Index

A Peck, Gregory, 68 Aberdeen, Richard, 2 Willis, Bruce, 68 Acting out, 46, 48, 52 Wood, Natalie, 68 Actors and stars, 85–86 Woodward, Joanne, 53 Actors, appeared as therapists Actors, frequently appearing as therapist, Adams, Joe, 65 69- 71 Berry, Halle, 66 Dreyfus, Richard, 69, 70 Cheadle, Don, 66 Peck, Gregory, 70–71 Fonda, Jane, 65 Rogers, Ginger, 69, 70 Gooding, Cuba Jr., 66 Streep, Meryl, 69 Grant, Cary, 65 Streisand, Barbra, 69 Hall, Angela, 66 Wood, Natalie, 69 Hopkins, Anthony, 66 The Adventures of Robin Hood, 83 Lang, Fritz, 65 The African Queen, 87 Merkerson, S. Epatha, 65 Agency, 19 Poitier, Sidney, 65 Aggressiveness, 83, 88, 93, 132 Rashad, Phylicia, 66 Al Capone (1959), 121 Stewart, James, 65 “Alien Nation” (1988), 37, 41 Walker, Robert, 65 Aliens, 5, 31–32, 42 Washington, Denzel, 66 1982 “ET” film, 32 Actors, appeared twice as therapists alien series, 32 Arkin, Alan, 66 for ancient Egyptians and Chinese, 33 Bacall, Lauren, 66 and perennials, 38 Boyer, Charles, 66 All About Eve, 86 Clift, Montgomery, 66 All Quiet on the Western Front, 100 Leigh, Janet, 67 American Dream, 97, 155 Mowbray, Alan, 67 collapse of, 118 Sobel, Dr. Ben, 66 The Godfather, 131 Williams, Robin, 67 and inventor, 165 Actors, appeared as therapist and patient, American Gangster (2007), 117, 145, 158 67–68 American Me (1992), 162 Caine, Michael, 67 “Anatomy Of A Murder” (1959), 47 Coburn, James, 67 Angels With Dirty Faces (1938), 119, 152 Dreyfuss, Richard, 67–68 Anger management, 59–60 Fonda, Jane, 68 Anti-Saloon League, 120 Gere, Richard, 68 “Antwone Fisher” (2002), 53, 66

R. W. Rieber and R. J. Kelly, Film, Television and the Psychology 173 of the Social Dream, DOI: 10.1007/978-1-4614-7175-2, © Springer Science+Business Media New York 2014 174 Index

Apocalyptic fear, 87, 88 Cagney, James, 117, 118, 119, 121, 128, Archie Bunker, 132 132, 133, 151, 152, 154 Arkin, Alan, 46, 66 Caine, Michael, 27, 61, 67 Austin Powers, 91 The Caine Mutiny, 81 Autobiographical intelligentsia, 157 Camera obscura, 2 Automatism, 3 Captain Blood (1939), 87 Avatar (2009), 40 The Captive Mind, 105 Career ladder concept, 49 Carlito’s Way, 152–153, 154 B Carmen, 10 Avatar 2, 42 Carrie (1976), 22 “Baby Face Nelson,”, 120, 148 Casablanca, 86, 87 Bacall, Lauren, 66 Casino (1995), 124, 156 Ballet, 17 Casino Royale, 89, 92, 93 “The Bank Dick” (1940), 47 Celebrities and glamour, degraded underside Batman, 79, 87, 93 of, 108–109 Batman, 83, 99 The Jerry Springer Show, 108 “Batman Forever,”, 75 The Ship of Fools, 108 “Battle Los Angeles,”, 42 Celebrity as commodity entrepreneurs, Battleship, 42 109–111 Beat the Devil, 87 Celebrity culture, 103, 104, 108, 109, 110, Bellamy, Ralph, 58, 73 112 “Benny and Joon” (1993), 65 Celebrity types, 107–108 The Bifurcation of the Self, 21n2 Celebrity Wife Swap, 110 Big city, crime fighting, 153–154 Celebrity worship, 105–106 Carlito’s Way (1993), 152, 154 Amateur Hour, 106 The Big Sleep (1946), 170 American Idol, 106 The Blue Angel (1930), 27 Graham, Billy, 106 “Bob and Carole and Ted and Alice” (1969), Wayne, John, 105 68, 69 Central Intelligence Agency (CIA), 79 Bogart, Humphrey, 23, 86, 87, 118, 121, “Charley’s Aunt” (1941), 47 132, 151, 154 Chicano cinema, 161 Bond, James, 79, 80, 82, 