An Introduction

Total Page:16

File Type:pdf, Size:1020Kb

An Introduction ZOO AN INTRODUCTION 1 How did the modern zoo originate? Why do you think we need zoos? or Do we need zoos? What do Zoos do for society? BEFORE THERE WERE ZOOS... LONG BEFORE THERE WAS THE ZOO, THERE WAS THE MENAGERIE. MENAGERIES HAVE EXISTED SINCE MEDIEVAL TIMES AND WERE PRIVATE COLLECTIONS OF ANIMALS FOUNDED AND OWNED BY ARISTOCRATS OR ROYALTY. THE MENAGERIE AT VERSAILLES, 17TH CENTURY 2 aristocrats: the highest class in certain societies, esp. those holding hereditary titles or ofces One of the earliest known zoos was established by Queen Hatshepsut of Egypt about 1500 B.C. About 500 years later, the Chinese emperor Wen Wang founded the Garden of Intelligence, an enormous zoo that covered nearly 1,500 acres (610 hectares). Between 1000 and 400 B.C., rulers in northern Africa, India, and China established many small zoos that were designed to display their wealth and power. MENAGERIES THESE MENAGERIES WERE NOT USED FOR EDUCATION OR FOR SCIENTIFIC STUDY. INSTEAD, THESE ARISTOCRATS WANTED TO ILLUSTRATE THEIR POWER AND WEALTH; EXOTIC ANIMALS, ALIVE AND ACTIVE, WERE LESS COMMON, VERY DIFFICULT TO ACQUIRE, AND LOUIS XIV, KING OF FRANCE VERY EXPENSIVE TO MAINTAIN. THE OLDEST EXISTING ZOO, THE VIENNA ZOO IN AUSTRIA, EVOLVED FROM AN ARISTOCRATIC MENAGERIE FOUNDED IN 1752 BY THE HABSBURG MONARCHY. 3 It was like owning a ferrari or an original Monet or a private jet... it showed how powerful you were... nobody else has a zebra in their backyard. TRAVELING MENAGERIES BY THE TURN OF THE 18TH CENTURY, THE FIRST TRAVELING MENAGERIES APPEARED IN ENGLAND. THEY WERE RUN BY SHOWMEN WHO DISPLAYED THEIR ANIMAL COLLECTIONS TO THE COMMON PUBLIC. FIFTEEN YEARS LATER, THE FIRST EXOTIC ANIMAL SHOWS BEGAN TO TOUR AMERICA. ONE OF THE MOST FAMOUS WAS JAMES AND WILLIAM HOWES’ NEW YORK MENAGERIE, WHICH TOURED NEW ENGLAND WITH AN ELEPHANT, A RHINOCEROS, A CAMEL, TWO TIGERS, A POLAR BEAR, AND SEVERAL PARROTS AND MONKEYS. 4 Some of these traveling menageries became circuses... the Ringling Bros. and Barnum & Bailey Circus advertised their shows as the “World’s Greatest Menagerie”. THE FIRST ZOOS THE FIRST PUBLIC ZOO WAS THE MÉNAGERIE DU JARDIN DES PLANTES, FOUNDED IN PARIS IN 1793 PRIMARILY FOR SCIENTIFIC AND EDUCATIONAL REASONS. EARLY ZOOS HAD ONLY LARGE, IMPRESSIVE ANIMALS, BUT EVENTUALLY, THE COLLECTIONS EXPANDED TO ENCOMPASS ANIMALS FROM AROUND THE WORLD. OVER TIME, ZOOS BECAME PLACES WHERE ZOOLOGISTS COULD COME TO STUDY, AND THE GENERAL POPULACE COULD COME TO OBSERVE ANIMALS FROM EXOTIC AND UNFAMILIAR LANDS. 