Vol. 33, No. 10, November 28, 1984 University of Michigan Law School

Total Page:16

File Type:pdf, Size:1020Kb

Vol. 33, No. 10, November 28, 1984 University of Michigan Law School University of Michigan Law School University of Michigan Law School Scholarship Repository Res Gestae Law School History and Publications 1984 Vol. 33, No. 10, November 28, 1984 University of Michigan Law School Follow this and additional works at: http://repository.law.umich.edu/res_gestae Part of the Legal Education Commons Recommended Citation University of Michigan Law School, "Vol. 33, No. 10, November 28, 1984" (1984). Res Gestae. Paper 376. http://repository.law.umich.edu/res_gestae/376 This Article is brought to you for free and open access by the Law School History and Publications at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Res Gestae by an authorized administrator of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. November 28, 1984 Vol. 33, No. 10 The University of Michigan Law School Profs: Ax Summer Term By Steve Hunter mer programs separately. The report both feel that the summer program less than 8 students. The report also Last Wednesday the Summer Session cited the virtues of the first year sum­ should be retained, and 80 of their said that the upperclass program " im· Review Committee released its report mer session : allowing older students to classmates signed a petition agreeing poses substantial additional scholar­ on the continuation of the Summer return to academics gradually, with them. They cite smaller classes, a ship costs." Session and recommended the summer providing a lighter load for students for more relaxed environment and a chan­ As for visiting profs, the report program's elimination. their entire first year, and reducing ce to see visiting professors as reasons states, " In light of the current number The committee recommended that streSs for students by giving them only for saving the session. of visitors during the fall and spring, both the upperclass program and the two graded classes at a time when the " We feel it's an excellent learning the limited number of summer upper­ first year session be terminated, but the law school has fewer people. environment," King said. As for "draf­ class courses, and the increased report states that the " summer The report discusses drawbacks to tees," Churchill feels the law school dispersal of our own faculty during the program should be eliminated as soon the summer session. One is that there doesn't sell the program enough. " If summer, that benefit is not nearly as as that can be done without adversely are many summer starters who are you sold it more, I am convinced you'd great as it once was." affecting the interests of students "draftees," who do not begin law school get enough students. You would The final section of the report ex­ presently enrolled. This assumes that in the summer by choice. This means eliminate compulsion." plored alternatives to the current elimination of that program will not that many students who choose not to The report does address the issue of summer program. The first is to result in a decrease of scholarship fun ­ graduate early are forced to bear the promoting the summer session, citing abolish the summer program, thereby ds and that the monies currently spent cost of an extra semester of law school. Stillwagon's changes in the application, saving approximately $230-250,000 in on summer instructional staff can be Also, many students who are con· which, according to him, "emphasized scholarship money and $5,000.10,000 converted to hiring additional faculty. •· sidered hot prospects by the admissions the camaraderie and high morale found clerical time, as well as "consideraoJe A second concern of the report is the committee refuse to matriculate unless in Section Four, hinted at the attraction e.ffort on the part of the Admissions of­ cost of the first year program. Accor­ they can come in the fall, and some do of summer-starters to some firms fice." This would also save an ding to the report, " A typical class of go elsewhere. willing to consider first-year hiring, estimated $10,000 for the Lawyers Cl ub. summer starters will have 38 students But the report goes on to quote Admis­ and indulged in some blatant puffery." In addition, Dean Eklund is quoted in who receive aid for more than 6 terms sions Officer Allan Stillwagon as ap­ Nevertheless, in a footnote to the com­ the report as saying "there would be <ordinarily 6 terms plus the initial proximating that although 75 percent of mittee's recommendation, Prof. Israel virtually no effect on room assignments summer) . Additionally, if those those offered summer admissions expressed concern that " we do not for either fall or winter terms." The students had been working during that would prefer