84, 86, 87, 91, Children of Men (2006), 26 94, 96, 156, 167 Chimeras, 41, 166 Bond films, 79, 89, 90, 92, 98, 99, 100, 104 Cinema, 1 Bonding and bondage, captive audience and canny use of technique, 2 long distance spying, 92–93 and consciousness, 6 Bourne films, 79, 84, 89, 90, 92, 96, 98, dream language, 13–15 100, 104 early psychological views in, 3–4 The Bourne Identity (2002), 91 flashbacks and evoking memories, 9 Bourne Ultimatum, 94 hypnotizer, 11 Boyer, Charles, 57, 66 Munsterberg on, 4–5 “Brainstorm” (1983), 68, 69 psychological component, 8–13 Brave New World, 25, 110 techniques, 7, 8 Brave New World Reinvented, 110 Cinema, apocalyptic change and, 87–88 Breaking Dawn, 24 Cinema and surrealism, 16, 19, 24 The Brotherhood of Evil (1959), 122 Cinematography, 3, 92, 124, 155 Bullets or Ballots (1936), 151 Circus, 18, 90 Bunuel, Luis, 2 Citizen Kane (1941), 86, 165 “The Butcher’s Wife” (1991), 64 Civil War, 23, 119 Clift, Montgomery, 46, 66 C Close Encounters of the Third Kind (1976), 38 The Cabinet of Dr. Caligari (1919), 27, 49, The Clown and the Automaton, 35, 1987 60, 171 Cobb, Lee J., 51, 52, 66 Index 175

Coburn, James, 67 Depression, 20, 65, 127, 132, 135, 151 Cognition, 14, 19, 112, 167 Desire, 17, 18, 61, 67 Cold Lazarus (British TV movie), 36, 167 Detective, 169–170, 173 Cold War paranoia, 32, 40, 79, 80, 83, 87, Diagnostic and Statistical Manual of Mental 91, 93, 98, 167, 168 Health (1980), 21 Collective representations, 2 Diary of a Mad Housewife (1970), 28 Collective unconscious, 2, 2n1 Directors Comic therapists, 55–57 Allan, Woody, 71–72 “Analyze That” (2002), 56 Cronenberg, David, 71 “Analyze This” (1999), 56 De Palma, Brian, 71 “Bringing Up Baby” (1938), 55 Lynch, David, 71 “The Couch Trip” (1987), 56 Mazursky, Paul, 71–72 “The Front Page” (1931), 55 Polanski, Roman, 71 “High Anxiety” (1977), 56 Scorsese, Martin, 71 “Return of the Pink Panther” (1975), 55 Warhol, Andy, 71 “Straight Talk” (1992), 56 Woodlawn, Holly, 71 “Three On A Couch” (1966), 56 Dirty Old Men, 87 “West Side Story” (1961), 55 Discs, 17 “What A Way To Go!” (1964), 55–56 Discursive languages, 13, 14 Communism, 80, 105, 169 “District 9” (2009), 37 Computer applications, 75 DNA invention, 33, 79 Consciousness, 1, 33, 81, 113, 171 Dr. Dippy’s Sanitarium (1906), 27 and cinema, 6, 9, 14 Dr. Donovan’s Brain, 41–42 Consciousness Industry, 160 Dr. Jekyll and Mr. Hyde (1931), 22 Corey, Wendell, 73 Dr. Mabuse (1922), 27, 60, 65 Cornwell, John, 80 “Dr. Strangelove” (1963), 47 Costello, Frank, 97, 144, 154 Donnie Brasco (1997), 124, 156 “Cowboys and Aliens,”, 42 Dracula, 32, 40, 41 Cowie, Elizabeth (film scholar), 2 Dream language, 13–14, 15 “Crazy People” (1990), 64 Dream research, 74 Crime and social mobility, 97 Dreaming Crime family, 94n1, 97, 122, 123, 126, 129, act of, 14 130, 134, 154 and films, 15 The Criminal Hypnotist (1908), 27 and money, 15–16 Criminal representations, 148 Dreams That Money Can Buy, 15–19, 171 crime films, 148 images from, 6f Hitler, Adolph, 148 wax mannequins from, 3f “Public enemy”, 149 The Dreams That Money Can Buy (1947), 16, Robin Hood”—type criminals, 149 17, 18, 19 Cult of the movie star, 108 Dressed to Kill (1980), 27, 61, 67 Cultural nostalgia of nationhood, 98 