5 EARLY ZOO ENCLOSURES EARLY ZOOS USED SMALL CAGES TO ENCLOSE THE ANIMALS. ANIMALS WERE SEPARATED FROM THE PEOPLE BY STEEL BARS, AND THERE WAS LITTLE OR NO CONCERN FOR THE ANIMAL’S WELFARE. OLD LOS ANGELES ZOO/FLICKR 6 These are contemporary images from the old Los Angeles Zoo, built in the 1930’s. The exhibits did not relate to the animal’s natural habitat. CONSERVATION AND THE MODERN ZOO WHEN ECOLOGY AND CONSERVATION EMERGED AS A TOPIC OF PUBLIC INTEREST IN THE 1970’S, A FEW ZOOS BEGAN TO CONSIDER MAKING CONSERVATION THEIR CENTRAL ROLE. SINCE THEN, ZOO PROFESSIONALS HAVE BECOME INCREASINGLY AWARE OF THE NEED TO ENGAGE THEMSELVES IN CONSERVATION PROGRAMS, AND THE AMERICAN ZOO ASSOCIATION SOON DECIDED THAT CONSERVATION HAD TO BECOME ITS HIGHEST PRIORITY. 7 Conservation biology, or conservation ecology, is the science of analyzing and protecting Earth's biological diversity. Protecting, preserving, or restoring the natural environment, ecosystems, vegetation, or wildlife... to prevent them from disappearing from the Earth. MODERN ZOOS MANY ZOOS IN EUROPE AND NORTH AMERICA KEEP ANIMALS IN ENCLOSURES THAT ATTEMPT TO REPLICATE THEIR NATURAL HABITATS, FOR THE BENEFIT OF BOTH RESIDENT ANIMALS AND VISITORS. THEY MAY HAVE SPECIAL BUILDINGS FOR NOCTURNAL ANIMALS, WITH DIM LIGHTING DURING THE DAY, SO THE ANIMALS WILL BE ACTIVE WHEN VISITORS ARE THERE, AND BRIGHTER LIGHTS AT NIGHT TO ENSURE THAT THEY SLEEP. SPECIAL CLIMATE CONDITIONS ARE CREATED FOR ANIMALS LIVING IN RADICAL ENVIRONMENTS, SUCH AS PENGUINS. SPECIAL ENCLOSURES FOR BIRDS, INSECTS, REPTILES, FISHES AND OTHER AQUATIC LIFE FORMS HAVE ALSO BEEN DEVELOPED. 8 MODERN ZOO GOALS MOST MODERN ZOOS IN EUROPE AND NORTH AMERICA DISPLAY WILD ANIMALS PRIMARILY FOR THE CONSERVATION OF ENDANGERED SPECIES AND FOR EDUCATIONAL AND RESEARCH PURPOSES, AND SECONDARILY FOR THE ENTERTAINMENT OF VISITORS. 9 CONSERVATION ZOOS AREN’T JUST ABOUT SHOWING ANIMALS TO VISITORS; THEY ARE ACTIVELY INVOLVED IN CAMPAIGNING AND RAISING MONEY FOR A VARIETY OF CONSERVATION GROUPS WHO WORK DIRECTLY WITH ENDANGERED ANIMALS IN THEIR HABITATS. THESE CONSERVATION GROUPS CAN USE THE MONEY THAT HAS BEEN RAISED BY ZOOS TO: BUILD AND MAINTAIN RESEARCH CENTERS, BUY EQUIPMENT FOR THEIR ANTI-POACHING RANGERS OR THEIR SCIENTISTS, EDUCATE LOCAL PEOPLE ON THE IMPORTANCE OF THEIR NATIVE WILDLIFE, AND BUY FOOD AND MEDICINE FOR ANY SICK OR INJURED ANIMALS THEY CARE FOR. 10 Conservation biology, or conservation ecology, is the science of analyzing and protecting Earth's biological diversity. Protecting, preserving, or restoring the natural environment, ecosystems, vegetation, or wildlife... to prevent them from disappearing from the Earth. CONSERVATION THE ULTIMATE GOAL OF ZOOS CAN EVENTUALLY BE BOILED DOWN TO CONSERVATION. MOST ZOOS HAVE AT LEAST ONE PROGRAM THAT WORKS TOWARD REINTRODUCTION OF ANIMALS INTO THE WILD. FOR EXAMPLE, IN 1975, THE SAN DIEGO ZOO CREATED THE CENTER FOR REPRODUCTION OF ENDANGERED SPECIES, OR CRES, TO HELP MANAGE THE ZOO’S REINTRODUCTION PROGRAMS. IN THE LATE 1980'S CRES SAVED THE CALIFORNIA CONDOR FROM EXTINCTION. IN 1985 THERE WERE TOTAL OF NINE CALIFORNIA CONDORS IN THE WILD. CRES AND THE SAN DIEGO ZOO’S WILD ANIMAL PARK BROUGHT THE FINAL NINE INDIVIDUALS