fall, by the end of the make a sufficient effort to sell the final virtue of this alternative, accor­ summer before they started, they summer 75 percent of the same people summer program." ding to the report, would be to "main­ would have accumulated an additional are glad they started early. The report In the second section, the report ad­ tain class quality in a period of $1,000 in savings each. A rough also states that a " petition from the dressed the upperclass program. One declining applications, particularly as estimate of total additional scholar­ summer students and conversations of the problems with it, according to the to residents." ship cost for the first year summer with those students suggests that that report, is dwindling class size. The The report states that on the other starters (that is, the aid beyond what percentage might be even higher." report stated that of the 8 classes taught side, this option would burden Cook they would have received as fall star­ That petition was circulated by last summer, only one had more than 35 funds for at least 3 more summers students, three had between 16 and 35, ters) is $90,000·115,000 for each class." current summer starters Nancy King See CUT, page 7 The report addresses the two sum- and Sally Churchill. King and Churchill three had between 8 and 15, and one had Sandalow Pulls Down Six Figures Annually By Kevin Tottis Not surprisingly, clinical law Law School Dean Terrance Sanda low professors' salaries ranked well below joined the $100,000 Club this year. Ac­ their counterparts in the classroom. cording to recently released figures by For example, Clinic Head Paul the University, Sanda low makes Reingold takes home $40,000; Prof. $105,952 for his job as law school dean. Martin Geer makes $35,256. That puts Sandalow among a small Other professors at the top end of the handful of University faculty members scale include: Associate Dean Edward who take home more than six figures a Cooper at $94 ,000 ; Profs. Yale year and the only full -time member of Kamisar, Wade McCree and Joseph the law school community to pull in that Sax each take home $87,000. amount. Most others in the group are Among other administrator s , deans or medical school professors. Associate Dean Susan Eklund earns On the other end of the scale, first­ $47,500 and Assistant Dean Virginia year Assistant Prof. Jessica Litman Gordan takes home $30,500. bas the lowest salary of any full-time Visiting professors also tended in academic professors in the school: many cases to take home large $41,000. However, like most faculty salaries. For instance, Visiting Prof. members, Litman has only a nine­ Roger Cramton will earn a whopping month appointment, which leaves three $91 ,000 for his eight month appointment months out of the year for other in­ while his fellow visitor Rudolf Dolzer terests. will get $68,000. Moot Court Results The following teams will progress to he semifinal rounds of the Campbell Dimon/ McCarthy Photo by Bruce Vie-lmttu Moot Court Competition in February: Sharp/Boehrer Masspirg's Doug Phelps says Michigan law students will serve one percent of Mueller McCallister/Garcia the population. Phelps spoke at the Alternative Practice Conference. See ALTER­ Weinhardt!Rundelli Foran/Berry NATIVE, page 5. Rynders Pfeifer/ Levy OQlhl on =--- Editor in Chief· Ruth Milkman Managing Editor: Bruce Viel melli Polarization Politics: News: Ktvl n Tollls Opinion: Andrta Lodahl Feature: Michatl Dunes Arts: Carol Shepherd Whose Side Are Yon On? Law in the Raw: Dana Deue, Stacey f isher. Nora Kelly Sports: teve Hunter Business: J . Kachen Kimmell By An drea Lodahl especially moral to choose to represent those who Photography: Dean Bruza Rather than try to write a detached essay for the need it most. I don't see how it rationally follows , Graphics: Eric Hard, Arthur Siegal Opinion page this week, I thought I'd indulge myself though, that a client who can afford the fee must be Staff' Kim Cahill. Bob Hafner. Mark Harris, Don l t­ in addressing my peers about a persistent thorn in a bad client. I could only arrive at that conclusion if zkorr, Lisa Ma rtin, J oe Mauarese, Liz McCoy, my side: the polarization of this commumty inter­ 1 condemned the accumulatiOn of capital in and of Elizabeth Peacock, Laura Kelsey Rhodes, Elizabethanne ms of legal roles. itself, and I'm not prepared to repudiate capitalism. uchwala, Joel Well Now that the interviewing season is over, maybe So I see no polar scale where "good" lawyers and poor people are at one end, and "bad" lawyers and The Res Ocscae u pubhshed .-ery Wednosday durina ohe S<:hool year by we corporate tools can relax and look our public in­ scudcnu 11 ohc Univctshy of Michigan Law School. Opinions uprcssed in terest buddies in the face again without feeling rich corporations are at the other.