Dreyfuss, Richard, 67, 69, 70 Silent Fall” (1994), 68 What About Bob?” (1991), 67 D Whose Life Is It, Anyway?” (1987), 67 Dali, Salvador, 2, 24, 28 Drug Enforcement Agency, 159 “A Dangerous Method,”, 46 The Drummer Girl, 93 “The Darkest Hour,”, 42 Darkness at Noon, 105 David and Lisa, 28 E The Day of the Triffids (1963), 39 Early gangster films and their legacies, The Day the Earth Stood Still, 25, 32 150–151 “Dead Man Out” (1989), 54, 65 Little Caesar (1930), 151 Delaney, Robert, 122 The Musketeers of Pig Alley (1912), 150 The Departed (2006), 117 The Public Enemy (1931), 151 176 Index

The Racket (1928), 150 “Don Juan De Marco”, 54 The Regeneration (1915), 150 “Don’t Say A Word”, 53 Scarface: The Shame of the Nation (1932), “The Exorcist”, 54 151 “Secrets of a Soul”, 53 Underworld (1927), 150 “The Sixth Sense”, 54 Eccentric therapists, 58–60 Extraterrestials in film, 25, 31, 32, 33, 38, “Anger Management” (2003), 59–60 39, 40, 42, 43, 115 “Carefree” (1938), 58 “Dead Again” (1991), 59 “End of the Road” (1970), 59 F “Lady in the Dark” (1944), 59 Fallen Skies, 42 “Penelope” (1966), 59 Farewell, My Lovely (1942, 1944 and 1975), “The Seven Year Itch” (1955), 59 170 Edison’s kinescope, 2 Fear Strikes Out (1957), 28 Eisenstein, Sergei (Russian director), 11, 12, Film 79 animosity and suspicion, 37 Emotional engineering, 144, 155–158 masterful hypnotizer, 35–36 Emotions, 2, 19, 20, 23, 132, 169, 171 Film and television, gangster genre in, 133 and Communism, 80 Film & the Dream Screen A Sleep and a emotion pictures, 6, 11, 12, 28 Forgetting (Eberwein), 15 emotional behavior, 167 Film archetypes/stereotypes, 165 emotional contagion, 28 detective, 169–170, 171 emotional control, 128 inventor, 165–167 emotional development, 161 warrior, 167–169 emotional education, 74 Film authenticity and censorship, 94–95 emotional learning, 72 Film censorship, 151–152 emotional well-being, 133 Film language, 15, 80–81 and minds, 14 Film stars as celebrities, fantasy building, 103 Munsterberg’s theory of film, 5, 12 Film techniques, 7–8 “End of the Road” (1970), 59, 65 close-up, 7, 8 Enemy composition, 7 defines hero, 89 cut-back, 8 definition, 89–90 depth, 7–8 and hero, 84–85 movement, 7 nature of, 84 Film versions of psychologists, 26–28 Entertainment, 1, 3, 72, 74, 83–84, 98, 99, Fireworks (1947), 15 103, 111 A Fistful of Dollars (1964), 23 in political theater, 113, 162 Fleming, Ian, 88, 94, 96, 167 Environmental Protection Agency, 159 Flesh of the Morning (1966), 16 Ethnic purity, 94n1 Folklore d l’Americaine, 17 Evil therapists, 60–61 Fonda, Jane, 65, 68 “The Amazing Dr. Clitterhouse” (1938), 60 Foolish therapists, 61–62 “The Cabinet of Dr. Caligari” (1919), 60 “The Caine Mutiny” (1954), 62 “Dressed to Kill” (1980), 61 “A Couch in New York” (1995), 62 “House of Games” (1987), 61 “Dead of Night” (1946), 61 “Nightmare Alley” (1947), 60–61 “Desire” (1936), 61 “Silence of the Lambs” (1991), 61 “If Lucy Fell” (1995), 62 “The Testament of Dr. Mabuse” (1941), 60 “Love Happens” (2009), 62 Exceptional therapists, 53–55 “Sex and the Single Girl” (1964), 62 Awakenings”, 54 “That Touch of Mink” (1962), 62 in The Cell, 53 For a Few Dollars More, 23 consention approach, 53 Foreign Affairs, 160 “Dead Man Out”, 54 Frankenstein, 25, 32, 40, 41, 166, 167 Index 177