INTO CAPTIVITY AND HURRIEDLY SET UP A BREEDING PROGRAM. BY 1992, THEY HAD DOUBLED THE NUMBER OF CALIFORNIA CONDORS IN THE WORLD AND IN JANUARY RELEASED THEIR FIRST FLOCK INTO LOS PADRES NATIONAL FOREST IN CALIFORNIA. CONDORS WOULD LATER BE RELEASED IN SOUTHERN AND NORTHERN CALIFORNIA, ARIZONA, AND BAJA CALIFORNIA, MEXICO. TODAY THERE ARE NEARLY 290 CALIFORNIA CONDORS WITH ABOUT 140 LIVING IN THE WILD. 11 Controversy: some people would argue that we should let nature take its course EDUCATION AND RESEARCH ZOOS OFFER ZOOLOGISTS AND OTHER SCIENTISTS ACCESS TO STUDY A VARIETY OF ANIMALS THEY MAY NOT BE ABLE TO EASILY STUDY IN THE WILD. CONSERVATION CAN ONLY BE ACHIEVED THROUGH STUDY AND RESEARCH. WITHOUT THOROUGH AND CONSTANT STUDY OF HABITATS AND INDIVIDUAL SPECIES, PROPER CONSERVATION PROCEDURES CAN NOT BE FOLLOWED. ZOOS HAVE TAKEN THE RESPONSIBILITY OF STUDYING ANIMALS TO PROVIDE THEM WITH THE MOST APPROPRIATE HABITATS AND ADEQUATE ENRICHMENT ACTIVITIES. TODAY, RESEARCH FIELDS HAVE EXPANDED TO INCLUDE FIELDS SUCH AS: CYTOGENETICS, MOLECULAR GENETICS, REPRODUCTIVE PHYSIOLOGY, APPLIED ANIMAL BEHAVIOR, DEMOGRAPHY, AND CONSERVATION BIOLOGY. ALL THESE NEW FIELDS OFFER MUCH MORE INFORMATION INTO HOW TO SUCCESSFULLY PRESERVE SUSTAINABLE ENVIRONMENTS FOR BOTH HUMANS AND NATIVE PLANTS AND ANIMALS. 12 VISITOR IMPACT ASIDE FROM ALL THE SCIENTIFIC AND EDUCATIONAL ASPECTS OF ZOOS, THEY HAVE TO BE FUN. VISITORS TO THE ZOO NEED TO LEAVE AT THE END OF THE DAY WITH A SMILE ON THEIR FACE AND A HAPPY FEELING IN THEIR HEART. AS TECHNOLOGY PROGRESSES, OPPONENTS OF ZOOS HAVE INCREASINGLY RELIED ON THE ARGUMENT THAT BOOKS, VIDEOS AND PHOTOS CAN EASILY TAKE THE PLACE OF ZOOS TO TEACH PEOPLE ABOUT THE WORLD’S WILDLIFE. WHILE THESE METHODS CAN GIVE STRAIGHTFORWARD INFORMATION ON THE SPECIES IN QUESTION, THEY CANNOT COMPARE TO THE EMOTIONAL IMPACT OF BEING AT THE ZOO. IT DOESN’T MATTER HOW HIGH DEFINITION YOUR TELEVISION SET IS, OR HOW MANY MEGAPIXELS THE CAMERA THAT TOOK THE PICTURES IS, THESE MEDIA CANNOT CREATE THE SAME ATMOSPHERE OF THE ZOO OR ENTICE THE EMOTIONAL BOND MADE BETWEEN A VISITOR AND AN ANIMAL WHILE AT THE ZOO. YOU CAN LOOK AT THE PICTURES OF THE PANDAS ON THIS WEBSITE, BUT TRY TO IMAGINE THE FEELING WHEN YOU ARE LITERALLY INCHES AWAY FROM ANIMAL SEPARATED BY ONLY A PANE OF GLASS. OR TRY TO IMAGINE THE JOY ON A CHILD’S FACE WHEN A GORILLA COMES TO THE GLASS TO GREET THEM AND THERE IS REAL INTERACTION BETWEEN THE TWO. THERE JUST IS NOT A FORM OF MEDIA THAT CAN REPLICATE THAT EXPERIENCE. 13 Help people develop an interest in and appreciation for animals "People only love what they understand, and they only protect what they love." Are books, photographs, television programs, or even a “Panda Cam” enough to create the same feeling as being feet or even inches away from a wild animal? BIBLIOGRAPHY: FAULK, JOHN H., AND ERIC M. REINHARD. "WHY ZOOS & AQUARIUMS MATTER: ASSESSING THE IMPACT OF A VISIT TO A ZOO OR AQUARIUM." AZA.ORG. 2007. NATIONAL SCIENCE FOUNDATION. 