Recommended publications
  • A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
    MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris
    [Show full text]
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • Domestication in Contemporary Polish Dubbing Urszula Leszczyńska, University of Warsaw, and Agnieszka Szarkowska, University of Warsaw/University College London
    The Journal of Specialised Translation Issue 30 – July 2018 “I don't understand, but it makes me laugh.” Domestication in contemporary Polish dubbing Urszula Leszczyńska, University of Warsaw, and Agnieszka Szarkowska, University of Warsaw/University College London ABSTRACT Despite being (in)famous for its use of voice-over in fiction films, Poland also has a long- standing dubbing tradition. Contemporary Polish dubbing is largely domesticated: culture- bound items from the original are often replaced with elements of Polish culture, which is supposed to increase viewers’ enjoyment of the film. In this study, we examined whether Polish viewers can identify references to Polish culture in the contemporary Polish dubbing of foreign animated films and whether they enjoy them. With this goal in mind, we conducted an online survey and tested 201 participants. Given that many references relate to items from the near or distant past, we predicted that viewers may not fully understand them. The results show that, paradoxically, although viewers do not fully recognise references to Polish culture in contemporary Polish dubbing, they welcome such allusions, declaring that they make films more accessible. The most difficult category of cultural references to identify in our study turned out to be allusions to the canon of Polish literature, whereas the best scores were achieved in the case of references to social campaigns and films. Younger participants had more difficulties in recognising cultural allusions dating from before the 1990s compared to older participants. The vast majority of participants declared they enjoy domestication in contemporary Polish dubbing. KEYWORDS Dubbing, domestication, invisibility, ageing of translation, animated films, audiovisual translation, cultural references.
    [Show full text]
  • Film Music Week 4 20Th Century Idioms - Jazz
    Film Music Week 4 20th Century Idioms - Jazz alternative approaches to the romantic orchestra in 1950s (US & France) – with a special focus on jazz... 1950s It was not until the early 50’s that HW film scores solidly move into the 20th century (idiom). Alex North (influenced by : Bartok, Stravinsky) and Leonard Rosenman (influenced by: Schoenberg, and later, Ligeti) are important influences here. Also of note are Georges Antheil (The Plainsman, 1937) and David Raksin (Force of Evil, 1948). Prendergast suggests that in the 30’s & 40’s the films possessed somewhat operatic or unreal plots that didn’t lend themselves to dissonance or expressionistic ideas. As Hollywood moved towards more realistic portrayals, this music became more appropriate. Alex North, leader in a sparser style (as opposed to Korngold, Steiner, Newman) scored Death of a Salesman (image above)for Elia Kazan on Broadway – this led to North writing the Streetcar film score for Kazan. European influences Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background). • Director Frederico Fellini &composer Nino Rota (many examples) • Director François Truffault & composerGeorges Delerue, • Composer Maurice Jarre (Sundays & Cybele, 1962) and later the • Professionals, 1966, Composer- Ennio Morricone (Serge Leone, jazz background). (continued) Also Hollywood was beginning to be strongly influenced by European films which has much more adventuresome scores or (often) no scores at all. Fellini & Rota, Truffault & Georges Delerue, Maurice Jarre (Sundays & Cybele, 1962) and later the Professionals, 1966, Ennio Morricone (Serge Leone, jazz background).
    [Show full text]
  • Tone Parallels in Music for Film: the Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra By
    TONE PARALLELS IN MUSIC FOR FILM: THE COMPOSITIONAL WORKS OF TERENCE BLANCHARD IN THE DIEGETIC UNIVERSE AND A NEW WORK FOR STUDIO ORCHESTRA BY BRIAN HORTON Johnathan B. Horton B.A., B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2017 APPROVED: Richard DeRosa, Major Professor Eugene Corporon, Committee Member John Murphy, Committee Member and Chair of the Division of Jazz Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Horton, Johnathan B. Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton. Doctor of Musical Arts (Performance), August 2017, 46 pp., 1 figure, 24 musical examples, bibliography, 49 titles. This research investigates the culturally programmatic symbolism of jazz music in film. I explore this concept through critical analysis of composer Terence Blanchard's original score for Malcolm X directed by Spike Lee (1992). I view Blanchard's music as representing a non- diegetic tone parallel that musically narrates several authentic characteristics of African- American life, culture, and the human condition as depicted in Lee's film. Blanchard's score embodies a broad spectrum of musical influences that reshape Hollywood's historically limited, and often misappropiated perceptions of jazz music within African-American culture. By combining stylistic traits of jazz and classical idioms, Blanchard reinvents the sonic soundscape in which musical expression and the black experience are represented on the big screen.