French films, 49, 63 “Greening of America”, 64 Freud, Sigmund, 45, 46, 58, 66 “Guys and Dolls” (1955), 47 and cinema, 3 uncanny, 3 Friday the 13th, 25 H From Caligari to Hitler, 26 Hamlet (Shakespeare), 1 From Russia with Love, 82 Handmaid’s Tale (1990), 25–26 From Russia with Love (1953), 168 “Harvey” (1960), 47 From Russia with Love (1963), 168 Hays Production Code, 151 Functional illiteracy, 111 Heavy motifs, 1 “Fury” (1936), 65 Heroism, myths of, 98–99 “The Fury” (1981), 71 H. Munsterberg and film. See Munsterberg on film Hollywood, 114 G as America’s star theater, 86–87 Gangster movies, 120, 124, 133, 137, 151 ethos and style of, 83–84 and women, 132 and film factories, 15 Gangsters and new underworld, 128–131 Hollywood and television, impact on under- Gere, Richard, 57, 68 world, 122–124 Gestalt pattern, 14 Bonanno Crime Family, 123 The Girl with the Prefabricated Heart, 17 gangster films, 123 The Girl with the Pre-Fabricated Heart, 18 Hollywood and war, 98, 99, 103, 148, 170, Global crime to American suburbs, 131–133 171 Globalization, 93–94 Homeland Security, 159, 160 G-Men (1935), 119, 151, 158 The Honeymooners, 132 God, 38, 39 Honor Thy Father (1990), 125 Godfather provenance, 96–97 How Green was my Valley, 97 Godfather, The, 86, 94, 95, 96, 97, 132, 134, 148, 154, 155 dramatic American Dream, 131 I time span of, 129 I Remember Mama, 97 Godfather, The, Part II (1974), 123, 127, I Walk Alone (1948), 152 128, 129 “The Impossible Years” (1968), 68 psychological impact, 123 Impression management and public behavior, terms for act on murder, 127 154 Godfather, The, Part III (1990), 124, 130 “In Treatment” (2008-2010), 74 standout characters, 130 “Inception,”, 75 Godfather Trilogy, The, 118, 129, 133, 135, Independence Day (1996), 42, 114 158 Indian films, 49 and the Sopranos series, 124–128 Inflation (1927-1928), 16 Godzilla, 25 “Inside Daisy Clover” (1966), 68, 69 Golden Age of psychiatry in the cinema, 28 “Instinct” (1999), 66 Goldwyn, Samuel, 3 Interview with a Vampire, 24 Gomadas (girlfriends of their husbands), 134 Invaders from Mars (1953), 36 Gone With the Wind (1939), 118, 136 The Invasion of the Body Snatchers (1956), 39 Good Shepherd, 83, 96 Inventing society, 81–82 The Good, the Bad and the Ugly (1966), 23 Inventor, 165–167 Goodfellas, 124, 128, 132, 135, 146, 148, Ironman, 23 154 “It Conquered the World” (1957), 37 “Gothika” (2003), 58, 66 “It Happened One Night” (1934), 46 Gotti, John, 122, 123, 154 Italian life, 49 Great Depression, 148 Italian-American Civil Rights League, 95, 97 economic depression, 117, 118, 120, Italian-Americans, 94, 95, 98, 118, 143 149, 151 178 Index

J Marnie, 48 JFK, 103, 104, 156, 157 Mass media and law enforcement, 147 Jud Süss (1940), 12 The Matrix and the Matrix Reloaded, 109 Julius Caesar, 81 Mean Streets, 97–98, 156 Junk politics, 112–113 Meet Me in St. Louis, 97 Memory, 1, 2, 5, 6, 8, 9, 11, 15, 19 “Men in Black (1997), 32 K Mental illness and films, 41, 45, 46, 47, 48, Kefauver Commission, 121 49, 51, 63, 65, 71, 73, 74, 75 King Lear, 86 Meshes of the Afternoon, 16 The Kingdom (2007), 169 Metropolis, 167, 169, 171, 173 Kiss Me Deadly (1955), 170 Metropolis (1926), 34 “Klute” (1971), 65, 68 