6 APR. 2008 <HTTP://209.85.165.104/SEARCH?Q=CACHE:B2HGOT4GQKAJ:WWW.AZA.ORG/CONED/ DOCUMENTS/WHY_ZOOS_MATTER.PDF+WHY +ZOOS&HL=EN&CT=CLNK&CD=2&GL=US&CLIENT=SAFARI>. "KID TERRITORY: WHY DO WE NEED ZOOS?" SANDIEGOZOO.ORG. 2008. ZOOLOGICAL SOCIETY OF SAN DIEGO. 6 APR. 2008 <HTTP://WWW.SANDIEGOZOO.ORG/KIDS/ READABOUTIT_WHY_ZOOS.HTML>. "MENAGERIE." WIKIPEDIA. 6 APR. 2008 <HTTP://EN.WIKIPEDIA.ORG/WIKI/MENAGERIE>. "WHY WE HAVE ZOOS." WHYZOOS.COM. 6 APR. 2008 <HTTP://WWW.WHYZOOS.COM/INDEX.HTML>. "WHY ZOO'S." COLCHESTER-ZOO.CO.UK. COLCHESTER ZOO. 6 APR. 2008 <HTTP:// WWW.COLCHESTER-ZOO.CO.UK/INDEX.CFM?FA=EDUCATION.HOMEWORK.WHY>. "ZOO." WIKIPEDIA. 6 APR. 2008 <HTTP://EN.WIKIPEDIA.ORG/WIKI/ZOO>. 14 QUIZ 1. WHAT WAS A MENAGERIE? 2. WHAT WAS A MENAGERIE A SYMBOL OF? 3. WHAT IDEA CHANGED THE DIRECTION OF ZOOS FROM MOSTLY ENTERTAINMENT TO A FOCUS ON PROTECTION ON THE ANIMALS AND THE ENVIRONMENT? 4. LIST AT LEAST TWO DIFFERENCES BETWEEN OLD ZOOS AND MODERN ZOOS. 5. WHERE DOES A ZOO SPEND THE MONEY THAT IT MAKES? 6.
Recommended publications
  • The Conservation Biology of Tortoises
    The Conservation Biology of Tortoises Edited by Ian R. Swingland and Michael W. Klemens IUCN/SSC Tortoise and Freshwater Turtle Specialist Group and The Durrell Institute of Conservation and Ecology Occasional Papers of the IUCN Species Survival Commission (SSC) No. 5 IUCN—The World Conservation Union IUCN Species Survival Commission Role of the SSC 3. To cooperate with the World Conservation Monitoring Centre (WCMC) The Species Survival Commission (SSC) is IUCN's primary source of the in developing and evaluating a data base on the status of and trade in wild scientific and technical information required for the maintenance of biological flora and fauna, and to provide policy guidance to WCMC. diversity through the conservation of endangered and vulnerable species of 4. To provide advice, information, and expertise to the Secretariat of the fauna and flora, whilst recommending and promoting measures for their con- Convention on International Trade in Endangered Species of Wild Fauna servation, and for the management of other species of conservation concern. and Flora (CITES) and other international agreements affecting conser- Its objective is to mobilize action to prevent the extinction of species, sub- vation of species or biological diversity. species, and discrete populations of fauna and flora, thereby not only maintain- 5. To carry out specific tasks on behalf of the Union, including: ing biological diversity but improving the status of endangered and vulnerable species. • coordination of a programme of activities for the conservation of biological diversity within the framework of the IUCN Conserva- tion Programme. Objectives of the SSC • promotion of the maintenance of biological diversity by monitor- 1.
