7 Acknowledgements Page 9 The Boston Aquarial Gardens: Bromfield Street Page 10 Boston Aquarial and Zoological Gardens: Central Court Page 28 Barnum Aquarial Gardens Page 45 The South Boston Aquarium Page 62 Epilogue Page 73 Appendices Page 75 Illustration Credits Page 100 References and Suggested Reading Page 101 PREFACE TO THE THIRD EDITION Boston is known as a city filled with history, but it’s not always the history you’d expect. Today millions of tourists walk the freedom trail with Paul Revere’s famous ride galloping through their heads. Little do they know that 85 years after the fateful lamp was lit in Old North Church, an entirely different kind of ride was taking place in the heart of Boston’s Downtown Crossing. This ride was performed by a woman seated in a nautilus-shaped boat being pulled by a beluga whale through the largest tank in the first aquarium in the United States.