Metropolis (1927), 27, 34 Miller, George, 34, 35, 40 Mills, C. Wright, 108, 110 L A Mind That Found Itself (Beers), 47 La Cosa Nostra (LCN), 118, 120, 121, 123, “Ministry of Fear” (1944), 65 129, 132, 143, 153, 157, 158, 160 “Ministry of Fear” (1945), 60 Ladd, Alan, 121 Mrs. Minniver, 86 The Last Mafioso (1981), 122 Misogyny in films, 89–91, 126, 135 L-DOPA, 54 Mission Impossible series, 84, 167, 169 Le Carre, John. See Cornwell, John Mob movies, 127, 138, 144, 151, 153 Legion of Decency, 151 mafia’s monopoly of, 155–158 Leigh, Janet, 56, 67 Modern cinema, 123 Leitmotif (cinematic techniques), 1 and psychoanalysis, 3 Let the Right One In, 24 Molls, mamas, and “goomadas,”, 134–135 Little Caesar (1930), 118, 151 “The Monster’s Ball” (2001), 66 Little Shop of Horrors (1960), 39 The Montage of Attractions (Eisenstein), 12 Logan’s Run (1976), 25 Moral geography, 114–115 “The Love Lottery” (1954), 68 Motion picture technology, 75 The Loved One (Waugh), 104 Movie-Made America (Sklar), 12 “Lover Come Back” (1961), 46 Movies, types of therapy in, 49f “Lovesick” (1983), 58, 68 Movies: A Psychological Study, 19 Lumieres brothers, 3 Mowbray, Alan, 61, 67 Luther, Dr., 66 Muni, Paul, 118, 132, 151 Munsterberg on film, 4–5 actual projection of mind, 5 M emotion and inner venture, 5 “Mad Love” (1995), 66 tackling subject, 5 The Mafia, 95–96, 117, 121See also theory of film, 5 Organized crimeThe Maltese Falcon, The Musketeers of Pig Alley (1912), 117, 150 86, 87, 169 “My Son John” (1952), 65 The Man from Planet X, 36 The Man in the Moon in Santa Claus’ Busy Day, 34 N The Man in the Moon Seeks a Wife, 34 Nacirema, 104 The Man Who Was Thursday: A Nightmare, Narcissus, 18 167 Narcissus, Joe, 17, 18 A Man Without Qualities (1942), 88 Neuroscience, 74 “The Manchurian Candidate” (1962), 65 New American gangsters and media, 160–162 “Manic” (2001), 66 New Jack City (1991), 152, 158 Manvell, Roger, 6, 8, 10, 11, 22, 26, 166 New Moon, 24 Mara Salvatrucha, 13, 160, 161 The New York Times, 160 Index 179

Nihilistic relativism, 99–100 The Godfather Trilogy, 135 Nondiscursive languages, 13, 14 Golden Girls (TV series), 136 “Nuts” (1987), 68, 69 Gone With the Wind, 136 Lawrence of Arabia, 136 “managerial revolution,”, 137 O Reality TV, 138 Office of Special Services (OSS), 79 The Sopranos, 135 Omerta, 126, 143, 145, 154 The Untouchables, 136 “On A Clear Day You Can See Forever” Wiseguy, 136 (1970), 68, 69 Political theater, essential skill in, 113 On the Waterfront (1954), 86, 121, 129, 152 Popular culture, influences on, 143–147 Once Upon a Time in the West (1968), 22 American Gangster (2007), 145 One Flew Over the Cuckoo’s Nest (1962), 27 crime families, 143 One Flew Over the Cuckoo’s Nest (1975), McCarthy Hearings, 144 46, 63 political/criminal nexus, 144 Opium of the Intellectuals, 105 Reagan, President, 144 Ordinary People (1980), 28, 52 The Wire, 144–147 Organized crime, 117See also Hollywood; Post-World War I films, 48, 118, 120, 148, Hollywood and television, impact on 151, 171 underworld; Hollywood and waron Post-World War II films, 52, 120–121, screen, 117 129–130, 148, 152–153, 170 war on crime, 158–159 Potemkin, 87 Orpheus (1950), 20 “The President’s Analyst” (1967), 35, 67 Orwell, George, 25, 110 “Pressure