    [Show full text]
  • 12 the Glass Menagerie and the Transformation of the Subject Granger Babcock
    Fall 1999 12 The Glass Menagerie and the Transformation of the Subject Granger Babcock In his Memoirs, Tennessee Williams describes a luncheon with Leonard Bernstein shortly after the New York opening of The Glass Menagerie in 1945. "One day," he writes, "Leonard Bernstein and I were both invited to lunch by a pair of very effete American queens. Bernstein was hard on them and I was embarrassed by the way he insulted them." According to Williams, Bernstein told the men that "'When the Revolution comes ... you will be stood up against a wall and shot.'" Unlike the homophobic Bernstein, Williams says he was "not interested in shooting piss-elegant queens or anyone else": "I am only interested in the discovery of a new social system."1 What seems to concern Williams most about Bernstein's remark is his desire to eradicate a masculinity that opposed the normative American model. Williams, I suspect, wanted Bernstein's identifications to be less fixated on what Williams calls "organized society" and more sympathetic to the "wild gestures" of the marginal culture. For Williams, the anarchy represented by the queens' lunch- time performance is desirable, is art, because it resists the conservatism and conformity Williams associated with the hegemonic version of American masculinity. Williams makes his position clearer in the introduction to 27 Wagons Full of Cotton: Art is only anarchy in juxtaposition with organized society. It runs counter to the sort of orderliness on which organized society apparently must be based. It is a benevolent anarchy: it must be that and if it is true art, it is.
    [Show full text]
  • Giant Pacific Octopus (Enteroctopus Dofleini) Care Manual
    Giant Pacific Octopus Insert Photo within this space (Enteroctopus dofleini) Care Manual CREATED BY AZA Aquatic Invertebrate Taxonomic Advisory Group IN ASSOCIATION WITH AZA Animal Welfare Committee Giant Pacific Octopus (Enteroctopus dofleini) Care Manual Giant Pacific Octopus (Enteroctopus dofleini) Care Manual Published by the Association of Zoos and Aquariums in association with the AZA Animal Welfare Committee Formal Citation: AZA Aquatic Invertebrate Taxon Advisory Group (AITAG) (2014). Giant Pacific Octopus (Enteroctopus dofleini) Care Manual. Association of Zoos and Aquariums, Silver Spring, MD. Original Completion Date: September 2014 Dedication: This work is dedicated to the memory of Roland C. Anderson, who passed away suddenly before its completion. No one person is more responsible for advancing and elevating the state of husbandry of this species, and we hope his lifelong body of work will inspire the next generation of aquarists towards the same ideals. Authors and Significant Contributors: Barrett L. Christie, The Dallas Zoo and Children’s Aquarium at Fair Park, AITAG Steering Committee Alan Peters, Smithsonian Institution, National Zoological Park, AITAG Steering Committee Gregory J. Barord, City University of New York, AITAG Advisor Mark J. Rehling, Cleveland Metroparks Zoo Roland C. Anderson, PhD Reviewers: Mike Brittsan, Columbus Zoo and Aquarium Paula Carlson, Dallas World Aquarium Marie Collins, Sea Life Aquarium Carlsbad David DeNardo, New York Aquarium Joshua Frey Sr., Downtown Aquarium Houston Jay Hemdal, Toledo
    [Show full text]
  • Inf26erev 2011 Code of Conduct Zoos+Aquaria IAS FINAL
    Strasbourg, 8 October 2012 T-PVS/Inf (2011) 26 revised [Inf26erev_2011.doc] CONVENTION ON THE CONSERVATION OF EUROPEAN WILDLIFE AND NATURAL HABITATS Standing Committee 32nd meeting Strasbourg, 27-30 November 2012 __________ EUROPEAN CODE OF CONDUCT ON ZOOLOGICAL GARDENS AND AQUARIA AND INVASIVE ALIEN SPECIES Code, rationale and supporting information - FINAL VERSION – (October 2012) Report prepared by Mr Riccardo Scalera, Mr Piero Genovesi, Mr Danny de man, Mr Bjarne Klausen, Ms Lesley Dickie This document will not be distributed at the meeting. Please bring this copy. Ce document ne sera plus distribué en réunion. Prière de vous munir de cet exemplaire. T-PVS/Inf (2011) 26 rev. - 2 – INDEX 1. INTRODUCTION ...........................................................................................................................3 1.1 Why a Code of Conduct ? ......................................................................................................4 2. SCOPE AND AIM ..........................................................................................................................6 3. BACKGROUND .............................................................................................................................7 3.1 The History of Zoological Gardens and Aquaria.....................................................................7 3.2 Zoological Gardens and Aquaria as pathways for IAS............................................................7 3.2.1 IAS originating from zoological gardens and aquaria ....................................................8