    [Show full text]
  • National Film Registry Titles Listed by Release Date
    National Film Registry Titles 1989-2017: Listed by Year of Release Year Year Title Released Inducted Newark Athlete 1891 2010 Blacksmith Scene 1893 1995 Dickson Experimental Sound Film 1894-1895 2003 Edison Kinetoscopic Record of a Sneeze 1894 2015 The Kiss 1896 1999 Rip Van Winkle 1896 1995 Corbett-Fitzsimmons Title Fight 1897 2012 Demolishing and Building Up the Star Theatre 1901 2002 President McKinley Inauguration Footage 1901 2000 The Great Train Robbery 1903 1990 Life of an American Fireman 1903 2016 Westinghouse Works 1904 1904 1998 Interior New York Subway, 14th Street to 42nd Street 1905 2017 Dream of a Rarebit Fiend 1906 2015 San Francisco Earthquake and Fire, April 18, 1906 1906 2005 A Trip Down Market Street 1906 2010 A Corner in Wheat 1909 1994 Lady Helen’s Escapade 1909 2004 Princess Nicotine; or, The Smoke Fairy 1909 2003 Jeffries-Johnson World’s Championship Boxing Contest 1910 2005 White Fawn’s Devotion 1910 2008 Little Nemo 1911 2009 The Cry of the Children 1912 2011 A Cure for Pokeritis 1912 2011 From the Manger to the Cross 1912 1998 The Land Beyond the Sunset 1912 2000 Musketeers of Pig Alley 1912 2016 Bert Williams Lime Kiln Club Field Day 1913 2014 The Evidence of the Film 1913 2001 Matrimony’s Speed Limit 1913 2003 Preservation of the Sign Language 1913 2010 Traffic in Souls 1913 2006 The Bargain 1914 2010 The Exploits of Elaine 1914 1994 Gertie The Dinosaur 1914 1991 In the Land of the Head Hunters 1914 1999 Mabel’s Blunder 1914 2009 1 National Film Registry Titles 1989-2017: Listed by Year of Release Year Year
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • San Diego Public Library New Additions June 2009
    San Diego Public Library New Additions June 2009 Adult Materials 000 - Computer Science and Generalities California Room 100 - Philosophy & Psychology CD-ROMs 200 - Religion Compact Discs 300 - Social Sciences DVD Videos/Videocassettes 400 - Language eAudiobooks & eBooks 500 - Science Fiction 600 - Technology Foreign Languages 700 - Art Genealogy Room 800 - Literature Graphic Novels 900 - Geography & History Large Print Audiocassettes Newspaper Room Audiovisual Materials Biographies Fiction Call # Author Title FIC/ABRAMS Abrams, Douglas Carlton. The lost diary of Don Juan FIC/ADDIEGO Addiego, John. The islands of divine music FIC/ADLER Adler, H. G. The journey : a novel FIC/AGEE Agee, James, 1909-1955. A death in the family [MYST] FIC/ALBERT Albert, Susan Wittig. The tale of Briar Bank : the cottage tales of Beatrix Potter FIC/ALBOM Albom, Mitch, 1958- The five people you meet in heaven FIC/ALCOTT Alcott, Louisa May The inheritance FIC/ALLBEURY Allbeury, Ted. Deadly departures FIC/AMBLER Ambler, Eric, 1909-1998. A coffin for Dimitrios FIC/AMIS Amis, Kingsley. Lucky Jim FIC/ARCHER Archer, Jeffrey, 1940- A prisoner of birth [MYST] FIC/ARRUDA Arruda, Suzanne Middendorf The leopard's prey : a Jade del Cameron mystery [MYST] FIC/ASHFORD Ashford, Jeffrey, 1926- A dangerous friendship [MYST] FIC/ATHERTON Atherton, Nancy. Aunt Dimity slays the dragon FIC/ATKINS Atkins, Charles. Ashes, ashes [MYST] FIC/ATKINSON Atkinson, Kate. When will there be good news? : a novel FIC/AUSTEN Austen, Jane, 1775-1817. Emma FIC/BAGGOTT Baggott, Julianna. Girl talk [MYST] FIC/BAIN Bain, Donald, 1935- A slaying in Savannah : a Murder, she wrote mystery, a novel [MYST] FIC/BAIN Bain, Donald, 1935- A vote for murder : a Murder, she wrote mystery : a novel [MYST] FIC/BAIN Bain, Donald, 1935- Margaritas & murder : a Murder, she wrote mystery : a novel FIC/BAKER Baker, Kage.