Point” (1962), 65 Our Man in Havana, 87 Pretty Boy Floyd, 120, 148 Outer space in cinema, 32, 33, 38, 39, 43 “The Prime Minister,”, 154 The Oxbow Incident (1943), 22 Prime Minister of the Underworld, 97 Processes of perception and attention, 5 Professional wrestling, 106–107 P Greco-Roman wrestling, 106 “Padrino” (boss), 123 Wall Street, 107 Page to stage and studio, 81 Prohibition era, 119–120 Passive position, 2 Projection, 48, 123, 136 The Pathos of Power: A Psychological Psychiatric content on television, 73–74 Perspective, 38 “The Breaking Point,”, 73 Payne Fund Studies, 72 “Celebrity Rehab,”, 74 PBS (Public Broadcasting system), 160 “The Eleventh Hour,”, 73 Peck, Gregory, 68, 70–71 “Road to Reality,”, 73 “Penelope” (1966), 59, 60, 69 Psychiatry and movies, 45–48 Perception, 5, 6, 8, 11, 15, 17, 19, 71, actors and roles, 64–66 147 actors appeared twice as therapists, 66–68 Persona (1966), 20 approaches to treatment, 49–51 Phenakistoscope, 2 patients revolting of, 63–64 The Photoplay: A Psychological Study, 4 study design, 48–49 Picture-test, 4 therapists, kinds of, 51–62 Plot structures and dramatic themes, 135–138 Psychiatry and the Cinema (Gabbard and All in the Family (TV series), 136 Gabbard), 28 Boardwalk Empire (HBO series), 136, 137 Psychiatry-related films in learning, 72, 73 Dr. Zhivago, 136 Psycho (1960), 22, 49 Everybody Loves Raymond (TV series), Public Enemies (2009), 148, 149, 159 136 Public Enemy #1, 120 A Family Guy, 136 Public Enemy, The (1931), 118, 151 The Godfather, 136 Public Enemy, The (1932), 133 180 Index

Q “The Dark Past” (1948), 51 Quantum of Solace (2008), 89, 92, 169 “Good Will Hunting” (1997), 53 “The Quatermass Experiment” (1955), 37 “Mine Own Executioner” (1947), 52 “The Snake Pit” (1949), 52 “The Three Face of Eve” (1957), 52 R “The Seven Per Cent Solution” (1976), 46, 66 Raging Bull, 156 The Seven Samurai (1959), 87 Rains, Claude, 67, 72 “Sex and the Single Girl” (1964), 62, 68, 69 Rarified movements, 19 Sexual innuendo and misogyny, 89–91 “Red baiting,”, 80 Circus, 90 Repression, 48 Sexual liaisons, 99 Reservoir Dogs (1992), 148 Sexuality, 19, 79 Revolting patients, 63 Shadow cinema, 161 “Bedlam” (1946), 63 Shaft, 99 “Going Places” (1974), 63 “She’s Gotta Have It” (1986), 65 “The King of Hearts” (1966), 63 Show business, 103- 105 “Marat/Sade” (1967), 63 Sicilian Mafia, 123 “One Flew Over the Cuckoo’s Nest” The Silence of the Lambs (1991), 22, 46, 61 (1975), 63 Silent Spring (Carson), 39 “Outrageous” (1977), 63 Sinatra, Frank, 96, 144 Richard III, 86 Sleeping and waking, 14 RICO (Racketeer Influenced and Corrupt Smallville (TV series), 38 Organizations), 117, 158 SMERSH, 156 Ride the High Country, 86 Sobel, Dr. Ben, 56, 66 The Rise and Fall of Legs Diamond (1960), Social dreams, 15, 19–23, 26, 32, 103, 128 138, 157, 159, 167, 169, 171 The Road (2009), 26 Soprano, Tony, 73, 125, 131, 133, 137, 155 Robin Hood (1938), 87 Sopranos, The, 125, 126, 132, 133, 134, “Robin Hoods,”, 120 135, 154 Robinson, Edward G., 60, 117, 118, 121, cable series (1999-2007), 73, 121 132, 151 subcultural heritage of mobsters, 131 Rockefeller Foundation, 72 terms for act on murder, 127 Rocky, 79, 84, 86 violence, 127 Rollerball (1975), 25 Soul of a Popular Culture, 