    [Show full text]
  • The Glass Menagerie by TENNESSEE WILLIAMS Directed by JOSEPH HAJ PLAY GUIDE Inside
    Wurtele Thrust Stage / Sept 14 – Oct 27, 2019 The Glass Menagerie by TENNESSEE WILLIAMS directed by JOSEPH HAJ PLAY GUIDE Inside THE PLAY Synopsis, Setting and Characters • 4 Responses to The Glass Menagerie • 5 THE PLAYWRIGHT About Tennessee Williams • 8 Tom Is Tom • 11 In Williams’ Own Words • 13 Responses to Williams • 15 CULTURAL CONTEXT St. Louis, Missouri • 18 "The Play Is Memory" • 21 People, Places and Things in the Play • 23 ADDITIONAL INFORMATION For Further Reading and Understanding • 26 Guthrie Theater Play Guide Copyright 2019 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Graves CONTRIBUTOR Carla Steen EDITOR Johanna Buch Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 All rights reserved. With the exception of classroom use by ADMINISTRATION 612.225.6000 teachers and individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic BOX OFFICE 612.377.2224 or 1.877.44.STAGE (toll-free) or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in guthrietheater.org • Joseph Haj, artistic director writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie Theater receives support from the National The Guthrie creates transformative theater experiences that ignite the imagination, Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation stir the heart, open the mind and build community through the illumination of our by the Minnesota State Legislature. The Minnesota State Arts common humanity.
    [Show full text]
  • Menagerie to Me / My Neighbor Be”: Exotic Animals and American Conscience, 1840-1900
    “MENAGERIE TO ME / MY NEIGHBOR BE”: EXOTIC ANIMALS AND AMERICAN CONSCIENCE, 1840-1900 Leslie Jane McAbee A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2018 Approved by: Eliza Richards Timothy Marr Matthew Taylor Ruth Salvaggio Jane Thrailkill © 2018 Leslie Jane McAbee ALL RIGHTS RESERVED ii ABSTRACT Leslie McAbee: “Menagerie to me / My Neighbor be”: Exotic Animals and American Conscience, 1840-1900 (Under the direction of Eliza Richards) Throughout the nineteenth century, large numbers of living “exotic” animals—elephants, lions, and tigers—circulated throughout the U.S. in traveling menageries, circuses, and later zoos as staples of popular entertainment and natural history education. In “Menagerie to me / My Neighbor be,” I study literary representations of these displaced and sensationalized animals, offering a new contribution to Americanist animal studies in literary scholarship, which has largely attended to the cultural impact of domesticated and native creatures. The field has not yet adequately addressed the influence that representations of foreign animals had on socio-cultural discourses, such as domesticity, social reform, and white supremacy. I examine how writers enlist exoticized animals to variously advance and disrupt the human-centered foundations of hierarchical thinking that underpinned nineteenth-century tenets of civilization, particularly the belief that Western culture acts as a progressive force in a comparatively barbaric world. Both well studied and lesser-known authors, however, find “exotic” animal figures to be wily for two seemingly contradictory reasons.
    [Show full text]
  • A Feminist Menagerie AAM.Pdf
    This is a repository copy of a feminist menagerie. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/115973/ Version: Accepted Version Article: Giraud, EHS, Hollin, G orcid.org/0000-0003-4348-8272, Potts, T et al. (1 more author) (2018) a feminist menagerie. Feminist Review, 118 (1). pp. 61-79. ISSN 0141-7789 https://doi.org/10.1057/s41305-018-0103-1 (c) The Feminist Review Collective 2018. This is a post-peer-review, pre-copyedit version of an article published in Feminist Review. The definitive publisher-authenticated version; Giraud, EHS, Hollin, G , Potts, T et al. (2018) a feminist menagerie. Feminist Review, 118 (1). pp. 61-79. is available online at: https://doi.org/10.1057/s41305-018-0103-1 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Forthcoming in Feminist Review A Feminist Menagerie Eva Giraud Greg Hollin Tracey Potts Isla Forsyth Abstract: This paper appraises the role of critical-feminist figurations within the environmental humanities, focusing on the capacity of figures to produce situated environmental knowledges and pose site-specific ethical obligations.