    [Show full text]
  • 173 a Aberdeen, Richard, 2 Acting Out, 46, 48, 52 Actors and Stars, 85–86
    Index A Peck, Gregory, 68 Aberdeen, Richard, 2 Willis, Bruce, 68 Acting out, 46, 48, 52 Wood, Natalie, 68 Actors and stars, 85–86 Woodward, Joanne, 53 Actors, appeared as therapists Actors, frequently appearing as therapist, Adams, Joe, 65 69- 71 Berry, Halle, 66 Dreyfus, Richard, 69, 70 Cheadle, Don, 66 Peck, Gregory, 70–71 Fonda, Jane, 65 Rogers, Ginger, 69, 70 Gooding, Cuba Jr., 66 Streep, Meryl, 69 Grant, Cary, 65 Streisand, Barbra, 69 Hall, Angela, 66 Wood, Natalie, 69 Hopkins, Anthony, 66 The Adventures of Robin Hood, 83 Lang, Fritz, 65 The African Queen, 87 Merkerson, S. Epatha, 65 Agency, 19 Poitier, Sidney, 65 Aggressiveness, 83, 88, 93, 132 Rashad, Phylicia, 66 Al Capone (1959), 121 Stewart, James, 65 “Alien Nation” (1988), 37, 41 Walker, Robert, 65 Aliens, 5, 31–32, 42 Washington, Denzel, 66 1982 “ET” film, 32 Actors, appeared twice as therapists alien series, 32 Arkin, Alan, 66 for ancient Egyptians and Chinese, 33 Bacall, Lauren, 66 and perennials, 38 Boyer, Charles, 66 All About Eve, 86 Clift, Montgomery, 66 All Quiet on the Western Front, 100 Leigh, Janet, 67 American Dream, 97, 155 Mowbray, Alan, 67 collapse of, 118 Sobel, Dr. Ben, 66 The Godfather, 131 Williams, Robin, 67 and inventor, 165 Actors, appeared as therapist and patient, American Gangster (2007), 117, 145, 158 67–68 American Me (1992), 162 Caine, Michael, 67 “Anatomy Of A Murder” (1959), 47 Coburn, James, 67 Angels With Dirty Faces (1938), 119, 152 Dreyfuss, Richard, 67–68 Anger management, 59–60 Fonda, Jane, 68 Anti-Saloon League, 120 Gere, Richard, 68 “Antwone Fisher” (2002), 53, 66 R.
    [Show full text]
  • Photos Libre De Presse « Musique Et Cinéma : Le Mariage Du Siècle ? »
    Photos libre de presse « Musique et cinéma : le mariage du siècle ? » 7. Tournage de Aimez-moi ce soir (Love Me Tonight, 1931), réalisé par Rouben Mamoulian, avec Maurice Chevalier dans le numéro « Poor Apache » Crédit: Collection Joel Finler et Martin Masheter © Paramount Pictures © Universal Pictures 75. Photographie extraite du film Chronique d'Anna Magdalena Bach, 1968 Crédit: © Straub - Huillet- Films/ BELVA Film 118. Le compositeur Terence Blanchard et le réalisateur Spike Lee: session d’enregistrement d’Inside Man, 2006 Crédit: © Sally Stevens Photography 273. Séance d’enregistrement de la musique du film Le Narcisse noir (Black Narcissus, 1947) de Michael Powell et Emeric Pressburger, avec le London Symphony Orchestra dirigé par le compositeur Brian Easdale Crédit: Collection Joel Finler © The Archers © Carlton International Media 390. Alfred Hitchcock lors du tournage de la séquence du concert à l’Albert Hall, à Londres, dans L’Homme qui en savait trop (The Man Who Knew Too Much, 1956) Crédit: Courtesy of Academy of Motion Picture Arts and Science © Paramount Pictures © Universal Pictures 486. Le compositeur Mychael Danna et le cinéaste Atom Egoyan en 2008, au festival de Gijón. Crédit: Courtesy of Gijón International Film Festival © Photo : Palmira Escobar 487. Photographie de tournage du film A nous deux, réunissant Catherine Deneuve et Claude Lelouch. Crédit: © Films 13 541. Photographie extraite du film Chronique d'Anna Magdalena Bach, 1968 Crédit: © Straub-Huillet- Films/ BELVA Film 836. Photographie extraite du film Chronique d'Anna Magdalena Bach, 1968 Crédit: © Straub - Huillet- Films/ BELVA Film 937. Charles Chaplin dirigeant les musiciens pour l'enregistrement de la musique de son film Un Roi à New York le 21 juin 1957 au Palais de la Mutualité à Paris Crédit: © Rue des Archives/AGIP 1024.