24 RON (Reality or Nothing), 167 Soylent Green (1973), 26 Rural bandits, 148, 149 2001: A Space Odyssey, 25 Ruth, Roses and Revolvers, 17 Specter, 82 SPECTRE (Special Executive for Counterintelligence Terrorism, S Revenge, and Extortion), 91, 168 Sayonara, 86 Spellbound (1945), 24, 27, 68, 71 Sammy (The Bull) Gravano, 122, 123, 154 Spiderman, 23, 79 Scarface (1932), 118, 119, 123, 151, 155, “Splendor in the Grass,”, 68, 69 157 The Spy, 92, 93 Scarface (1983), 128, 148 The Spy who Came in From the Cold(1955), Schizophrenia, 19 83, 87, 88 Science fiction films , 23, 25, 32, 75See also The Spy Who Came in From the Cold (1965), Aliens; Extraterrestials in filmSecrets of 92 a Soul (1926), 27, 53 Star Trek: The Next Generation, 40 Self, 19, 20, 69, 117 Strangers On A Train (1951), 65 Selling thrills, 82–83 Streep, Meryl, 68, 69, 70 Serious therapists in, 51–53 A Street Car Named Desire, 86 “Blind Alley” (1939), 51 Studies on Hysteria (Freud and Breuer), 3 Index 181

Superman, 23, 37, 38, 39, 79, 83, 87, 93 The Twilight, 24, 41 Swaggi, Vincent, 122 Swedish films, 24, 48, 49 Sweetwater, 22 U Sybil, 20, 21 Un Chien Andalou, 2 Uncanny, 2, 3, 62, 96 Unconscious urges, 18 T United Nations Office for Outer Space Affairs, Talking cure approach, 49 43 Tear jerkers, 170 The Untouchables (1987), 148, 155 The Technique of Film Editing (Reisz), 10 Techno-paranoia, 166 Television, 56, 64, 111–112 V gangster genre in, 133 Van Bibber’s Experiment, 4 Hollywood and, 122–124 Vietnam War, 129, 156 psychiatric content on, 73–74 post-Vietnam War, 91 Temperance Movement, 120, 137 Visionary Films (trance films), 15 That Touch of Mink” (1962), 46, 62 “The Visit” (2000), 66 Thatcher Memorial Library, 166 Volstead Act, 119 The Terminator (1984), 38 von Daniken, Erich, 34 “The Thing” (1951), 37 Therapists, kinds of, 51 comic therapists, 55–57 W eccentric therapists, 58–60 War Mart, 92 evil therapists, 60–61 The War of the Worlds (Welles), 34, 36, 37 exceptional workers, 53- 55 Warrior, 165, 167–169 fools, 61–62 Wax mannequins, 3f serious therapists, 51–53 White Heat (1949), 121, 128, 133 troubled therapists, 57–58 The Wild One, 86 This Island Earth (1955), 36 Williams, Robin, 53, 54, 59, 67 The Three Faces of Eve (1957), 28, 68 The Wire, 144–147 “Three Faces of Murder,”, 35 African-American ghetto experience, 146 Thunderball (1965), 91, 168 loss of integrity, 146 Tinker Tailor Soldier Spy (Le Carre), 88, 93 single mothers, 145–146 To Kill a Mockingbird, 97 Wiseguy, 123, 127, 132, 136, 154, 155 Tomorrow Never Dies, 93 The Wolf Man (or Werewolf), 40, 41 Touch of Evil (1958), 170 Women in underworld, 132, 134–135, 138, Treachery and espionage, pre-history of, 145, 146 79– 80 The Treasure of Sierra Madre (1948), 23, 87 Triumph of the Will (1935), 12 World War II and aftermath, 49, 120– Troubled therapists, 57–58 121See also Post-World War II filmsY “American Gigolo” (1979), 57 “You Can’t Take It With You” (1938), 47 “Final Analysis” (1992), 58 You Only Live Twice, 82 “The Flame Within” (1934), 57 “Gothika” (2003), 58 “Lovesick” (1983), 58 Z “Oh Men, Oh Women” (1957), 57 Zeitgeist, 37–38, 41 “Private Worlds” (1934), 57 Zorro, 83 “Shrink” (2009), 58 “Sleeping Tiger” (1954), 57 “Tony Draws a Horse” (1951), 57 True Blood, 24