    [Show full text]
  • Zoological Gardens and Aquaria and Invasive Alien Species
    Invasive alien species (IAS) have been identified as one of the most important direct drivers of biodiversity loss and change in ecosys- tem services. Many international policy instruments, legislation, ZOOLOGICAL guidelines and technical tools have been developed to address this threat. However, European policies require supplementary vol- untary measures to address key pathways of IAS introduction into GARDENS the region. This is why the Council of Europe, basing its work on the Bern Convention and with the technical support of the Inter- AND AQUARIA national Union for Conservation of Nature (IUCN) Invasive Species Specialist Group, has drafted a series of voluntary instruments (codes of conduct and guidelines) covering a number of industries AND INVASIVE and activities potentially responsible for the introduction of alien species. The development of these instruments can play an important role in building awareness among the relevant sectors of society. ALIEN SPECIES Wild flora and fauna play an essential role in maintaining bio- logical balance and providing ecosystem services which contribute to human welfare. Loss of biodiversity, how- ever, is already undermining efforts to improve economic, social and environmental well-being in Europe and world- wide, with visible consequences on people’s quality of life. The Bern Convention, Europe’s treaty on nature conservation, works for the preservation of most of our natural heritage and promotes participation and representation in the environmental debate. More information is available at www.coe.int/bernconvention. 217115 PREMS ENG The Council of Europe is the continent’s leading human rights organisation. It comprises 47 member states, 28 of which are members of the European Union.
    [Show full text]
  • Feasibility Study for a Wisconsin Public Aquarium
    FEASIBILITY STUDY FOR A WISCONSIN PUBLIC AQUARIUM By Randall M. Korb A Project submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE College of Natural Resources UNIVERSITY OF WISCONSIN Stevens Point, Wisconsin December, 1988 APPROVED BY THE GRADUATE COHHIITEE OF: 1 ! / Dr. ichael P. Gross, Committee Chairman Professor of Environmental Education and Interpretation College of Natural Resources Dr. James W. Hardin Professor of Wildlife Dr. Garry N. Kopf ssociate Professor Biology ACKNOWLEDGEMENTS I dedicate this work to the memory of my parents who by their examples taught me what is true and right. I express my deep gratitude to those people without whom this study would not have been possible: To my advisory committee members James Hardin, Garry Knopf and Fred Copes for their encouragement and timely suggestions; to Phil Cochran for his inspiration and friendship and to Michael Gross for his understanding and guidance. To Chuck and Juel Krueger for their generosity, and especially, to Karen for her support, patience and love. iii TABLE OF CONTEHTS ACKNOWLEDGEMENTS ................................................. iii LIST OF TABLES • • • • • . • • • • . • . • . • • . • . • • . vi LIST OF FIGURES .••••.••••...••........•..•....•......••.......... viii CHAPTER I. INTRODUCTION •••••••.••••••••••.•.••••••••••••.••••••••••••• 1 Goals and Objectives 5 Need for a Public Aquarium in Wisconsin ••••••••••••••••• 6 II. AQUARIUM INFORMATION ••••••••••••••••••••••••••••••••••••••• 18 Overview of Major North American
    [Show full text]
  • Views of Dolphins
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Humandolphin Encounter Spaces: A Qualitative Investigation of the Geographies and Ethics of Swim-with-the-Dolphins Programs Kristin L. Stewart Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES HUMAN–DOLPHIN ENCOUNTER SPACES: A QUALITATIVE INVESTIGATION OF THE GEOGRAPHIES AND ETHICS OF SWIM-WITH-THE-DOLPHINS PROGRAMS By KRISTIN L. STEWART A Dissertation submitted to the Department of Geography in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded Spring Semester, 2006 Copyright © 2006 Kristin L. Stewart All Rights Reserved The members of the Committee approve the dissertation of Kristin L. Stewart defended on March 2, 2006. ________________________________________ J. Anthony Stallins Professor Directing Dissertation ________________________________________ Andrew Opel Outside Committee Member ________________________________________ Janet E. Kodras Committee Member ________________________________________ Barney Warf Committee Member Approved: ________________________________________________ Barney Warf, Chair, Department of Geography The Office of Graduate Studies has verified and approved the above named committee members. ii To Jessica a person, not a thing iii ACKNOWLEDGMENTS I am indebted to all those who supported, encouraged, guided and inspired me during this research project and personal journey. Although I cannot fully express the depth of my gratitude, I would like to share a few words of sincere thanks. First, thank you to the faculty and students in the Department of Geography at Florida State University. I am blessed to have found a home in geography. In particular, I would like to thank my advisor, Tony Stallins, whose encouragement, advice, and creativity allowed me to pursue and complete this project.