    [Show full text]
  • A Different Ethical Issue in Anatomy of a Murder: Friendly Fire from the Cowboy/Hero
    University of Illinois College of Law Law and Economics Working Papers Year 2007 Paper 78 A Different Ethical Issue In Anatomy of a Murder: Friendly Fire from the Cowboy/Hero Nina W. Tarr∗ ∗University of Illinois College of Law, [email protected] This working paper is hosted by The Berkeley Electronic Press (bepress) and may not be commer- cially reproduced without the permission of the copyright holder. http://law.bepress.com/uiuclwps/art78 Copyright c 2007 by the author. A Different Ethical Issue In Anatomy of a Murder: Friendly Fire from the Cowboy/Hero Nina W. Tarr Abstract The article uses the methodologies associated with law, film, and culture to ex- plore how one of the most famous hero/lawyers allows his personal honor and ego to compel him to engage in unethical and unprofessional conduct. ANATOMY OF A MURDER is frequently used as a vehicle to discuss whether a lawyer vio- lates professional ethics rules when he or she gives a client a hint of the law before getting the facts. The hero/lawyer is played by James Stewart who remains as an icon of the cowboy/lawyer who must defend honor to obtain justice. This arti- cle examines a different scene through a modern lens to uncover domestic abuse, inflated egos, and professional missteps. DRAFT – DO NOT CITE OR REPRODUCE WITHOUT PERMISSION A Different Ethical Issue in Anatomy of a Murder: Friendly Fire from the Cowboy/Hero Professor Nina W. Tarr1 University of Illinois College of Law ABSTRACT Film provides a vehicle for examining the cultural construction of lawyers as heroes, and when viewed through a modern lens, helps us understand how the hero lawyer’s heightened sense of personal honor can result in unethical, unprofessional, or strategic mistakes.
    [Show full text]
  • Of Thetheatre Richard Lester’S
    VOICE Journal of the Alex Film Society Vol. 12, No. 1 May 6, 2006, 2 pm & 8 pm 05/06 of theTHEATRE Richard Lester’s By Jim Elyea In late 1963, A Hard Day’s Night It was one of those serendipitous pairings of the right was intended by United Artists to be done fast and group, The Beatles, and the right director, Richard cheap to exploit the fame of The Beatles in the British Lester. Lester, an American, had worked in England market in the few months before it faded. The idea for many years, first in television, then in films. In behind making the picture was that even if the movie the six and a half weeks of shooting, Richard Lester didn’t do particularly well, United Artists Records defined forever how the world thought of The Beatles. would be able to make a tidy sum on the deal by No matter what else is written about or shown of those issuing the soundtrack album. This was, of course, four lads from Liverpool, it is the characters that we see before their appearances on “The Ed Sullivan Show” in A Hard Day’s Night that are The Beatles to us all. in February of 1964, when they became literally overnight sensations in America. Walter Shenson A documentary style was settled upon, which involved was talked into producing this quickie comedy. When hand-held cameras for much of the shooting, and Shenson then met with director Richard Lester and the using of available light whenever possible. Lester mentioned the idea of the movie to him, Lester literally constantly grabbed the camera, and shot what he leapt on his chair at the Hilton Coffee Shop and said, wanted to at the moment.
    [Show full text]