    [Show full text]
  • Menagerie Manor
    Menagerie Manor GERALD DURRELL ISBN 0-7551-1195-8 Gerald Durrell was born in India in 1925. His family settled on Corfu when he was a boy and he spent his time studying its wildlife. He relates these experiences in the trilogy beginning with My Family and Other Animals, and continuing with Birds, Beasts and Relatives and The Garden of the Gods. He writes with wry humour and great perception about both the humans and the animals he meets. On leaving Corfu, Durrell returned to England to work at Whipsnade Park as a student keeper. His adventures there are told with characteristic energy in Beasts in My Belfry. A few years later, he began organizing his own animal-collecting expeditions. The first, to the Cameroons, was followed by expeditions to Paraguay, Argentina and Sierra Leone. He recounts these experiences in a number of books including The Drunken Forest. He also visited many countries while shooting various television series. In 1959 Durrell realized a lifelong dream when he set up the Jersey Zoological Park, followed a few years later by the Jersey Wildlife Preservation Trust, renamed the Durrell Wildlife Conservation Trust in 1999. Whether in a factual account of an expedition or a work of non-fiction, Durrell's style is exuberant, passionate and acutely observed. Gerald Durrell died in 1995. For Hope and Jimmie in memory of overdrafts, tranquilizers, and revolving creditors CONTENTS Foreword Explanation 1 Menagerie Manor 2 A Porcupine in the Parish 3 The Cold-blooded Cohort 4 Claudius Among the Cloches 5 The Nightingale Touch 6 Love and Marriage 7 A Gorilla in the Guest-room 8 Animals in Trust FOREWORD by Philippa Forrester When I was little, I visited the Jersey Zoo that Gerald Durrell had founded and I wandered around with round eyes fully aware, even then, of the philosophy which had inspired it.
    [Show full text]
  • The Forgotten Aquariums of Boston, Third Revised Edition by Jerry Ryan (1937 - )
    THE FORGOTTEN AQUARIUMS OF BOSTON THIRD Revised Edition By Jerry Ryan 2011 Jerry Ryan All rights reserved. Excerpt from “For The Union Dead” from FOR THE UNION DEAD by Robert Lowell. Copyright 1959 by Robert Lowell. Copyright renewed 1987 by Harriet Lowell, Caroline Lowell and Sheridan Lowell. Reprinted by permission of Farrar, Straus and Giroux, LLC. The Forgotten Aquariums of Boston, Third Revised Edition by Jerry Ryan (1937 - ). First Printing June, 2002. ISBN 0-9711999-0-6 (Softcover). 1.Public Aquaria. 2. Aquarium History. 3. Boston Aquarial Gardens. 4. Barnum’s Aquarial Gardens. 5. South Boston Aquarium. 6. P. T. Barnum. 7. James A. Cutting. 8. Henry D. Butler. 9. Aquariums. TABLE OF CONTENTS Preface To The Third Revised Edition by Jeff Ives Page 6 Preface To The Second Edition By Jerry Ryan Page 7 Acknowledgements Page 9 The Boston Aquarial Gardens: Bromfield Street Page 10 Boston Aquarial and Zoological Gardens: Central Court Page 28 Barnum Aquarial Gardens Page 45 The South Boston Aquarium Page 62 Epilogue Page 73 Appendices Page 75 Illustration Credits Page 100 References and Suggested Reading Page 101 PREFACE TO THE THIRD EDITION Boston is known as a city filled with history, but it’s not always the history you’d expect. Today millions of tourists walk the freedom trail with Paul Revere’s famous ride galloping through their heads. Little do they know that 85 years after the fateful lamp was lit in Old North Church, an entirely different kind of ride was taking place in the heart of Boston’s Downtown Crossing. This ride was performed by a woman seated in a nautilus-shaped boat being pulled by a beluga whale through the largest tank in the first aquarium in the United States.
    [Show full text]